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Beyond The Ayeni Name…Will Adaobi Alagwu Save Her Child From Future Disgrace?

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Beyond The Ayeni Name…Will Adaobi Alagwu Save Her Child From Future Disgrace?

– How A Mother’s Greed May Ruin Her Daughter’s Life (Video)

By Ifeanyi Okonkwo

 

 

There is a virtue, Adaobi Alagwu probably presumes, in being brazen, thus her inclination to place on parade her infant child, Omarosa’s murky roots. Only a mother afflicted by insolence and lack of shame would soullessly jeopardise her daughter’s self-esteem by forcing the paternity of an unwilling father on her.

 

 

In the wake of billionaire magnate, Tunde Ayeni’s decisive rebuttal of Alagwu’s claim that he is the father of her child, more posers have been raised concerning paternity fraud.

A recent post by a social media commentator condemned Ayeni’s bid to stop Alagwu from using his name for her daughter, arguing that he would fail in his bid. He said, “Anybody can bear any name he or she likes, provided you’re not impersonating anyone. A female child cannot be said to be impersonating Mr Ayeni simply by having the same surname with him.” Whilst this position might be convenient for people who might have a jaundiced perspective to the enormity of the implications of such a rejection as AdaObi and her daughter have faced, the question to ask is who in their right senses would keep a name that will be a constant reminder of their mistakes and humiliation. If AdaObi had as much any sense of self-worth would she have insisted on acceptance as she has for her daughter from a man so unwilling and so detesting of her that he’s willing to go to any lengths in proving his disapproval and rejection of them both?

Why is it okay to force an unwilling man to take responsibility for a child that was forced on him when all accountability should be with the 31-year-old single lady who out of greed jeopardized her future to keep an unwanted pregnancy for a married man?

It would be recalled that Tunde Ayeni wrote the Nigerian Immigration Service (NIS), recently, asking it to void any international passport presented by his estranged girlfriend and Abuja lawyer, Adaobi Alagwu and her child, bearing his name.

Declaring any such document illegitimate, Ayeni, speaking through his lawyer, Dele Adesina (SAN) established that Alagwu’s daughter isn’t entitled to the use of his name on her travel document as he has no familial relationship with her.

Ayeni disclosed this by copying the NIS a “Cease and Desist” legal notice he sent to Alagwu entitled, “Withdrawal of Consent for Use of the Family Name ‘Ayeni’ With Respect To Your Daughter Omarosa.”

Ayeni’s recent step was informed by Alagwu’s adoption of his name on her daughter’s international passport even after a DNA test had established that she wasn’t Ayeni’s child. His letter to the NIS follows the recent arrest and detention of Alagwu for trespassing on and breaking into his private property in Abuja.

The duo has been entangled in a battle of wits that has seen Ayeni issue multiple press statements to refute claims of paternity of Alagwu’s child.

In her desperation to get hooked on the billionaire magnate and former bank chief, Alagwu fabricated a plot to get pregnant by him and, so doing, implant herself and her child as beneficiaries of his estate.

Alagwu, a trained attorney, was misled by the belief that she had the upper hand on Ayeni. She thought she had him by the balls.

Like all frantic liars, she thought she had gained a victory over Ayeni simply by claiming that she was pregnant for him and her baby girl belonged to him (but she was mistaken).

Her adoption of his name for her daughter, Omarosa has been dismissed as a last-ditch resort as she struggles to hold on to her ex-billionaire boyfriend who was until recently her benefactor and family’s meal ticket.

To underscore how bad the menace of such desperate girls is, a cursory look at her company website reveals the same address as the one from which she was humiliatingly ejected by Ayeni.

Pundits aver that if she had truly been gainfully employed as she claimed – since she fell out with Ayeni – her company address ought to have changed both online and offline.

Her so-called company website has no meaningful indicator of how business clients could reach her. There are no markers on the website detailing or establishing her presence as the administrator or CEO of a thriving enterprise, contrary to her claims.

What this translates to is that she (Alagwu) has no viable source of livelihood and has always been completely dependent on Ayeni.

Only a woman bereft of self-respect and shame would carry on so, without a care in the world about how badly her lack of a decent livelihood rubs off on her.

As Alagwu deploys every wile and weapon in her arsenal to fight her way into Ayeni’s household, not a few people have advised her to desist from what is a wild goose chase. But she is undeterred.

If she won’t care what becomes of her name, at least she ought to be concerned about the implications of her actions for her innocent daughter, Omarosa.

If anything, Alagwu must be wary of mortgaging her daughter’s interest in her frantic bid to settle scores with her estranged lover, Ayeni. Even if she enjoys the inalienable right to adopt any name of her choice, including Tunde Ayeni’s, for her daughter, the onus rests on her to listen to the voice of reason and embrace moral rectitude by protecting her daughter from certain ignominy and shame of answering to the name of a man who publicly rejected her.

And to those goading her into believing in her lies that he paid her bride price and his wife is the architect of this rejection, it is unimaginable how twisted they are in their thinking. Hanging on to the last straws of desperation, they look away from the obvious display of rejection from Mr Ayeni, a man married for 30 years and experienced in the ways of life enough to convince his wife and friends he will go to any length to erase Adaobis existence.

If it wasn’t his making why didn’t he publish a disclaimer? The man wants Alagwu to feel the full weight of his rejection by placing his wife in front of him and arming her with the authority to denigrate Alagwu and make her face the folly of bringing nothing to the table except a fair complexion in comparison to his established wife.
How does she think her daughter would feel when she grows up and finds out that her mother had forced upon her, the name of a man who went to great measures to denounce her?

It’s about time Alagwu embraced caution and silenced her ego, lest she becomes a sad, cautionary tale. For most of history, one essential, immutable difference between men and women was that men could hide the fact that they had created a child and women could not. Pregnancy and childbirth showed the world who the mother was; paternity could only be assumed.

New parents are often told how much their babies look like the father. The research on whether most do or do not is ambiguous, but the fancy persists, in part because, consciously or unconsciously, people think that emphasising the resemblance will set a man’s mind at ease, thus fortifying the paternal bond.

Fortunately for Ayeni, he refused to be misled by such a wanton appeal to sentimentality. As Nara Milanich, a professor of history at Barnard College, writes in her solidly researched and enlightening new book, “Paternity: The Elusive Quest for the Father” (Harvard), a “common metaphor invoked by nineteenth-century jurists was that Nature had concealed fatherhood by an impenetrable veil.”

Thanks to science, the DNA test to be precise, Tunde Ayeni was able to penetrate that mythical veil to establish the convoluted plots of his estranged girlfriend, Alagwu’s paternity fraud.

Until recently, that veil was often a source of frustration, leading to domestic doubts and irresolvable courtroom conflicts. Literature gives us many a husband driven half-mad by the suspicion that his child is not the fruit of his loins, as is King Leontes, in “The Winter’s Tale,” and women who deceive their husbands on this score, like the wife in Maupassant’s story “Useless Beauty,” who tells her husband that one of their seven children isn’t his, but won’t say which.

Paternal unknowability, however, was also enormously useful. Many legal traditions around the world, including the Anglo-American one, adhered to the marital presumption of legitimacy at least until the twentieth century: a child born to a married woman was considered to be the biological progeny of her husband. (A child born to an unmarried woman was, Milanich writes, “historically deemed a filius nullius, a child of nobody.”) Milanich tells the story of a man named Remo Cipolli, who, in 1945, sued his wife, Quinta Orsini, for adultery, and sought to deny paternity, after she gave birth to an infant who appeared to be black. Cipolli and his wife, who were both white Italians, lived in a small town near Pisa, where several African-American soldiers had been stationed at the end of the Second World War.

The case became notorious—the baby was known as “the little Moor of Pisa.” In the end, although a civil court found Orsini guilty of adultery, it also concluded that her husband, Cipolli, was legally the baby’s father.

Thanks to science, Ayeni would experience no such embarrassment and heartache through paternity fraud.

In all of these, the fate of one human element hangs in the balance, that of Alagwu’s innocent young daughter. And her salvation, interestingly lies in Alagwu’s hands. Will Adaobi Alagwu quit barking up the wrong tree? Will she desist from her wild goose pursuit and so doing save her innocent daughter from immediate and future disgrace?

 

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RE NATIONWIDE HARDSHIP PROTEST: A TIMELY WARNING

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THE ISRAEL OF SHAITAN

RE NATIONWIDE HARDSHIP PROTEST: A TIMELY WARNING. 

 There is nothing wrong with a peaceful demonstration and a lawful legitimate protest. What is unacceptable is a premeditated attempt by a group of faceless individuals who are on the payroll of subversive elements to destabilise the country and incite people to violence and carnage.
RE NATIONWIDE HARDSHIP PROTEST: A TIMELY WARNING. 
That is what this so-called #nationwidestrike that they have labelled as the #endbadgovernanceprotest is all about. Worse still there is a covert and subterranean attempt to provoke the security forces to open mutiny and rebellion against constituted authority and thereby truncuate our democracy.
 Those that are behind it are attempting to take advantage of the undoubtedly enormous economic challenges in the land to create panic, fear, chaos and mass unrest with a view to provoking anarchy, mayhem and armed insurrection.
 This is unacceptable and no responsible Government will sit back and allow it to happen. I urge those that are behind this surreptitious, subterranean and sinister subterfuge to have a rethink and not spark off a reaction from the security forces that they will later regret.
 We do not want or need a nationwide #endsars-like round of protests and neither can we afford the attendant violence, strife, division, damage to property and bloodshed that comes with it.
 The way forward is to put off the protest, exercise patience, enter dialogue with the Federal Government and express our collective concerns in a lawful, restrained, responsible and legitimate manner. Anything outside of that will be dangerous and counter-productive.
 (FFK)

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Billionaire kidnapper: Untold story of Henry Odenigbo’s exploits as Nollywood actor, producer

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Billionaire kidnapper: Untold story of Henry Odenigbo’s exploits as Nollywood actor, producer

Billionaire kidnapper: Untold story of Henry Odenigbo’s exploits as Nollywood actor, producer

Being a kidnapper was something that never crossed our minds – Rivers AGN Chairman
•Odenigbo featured only in his own movies, never harassed or owned actors
•I’m scared, says Kelvin Ikeduba who acted in one of his movies ‘Born in the Ghetto’

 

Fear, shock, and disbelief are the words to describe the reactions of many filmmakers and movie stars in Rivers State where the slain billionaire kidnapper, Henry Odenigbo, held sway as an actor and film producer before he met his Waterloo on July 4 in Lagos.

 

 

Ode, as he was popularly called, was the ring leader of a gang of nine kidnappers who targeted wealthy individuals in Lagos. They were killed after a shootout with the police at Ladipo, Mushin area of Lagos.

While he was alive, the late kidnapper who was seen as one of the biggest financiers of movie productions in Rivers, was the owner of Port-Harcourt-based Aso-Rich Production.

But unknown to movie makers in the state, Ode was a kidnap kingpin who was using the production outfit as a camouflage to carry out his nefarious activities.

Fortunately, actors were not his main target.

Narrating how the late billionaire kidnapper, who hailed from Imo State came to be known as an actor and film producer, the Chairman of Actors Guild of Nigeria,AGN, Rivers State chapter, Dr. Ken Osunwa, in a chat with Vanguard, said the late Ode was never close to anybody in the industry, adding that he only featured in his own-sponsored movies.

 

 

 

According to him, the late kidnapper was never a member of AGN, Rivers State, nor a member of Association of Movie Producers, AMP, Rivers State chapter.

Speaking further, Osunwa, who noted that Odenigbo never attended any of their meetings or events, said: “He hailed from Imo State and came to set up a movie production outfit in PH. I’ve already done a disclaimer when the news got to me and people were talking about him as an actor.

“Yes, he was acting in his own-sponsored movies and not practising in Nollywood, Rivers State, in the sense that he never featured in other people’s productions.

 

“To the best of my knowledge, Ode never had an issue with other practitioners in the state. I was never called to settle issues with him and others.’’

He, however, acknowledged the fact that the late billionaire kidnapper never owed any actor, director or producers who worked for him.

“He was bringing different actors, producers and directors to work for him and at the end of it, he paid off everyone.

“He invested in the Nollywood industry like any other investor. Nobody knew his source of wealth and when I received the news of his killing by the police in Lagos, I was very surprised. I thank God that all our actors who were working with him are safe and fine. Nobody was missing and from the report from his production, he was not owing anybody.”

Besides producing movies, the late Henry Odenigbo also had a Film Academy, called Ason Rich Movie Academy, where he trained cameramen, scriptwriters, actors, producers and directors, sound mixers, make-up artists, and production managers, among others.

 

 

Before his death, Ode was promoting a one-month intensive training opportunity for youths on his Instagram page, which was supposed to kick off on Monday, August 5, and run till August 31, in Rivers. But that dream is gone with his exit.

Recounting how Ode recently completed his last production before his exit, Osunwa said he (Henry Odenigbo) as a kidnapper, was something that never crossed their minds in Rivers State, adding ‘’This is because he was nice to the people that worked for him.”

Meanwhile, as a way of stopping a recurrence of the ugly incident in future, Osunwa said his group had started profiling every production house in Rivers State to know their identities as well and get acquainted with them, to monitor closely whatever they were doing.

“We have also started sensitizing our members on how to identify fake production houses in the state. Like in every sector of our society, there are different kinds of human beings operating with a different mindset. We must fight them to avoid ruining our sector,” Osunwa added.

One of the popular actors, Kelvin Ikeduba, who featured in one of the late kidnapper’s movies, “Born in the Ghetto” which was released early last month, said he was scared when he heard the news of Odenigbo’s death.

 

 

 

He was thankful that nothing happened to him while on the set of the deceased’s movie.
The actor said: “I only featured in one of his movies, ‘Born in the Ghetto.’ They would have killed them before now. I was scared. I went to work in PH, what if there was no job and they came up with a plan? Who knows!

‘’I am very happy with the news of their death. For me, it’s a big testimony. Do you know what it means when someone comes every day to pick you up in the hotel without you knowing what they are doing for a living?’’

He added that the director, Ifeanyi Akanaga, invited him to be part of the production.
However, disassociating Nollywood from the slain kidnapper, the President of the Directors Guild of Nigeria, DGN, Dr Victor Okhai, said what happened was a call for ‘a united Nollywood’, where they would be privileged to know who is who in the industry.

He argued that while bad eggs were also found in other sectors, the slain kidnapper was never a member of any guild in Nollywood.

Similarly, the President of the Association of Movie Practitioners, AMPRAC, Ifeanyi Azodo, said checks on AMPRAC’s database showed that the late kidnapper was never a member of the association, adding that people of questionable character were never admitted into the association

In a disclaimer, Osunwa dissociated the AGN from the filmmaker, Odenigbo alongside three other persons who claimed to be film practitioners.

The guild, in a statement, said the three persons who died in the shootout with the police at Ladipo were not their members.

The statement read: “The Rivers State chapter of the Actors Guild of Nigeria at this moment, disclaims any affiliation with the individuals who tragically lost their lives in a recent kidnap incident in Lagos. Specifically, Prince Henry Asonna (Executive Producer of Aso Rich), Angel Emanuzo (Associate Producer), Chris Ahaneku (Logistics Manager-Aso Rich), and Jerry Eze (Camera Assistant) were not members of our guild. They were not part of our organization.

“They have never been associated with our guild events and are not on our register. They were not affiliated with us, to the best of my knowledge, and we condemn any false associations and news making the rounds that AGN members from Rivers State were involved in the kidnapping.”

Veteran actor, Kanayo O. Kanayo, also cautioned the public on his Instagram page against referring to the slain kidnapper as a movie producer.

 

 

In the same vein, AGN’s Financial Secretary, Emeka Duru, frowned on associating the slain kidnappers with Nollywood, saying “Because they made a movie is not doing justice to the industry.”

Meanwhile, in 2024 alone, Odenigbo’s outfit, Ason-Rich Movie Production, produced over ten films, including ‘Born in the Ghetto’, ‘Love At The Pool’, ‘My Half’, ‘Little Top Up’, ‘Regards for Love’, “Wild Love”, ‘Clue Girl’, ‘Blind Blood’, ‘To Forgive’, “Sharon’s Fate”, which featured Yul Edochie, and ‘Bethlehem.’

In 2022, he produced such movies as “Royal Ties” among others.

The late kidnapper worked with famous actors, such as Yul Edochie, Kelvin Ikeduba, and Eve Esin. But checks also revealed that he mostly worked with fast-rising actors or relatively unknown faces in the industry.

As an actor who was always posting all his movie jackets on Instagram, the late kidnapper portrayed bad-boy roles and wielded guns in movies, as seen in one of his most recent roles in “Blind Blood” as posted on his Instagram page on April 26. He was also honoured on March 16, 2024, when organizers of Nollywood Indigenous Filmmakers of Nigeria, NIFMON, awarded him the ‘Best Filmmaker in Port Harcourt’.

 

Weeks later, on March 31, E-flex named him Nolly TV’s Best Grassroot Filmmaker for 2024/2025.

 

By  By Benjamin Njoku

@VANGUARD

 

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Tinubu Issues Stern Warning Against Protest With Destructive Tendencies

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RE NATIONWIDE HARDSHIP PROTEST: A TIMELY WARNING. 

Tinubu Issues Stern Warning Against Protest With Destructive Tendencies

 

 

President Bola Tinubu on Thursday in Abuja emphasized the importance of sustaining democracy, its norms and institutions, noting that protests are an integral part of democracy but that no government will condone demonstrations that lead to the destruction of lives and property.



The President spoke at the Presidential Villa when he received a Letter of Credence from the newly appointed United States Ambassador to Nigeria, Mr Richard Mills Jr.

”Our relationship with America is rich. We believe in democracy and freedom. Some of your predecessors worked hard during our transition to democracy, and we remember the likes of Ambassador Howard Jeter.

We look forward to Nigeria and the United States continuously working to expand cooperation on shared goals and democratic values.

”During the military era, we made our voices heard against dictatorship, and I was part of the group that engaged in peaceful protests without resorting to the destruction of property.

”We have worked hard to ensure 25 years of unbroken democracy and I will continue to maintain this democracy.

”In as much as we believe that demonstrations are part of democracy, we will never encourage any protests that lead to the destruction of lives and property,” the President stated.

Welcoming the U.S. State Department’s acknowledgement of Nigeria’s strategic role on the continent as Africa’s largest democracy, President Tinubu called on the U.S. government to pay more attention to Africa.

Nigeria is ready to play its role as the largest democracy in Africa that is worthy of emulation to other African countries, but we need more U.S. partnership on the continent that is beneficial to both sides.

”We believe in freedom, and we are providing the leadership to make Nigeria’s economy grow,”
 the President said.

Ambassador Mills affirmed U.S. support for Nigeria’s democracy and pledged support for bigger roles for Nigeria in the international arena.

”Nigeria is crucial to the United States because we share democratic values, and we are ready to give you all the support.

”I am here to make sure that the relationship blossoms both on democracy and the economic side,” Ambassador Mills said.

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