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‘OSG’- On The Shoulders Of Giants Album: Tito Da.Fire Shares The Stories Behind Each Track To His Fans
‘OSG’- On The Shoulders Of Giants Album: Tito Da.Fire Shares The Stories Behind Each Track To His Fans
In a couple of days, precisely Friday 23rd of September, 2022, the singer, composer, and lyricist, Tito Da.Fire will be introducing a new generation to his world of Global music with a touch of Afrobeats, and alternative, reggae and juju fusions through his intimate songwriting ability in his third album titled, “OSG” On The Shoulders Of Giants.
The talented artist shares the stories behind each song to the global audience.
Tito Da.Fire, who is known for his dexterity drew from his classically trained background to create a captivating symphony for all ages in the beautifully recorded 12-track album which is expected to drop on Friday.
In a track-by-track explanation, the music enthusiast takes his fans and listeners deep into his latest record with a concentrated breakdown of every song.
According to him, “This Album tells my compelling story of NIGHALI (Nigeria, Ghana, and Liberia) through Music. I coined that name as a metaphor for non-violent Pan-African liberation through Music, Cultural, and Economic Empowerment. It is themed around rising on “On the Shoulders Of Giants”, which is my rising through the Liberian Civil war, to Nigeria (my father’s birth Country) some went to Ghana, some went on to become wealthy, some like me, became one of the most Consistent Voices out of Nigeria, impacting over the past 25years, reaching million weekly. Importantly, the album reminds the culture that, while we all call out the oppressors, and their oppression, are we ourselves guilty of oppressing those around us?”
He continues, “That’s where “Elevation” comes in, that’s where the strength of the “African Woman”, comes to play. That’s where “Temple” speaks to our vanities, that’s how “I Come With Fire”, in the message, to put “Fire Inna Dancefloor, knowing that “One Day”, whether our birth was singly or under the drum rolls of “Abibeji” twins, nothing shall make us sing a “Breakup Anthem”, away from our dreams of victory and freedom, because we rest assured that our “Lifeguard” stands solidly, that no “Kokoro” can come close to “Me & U (winners)” in our generation, incited in spirit to move, positively, incited to the soles of our feet, to dance with the zest gathered from major thinkers who have left their marks, for us to rise – “On The Shoulders Of Giants – OSG!”
1. “African Woman”
‘“African Woman”, the first song off the album, with Bunmi Africa poetry, feels like Caramel toppings, and my son Ryan singing, is my kinda twilight, serenaded storytelling scene like I’m in “NTA Tales By Moonlight”. A honey-tongued tribute to where I came from, my mother, motherland, sisters, Africa, and beautiful and strong women globally, like Lupita Nyong’o, Queen mother Nana Yaa Asantewaa, Mother Victoria, Kamala Haris, Ngozi Chimamanda Adichie”, #AfricanWoman”.
2. “Elevation”
“The story of “Elevation” is about triumphs of the culture, of Afrobeats, about freedom from Neo-colonialism, it is also my call for peaceful revolution in “NIGHALI” (that’s Nigeria, Ghana, and Liberia, which are metaphors for non-violent Pan-African liberation) through Music and empowerment. We were wealthy, got broken by Civil wars, in Liberia, to Nigeria, Ghana, as Refugees, some of us became wealthy again…but while we all call out the oppressors, are we guilty of oppressing those around us? That’s where Elevation comes in, it incites the spirit to move, positively, incites your feet, to dance!”
3. “Kokoro”
“This song is the first single off OSG Album, it was my comeback from a break-up, from a hot breakfast, betrayal, and I’m saying “the ant or insect that eats the leaf, is on the leaf”. Kokoro is a warning, like a popular Nigerian slang called “Frenemies”, with me saying “your best friend could be your worst enemy, so shine your eyes” be street smart.”
4. “Lifeguard”
“You’re the angel God sent to me…when I was down you pull out of the waters, you’re my lifeguard”, those “Lifeguard” lyrics are very personal and spiritual to me, it’s me finding myself on a lone career and life ship at one time, and then connecting with Grammy winner Wouter Kellerman, just brought a timeless friendship, my love for South Africa grew with leaps, as we began to create timeless magic. After I produced “Lifeguard”, my producer Aizbag came to Lagos and we wrote the song. It is a symbol of our spiritual heritage with Jah, our Creator.
5. “Fire Inna Dancefloor”
“On this song, I drag you back onto the dance floor culture. I simply cannot drop a body of work where there aren’t tracks that demand you to shake your body, like fire on the dancefloor”, right in the middle range of the album.
6. “One Day”
‘“One day the sun will rise for your end, one day you go make am”. That’s a street anthem, it’s me saying, take it from me, you can make it, regardless of what society throws at your feet, cos I’ve walked that road. I remind you of giants like Fela, 2baba, Don Jazzy, and others who paved the way for Afrobeats to rise on the international stage and with it, the rise of the culture.”
7. “I Come With Fire”
“I’m roaring on this song, literally if you like. Over the 2-year period I recorded this album, I’ve got burnt in many ways, with waves of lofty highs and deep lows like “tears and blood” Fela” sang about, so what else is left to be afraid of? I had Producer Sharnor coming from Ajah, Marshall Bryant Mixing in LA, Aizbag coming from Owerri to Lagos, Olumix Mixing in Germany, Wouter sending in the flutes from Johannesburg, and Bill Hare in California Mastering, those were the highs of the album “let my burns turn to Gold, who Baba God don bless, nobody fit stop am”, is Tito Da.Fire speaking the truths of many, from a place of sincerity”.
8. “Breakup Anthem”
‘“Breakup Anthem starts with the soulful “It’s like me against the world, in this thing called love”. The song tells how hard it is, to not go through a dish of Breakup, or “breakfast” as it’s the common slang in West Africa. Plenty of times we feel we’re in the right, but the pain doesn’t care. Selma sings her heart out with me.”
9. “Abibeji”
‘“Abibeji” is a song about love, a song for walking down the aisle, it’s a lover singing to the love of his life. “my baby will give birth to twins¸ if God wills”. On the conceptualization of the song, I remember my grandfather who had a set of twins and how much of an impact it had on him, and so it struck with his family that twins are double blessings from God, which I tap into”.
10. “Temple”
“Temple hits you differently, like Bob Marley singing “Redemption Song”, or Buju Banton belting his heart on “Destiny” and Wyclef on Diallo”. This time I sang about Solomon, his vanities, and his way with women, and metaphorically to myself, cos I was named “Jedidiah” at birth, and that translates to “Solomon according to Biblical canon. I find myself levitating to the rhythm in this only reggae/soul ballad on the album. You should never forget that your body is a temple of the Highest God”.
11. “Me & U (Winners) feat. Selma & Ryan E. Peters”
“This song unearths a wealth of emotions from me, with Selma and my son. Some traditional households hoard love and praise, like hoarding fuel during scarcity. But I believe somebody needs to let you know that you’re a star, a winner, Somebody like me”.
12. “Nighali”
“This song re-echos how the album tells the compelling story of NIGHALI (Nigeria, Ghana, and Liberia) through Music. I coined that name as a metaphor for places my bloodline runs, having cultural significance to younger generations, to Nations. The music in the album calls for Global Empowering and Elevation through shared cultural knowledge and experiences gathered from major thinkers who have left their marks, for us to ride OSG (On The Shoulders Of Giants)”. This twelfth song on the album summarizes the message of Social Change, of freedom and of shared cultural knowledge that Tito Da.Fire stands for”.
news
Ramadan 2026: Let’s Be United, Shina Akanni Urges Muslims.
Ramadan 2026: Let’s Be United, Shina Akanni Urges Muslims.
As Muslims all over the world begins the 30 days compulsory fasting and prayer today,top Fuji Musician Aare Sir Shina Akanni Aroworeyin Scorpido has congratulates them for witnessing another month of Ramadan.
Akanni advised them to follow the teachings of the the Holy Prophet Muhammad (SAW) which is peaceful co existence among themselves and their neighbor ‘because Islam is Religion of peace”.
He said the month of Ramadan is an holy month therefore Muslims should try as much as they can to maintain peaceful coexistence among themselves and others and that they should see themselves as ambassador of peace.
While praying for Nigeria,Aare Sir Shina Akanni Aroworeyin Scorpido said he believes that there will be an economic turnaround soon because what’s is happening now are signs of thought times that never last “if we can pecevere things will get better”.
The Scorpido crooner who recently released a hip hop single titled “Magbelo” said he is currently working on a complete album which will be released before the end of the year.
Aare Sir Shina Akanni Aroworeyin Scorpido whose last album ‘ABCD” is still in hot demand said that his next album will be a pot pouri of all kinds of music because his brand of Fuji music is a blend Fuji , Hip-hop,Apala ,Highlife and others.
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The Enemies Within: Jonahs Are Not Manageable — Dr. Chris Okafor
The Enemies Within:
Jonahs Are Not Manageable — Dr. Chris Okafor
…….“To remove Jonah, you must bring Jesus into the matter.”
When a “Jonah” enters a person’s life, confusion, gossip, blackmail, betrayal, and the pull-him-down syndrome often follow. But the moment Jesus Christ is invited into the situation, the storm subsides and stability is restored.
This was the central message delivered by the Generational Prophet of God and Senior Pastor of Grace Nation Global, Dr. Chris Okafor, during the midweek non-denominational Prophetic Healing, Deliverance and Solutions Service (PHDS) held at the international headquarters of Grace Nation Worldwide in Ojodu Berger, Lagos, Nigeria.
The Clergyman also declared that Nothing Happens Without Spiritual Influence
In his sermon titled “The Enemies Within,” Dr. Okafor declared that nothing happens without spiritual involvement. According to him, every visible battle has an invisible root.
Referencing the biblical story of Jonah, the Man of God explained that Jonah’s presence on the ship gave access to a contrary spirit that tormented everyone onboard.
Despite the losses suffered by innocent traders and sailors, the storm persisted because of one man’s disobedience.
However, he noted that when Jesus speaks into a situation, every storm must obey. Just as Christ rebuked the storm and it ceased, so too will the storms in believers’ lives subside when He is invited into their “boat.”
*The Impact of a Jonah*
Dr. Okafor further emphasized that “Jonahs” are difficult to manage. When such individuals are present in one’s circle, progress becomes delayed.
What should ordinarily manifest quickly may be prolonged or frustrated because someone close—someone who understands you deeply—may be operating as a spiritual adversary.
He explained that negative narratives, unnecessary battles, and unexplained setbacks often begin when a “Jonah” gains access to a person’s inner circle.
*The Solution*
“To remove Jonah from the boat of your life,” the Generational Prophet declared, “you must invite Jesus Christ into the matter.”
According to him, when Jesus takes control of the boat, the plans of the enemy are overturned.
What was designed for downfall becomes a testimony. No storm or battle can succeed where Christ reigns, and the enemy is ultimately put to shame.
The midweek service witnessed a strong prophetic atmosphere, with the power of God evident through deliverance, restoration, and divine revelations.
The Generational Prophet ministered deeply in the prophetic, calling out names, villages, and addressing alleged spiritual strongholds, as many lives were reportedly restored—all to the glory of God.
By Sunday Adeyemi
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FROM BORDER TO MARKETS: HOW NIGERIA’S REFORMS ARE REWRITING AND MODERNISING TRADE FACILITATION By O’tega Ogra
FROM BORDER TO MARKETS: HOW NIGERIA’S REFORMS ARE REWRITING AND MODERNISING TRADE FACILITATION
By O’tega Ogra
On the surface, the 2026 World Customs Organization (WCO) Technology Conference in Abu Dhabi, held in the last week of January, followed a familiar script: flags, formal sessions, carefully worded speeches. But beneath the choreography, something more consequential was unfolding. As customs chiefs and trade officials compared notes on the future of borders, Nigeria arrived not with theory, but with a working proposition.
The Nigeria Customs Service (NCS) Modernisation Project, being implemented through Trade Modernisation Project (TMP) Limited, unveiled to a global audience of customs administrators and policy leaders a window into how Africa’s largest economy is confronting one of the most complex challenges in public administration: reforming the machinery of trade while it is still running.
For decades, customs reform was treated largely as a technical exercise—frequent patches here, shoddy fixes there; new software in one corner, revised procedures in another. Nigeria’s presence in Abu Dhabi signalled something different. TMP Limited, working in partnership with the NCS, advanced the argument that trade is a cornerstone of economic development and must be supported by organic, sustainable partner ecosystems. Such ecosystems deliver speed and trust, revenue and credibility, and secure borders without stifling commerce.
That argument resonated in a room increasingly aware that global trade is no longer defined solely by tariffs and treaties, but by data, interoperability, and the quiet efficiency of systems that simply work.
The annual WCO Technology Conference has, in recent years, become a barometer for the direction of global trade governance. This year’s discussions reflected a shared anxiety: supply chains are more fragile, compliance risks are rising, and governments face mounting pressure to collect revenue without discouraging investment. Customs administrations now sit at the intersection of all three.
Nigeria’s response has been to attempt a full reset.
At the heart of this effort is the NCS Modernisation Project, implemented through a Public-Private Partnership (PPP) arrangement with TMP Limited as the concessionaire. The project seeks to replace fragmented technology deployments and manual processes within the Nigeria Customs Service with a single, integrated framework. This is anchored on B’Odogwu, a Unified Customs Management System (UCMS) that brings together cargo clearance, risk management, payments, and inter-agency collaboration. The ambition is sweeping—and so are the stakes.
Alhaji Saleh Ahmadu, OON, Chairman of TMP, framed the initiative as nothing less than an institutional reconstruction, designed to position the NCS at the forefront of global customs administration technology, aligned with international standards and assurance frameworks.
“Digital trade modernisation is not just about upgrading systems,” he told participants in Abu Dhabi. “It is about upgrading trust, predictability, and confidence in how trade flows through our borders.”
That choice of words matters. Nigeria’s economy has long struggled with the perception gap between its size and the ease of doing business. Investors cite delays. Traders complain of opacity. Government points to revenue leakages. In this context, customs reform becomes as much a credibility project as a technical one.
Saleh’s message was timely and direct: modern trade demands modern customs. Data-driven processes, automation, and risk-based controls are no longer luxuries; they are prerequisites for competitiveness in a world where capital moves faster than policy.
The institutional face of this digital transformation is the Comptroller-General of Customs, Bashir Adewale Adeniyi, who led Nigeria’s delegation to Abu Dhabi. His message reflected a subtle but important shift in how customs leadership now understands its role.
“Customs administrations today must evolve from gatekeepers to facilitators of legitimate trade,” Adeniyi said. “Nigeria’s customs modernisation project reflects our determination to place the Nigeria Customs Service at the centre of national economic transformation.”
It is a familiar refrain globally, but one that carries particular weight in Nigeria, where customs revenue remains a critical pillar of public finance. Automation, Adeniyi argued, is not about weakening control; it is about strengthening it through intelligence rather than discretion.
Risk management systems reduce unnecessary physical inspections. Integrated platforms limit human contact. Data analytics improve compliance targeting. When executed well, the result is faster clearance for compliant traders and tighter scrutiny for high-risk consignments.
In Abu Dhabi, peers from Asia, Europe, and Latin America listened closely to Nigeria’s presentation. Reforming customs in a small, open economy is one thing. Doing so in a market of over 200 million people, home to some of Africa’s busiest ports and its largest economy, is quite another.
Nigeria’s engagement emphasised that customs modernisation is embedded within a broader economic reform agenda under President Bola Ahmed Tinubu, GCFR. Simplifying trade procedures, strengthening revenue assurance, and aligning with international standards form part of a wider effort to reposition the economy for investment-led growth.
What makes the project particularly noteworthy is its insistence on end-to-end coherence. Rather than digitising isolated functions, the reform aims to connect agencies, harmonise data, and reduce duplication across government—an all-of-government approach that acknowledges an uncomfortable truth: trade friction is often created not at the border, but between institutions.
The WCO 2026 Technology Conference offered Nigeria more than a platform; it provided a stress test. Questions from peers were pointed. How will change be sustained across political cycles? How will capacity be built? How will entrenched institutional behaviours be unlearned?
The responses were pragmatic. Reform is being phased. Training programmes are ongoing. International benchmarks are being adopted not as slogans, but as operating standards. There were no claims of perfection—only a clear statement of intent.
“Our engagement here underscores Nigeria’s commitment to international cooperation,” Adeniyi noted. “We are learning, sharing, and contributing to global conversations on the future of customs administration.”
That contribution matters. As Africa moves to deepen regional trade under continental frameworks, customs efficiency will determine whether integration succeeds in practice or remains aspirational on paper. Nigeria’s experience, if successful, could offer a valuable template for other developing economies navigating similar constraints.
In Abu Dhabi, the mood was cautious but curious. Reform fatigue is real in many countries. Yet there was a growing sense that Nigeria’s effort—precisely because of its scale and difficulty—deserves attention.
Borders are rarely glamorous. But they are decisive. In choosing to modernise its borders in public, under global scrutiny, Nigeria is signalling something beyond technical competence. It is signalling seriousness.
And in global trade, seriousness still counts.
O’tega Ogra is Senior Special Assistant to President Bola Ahmed Tinubu, GCFR, responsible for the Office of Digital Engagement, Communications and Strategy in the Presidency.
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