celebrity radar - gossips
Lancelot Oduwa Imasuen: An Icon among the Best
-Shaba, Omonaijablog
The heights by great men reached and kept were not attained in sudden flight but, they while their companions slept, they were toiling upwards in the night
Henry Wadsworth Longfellow.
The aphorism indicated above aptly captures the successful trajectory of Lancelot Oduwa Imasuen in carving a nitch for himself in the very interesting mellieu of the Nigerian Movie Industry.
It is not a surprise that Lancelot Oduwa Imasuen is being honoured as part of activities marking Nigeria’s 60th Independence Anniversary, by the Federal Government of Nigeria, through the Nigerian Film and Video Censor Board (NFVB), in an award tagged 60 Icons that have shaped the Nigerian Film and Video Industry.
It is an Award well deserved as Lancelot Imasuen is the only Edo Person alive on the list The other Edo lite ,the very impressive Sam Loco Efe has ascended to the great beyond .
Nollywood has had its share of the best and within the best Lancelot is among the best of the best.
So It was a Hollywood Director that came to Lagos to observe the process of making a Nigerian Movie .Seeing the cut and nail nuances at display he simply said “Not Hollywood- Nollywood”.That is the etymology of word “Nollywood,”.But for Lancelot Oduwa Imasuen ,making one blockbuster movie to another has made him acquire an unravilled image of distinction and excellence ,for which he is aptly dubbed “De Guv’nor”.
It is said that madness is doing a thing the same way and expecting a different result. And for Lancelot Oduwa Imasuen ,his selling point is departing from the established norm in making Nollywood Movies.
Some times, when you depart from the norm ,you transcend to excellence. It was not a surprise ,that Lancelot Imasuen has to his credit, perhaps the most acclaimed Epic in Nigerian History Invasion 1897, where my mentor ,the Debonair Pastor Mike Osakpolo Omoregbee-the CEO of Standard Schools, Benin City played the Lead role of Oba Ovoranmen Nogbaise.
Personality Profile of Lancelot Oduwa Imasuen
Lancelot Oduwa Imasuen
Lancelot Oduwa Imasuen, popularly known as De Guv’nor is a Nigerian film producer, director, and scriptwriter with over 25 years of experience. He is the CEO of Lancelot Imasuen Media Network (LIMN), a public speaker, and founding member of the Directors’ Guild of Nigeria (DGN).
Lancelot Oduwa Imasuen was born on the 20th of June 1971, to the family of Chief and Mrs Godwin Imasuen. He hails from Urhokuosa town of Uhunmwonde Local Government Area, Edo State, Nigeria. He had his primary education at Oguola Primary School, while his Secondary education was at Eghosa Grammar School, Benin City, Nigeria.
After his Secondary education, Lancelot proceeded to the University of Port Harcourt (UNIPORT), where he studied Theatre Arts. As a child, Lancelot already had passion for the arts, and this was evident in his involvement in his secondary school’s drama society, and the literary and debating society.
He was also involved in the productions of his church drama group. Lancelot Oduwa Imasuen is married to Aimua Imasuen, and they are blessed with three lovely children.
Lancelot joined a professional theatre company called Earthpot Kulture in Benin at a young age. His career as a director started with Evangel Theatre, a TV Gospel Drama Series, at age 19.
From 1988-1991 when Lancelot relocated to Lagos, he worked as a casual staff of the Bendel Broadcasting Service (BBS). In 1994, he got a job as the Production Assistant of the Nigerian Television Authority (NTA).
Lancelot rose to the limelight at the age of 26, with the film ‘Yesterday’.
Thus far, Lancelot has been featured and interviewed by CNN, BBC, America Public Radio, South Korean Broadcasting Service, Japan Broadcasting Corporation, Canadian Broadcasting Service, Nigerian Television Authority, African Independent Television, Channels Television, Silver Bird Television, African Journal Online, Washington Post, Guardian of Ottawa and several other International Broadcasting Network. He was the first African filmmaker to be a guest on CNN (Screening Room) in 2009.
Lancelot Oduwa Imasuwen is currently the Honorary Academic Chair on Filmmaking, Theatre and Mass Communication of the Department of Mass Communication, Benson Idahosa University, Benin City, Nigeria.
Filmography
Yesterday – 1997
The Soul That Sinneth – 1999
The Last Burial – 2000
Issakaba – 2000
Private Sin – 2003
Enslaved – 2004
Moment of Truth – 2005
Family Battle – 2005
Games Women Play – 2005
Behind Closed Doors – 2005
Games Men Play – 2006
Yahoo Millionaire – 2007
Sister’s Love – 2008
Nollywood Babylon – 2008
Entanglement – 2009
Reloaded – 2009
Home in Exile – 2010
Bent Arrows – 2010
A Private Storm – 2010
Adesuwa – 2012,
Udeme Mmi – 2012
Lonely Heart – 2013
Invasion 1897 – 2014
ABC’s of Death 2 – 2014
The Insider – 2015
Enslaved – 2015
ATM (Authentic Tentative Marriage) – 2016
Darima’s Dilemma – 2017
Love Upon the Hills – 2017
Based on Principle – 2017
Idahosa – 2017
Shadows in the Dark – 2017
Crushed – 2018
Love Birds – 2018
Benin Fruit Seller (Documentary) – 2018
Wede – 2018
Rant Queens – 2019
The Wrong One – 2019
Sacrosanct – 2019
The Fall of Nekighidi (Stage Play) – 2019
Love or Quest – 2019
As A Public Speaker,
He delivered a lecture at Howard University Washington DC.
Lancelot delivered lectures at the Igbinedion University Okada, Nigeria, Ambrose Ali University Ekpoma, Nigeria, Benson Idahosa University, and Kwara State University.
He delivered a seminar paper on Piracy in Nollywood on the 27th of March 2011. The seminar was organized by the African students of Columbia University, Washington DC.
Guest speaker at the African series of African/Caribbean Society of the St. Andrews University, Scotland during the African student’s event.
Lancelot Oduwa Imasuen Awards And Nominations
Recipient of the Prestigious University of Port Harcourt Alumnus Award
Africa Movie Academy Award nominee for Best Director – 2006
Nominee for Best Feature Film at the Africa International Film Festival (AFRIFF) – 2010
Nominated at the Africa Movie Academy Award for Best Director – 2012
Nollywood Movie Award nominee for Best Director – 2012
Africa Movie Academy Award for Best Nigerian Film – 2012
Nominated at the Nollywood Movie Award for Best Director – 2013
Audience Choice Award nominee at the Chicago International Film Festival – 2014
See Also: Biography, movies, and net worth of Omoni Oboli, an enterprising actress
City People Movie Award for Movie Director of the Year (English) – 2015
Best Comedy Film at the Abuja International Film Festival – 2016
City People Movie Special Recognition Award – 2018
Award of Excellence at the Edo Talent Awards – 2018
Best Film Award at the Lekki International Film Festival – 2019
National Council for Arts and Culture Awards for propagating the Benin Cultural Heritage – 2019.
The Creative Industry Group’s Distinguished Veterans Recognition Award – 2019.
This expose’ will be inchoate if I do not give one of the Immortal Sayings of Lancelot Oduwa Imasuen ,which is not only inspiring but reassuring :
Locate your dream, then light up your passion, let the light burn as you keep doing what is right that you believe in and trust in your efforts. I tell you, one day, your candle will light up the world and time will celebrate you
Lancelot Imasuen is indeed a gift to this Generation.
Congratulations sir !
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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