Entertainment
Poet and Social Activist, Valentine Okolo, talks on Rape, Genocide, and the Power of Words
In this interview with Valentine Okolo the author of the thought provoking poetry book: I Will Be Silent speaks on the inspiration and much more :
Godwin Iheancho: Where did you get the idea for your most recent book?
Valentine Okolo: I got it from the title of a poem I wrote called “I Will Be Silent.” This was a poem I wrote concerning the genocide which happened in Darfur, Sudan, many years ago. I wrote it in response to the then international media blackout that occurred during that period and how men and young male children were systematically slaughtered by government supported Janjaweed militia. And how women were also gang raped, and impregnated by their oppressors, and sometimes mutilated.
In genocides rape is most times weaponized by the aggressive side, and the suffering sides to such wickedness are women, old and young. Such actions tear at my core and reveal mankind’s depravity at its worst. That poem and a few others similar to it form the back bone of the book.
Genocides, sex slavery, rape and a few other indignities suffered by many women in improvished regions of the world continue still. Boko Haram, and it’s aftermath, the Fulani Herdsmen follow in the footsteps of the Janjaweed militia in Sudan which commited those attrocities with government blessings.
In Nigeria, it is apparent that the government is in accord with Boko Haram and the Fulani Herdsmen as it has repeatedly played to the gallery whenever it is called to question regarding the poor equipments deployed and the improvishment of military troops sent to the effected regions to combat the insurgency. Rather, they result in the use of euphemisms by calling the terrorists “Bandits” and the deployment of mass media propaganda to negate the seriousness of the insurgency.
The entire idea of the book is centred around the themes of pain, and perseverance that these people, and may more like them in different regions of the world, face and have to endure constantly.
I Will Be Silent is not just a book to me. It is more than that. It is a call to witness. It is a series of poems which proceed not from the heart but from the gut of tribulation and endurance. It is a book which bears witness to the collected voices who cannot speak for themselves because they have been silenced.
Godwin Iheancho: How do you get inspired to write?
Valentine Okolo: Most times I feel the emotions of others when I write. In those moments I become that which I write about. I see with their eyes, I hear with their ears, I feel with their skin. In those moments I cease to be myself, and become someone else. I become her, they, it. I become someone’s dreams. And relive, sometimes, their nightmares.
I write from a place of suffering. From a place of joy. I explore the two extremes in my poetry.
In my book I Will Be Silent I wrote many poems which grew from those two extremes. Or should I say, some poems made me write them inspired by these extremes of human existence.
I most times don’t plan a poem in advance. Some poems, if I may use the expression, fall at my feet, almost fully formed. They are a few poems, however, that I do make plans to write in advance. And in order to write them I have to enter into a period of poetic gestation. A period in which I allow the idea of the poem to take root and grow within me until it is ready to be birthed. Sometimes the gestation period may take a few days. Sometimes it can take months or even years.
I like writing organically. So I don’t force anything out. I allow myself to be. I allow myself to feel. I allow the words to come to me like the wind. And I try to catch whatever message that is whispered in the breeze.
Godwin Iheancho : What’s your advice for aspiring writers?
Valentine Okolo: First, they should close their eyes and feel. And then write what they felt. Some of the notable works of literature (which includes fiction, non fiction, poetry, science fiction and so on) were written from an abundance of feelings. If you don’t feel what you have written, don’t expect someone else to feel it too. (Unless, you want to be too intellectual and write drab college textbooks.)
Your writing has to move you first before you expect it to move someone else. Write what you feel first. Then put it away for awhile, and then look at it again with the eyes of a stranger. If you read what you had written earlier with the stranger’s eyes and say to yourself: “Wow! Did I write this?” Then someone else will also be wowed by it as well.
Words convey emotions. Be successful in conveying your emotions in your lines.
Next is style.
If expressing your emotions is fuel for your writing, see style as your technique for progress.
See writing as you would a dance in progress. A dancer may have the necessary energy to prance about. But this prancing alone without an arranged motion may not result in anything beautiful to behold. A dancer uses learned dancing techniques and translates those techniques and that energy into beautiful motions (insert here any dance style of your choice: ballet, foxtrot, salsa, tango, hip-hop, contemporary, and so on). When done properly these motions of choreography capture your attention. For a writer, style is like those beautiful motions. Some you can learn from the writings of someone else. Some you can teach yourself.
If you can afford it, enrol into a good writing class with a teacher that you respect his or her style of writing. Such a person will help ground you in the proper techniques of sentence constructions, and the proper use of words, characterizations and lots more.
Godwin Iheancho: What’s the best thing about being a writer?
Valentine Okolo: It allows me to state what I feel. It allows me to display on a blank page the potency of my thoughts. I am a poet. And I write poetry. And to me words are not just a means of communication. To me words are life. Words carry with them a strong creative force. A force that makes things happen. The first thing that happened in the creation of this planet was the issue of a command. From God Almighty Himself. As documented in the Bible book of Genesis where it was written that there was darkness every where and the Earth was void and without form and the Spirit of God was hovering over the deep. And God Himself uttered the immortal words that started the beginning of life in this world. He said: “Let there be light.” And lo, light came to be. And illuminated the perpetual darkness.
Jesus Christ Himself used words to heal. It was written in the Gospels that He issued words of command and the blind were made to see, the lame walk, and the diseased were made clean. Even to the point of raising the dead. The words: “Lazarus, come forth!” are perhaps one of the most unforgettable lines I have ever read in any form of literature. Because they were more than just words. A mummified man who was dead for four days heard them from beyond the grave and rose to life!
Godwin Iheancho: How do you deal with writer’s block?
Valentine Okolo: I empty my mind. And do something else that is not related to what I am writing about. Sometimes I take long walks, and focus on being in the present. As I walk, I take note of the rise and fall of the land, the diverse faces of people, the roaming animals, and the sounds coming from cars and motorcycles. Most times when I do this ideas flow to me freely, clearing my imaginative inhibitors.
Get the book: I Will Be Silent on Amazon: www.amazon.com/author/valentineokolo
You can also follow him on Twitter. His handle: @poetval.
Entertainment
Bullion Records, Sports, and Industries gains international recognition with UK certification
Bullion Records, Sports, and Industries gains international recognition with UK certification
Bullion Go-Neat Global Limited, a Nigerian-based company renowned for its ventures in manufacturing, Music Records labels and Hotel management, sports, and real estate, has achieved a significant milestone with its certification in the United Kingdom. The company, now officially registered as Bullion Records, Sports, and Industries Limited under the Companies Act 2006, was incorporated as a private limited company in England and Wales on November 20, 2024.
This certification, confirmed by the Registrar of Companies for England and Wales, enables Bullion Records to legally operate in the UK, marking a pivotal step in its international expansion.
The company’s CEO, Ambassador Olufemi Ajadi Oguntoyinbo, expressed his excitement about this achievement, highlighting its potential to bolster the company’s international footprint. “This certification by the Registrar of Companies for England and Wales is a major step forward. It marks the beginning of a new phase where we can operate in both local and international markets seamlessly,” Ambassador Ajadi said.
He revealed that Bullion Records will commence the production of key products, such as Coco Malt Drink; Coco Magic Energy Drink, and lubricant products, by 2025. The innovative business strategy involves an exchange of goods between the UK and Nigeria, ensuring that products manufactured in Nigeria will be sold in the UK and vice versa.
Our target is to make products produced in the UK accessible in Nigeria and other parts of the world. Likewise, products made in Nigeria will be available for sale in the UK,” Ambassador Ajadi added.
He further emphasized the company’s commitment to expanding its operations to meet the demands of the global market while supporting local industries. “This recognition is not just a boost for Bullion Records but also the collaboration between local and international markets,” he stated.
Bullion Records, already known for its contributions to the entertainment and real estate industries, sees this certification as a step toward achieving its vision of becoming a global leader in diverse industries. The company aims to create a strong connection between its operations in the UK and Nigeria, fostering economic growth and job creation in both regions.
This landmark achievement positions Bullion Records as a model for other Nigerian companies looking to expand their reach internationally while contributing to local development
Entertainment
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music
By Alhaji Arems
Fuji music, a genre deeply rooted in the cultural tapestry of Nigeria, has a rich history that dates back several decades. This article aims to take fans and the general public down memory lane, tracing the origins of Fuji music, its key figures, and the leadership that has shaped its evolution. It’s crucial to acknowledge and celebrate the pioneers who laid the foundation for this vibrant musical genre and correct any misconceptions that have arisen, especially among the younger generation.
The Beginnings of Fuji Music :
Fuji music emerged in the late 1960s and early 1970s, primarily within the Yoruba community of Nigeria. It was an evolution of the were music—a traditional Islamic music genre played during the Ramadan season. Fuji music blended elements of were, apala, and juju music to create a distinctive sound characterized by its energetic percussion, vibrant rhythms, and engaging call-and-response vocals.
The Pioneer : Alhaji Sikiru Ayinde Barrister
The genesis of Fuji music is closely tied to the name Alhaji Sikiru Ayinde Barrister, widely regarded as the creator and undisputed leader of Fuji music. Born on February 9, 1948, Barrister’s innovative approach transformed were music into Fuji, infusing it with modern instrumentation and dynamic stage performances. His impact on Fuji music was profound, as he popularized the genre both within Nigeria and internationally, earning a loyal fanbase that spans generations.
Leadership in Fuji Music: Past and Present :
Following the death of Barrister in 2010, the mantle of leadership within Fuji music has often been a topic of discussion. Alhaji Kollington Ayinla, another prominent figure in the Fuji music scene, is widely acknowledged as the current leader. Kollington, known for his unique style and powerful lyrics, played a significant role in shaping Fuji music alongside Barrister. His contributions to the genre are invaluable, and it is essential to recognize his position and influence within the Fuji community.
Correcting Misconceptions And Honoring Legacy :
In recent times, there has been a growing trend among younger Fuji artists and fans—often referred to as the “Indomie Generation”—to overlook the contributions of foundational figures like Kollington Ayinla. Some have even begun to lay claims to titles and positions that rightfully belong to the pioneers of Fuji music. This publication seeks to correct these misconceptions and ensure that due credit is given where it is deserved.
Kollington Ayinla, as the rightful heir to the leadership of Fuji music, deserves respect and recognition. While it is important to acknowledge the contributions of emerging artists, it should never come at the expense of those who paved the way for Fuji music to flourish. The legacy of pioneers like Barrister and Kollington must be preserved and celebrated, not overshadowed by contemporary claims.
Enlightening The New Generation :
It is imperative for the younger generation to be educated about the history and origins of Fuji music. Understanding the genre’s roots, the sacrifices and innovations of its pioneers, and the cultural significance it holds will foster a greater appreciation and respect for Fuji music. This knowledge will ensure that the legacy of Fuji music remains intact and that its leadership is rightfully honored.
Fuji music is more than just a genre; it is a cultural treasure that embodies the spirit and resilience of the Nigerian people. By acknowledging and celebrating the pioneers who created and shaped Fuji music, we preserve its rich history and ensure that future generations understand and respect its origins. As we look to the future of Fuji music, let us remember the words of Barrister and Kollington, who through their artistry, have left an indelible mark on the world of music.
Late SAB is the authentic Fuji Mi….
_Fuji mi, Fuji mi, the source—let us always remember where it all began._
Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future
Azeez Awiye Odumosu also known as Veron, a rising star in the Yoruba movie industry, has become a force to reckon with as an actor, producer, influencer and the CEO Awiye TV on YouTube channel. Known for his vibrant presence on TikTok and as a successful entrepreneur, Odumosu is the owner of Awiye Autos Nigeria Limited, a reputable car dealership based in Lagos State.
Hailing from Iragunsin, Epe, Lagos State, Azeez began his journey as a content creator, leveraging social media to showcase his talent and build a fanbase. His transition into Nollywood came when he connected with key players in the industry. In 2024, his professional acting career officially began after being introduced to his boss, Kayode Adebayo, popularly known as Kay Alubarika, who is a Nollywood movie director, Akintelu Fatimah Gbemisola and a popular D.O.P, Azeez Tijani also known as AZ.
Since joining the industry, Azeez has featured in several Yoruba movies, earning recognition for his talent and dedication. His venture into movie production has also gained attention, with his debut production, “Odun Kan”, promising to be a blockbuster. With his growing ambitions, Odumosu is currently planning to shoot a cinematic movie, aiming to leave an indelible mark on the industry.
Balancing his acting career with his thriving business, Awiye Autos Nigeria Limited, Azeez Odumosu exemplifies versatility and determination. As he continues to excel in Nollywood and beyond, fans eagerly anticipate his next projects and entrepreneurial milestones.
-
Business7 months agoMaxwell Opara Goofed Says AAS Investors As They Stand By Jesam Michael, Demand For Justice
-
society6 months agoExposing The Many Lies Of Wanted Cyber Bully, Dorcas Adeyinka + Her Failed Attempt To Blackmail The Odegbamis
-
society7 months agoAlleged Assault In Court: Setting The Record Straight, Jesam Michael is The Victim, Not Maxwell Opara
-
Politics6 months agoNiger’s Journey of Redemption Under Governor Bago* By Paul Dickson