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ENGR [DR] FUNIMIAYINKE WAHEED ADEKOJO SPEAKS ON HER JOURNEY INTO MUSIC, RELEASES ANOTHER SINGLE

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She is well known as a philanthropist, with her reach-out programmes touching the lives of hundreds of thousands of widows and students. FunmiAyinke Waheed Adekojo, the lady behind FunmiAyinke Humanity Foundation is a woman of many parts. As an accomplished Engineer, she is already a Fellow of Nigeria Society of Engineers FNSE,
Fellow of Nigeria Institute of Mechanical Engineers FNIMechE, Fellow of Instiutute Management Consultant FIMC,
Fellow of Institute of Management Specialist UK FIMS and many more…like APWEN. A division of the Nigerian Society of Women Engineers.
Her Engineering Company is also one of the foremost in the country on account of handling big and challenging jobs, execution of contracts to specification, Timely and Quality delivery and above all given VALUES to all funds.
All these have earned her awards and commendations locally and internationally including two different Honourary Doctorate Awards in Engineering, Project Management and Cooperate Governance from European American University and another Doctor in Public Administration from the Universite Protestante Delafriq in West Africa. However, she added another feather to her cap by releasing her first musical single, a track, ‘It’s Our Time’. Listening to the track, many could not believe that it was sang by a newcomer to music. It became a major hit on television stations and some radio stations in the country. Some of those who heard the song felt, well, maybe she just tried her hand on that and it would end there. After the song, people started asking when would the next one come, or has she ran out of ideas?
Today, she is out with another single written and composed by her her titled
“I Can Make It’. Another hit in the making, it also followed the genre of the others, motivational. “I had this project, a Mechanical and Electrical Engineering drawing project which had given me sleepless nights. At a point I now decided ok, I had to tidy up this job, and within a couple of hours I had finished. And I said waoh!, so I can make this, and by the time we presented the job, everyone acknowledged it was an excellent one. That formed the foundation for the lyrics, the fact that we were able to make it, irrespective of the environment, the situation around us and the pressures facing us meant we could be one of the best in the world if we wanted to. That inspired the song. Then I set out to change the notion that as you lay your bed so you lie on it. The notion that your morning decides your night, this wrong. If you lay your bed in the morning, you can still change the way you will lie on it in the afternoon before the night comes. It is the afternoon that determines the night. These two principles form the focus of the song.”
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Going down memory lane, she disclosed that her journey into music started from her youth days as an undergraduate she was a member of the Winners Chapel Choir; she also sang at Canaanland’s Annual Shiloh programme at a point.
To her, Music has always been a source of refuge when she wants to relax, get her groove back after being stressed. Unlike many others who will claim music run in their family, for her this wasn’t so. However, she has come to see music as an integral part of her life so much so that once in a while she sits down compose and sing songs all by herself. Speaking on her songwriting prowess having written many now, she says they come to her naturally. ‘They come as inspirations from God,’ she revealed. It is God using her to pass a message across. ‘Look at this last one. I had the inspiration and wrote around 1.00am in the morning. Indeed, I wrote three songs that night and after looking at them, sent them to my producer who picked ‘I Can Make It’ and that’s why it is out. I have other songs I have also written.
So writing them comes natural to me, she added.
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So what really informed the songs she is singing? we asked the Engineer. According to her as a Philanthropist, she has been reaching out to young people but she realised that passing the message across these days are a little difficult. Majority of Nigerians don’t read, she says, ‘even when I posted pictures of myself being given an award, months back, with a write-up to illustrate the motivational piece, they will be congratulating me, which indicated that they didn’t read the write-up.
Again, on several occasions we have seen that people got satisfied whenever they approach FunmiAyinke for Counseling. The situation of Nigeria has caused Mental depression hence, getting their attention and making them believe in themselves have become more difficult. This is where music comes in. Everybody listen to music. They don’t read but they listen to music and so God gave me the inspiration to reach out to them through music so that the message of hope can get across to them. Anywhere they are they are always listening to music, and music has a way of working on people.
To many, the new engagement will definitely take its toll on her day to day business, but not Funmi Ayinke Waheed Adekojo. According to her, she has to manage her time, apportion what to go for music to music. What it only means is that she has little time for other things as she maximizes the twenty-four hours in a day to achieve everything she plans to accomplish. At times it is difficult to respond to telephone calls because of this tight schedule. This has in a way limited her social circle as some do not see it from her perspective as it as snobbish. But this has not in any way weighed her down.
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So where do we see the newly evolving music brand in years’ time? The Engineer musician is quiet optimistic. As someone who does not abandon projects midway, she has firmly set her target in using music to take her motivational activities to the highest level attainable. Looking back at how people underestimated her philanthropic activities when she started, thinking she would stop after a year, ‘we have outgrown their predictions and expectations, same way we will outgrow anyone who think this is just a flash in the pan. We are unstoppable and with God being our source, we will continue to ride high. You see the inspiration for this comes from God and since He cannot be limited, we cannot be limited”.
She also called on established brands to support upcoming ones one way or the other especially those who are using music to perform humanitarian works.
Given the nature of her music, we asked her how she would feel if the songs are used by others. Her reply: Yes, of course, anyone can use it, they can remix it, but they have to acknowledge that it is our song. The lyrics are ours. We have copyrighted them since I wrote the songs. It is important that when works like these are used, we acknowledge their owners so that we do not run foul of the law, she concluded.
Check out her new single on her YouTube channel below

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

By Alhaji Arems (Baba Fuji)

 

Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.

 

The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.

 

Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.

 

The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.

 

Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.

 

The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.

 

Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.

 

As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.

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BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy

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*BREAKING NEWS

*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.

 

Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.

 

“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”

 

Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.

 

As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.

 

Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.

 

Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.

 

Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.

 

The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.

 

BREAKING NEWS *Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

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Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release 

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 Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release

By Alhaji Arems (Baba Fuji) 

Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.

 

More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.

 

A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.

Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence

• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.

• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.

 

Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.

 

April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.

 

For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.

 

In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.

 

Rewriting the Narrative for Women in Fuji :

Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.

 

Omo-Opeki’s 3-in-1 album challenges that precedent.

Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.

Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.

This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.

 

Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.

 

A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.

 

A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.

 

By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.

A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.

 

April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.

 

As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.

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