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OF CITY PEOPLE’s LIES ( OPINION)

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Ogun

OF CITY PEOPLE’s LIES ( OPINION)

Some men are like sunshine, they illuminate the faces; some men are like the rain, they make people grow; some are like hurricane, they wreak havoc, and yet others are like the flood, they destroy everything on their path – Chinese proverb

In spite of the futility of the efforts to disparage the Governor of Ogun State, Prince Dapo Abiodun by its traducers, the poorly-written and disjointed piece titled, “WHY MANY OGUN POLITICIANS ARE ANGRY WITH GOV. ABIODUN” in the 22 November, 2021 of the City People Magazine was a part of the media onslaught that was masterminded to up the ante. This is more so because of its timing to coincide with a critical period of projecting the image of those who are interested in the “Oke Mosan 2023”. Whereas, there is no vacancy.

They tried in the past and failed. This is God’s project and from the look of things, it seems the hack writers are bellyaching over the rising profile of Prince Abiodun and the series of reports by more competent researchers, verifiable pundits and writers who averred that the governor deserves a second term.

Since the failed attempt to scuttle the mandate bestowed on Prince Abiodun in April 2019 at the polls and in court and the pull-him-down tactics of opposition elements (even within the All Progressives’ Party in the State) could not hold water and recent opinion polls by major newspapers and platforms suggest the governor was on a roller coaster back to Oke Mosan in 2023, some politicians have not had any rest.

Interestingly, to the utter consternation of its sponsors, the energy and resources invested in the project amounted to a sheer waste of time. At best, it was akin to shaking the giant Olumo Rock to gain dewdrops. The rock remains strong and unscathed by the undiluted lies and half-truths that are strewn throughout the putrid piece. Well, the magazine is a soft-sell magazine: it is only an unserious person that will write a supposedly serious political piece in it.

The pathetic piece opened with, “These days, in Ogun State, when you see politicians gather in twos and threes, most of the time, their topic of discussion is usually about Gov. Dapo Abiodun, the Ogun State Governor.” This is a pedestrian statement without a supporting fact or figure. Visibly, it is deliberately concocted to suit the false narrative. The writer continued: “They argue that to enable the governor win in 2019, he promised many groups who worked for him and those who collaborated with him, things that he has not fulfilled.,” “Why many politicians are angry is also because all the far-reaching changes he promised when he came in have not been fulfilled. For instance, he promised to correct all the shortcomings of his predecessors (Amosun) in terms of reaching out to party faithful at the Wards and local government levels, but he has abandoned them, with the effect that a lot of party members at the various levels have become very frustrated. Even the elders of the party are unhappy too.” This clearly shows the handiwork of some disgruntled politicians who want the Governor to place politicians above the good people of the state who have elected him and, that, he is responsible to. It is time we separated politics from serving the good people of a state who deserve to enjoy the dividends of democracy.

Unlike the respected ThisDay newspaper that published “Opposition Bellyaching, Abidoun deserves a second term” or “Abiodun: Boardroom as a Political Tactician” published by the authoritative Cable newspaper or even the empirical vox pop titled “Dapo Abiodun deserves second term, say Ogun residents” conducted by Hassan Muaz first published by Eagleonline and widely syndicated across many political journals and online platforms globally, the hack writer laboured in vain to put a name to all insinuations made.

Discursively, taking the recurrent phrase “they say” into consideration, it is crystal clear that the piece is predicated on hearsay/beer-parlour gist. Additionally, by the writer’s jaundiced conclusion that, “For quite some time now, Amosun has emerged as the alternative governor in the state. He is the one that party members go to for support. His Abeokuta GRA house has been turned into a Mecca, as he attends to the requests of people on a daily basis. At festive periods, his house is where party faithful go to and they usually leave with goodie bags of basic human needs for their families.” shows their failed attempt at branding the power-wrestling former Governor of Ogun State and the packaging of Hon. Ladi Adebutu all in a futile attempt to project the name of their candidate in the media.

One wonders where the alienation theorists got their hypothesis from? They further claim that “even his Commissioners & Special Advisers find it difficult to reach him on important matters. They say he only sees those he wants to see. Part of the allegation is that he does not give them free hand to do anything and he has not empowered them financially to spend when they need to, on the running of their offices”.
Of course, the Commissioners are on the same page with their principal who understands that their welfare is of essence. All the Governor’s team meet him, at least once in a week for State Executive Council meeting and anytime any matter of urgent importance arises, they have unfettered access to the principal. To state that they are not empowered is a misnomer. Ogun State has owed no salary under Prince Abiodun and they all receive other pecks like monthly allowances, office imprests, running cost and other ancillary benefits that they deserve. If the writer wants the Governor to open the State vault for his appointees so that they can slot in corruption charges against the governor they will wait in vain for the man that lay in wait by the river to see when the crab will sleep!
The mission is clear to sow a seed of discord between the members of the APC which the Governor is ably leading, rip apart the successful inclusive governance which all politicians, administrators, statesmen, professionals, industrialist, market women and women, as well as youths, students and opinion leaders have keyed into to have easy access to the people’s commonwealth. No, it won’t work.

From the foregoing, a lesson is visible: the project failed partly because it was deceitful and an overkill. The piece dropped without a whimper. The social media that should have ordinarily buzzed ignored it like a plague.

Also, every incident is always either a blessing or a lesson. The Governor, Prince Dapo Abiodun has every reason to consider it a blessing on the one hand for having free publicity. As it happens in literary and other criticisms, every criticism ultimately is an indirect projection of its object. The most criticized works ultimately become the most popular and the critics of the Governor have to be thanked for contributing to the prominence and visibility the Governor enjoys.

Finally, as usual, they have failed again at their attempt to drag the white garment of the Governor through the mire. Afterall, no one stones a tree that bears sour fruits but everyone stones the tree that bears tasty fruits. Abiodun is a tasty fruit, it is no surprise that detractors would not give him a breathing space.

Again, the writer LIED

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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