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ENGAGE, ADVOCATE, INSPIRE AND EMPOWER – USING PHOTOGRAPHY AS A DRIVER OF SUSTAINABILITY

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Let’s answer the million-dollar question - Why is photography important? Because it speaks, it communicates, it educates and it cultivates change. I am often asked this question and my answer remains the same always. Photography is not just a tool for artistic expression or documentation, it is a lot more than that. Photography has the power to raise awareness, to change the narrative thus inspiring people to take action, for instance my work around ‘Water Life’ from 2018 addressed the plight of water access and its impact not only on the society but also on women in rural regions, especially so in Ethiopia but also across Africa. In reality, it is a tool to spread education not only inside our own regions and countries but also beyond our borders to be able to draw attention, start a conversation and bring people together. So for me, photography does not really fit in any one description box, but rather it molds into something that you want to project out to the world. Similar to the art of Cinema, photography can be used to entertain, educate, ask questions, and throw light on our history or all of the above. It is really what you make out of it and that’s why it is vital for our society, educational institutions and governments today to encourage and empower photographers and to truly appreciate the art of photography. POWER OF THE IMAGE – FORMING PERCEPTIONS, DRIVING CHANGE As the founder and director of the Addis Foto Fest (AFF), the first international photography festival in East Africa hosted since 2010 in the city of Addis Ababa, Ethiopia, I can vouch for the fact that photography has the potential to become a force that drives change. Of course, great power comes with a great responsibility and that is exactly what budding photographers today need to be made aware of. Competitions such as ‘Moments that Matter’ reflect light on the pressing issues that we as a species and as a planet are facing together and these grave issues need to be conveyed to as many people as possible without making them despondent. That’s where the theme of sustainability fits in so well to showcase this ever-going cycle of today and tomorrow and its direct co-relation with each other. Everything that we do today shapes our future for tomorrow, this is the encapsulating theme that photographers need to bear in mind whilst sending their submissions. We live in this day and age of rapid consumption and according to Statista’s 2021 report on ‘Mobile Usage’, there are currently 6.4 billion smartphone users worldwide. As unbelievable as this figure is, one can only imagine the number of images consumed by each of these people, and images have the inherent ability to form perceptions and perspectives. Hence, it is even more vital today to use this technology of smartphones and social media to direct messages of progress towards people to drive that sentiment that leads them to take action and make meaningful changes. Canon’s initiative on empowering photographers to capture moments in the sustainability spectrum through categories that speak about economic, human, environmental and social progress is truly the pressing priority for all of us. However, the beauty of the competition lies in the spirit of sustainability that rekindles the flame of hope in our hearts and gives us a reason to look forward to the future. It is this challenge that participating photographers need to understand and convey in their images, to show us the problem but also to shed light on its solutions. As a practicing advocate of change through photography, I am extremely keen to see the submissions that come through allowing us to look at the world through someone else’s eye, to experience their vision and see what change others are aspiring to create not only in their own country but for the whole wide world. Take for instance, my very own continent of Africa where more often than not, portrayal of poverty or other issues is depicted through photography which often lacks the balanced perspective in which also it is an indigenous view and not only through the foreign gaze or visual arts. But today, this narrative is changing as we see a new generation of photographers who overcome great challenges to be the visual story tellers of a changing Africa in which they offer a new perspective that offers our humanity and humility. This is the power of an image and through this medium to show the world the enormous amount of talent, culture, capabilities as well as the scope for a better future and this other side of Africa that is often hidden or lost in pictures. PHOTOGRAPHY AS A MEANS OF ADVOCACY – HELP TO HEAL In a world as diverse and complex as ours, there are various issues that need to be brought to the surface to evoke a conversation leading us to solutions. This responsibility needs to be collectively shared not just by creative industries but all industries out there, even those that are impacting the narrative of our communities, nations and continents. Even in the global discourse as it relates to our environment and planet, the power of the image and our connections through technologies offer us many opportunities for change. One person may be able to plant a tree but together we can plant an entire forest and that is the power of helping and empowerment…in helping others we also help and heal ourselves. This is the main reason why my work outside of being in museums or fine art has been a reflection of advocacy…. advocating the need to make a change. As globalization has taken center-stage in the last few decades, we must realize this responsibility that we all now share – to really empower each other as people and then to empower our planet to prosper. Finding solutions together is key to unlocking the potential for tomorrow. Photography is an excellent instrument to advocate the cause that you believe in, for me personally I have been passionate about environmental issues which is depicted through my images. Photographers participating in ‘Moments that Matter’ must look at engaging their art-forms to advocate and inspire others thus leveraging their visual language to become the hope for tomorrow. NO PAIN, NO GAIN – PURSUE YOUR PASSION TO FIND GREATNESS Creativity is the birth of innovation and as daunting as it may seem to showcase a new angle or perspective through your images…that is where the true challenge of this visual art-form lies. Authenticity is the key that unlocks the great power of photography. Photographers that understand this as the basic foundation of their work usually go a long way in their professional paths. In the beginning however, it may seem like an impossible feat to achieve but it is the part of our journey that we need to embrace in order to become visible in this competitive and challenging creative world. In the past, I have been through phases of disappointment as a young photographer when I struggled to prove my point to people but perseverance, patience and practice can take you anywhere as I have learned from my journey. I was inspired by photographer, Chester Higgins who taught me the tricks of the trade – to never stop believing in yourself, your work and to always remain authentic. That advice has led me to become who I am today. I stuck to black and white photography as my core niche even though the world was booming with innovations in colored photography. It is crucial to reflect your own individual point of view in your work without getting overwhelmed by trends or fads. That remains my advice for all budding photographers who dream to make their mark in the world…be authentic, remain consistent and believe in yourself! Submit your entries  here : https://canon.sm/3mYsyLF Media enquiries, please contact Canon Central and North Africa Mai Youssef e. Mai.youssef@canon-me.com APO Group - PR Agency Rania ElRafie e. Rania.ElRafie@apo-opa.com About Canon Central and North Africa Canon Central and North Africa (CCNA) (Canon-CNA.com) is a division within Canon Middle East FZ LLC (CME), a subsidiary of Canon Europe. The formation of CCNA in 2015 was a strategic step that aimed to enhance Canon’s business within the Africa region - by strengthening Canon’s in-country presence and focus. CCNA also demonstrates Canon’s commitment to operating closer to its customers and meeting their demands in the rapidly evolving African market. Canon has been represented in the African continent for more than 15 years through distributors and partners that have successfully built a solid customer base in the region. CCNA ensures the provision of high quality, technologically advanced products that meet the requirements of Africa’s rapidly evolving marketplace. With over 100 employees, CCNA manages sales and marketing activities across 44 countries in Africa. Canon’s corporate philosophy is Kyosei – ‘living and working together for the common good’. CCNA pursues sustainable business growth, focusing on reducing its own environmental impact and supporting customers to reduce theirs using Canon’s products, solutions and services. At Canon, we are pioneers, constantly redefining the world of imaging for the greater good. Through our technology and our spirit of innovation, we push the bounds of what is possible – helping us to see our world in ways we never have before. We help bring creativity to life, one image at a time. Because when we can see our world, we can transform it for the better. For more information: Canon-CNA.com

ENGAGE, ADVOCATE, INSPIRE AND EMPOWER – USING PHOTOGRAPHY AS A DRIVER OF SUSTAINABILITY

 

 

Let’s answer the million-dollar question - Why is photography important?  Because it speaks, it communicates, it educates and it cultivates change. I am often asked this question and my answer remains the same always. Photography is not just a tool for artistic expression or documentation, it is a lot more than that. Photography has the power to raise awareness, to change the narrative thus inspiring people to take action, for instance my work around ‘Water Life’ from 2018 addressed the plight of water access and its impact not only on the society but also on women in rural regions, especially so in Ethiopia but also across Africa. In reality, it is a tool to spread education not only inside our own regions and countries but also beyond our borders to be able to draw attention, start a conversation and bring people together.  So for me, photography does not really fit in any one description box, but rather it molds into something that you want to project out to the world. Similar to the art of Cinema, photography can be used to entertain, educate, ask questions, and throw light on our history or all of the above. It is really what you make out of it and that’s why it is vital for our society, educational institutions and governments today to encourage and empower photographers and to truly appreciate the art of photography.  POWER OF THE IMAGE – FORMING PERCEPTIONS, DRIVING CHANGE As the founder and director of the Addis Foto Fest (AFF), the first international photography festival in East Africa hosted since 2010 in the city of Addis Ababa, Ethiopia, I can vouch for the fact that photography has the potential to become a force that drives change. Of course, great power comes with a great responsibility and that is exactly what budding photographers today need to be made aware of. Competitions such as ‘Moments that Matter’ reflect light on the pressing issues that we as a species and as a planet are facing together and these grave issues need to be conveyed to as many people as possible without making them despondent. That’s where the theme of sustainability fits in so well to showcase this ever-going cycle of today and tomorrow and its direct co-relation with each other. Everything that we do today shapes our future for tomorrow, this is the encapsulating theme that photographers need to bear in mind whilst sending their submissions.  We live in this day and age of rapid consumption and according to Statista’s 2021 report on ‘Mobile Usage’, there are currently 6.4 billion smartphone users worldwide. As unbelievable as this figure is, one can only imagine the number of images consumed by each of these people, and images have the inherent ability to form perceptions and perspectives. Hence, it is even more vital today to use this technology of smartphones and social media to direct messages of progress towards people to drive that sentiment that leads them to take action and make meaningful changes. Canon’s initiative on empowering photographers to capture moments in the sustainability spectrum through categories that speak about economic, human, environmental and social progress is truly the pressing priority for all of us.  However, the beauty of the competition lies in the spirit of sustainability that rekindles the flame of hope in our hearts and gives us a reason to look forward to the future. It is this challenge that participating photographers need to understand and convey in their images, to show us the problem but also to shed light on its solutions. As a practicing advocate of change through photography, I am extremely keen to see the submissions that come through allowing us to look at the world through someone else’s eye, to experience their vision and see what change others are aspiring to create not only in their own country but for the whole wide world.  Take for instance, my very own continent of Africa where more often than not, portrayal of poverty or other issues is depicted through photography which often lacks the balanced perspective in which also it is an indigenous view and not only through the foreign gaze or visual arts. But today, this narrative is changing as we see a new generation of photographers who overcome great challenges to be the visual story tellers of a changing Africa in which they offer a new perspective that offers our humanity and humility. This is the power of an image and through this medium to show the world the enormous amount of talent, culture, capabilities as well as the scope for a better future and this other side of Africa that is often hidden or lost in pictures.  PHOTOGRAPHY AS A MEANS OF ADVOCACY – HELP TO HEAL  In a world as diverse and complex as ours, there are various issues that need to be brought to the surface to evoke a conversation leading us to solutions. This responsibility needs to be collectively shared not just by creative industries but all industries out there, even those that are impacting the narrative of our communities, nations and continents. Even in the global discourse as it relates to our environment and planet, the power of the image and our connections through technologies offer us many opportunities for change. One person may be able to plant a tree but together we can plant an entire forest and that is the power of helping and empowerment…in helping others we also help and heal ourselves.  This is the main reason why my work outside of being in museums or fine art has been a reflection of advocacy…. advocating the need to make a change. As globalization has taken center-stage in the last few decades, we must realize this responsibility that we all now share – to really empower each other as people and then to empower our planet to prosper. Finding solutions together is key to unlocking the potential for tomorrow. Photography is an excellent instrument to advocate the cause that you believe in, for me personally I have been passionate about environmental issues which is depicted through my images. Photographers participating in ‘Moments that Matter’ must look at engaging their art-forms to advocate and inspire others thus leveraging their visual language to become the hope for tomorrow.  NO PAIN, NO GAIN – PURSUE YOUR PASSION TO FIND GREATNESS  Creativity is the birth of innovation and as daunting as it may seem to showcase a new angle or perspective through your images…that is where the true challenge of this visual art-form lies. Authenticity is the key that unlocks the great power of photography. Photographers that understand this as the basic foundation of their work usually go a long way in their professional paths. In the beginning however, it may seem like an impossible feat to achieve but it is the part of our journey that we need to embrace in order to become visible in this competitive and challenging creative world.  In the past, I have been through phases of disappointment as a young photographer when I struggled to prove my point to people but perseverance, patience and practice can take you anywhere as I have learned from my journey. I was inspired by photographer, Chester Higgins who taught me the tricks of the trade – to never stop believing in yourself, your work and to always remain authentic. That advice has led me to become who I am today. I stuck to black and white photography as my core niche even though the world was booming with innovations in colored photography. It is crucial to reflect your own individual point of view in your work without getting overwhelmed by trends or fads. That remains my advice for all budding photographers who dream to make their mark in the world…be authentic, remain consistent and believe in yourself! Submit your entries  here : https://canon.sm/3mYsyLF  Media enquiries, please contact Canon Central and North Africa Mai Youssef e. Mai.youssef@canon-me.com   APO Group - PR Agency Rania ElRafie e. Rania.ElRafie@apo-opa.com   	About Canon Central and North Africa Canon Central and North Africa (CCNA) (Canon-CNA.com) is a division within Canon Middle East FZ LLC (CME), a subsidiary of Canon Europe. The formation of CCNA in 2015 was a strategic step that aimed to enhance Canon’s business within the Africa region - by strengthening Canon’s in-country presence and focus. CCNA also demonstrates Canon’s commitment to operating closer to its customers and meeting their demands in the rapidly evolving African market. Canon has been represented in the African continent for more than 15 years through distributors and partners that have successfully built a solid customer base in the region. CCNA ensures the provision of high quality, technologically advanced products that meet the requirements of Africa’s rapidly evolving marketplace. With over 100 employees, CCNA manages sales and marketing activities across 44 countries in Africa.  Canon’s corporate philosophy is Kyosei – ‘living and working together for the common good’. CCNA pursues sustainable business growth, focusing on reducing its own environmental impact and supporting customers to reduce theirs using Canon’s products, solutions and services. At Canon, we are pioneers, constantly redefining the world of imaging for the greater good. Through our technology and our spirit of innovation, we push the bounds of what is possible – helping us to see our world in ways we never have before. We help bring creativity to life, one image at a time. Because when we can see our world, we can transform it for the better. For more information: Canon-CNA.com

Let’s answer the million-dollar question – Why is photography important?

 

 

 

 

Because it speaks, it communicates, it educates and it cultivates change. I am often asked this question and my answer remains the same always. Photography is not just a tool for artistic expression or documentation, it is a lot more than that. Photography has the power to raise awareness, to change the narrative thus inspiring people to take action, for instance my work around ‘Water Life’ from 2018 addressed the plight of water access and its impact not only on the society but also on women in rural regions, especially so in Ethiopia but also across Africa. In reality, it is a tool to spread education not only inside our own regions and countries but also beyond our borders to be able to draw attention, start a conversation and bring people together.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

So for me, photography does not really fit in any one description box, but rather it molds into something that you want to project out to the world. Similar to the art of Cinema, photography can be used to entertain, educate, ask questions, and throw light on our history or all of the above. It is really what you make out of it and that’s why it is vital for our society, educational institutions and governments today to encourage and empower photographers and to truly appreciate the art of photography.

 

 

 

 

 

POWER OF THE IMAGE – FORMING PERCEPTIONS, DRIVING CHANGE

 

 

As the founder and director of the Addis Foto Fest (AFF), the first international photography festival in East Africa hosted since 2010 in the city of Addis Ababa, Ethiopia, I can vouch for the fact that photography has the potential to become a force that drives change. Of course, great power comes with a great responsibility and that is exactly what budding photographers today need to be made aware of. Competitions such as ‘Moments that Matter’ reflect light on the pressing issues that we as a species and as a planet are facing together and these grave issues need to be conveyed to as many people as possible without making them despondent. That’s where the theme of sustainability fits in so well to showcase this ever-going cycle of today and tomorrow and its direct co-relation with each other. Everything that we do today shapes our future for tomorrow, this is the encapsulating theme that photographers need to bear in mind whilst sending their submissions.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We live in this day and age of rapid consumption and according to Statista’s 2021 report on ‘Mobile Usage’, there are currently 6.4 billion smartphone users worldwide. As unbelievable as this figure is, one can only imagine the number of images consumed by each of these people, and images have the inherent ability to form perceptions and perspectives. Hence, it is even more vital today to use this technology of smartphones and social media to direct messages of progress towards people to drive that sentiment that leads them to take action and make meaningful changes. Canon’s initiative on empowering photographers to capture moments in the sustainability spectrum through categories that speak about economic, human, environmental and social progress is truly the pressing priority for all of us.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

However, the beauty of the competition lies in the spirit of sustainability that rekindles the flame of hope in our hearts and gives us a reason to look forward to the future. It is this challenge that participating photographers need to understand and convey in their images, to show us the problem but also to shed light on its solutions. As a practicing advocate of change through photography, I am extremely keen to see the submissions that come through allowing us to look at the world through someone else’s eye, to experience their vision and see what change others are aspiring to create not only in their own country but for the whole wide world.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Take for instance, my very own continent of Africa where more often than not, portrayal of poverty or other issues is depicted through photography which often lacks the balanced perspective in which also it is an indigenous view and not only through the foreign gaze or visual arts. But today, this narrative is changing as we see a new generation of photographers who overcome great challenges to be the visual story tellers of a changing Africa in which they offer a new perspective that offers our humanity and humility. This is the power of an image and through this medium to show the world the enormous amount of talent, culture, capabilities as well as the scope for a better future and this other side of Africa that is often hidden or lost in pictures.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PHOTOGRAPHY AS A MEANS OF ADVOCACY – HELP TO HEAL

 

 

 

 

In a world as diverse and complex as ours, there are various issues that need to be brought to the surface to evoke a conversation leading us to solutions. This responsibility needs to be collectively shared not just by creative industries but all industries out there, even those that are impacting the narrative of our communities, nations and continents. Even in the global discourse as it relates to our environment and planet, the power of the image and our connections through technologies offer us many opportunities for change. One person may be able to plant a tree but together we can plant an entire forest and that is the power of helping and empowerment…in helping others we also help and heal ourselves.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This is the main reason why my work outside of being in museums or fine art has been a reflection of advocacy…. advocating the need to make a change. As globalization has taken center-stage in the last few decades, we must realize this responsibility that we all now share – to really empower each other as people and then to empower our planet to prosper. Finding solutions together is key to unlocking the potential for tomorrow. Photography is an excellent instrument to advocate the cause that you believe in, for me personally I have been passionate about environmental issues which is depicted through my images. Photographers participating in ‘Moments that Matter’ must look at engaging their art-forms to advocate and inspire others thus leveraging their visual language to become the hope for tomorrow.

 

 

 

 

 

 

 

 

 

 

 

NO PAIN, NO GAIN – PURSUE YOUR PASSION TO FIND GREATNESS

 

 

 

 

Creativity is the birth of innovation and as daunting as it may seem to showcase a new angle or perspective through your images…that is where the true challenge of this visual art-form lies. Authenticity is the key that unlocks the great power of photography. Photographers that understand this as the basic foundation of their work usually go a long way in their professional paths. In the beginning however, it may seem like an impossible feat to achieve but it is the part of our journey that we need to embrace in order to become visible in this competitive and challenging creative world.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In the past, I have been through phases of disappointment as a young photographer when I struggled to prove my point to people but perseverance, patience and practice can take you anywhere as I have learned from my journey. I was inspired by photographer, Chester Higgins who taught me the tricks of the trade – to never stop believing in yourself, your work and to always remain authentic. That advice has led me to become who I am today. I stuck to black and white photography as my core niche even though the world was booming with innovations in colored photography. It is crucial to reflect your own individual point of view in your work without getting overwhelmed by trends or fads. That remains my advice for all budding photographers who dream to make their mark in the world…be authentic, remain consistent and believe in yourself!

 

 

 

 

 

 

 

 

Submit your entries  here : //https://canon.sm/3mYsyLF

 

 

 

 

 

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Education

Lagos to Seal Dowen College

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Lagos to Seal Dowen College Over Illegal Waste Dumping

Lagos to Seal Dowen College Over Illegal Waste Dumping

Lagos State authorities have ordered the sealing of Dowen College, Lekki Phase 1, following allegations of improper waste disposal traced to the school.

Commissioner for Environment and Water Resources, Tokunbo Wahab, announced the move on X (formerly Twitter), stating that the Corps Marshal of the Lagos State Environmental Sanitation Corps had been directed to enforce the order.

“This waste was traced to Dowen College in Lekki Phase 1. Such disregard for environmental laws is unacceptable,” Wahab said. “We will not hesitate to take firm action against any institution or organization that violates waste management regulations.”

The commissioner’s statement comes as part of the state’s intensified crackdown on environmental law violations.

Dowen College has previously faced scrutiny from the state government. In 2021, it was shut down indefinitely following the controversial death of student Sylvester Oromoni Jnr., pending investigation.

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UBEC, NGF in Conjunction with NEWGLOBE Spotlight Kwara as Model for Tackling Out-of-School Crisis

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UBEC, NGF in Conjunction with NEWGLOBE Spotlight Kwara as Model for Tackling Out-of-School Crisis

UBEC, NGF in Conjunction with NEWGLOBE Spotlight Kwara as Model for Tackling Out-of-School Crisis

-By Olufemi A. Adetola

 

As Nigeria grapples with the challenge of out-of-school children—estimated to be among the highest globally—recent interventions led by the Universal Basic Education Commission (UBEC) and the Nigeria Governors’ Forum (NGF) offer renewed hope. At the center of this momentum is Governor Abdulrahman Abdulrazaq of Kwara State, whose leadership as NGF Chairman is setting a new national tone on foundational education.

 

Penultimate week, the NGF in collaboration with UBEC and NEWGLOBE convened a multi-stakeholders dialogue in Abuja focusing on foundational learning and strategies to combat the out-of-school children crisis. Commissioners of Education and Chairpersons of State Universal Basic Education Boards (SUBEBs) were present to discuss reforms and implementation pathways. The gathering reaffirmed the need for stronger state-level ownership and collaborative policymaking.

 

UBEC, NGF in Conjunction with NEWGLOBE Spotlight Kwara as Model for Tackling Out-of-School Crisis

 

Kwara State represented by the Hon Commissioner of Education, Dr Lawal Olohungbebe and the Executive Chairman of Kwara State Universal Basic Education Board, Prof Shehu Raheem Adaramaja presents a model of what focused leadership and fiscal discipline can achieve in basic education. According to their presentation, upon assumption of office as the Executive Governor of Kwara State , Mallam AbdulRahaman Abdulrazaq CON moved swiftly to pay backlogs of UBEC counterpart funding, allowing the state to access over ₦14.2 billion in federal matching grants for the years 2014-2019 . This intervention reversed Kwara’s prior blacklisting from UBEC funding and unlocked a cascade of basic education infrastructure projects across the state.

 

Through the Prof. Shehu Adaramaja-led Kwara SUBEB, over 600 schools have been renovated or newly constructed across the 16 local government areas. Classrooms have been furnished with pupils and teachers furniture, perimeter fences erected, boreholes sunk, Digital literacy centres established in 38 centres and WASH facilities provided across the 193 political wards of the state, with clear attention to equity and rural inclusion. These upgrades are impacting both teaching and learning environments in meaningful ways.

 

In addition to infrastructure, Kwara has tackled the human resource challenge head-on. Between 2021 and 2025, the state recruited over 6,400 new teaching and non-teaching staff, with an emphasis on STEM subjects. The recent recruitment exercise adopted community-based recruitment approach, where qualified NCE and Bachelor degrees in education from various communities were recruited to teach in their localities. All recruited staff signed performance bonds, demonstrating a commitment to accountability and diligence performance at duty.

 

Another bright spot is the KwaraLEARN programme—an ambitious education technology initiative that has digitized classroom management in over 1,770 public schools. With real-time monitoring, teacher coaching, and structured lesson plans, over 620,000 pupils now benefit from a more consistent and effective learning experience.

 

Mallam AbdulRahaman Abdulrazaq gave priority attention to teachers motivation and encouragements. He largely demonstrated this in prompt payment of salaries, promotion of teaching and non teaching staff of the State Basic Education Board, enhance capacity building with significant attention to technology education, modern pedagogical trainings, classrooms management techniques, foundational literacy and numeracy skills and other impactful workshops. Early results show gains in literacy and numeracy scores, attendance, and classroom engagement.

 

Kwara has also gone beyond the school walls. Earlier this year, a targeted enrollment drive brought over 2,300 out-of-school children into classrooms. These efforts were especially focused on nomadic communities, Qur’anic school pupils, street children, and underserved areas often missed in national data. Plans are also underway to build 75 new schools in remote areas to further reduce access barriers.

 

Perhaps the most telling endorsement of Kwara’s progress came in May 2025 when UBEC’s North-Central Director, Elder Abalaka described the state as “a pacesetter in compliance.” This reflects not just infrastructural output but the state’s commitment to due process, transparency, and strategic alignment with federal education goals.

 

Governor Abdulrazaq’s leadership at the NGF is crucial to replicating this progress nationwide. His advocacy for coordinated policies, timely funding, and inclusive education models is influencing how states approach their UBE responsibilities. The recent dialogue in Abuja underscored the need for such synergy.

 

As Nigeria intensifies efforts to implement a new national strategy on foundational learning, it is clear that the states must lead from the front. Kwara State’s success story shows that with the right blend of policy, leadership, and stakeholder engagement, progress is not just possible—it is sustainable.

 

The crisis of out-of-school children and weak foundational education has persisted for too long. But if more states follow the Kwara example under Governor Abdulrazaq’s NGF-backed leadership, the foundation of Nigeria’s future can be salvaged and secured.

 

In this regard, what is happening in Kwara should not just be applauded—it should be emulated. The real task now is to replicate such bold governance across every corner of the country.

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Education

Worst WAEC Results in 10 Years Raise Concerns Over Education Standards, CBT Readiness

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Worst WAEC Results in 10 Years Raise Concerns Over Education Standards, CBT Readiness

Worst WAEC Results in 10 Years Raise Concerns Over Education Standards, CBT Readiness

 

ABUJA, August 5, 2025 — Nigeria’s education sector is under renewed scrutiny after the 2025 West African Senior School Certificate Examination (WASSCE) recorded its worst performance in a decade, igniting debate over exam reforms, poor teaching quality, and readiness for full Computer-Based Testing (CBT) next year.

On Monday, the West African Examinations Council (WAEC) announced that only 38.32 percent of the 1,969,313 candidates who sat for the exam obtained five credits, including English and Mathematics—a sharp drop from the 72.12 percent pass rate in 2024.

The last time Nigeria posted a worse result was in 2014, when just 31.28 percent made the benchmark. Over the past decade, performance peaked at 81.70 percent in 2021 before plunging this year.

 

WAEC Blames Anti-Cheating Measures, CBT Integration

Head of WAEC Nigeria, Dr. Amos Dangut, linked the massive drop to stricter anti-malpractice measures, including serialisation of objective papers, which made collusion “more difficult.”

“The decline can be attributed to new protocols designed to curb malpractice,” Dangut said. He added that Computer-Based Testing was introduced in key subjects like English Language, Mathematics, Biology, and Economics, reducing malpractice but exposing digital illiteracy among students.

He noted that 192,089 results (9.75%) were withheld for alleged cheating—slightly lower than 2024’s 11.92 percent—while 451,796 results (22.94%) remain under processing for technical and administrative reasons.

Despite the low benchmark pass, 87.24 percent of candidates earned five credits in other combinations of subjects.

 

Digital Transition Sparks Fresh Concerns

The sharp performance decline comes ahead of Nigeria’s planned full CBT transition for WASSCE in 2026, following a Federal Government directive earlier this year.

However, stakeholders warn the timeline is unrealistic, citing this year’s glitches in CBT-based Unified Tertiary Matriculation Examination (UTME) and WAEC’s own logistical chaos—such as the late-night English Language paper on May 28, which saw students writing under candlelight in some states.

WAEC blamed the midnight session on the reprinting of leaked papers, a move that disrupted logistics nationwide.

 

Stakeholders React: ‘A Reflection of Deep Rot’

Parents-Teachers Association (PTA) President, Haruna Danjuma, said poor preparation and lack of computer knowledge among candidates worsened the outcome:

“Some students did not prepare well. Public schools lack learning materials, and the environment is not conducive. CBT exams blocked chances of malpractice, which many depend on,” Danjuma said.

Prof. Francis Egbokhare, former Director of Distance Learning, University of Ibadan, described the results as a symptom of systemic failure:

“This reflects a crisis of quality in education. We neglect teacher training and infrastructure while obsessing over technology and AI as if they can replace quality instruction,” he lamented, warning of growing “functional illiteracy” among graduates.

Dr. Bisi Akin-Alabi, Project Lead, Safe Schools, Lagos, agreed with WAEC that tougher protocols and serialised question papers made cheating harder, exposing students’ dependence on “expo.”

“The option of CBT shocked many students who lack digital skills,” she said, urging educators to embrace AI-assisted learning and better preparation rather than reliance on leaks.

 

What Next for WAEC and Nigeria’s Education System?

With less than a year to full CBT exams, experts warn that failure to train teachers, upgrade infrastructure, and close digital gaps could doom millions of students.

As WAEC insists the reforms are necessary to protect exam integrity, Monday’s result has left one question hanging:
Is Nigeria ready for a technology-driven education system—or headed for another decade of failure?

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