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Cash “Aye-ko-ooto” Onadele: A Roaring African Voice Calling for Change through the Arts

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Cash "Aye-ko-ooto" Onadele: A Roaring African Voice Calling for Change through the Arts

Cash “Aye-ko-ooto” Onadele: A Roaring African Voice Calling for Change through the Arts

 

 

 

By Bolaji Israel

 

 

 

 

Sahara Weekly Reports That The arts and their promoters have long served as powerful voices for inspiring and enforcing radical changes across social, political, economic, and cultural landscapes.

 

 

 

Cash "Aye-ko-ooto" Onadele: A Roaring African Voice Calling for Change through the Arts

 

 

 

 

Nigeria, and Africa more broadly, has suffered from poor leadership characterised by corruption, nepotism, widespread poverty, stunted development, inequality, loss of identity, erosion of cultural values, and a troubling craving for foreign lifestyles, among other social maladies.

 

 

 

 

 

 

 

 

These issues have marred the promising trajectory of a nation with over 200 million people, rich in both natural and human resources, especially since the onset of its current fourth democratic era in 1999.

 

 

 

 

 

 

 

 

One of the literary voices leveraging the power of the arts—particularly drama—to inspire change in Nigeria and Africa is Cash Akinyemi Onadele, also known as Aye-ko-Ooto. He is a prolific writer and a culture-aware philosopher, poet, and playwright.

 

 

 

 

 

 

 

 

His passion for literature was nurtured by his childhood experiences with his farmer grandparents, who filled his early years with captivating stories. This foundation sparked his interest in literature, and despite earning a Master’s degree in Agronomy, he ultimately found his voice in the realm of the arts.

 

 

 

 

 

 

 

 

Onadele firmly believes that the erosion of cultural identity has distorted the mindset of many Nigerians, leading them to embrace foreign influences—revised histories, religions, lifestyles, foods, music, and addictions—instead of the indigenous practices that have proven their worth for centuries before European colonisation.

 

 

 

 

 

 

 

 

Through his art, he passionately calls on Africans to return to their roots and heritage as a critical first step towards achieving comprehensive social and economic development. He asserts that a lost mind, devoid of identity, cannot effectively contribute to nation-building.

 

 

 

 

 

 

 

 

Despite spending considerable time in Europe and America gaining valuable experience and writing extensively, Onadele has remained true to his African roots, a theme that permeates his impressive body of literary work, which includes over 109 collections of plays, poetry, and prose.

 

 

 

 

 

 

 

 

His latest play, “Eni Ogun” (The Noble Warrior), produced with the support of the business sector led by FirstBank, was performed in July across Lagos and Ogun States at iconic venues such as the Muson Centre in Lagos Island and the June 12 Cultural Centre in Abeokuta, in celebration of Prof. Wole Soyinka’s 90th birthday.

 

 

 

 

 

 

 

 

Through the play, Aye-ko-ooto not only celebrates Soyinka’s artistic exploits but also tackles critical issues of leadership, identity crisis, culture, values, class, history, and corruption in Nigeria through the lens of history, aligning with Soyinka’s radical ideologies.

 

 

 

 

 

 

 

 

The protagonist—a representation of Professor Soyinka—is the young and charismatic Oluwole Lowo, a noble prince and warrior who, despite his preference for a private life of hunting, teaching, and romance with his intended, Olasope, becomes the conscience of society, catalysing a seismic shift in leadership and community dynamics.

 

 

 

 

 

 

 

 

Set in the colonial era of 1884/1885, the fictional play delves into themes of colonial invasion and subjugation, love, leadership, cultural beliefs, religion, and corruption.

 

 

 

 

 

 

 

 

Onadele weaponises the protagonist’s struggles as a potent catalyst for the community’s collective demand for positive change, ultimately leading to the natives’ triumph over their oppressors.

 

 

 

 

 

 

 

 

The over two-hour play, an adaptation from the drama emerges as a clarion call for Nigerians and Africans to unite, shed foreign identities and practices, rediscover true histories and heritage, embrace indigenous customs and cultures, advocate for responsible leadership, and strive for an egalitarian society characterised by development.

 

In an interview with THECONSCIENCE NG, the playwright unveiled the philosophy underpinning the play: “Every soul has a shell,” inspired by Wole Soyinka’s play, “Death and the King’s Horseman” (1975).

 

He stated, “I distilled the essence of this quote and wrapped literature around it to explore the persona. The story is rich and layered. My aim was to celebrate a dramatist with a drama. I sought the deeper meaning of the quote, combining romantic comedy with beautiful literature, all interwoven with the story of our people.”

 

Aye-ko-Ooto elaborated on the underlying philosophy: “Every soul has a birthplace, representing identity; every soul is nurtured, reflecting culture; every soul is loved, embodying passion; and every soul has a noble purpose tied to tribal citizenship. When faced with adversity, every soul must summon the courage of character. Ultimately, every soul carries a message, and that message is your inheritance.

 

“The essence is clear: if you fail to find your identity, neglect your citizenship, and do not stand up for your values in troubled times, you leave your children without an inheritance.”

 

Onadele described Wole Soyinka as an enigma—a literary cult hero, cultural icon, champion of freedom, and an unwavering advocate for justice, who also holds a deep affection for children. He shared a personal connection with Soyinka, emphasizing the playwright’s commitment to preserving cultural artifacts as an undeniable ambassador of culture.

 

To promote the Yoruba language and culture, Aye-ko-Ooto intentionally wrote parts of the play in Yoruba, encouraging European audiences to engage more deeply with the language.

 

In response to the alarming decline in cultural awareness and identity among young Nigerians, the playwright urged the government to embrace ethnography—a principle that prioritizes narratives rooted in African stories. He advocated for increased funding, including prizes and grants, for works celebrating African culture over those with foreign plots.

 

He called on well-meaning Nigerians to treat artists and their promoters with respect, rather than viewing them as beggars, while encouraging greater support for the arts based on merit.

 

Onadele, who also has a background in Artificial Intelligence (AI) from his time in Europe, recalls how being exposed at an early age to the works of renowned Nigerian author of Yorùbá heritage, Chief Daniel Olorunfẹmi Fágúnwa (commonly known as D. O. Fágúnwà), inspired his own interest in writing. For him, the Yoruba native voice adds authenticity to storytelling.

 

According to Onadele, who has built the world’s largest library of individual poetry produced by any single author, every success story has humble beginnings.

 

Earlier this year, Aye-ko-Ooto was in his element at the Lagos Book and Art Festival (LABAF), dubbed Africa’s largest cultural picnic, where he conducted a two-day mentorship session with undergraduate students from the Creative Arts Department at the University of Lagos on the first day at Kongi’s Harvest Gallery, Freedom Park, Lagos.

 

Onadele also hosted another mentorship programme for pupils from various public primary schools.

 

The prolific writer engaged young people on the value of literature while unveiling an endowment for literary prizes in both Yoruba and English languages. It was a rich, educational, and inspiring experience for participating students, as Onadele shared insights from his journey as a writer, despite having a BSc. and MSc. in Agronomy.

 

Through Adubiifa Network Company (ANC), a multi-media literary, theatre, and movie company, he employs performance theatre as a means to drive change.

 

His productions have gained recognition from major players like the Wole Soyinka International Cultural Exchange (WSICE) and the Centre for Black and African Arts and Civilization (CBAAC).

 

Onadele’s name continues to resonate in the literary space, where calls for major shifts and changes in Nigeria keeps growing louder.

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother

-Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’

 

 

A young man doing well in life is often defined by a disciplined, and purpose-driven approach to his personal and professional growth. 34-year-old Lagos State born social media influencer, Olalekan Akeem Akintola, disclosed in this interview that he has cultivated the habits and mindsets of a young man determined for long-term success before he attained age 21. He said he continually updated his knowledge and skills to keep up with changing demands and trends even before he left Nigeria for Europe in search of greener pastures at age 29. Other than his talent alone, Akeem noted that his becoming successful abroad was not all by luck, but mostly by being kind and respectful. He also revealed the secret behind his popular social media nickname, ‘oko awon single mothers’. And more…

 

 

 

 

 

What do you love about yourself?

 

What I love about myself is that I am a very determined person. When I am determined to do something I don’t look back. I just go into it not minding what the result would be and I don’t care about what anybody would say.

 

 

 

Tell us about your marital life.

 

I was married. But I’m a single father now (general laughter).

 

 

 

 

 

What year did you travel abroad and how did you manage to succeed abroad?

 

I traveled out of Nigeria in 2021. I’m currently in Europe, Germany, South Cyprus to be precise. I worked in the kitchen. To be honest, my experience abroad wasn’t an easy one. Thank God, today I have my citizenship documents and I’m living fine. It wasn’t easy getting to this level. I give God the glory.

 

 

 

Who are the most special people in your life?

 

The most special person in my life is my mum. Then my kids and my mum’s families, especially Sister Iyabo and Sister Nofisat. My mum’s families are so special in my life because they have been very supportive of my life.

 

 

 

Tell us about your experience helping a sick lady, Keji, whose matter has gone viral on social media.

 

This lady, Keji, came into my Instagram inbox and told me that she was sick and needed help. Ordinarily, I do use my platform to help people, especially those who are sick. There was a time I ignored her and didn’t attend to her complaints. But when she showed me the evidence and pleaded that I should help her, I had to support her. I am the person that sent her to see Agbala Gabriel pastor. But I didn’t know that he was going to mess up.

 

 

 

What type of people do you love to be around you?

 

I love to be around people who are friendly, ready to help and very supportive. I do not like people with negative vibes.

 

I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’  

 

You’re a young guy, why do people call you ‘oko awon single mothers’?

 

There was a time I used to abuse single mothers; what they were doing, why did they leave their marriages and so on. I saw it as an abnormality. But I came to realize that my mum is also a single mother and I said why should I be insulting single mothers when I was also raised by a single mother. So, I had to start making videos about single mothers, praising them and talking about their challenges and qualities. Since that time, single mothers started calling me ‘oko awa single mothers’ (husband of us single mothers).

 

 

 

Do you make so much money through social media posts or you have a job that gives you the biggest?

 

Yes, I make money on social media. I also work in the kitchen as a chef. I’m into kitchen stuff here abroad and it pays me well. Also, I run adverts for people on my platform and I make a lot of money from it.

 

 

 

You are very popular among society women; how did you make it happen?

 

All I can say is thank God. I don’t know how it happened. I just found myself with millions of fans and followers. People really love me, especially older society women who fondly call me ‘oko wa’ (our husband).

 

 

 

What is your success tip for young people like you?

 

My advice for young people like me is that whatever they’re doing they should keep doing it. They should be consistent. Keep doing it, don’t relent and don’t look back. When I started out on social media, I was bullied, cursed. I never envisaged where I am today. I never expected that people would be talking about me sometime in the future. But here I am. I never saw this coming. I really thank God for everything. So, let us just keep doing whatever we are doing. There’s light at the end of the tunnel.

 

 

 

Are you fully in the entertainment industry or on part time?

 

I work and I’m fully back in the entertainment industry.

 

 

 

 

 

You look so young despite your age, what’s the secret?

 

The secret is that I maintain physical fitness, I do regular workouts. I know that a strong body supports a strong mind.

 

 

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Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

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*Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

Abuja, Nigeria – The Actors Guild of Nigeria (AGN) announces the appointment of Amb. Princess Chelsea R.C. Nwodo as the new Chief of Staff to National President, ALHAJI SANUSI ABUBAKAR YAKUBU. This strategic move underscores the Guild’s commitment to excellence and its dedication to fostering a more efficient and effective leadership structure.

 

Amb. Nwodo brings a wealth of experience and expertise to her new role, having served as a National Deputy Secretary (Emeritus) and demonstrating exceptional leadership skills and a deep understanding of the Guild’s vision and mission. A respected member of the Nigerian entertainment industry, she is also known for her dedication to promoting actor welfare and advancing the Guild’s interests.

*A Proven Track Record*

Amb. Nwodo’s appointment is a testament to her outstanding contributions to AGN and her commitment to serving the Nigerian film industry. Her philanthropic efforts and advocacy for social causes have made a positive impact on Nigerian communities, She’s also the CEO of CHELSEA NWODO’S FOUNDATION a foundation known for its unique cultural expression and alliance with many state government including Delta state government and so on.

*About the Actors Guild of Nigeria (AGN)*

The AGN is the governing body for professional actors in Nigeria’s Nollywood film industry, established in 1998 with over one million members across the six geopolitical zones of the federation. The Guild promotes actor’s welfare, protects their rights, and advances the Nigerian film industry.

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From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop

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From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop

By George Omagbemi Sylvester 

“The British rap star’s public declaration of Islam sparks global reactions and renews debate about spirituality, identity, and influence in contemporary music.”

British rap superstar Central Cee has publicly announced that he has converted to Islam, a revelation that has rapidly spread across global media and social platforms, drawing reactions from fans, cultural commentators and religious observers alike. The development marks a deeply personal shift for one of the most influential voices in modern UK drill, and it highlights the growing intersection between faith, identity and popular culture.

Central Cee, whose real name is Oakley Neil Caesar-Su, disclosed the decision during a recent livestream, where he stated that he had taken the Shahada, the Islamic declaration of faith that formally marks a person’s conversion to Islam.

According to multiple reports published on February 6, 2026, the rapper confirmed the conversion publicly, saying he had changed his name and embraced Islam, with friends present during the broadcast congratulating him.
The announcement quickly became a trending global topic, with thousands of fans flooding social media with messages of support and congratulation.

What happened, when, where and how
The confirmed facts are straightforward.

What happened: Central Cee announced his conversion to Islam.
Who: The British rapper, born Oakley Neil Caesar-Su.
When: The announcement surfaced publicly on or around February 6, 2026.
Where: The declaration was made during a livestream, widely circulated online.
How: He confirmed he had taken the Shahada and embraced Islam, with friends present during the session.
Before this announcement, Central Cee had never publicly declared adherence to any specific religion, though fans had long speculated about his spiritual leanings.
Background: the rise of a global rap force
Born on June 4, 1998, in London, Central Cee rose from the streets of Shepherd’s Bush to become one of the most commercially successful British rappers of his generation.
He achieved mainstream recognition with his 2020 single Day in the Life and later dominated charts with hits such as Doja and Sprinter, accumulating billions of streams worldwide.
By the mid-2020s, he had become a defining figure in UK drill, blending street narratives with a polished, globally accessible sound.
Reactions and significance
The news of his conversion triggered widespread reaction across continents. Many fans congratulated him, using phrases such as “Welcome to Islam, brother,” reflecting the celebratory tone among supporters.
Others expressed curiosity about whether the decision would influence his music, public image, or future lyrical direction.

Cultural analysts note that religion has long played a quiet but significant role in hip-hop. From Malcolm X’s influence on American rap consciousness to the presence of Muslim artists in both US and UK scenes, faith has often shaped artistic identity.

British sociologist Dr. Reza Pankhurst, writing on religion and youth culture, has argued that for many urban artists, faith offers “a language of discipline, moral structure and belonging in environments often defined by instability.”
Similarly, American scholar Dr. Sherman Jackson has noted that Islam’s appeal among musicians and athletes lies partly in its “emphasis on personal responsibility, spiritual dignity, and community.”
While these are broader observations about religious influence in culture, they help explain why high-profile conversions often resonate far beyond the personal sphere.

Why the announcement matters
Central Cee is not merely another celebrity; he is one of the most commercially powerful voices in British rap, with global reach across Europe, Africa, Asia and North America. His decisions, therefore, carry symbolic weight.

When artists of such stature publicly embrace a faith, it often triggers three parallel conversations:

First, identity: Fans begin to examine how the artist’s beliefs align with their lyrics and public persona.

Second, influence: Younger audiences may view the decision as aspirational or spiritually significant.

Third, authenticity: Critics and supporters alike debate whether faith will reshape the artist’s artistic content.

British cultural commentator Kehinde Andrews has previously observed that hip-hop is “not just music but a social language through which young people negotiate power, race, faith and identity.”
In that sense, Central Cee’s announcement becomes part of a larger cultural dialogue not merely a personal declaration.

The question of a new name
Some reports indicate that the rapper mentioned changing his name after taking the Shahada, though details remain inconsistent across sources.
While certain online reports suggested possible new names, there is no universally confirmed official new name from the artist at the time of reporting.
This remains an evolving aspect of the story, and responsible reporting requires caution until a formal statement is released through verified channels.

The broader context: faith and hip-hop
Central Cee joins a growing list of artists who have publicly embraced Islam. Over the decades, figures such as Yasiin Bey (Mos Def), Lupe Fiasco, Ice Cube, and Q-Tip have either converted to Islam or drawn heavily from Islamic teachings in their music.
In the UK, Muslim identity has long been intertwined with the grime and drill scenes, reflecting the multicultural realities of cities like London, Birmingham and Manchester.

Cultural historian Tricia Rose, one of the foremost scholars of hip-hop, once wrote that the genre “has always been a site of spiritual searching, moral struggle and social commentary.”
In that context, a public conversion is not an anomaly but part of a longstanding tradition of artists seeking meaning beyond fame and commercial success.
What remains unclear
Despite the viral spread of the story, certain details are still evolving:

The exact location of the livestream has not been formally confirmed.

The identity of the individuals present during the Shahada has not been publicly verified.

Any official legal name change has not been documented in confirmed public records.

Responsible journalism requires distinguishing between verified facts and social-media speculation.

Final assessment
Central Cee’s conversion to Islam is a deeply personal decision that has nonetheless sparked global conversation. Announced during a livestream in early February 2026, the declaration places one of Britain’s most influential rappers at the centre of a broader discussion about faith, culture and celebrity influence.

In an era where artists are often defined solely by streaming numbers and chart positions, his announcement underscores a different narrative: the search for meaning, identity, and spiritual grounding in the midst of global fame.

As the late scholar James Cone once wrote, “Spiritual transformation is the most radical form of social change, because it begins inside the human soul.”
Whether Central Cee’s journey will reshape his music or remain a private source of guidance is a question only time can answer. What is certain, however, is that his decision has already stirred conversations that extend far beyond the world of rap.

 

From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop
By George Omagbemi Sylvester 

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