Business
” Why I reconciled with Kemi Afolabi “- Actress, SheBaby reveals
Seyi Ariyo popularly known as SheBaby is an actress cum singer. In this exclusive chat with Sahara Weekly Magazine , the delectable actress opened up on new single, Champion and why she reconciled with Kemi Afolabi
Q –You just released a musical video trending now; can you tell us what inspired it?
R – I was inspired to write that song just for positive vibes, for the masses. I just wanted to write something inspiring. I did it for the masses, for the young ones because nowadays, what we hear in songs is nothing to write home about. So we can still have our groove and still have some meaningful songs because in recent times, what we have now is out of it – we enjoy the music, we dance to it, but talk about the lyrics, its a NO. It’s something I came up with that you can still dance to, yet the music will make a whole lot of meaning.
What informed the title of the song ‘Champion’?
You know, I was there, I left for so long and for me to face it back, it’s champions that do that. It’s not easy when you go to the battle frontline and after everything, you are still standing, you can still do things. So many people we started together have dropped, we can’t place them again. It’s not easy to come back; so coming back, you are a champion. It has its own message. Even if it’s not giving you the positive outcome, but for the fact that you’ve taken that bold step, you are a champion.
You were off the entertainment radar for 5 years; what were you doing?
At a time, I was married. Normally, I had to settle down, have my baby in London before I came back to Nigeria. Though I was acting alongside, I wasn’t taking it as full-time work. But I felt I was being deprived of what I had passion for, so I had to put something together and come back.
It is usually not easy for women that are married in the industry to make it back in the industry because they have added responsibility. How do you intend to manage your family along with your career?
I’ll like to put it out that normally, I don’t spend 24hrs with my child. I could do that when she was still an infant but my baby is 6 years now. She goes to school , and during that period she’s somewhere else, I’m somewhere else. And during the time, I would have done one or two things, and when she comes back, I can leave her with my mum or sister and do other things. So, because I’m married doesn’t make me not to be responsible, for the fact that I have to work. There are a lot of career ladies that their homes are intact –family, the church, they combine it and their marriage is still intact, and even works. They are doing fantastically well, so I see no reason why I can’t do such. Acting isn’t an everyday thing; music, I don’t go to studio every day. So when you plan well, God will give you the grace to scale through.
So what would you say about the industry you left four years ago. There have been so much changes. What is your opinion about these changes and what are you doing to make an impact with the current trend of things?
Yeah, a whole lot of changes. Before I left the industry, after doing a song you could go to a presenter, they fix you up, do interviews without even thinking of collecting anything from you, they promote your job at length. But it’s so alarming that the kind of industry we had then is nothing close to what we have now. After the music, it’s supposed to be enjoying airplay but it’s not. Because even if your song is as sweet as honey, you can’t play it yourself. You can’t just keep them, you have to tip them to play your song; that’s the way it is. And to people, it’s as if it’s normal: if you don’t tip them, nobody is going to play it. No matter how beautiful your job is, they won’t play it. Corruption is everywhere. Gone are those days you went to the studio and they even wanted to beg to interview you, make you feel important. But nowadays, you will beg them, not even with mouth but you have to add some cash to it. And to me, you have to join them because I want people to view my job. I can’t shoot my video and want only a particular area to listen to it, so you have to join the trend. I’m already in the system, there’s nothing I can do about it.
Your video ‘Champion’, knowing the current situation of things in the country, how were you able to churn out such clear picture, good concept video? Knowing full well that you’d been off the industry for some time, and practically not been making money in the industry, what gave you the confidence to drop such amount for the video? And talking about money for promotion, how do you intend to get that money?
Initially I was supposed to introduce myself as an entrepreneur – I have a fashion house and I tell you that the little money I generate from it, it might sound crazy, but most of the money I generate, I put it back into movie and my music. I left the industry but I wasn’t idle, I was training people on fashion. So the money I get there, I packed it, went to Dre San’s studio and thought I could feature Ortishefemi. I’ve known him for over 15 years, so when I called him, I didn’t pay him and he didn’t even ask. Though it might be difficult to get them, eventually they will deliver because they know I’m not that kind of person they will ask of money from. Even when I featured Pasuma back in those days, I didn’t drop any money for him; I was up-and-coming but he supported me because I was a lady who wanted to do something positive. After we recorded ‘Champion’ with Oritshefemi, I called the director and explained things to him, we planned, and it was a success.
For every glory, there’s always a story to tell. What has been the greatest challenge so far in making this musical video?
It’s marketing. Let me relate it back to our marketers out there, I don’t know how they will curb this piracy of a thing; it’s like a monster that needs to be lynched. After shooting a video of a million naira, I’m talking about movie now. The marketer would want to buy it for N700,000. I have a story like that: I shot a movie in four countries, it was with me for like 8 months and when I kept going to marketers – you know they have an association – since they knew I’d been taking it to marketers, they started beating down the price, from N1 million to N800,000, to N600,000. And I didn’t only go to Ghana to shoot it, I took Oga Bello, Kelvin Ikeduba, others to Ghana to shoot it, because we had Arik Airline as our sponsors. So imagine after all this and the marketer to tell me he wants to pay 600,000. I was like I would rather keep it, and I did. For like 8 months it was with me, and someone said I’ll beg to sell it if I didn’t do so on time. In tears, I sold it for 600,000, something worth over N2 million. And I premiered it, people came and supported me. Apparently, we will get money from movie launch, premiere, then marketer gets it back and they tell you it’s pirated. Thats the greatest challenge any actor or musician can have. Marketing, piracy, I don’t know how it can be curbed. Imagine, government said if someone is caught, he will pay N200,000. They have to make it tighter. If someone is caught, millions has to be paid for his or her bail. Someone that has made millions will easily pay N200,000. These are the challenges we have, so we are not growing. I just pray that I get endorsements, and I won’t relent. There’s another track already which we will be promoting in the next few weeks so they will know I’m back fully in the industry. And this time, I want to give it to them. I have to make it because it’s not easy.
Interestingly, you are also a known face in the movie industry. Does it mean we should be expecting a comeback from you in the movie industry?
I already did that last year. I did Aye Alaye. I did the premier, it featured about 16 known faces in the entertainment industry, cutting across musicians and actors.
A few weeks ago we learnt you and Kemi Afolabi have settled your issue. Do you want to talk about it? What’s the situation like now?
You know, when that thing happened, it was a big, dirty fight on the social media and I regretted it, because she actually made the post known to everybody. My own was just a display picture on my BBM and few people were like I had to take it off. After the whole thing she just went on Instagram and posted, to which I didn’t reply her. After the whole thing, we stopped talking; whenever we saw, we didn’t greet for several months. Last month, April, made it one year that the incident happened. So on her birthday, I wanted to do something weird. Because she was on the receiving end, so to say, she felt so bad about the whole thing. On her birthday, I just put up my instagram page and I was like, ‘Kemi Afolabi, I was wrong, you were wrong, even the media and the fans exaggerated everything but at the end of the day, we are still one family, we are still friends. Happy birthday, Kemi Afolabi, I wish you all the best.’ She saw it and was shocked. It was her publicist, Yomi Fabiyi, that saw it and was like, for She Baby to have swallowed her pride, she should let it go. And I wrote there that I take back my words. That is the weirdest thing I’ve ever done because it still hurts me, but for peace to reign.
She commended and appreciated. I saw her at an event recently and a whole lot of people were looking at us, so I was watching her because I didn’t want to receive a cold reception. And I’m sure she was reading my attitude too, because she might come to me and I give her a cold reception. So she was reading me but I was calm. She was close by and wasn’t smiling but I’m sure she looked around and saw people looking at us and I was like, if I choose to hug her and she gives me a cold reception, it would be documented that I greeted her but I’ll do my part. So interestingly, she read me and I read her; I was reading her and I was lost in thought. Before I knew it, she was in front of me. To her, it was like I didn’t want to greet her. But to me, I wanted to see that connection coming. Then we hugged and I said ‘I’m sorry’ and she said, ‘It’s over,’ so we sat close to each other.
Are we looking at more songs from you anytime from now?
Yes, I already recorded 6 tracks but because of funds I have to do this for now. I recorded Mr DJ Featuring JayWon and Oritshefemi; it’s dropping in a few weeks.
What is your advice to upcoming ones?
Firstly, I would love to let them know that it’s not until you sleep with big actors or a marketer before you get there. Apparently, what these marketers do is sleep with all these young girls, promising them to put them on the poster, and because they don’t have much experience, they agree and they keep passing them around. Marketers will not make you, it’s only God that can make you a star; you already have the talent, nobody can collect it from you. Discover yourself and work on it. I don’t have vacation. Even when I go abroad, I work – I do launching, shoot movie – I work from sunrise to sunset because most of this upcoming are kind of lazy; once they knock on a door and it’s not opening, they don’t want to knock another door. I’ve pushed several doors because you can’t keep doing something you are good at for years and someone won’t recognise you. That’s where the breakthrough starts from. Education is everything, you will be needing it because you will be widely exposed. It cuts across the globe. If you are educated, you can stand anywhere, you will have value. You can’t compare an uneducated tomato seller to an educated one – the packaging that one will give it will be different. Just make sure one way or the other, you are educated
Business
Precision and Heritage: How Fifi Stitches Is Rewriting African Fashion Narratives
Precision and Heritage: How Fifi Stitches Is Rewriting African Fashion Narratives
A Nigerian-born designer is gradually carving out a cross-continental footprint in contemporary fashion, blending African textile heritage with British technical discipline.
Esther Fiyinfoluwa Adeosun, Founder and Creative Director of Fifi Stitches, is gaining recognition for structured womenswear and bridal couture that reinterprets traditional fabrics through architectural tailoring and precision construction.
Born in Ibadan, Oyo State, Adeosun’s fashion journey began at home, seated beside her mother’s sewing machine. What started as childhood curiosity, sometimes jamming the machine just to understand its mechanics—evolved into a disciplined design practice now operating between Nigeria and the United Kingdom.
During an interview with journalists the fifi Stitches once mentioned “I was fascinated by how flat fabric could transform into something structured and meaningful”.
In her Story , early designs made for her family, though imperfectly finished, were worn with pride—an encouragement that laid the foundation for her professional confidence.
Today, Fifi Stitches is recognised for sculpted bodices, controlled tailoring, corsetry construction, and the contemporary reinterpretation of Ankara, Aso Oke, and Adire textiles.
The brand challenges the long-held perception that African fabrics belong solely in ceremonial contexts, instead positioning them within global luxury and modern design spaces.
Adeosun’s training reflects this dual perspective. She studied Fashion Design and Entrepreneurship at the Institute for Entrepreneurship and Development Studies, Obafemi Awolowo University, and earned a Diploma in Fashion Design through Alison Online.
In the UK, she undertook industry-focused technical training with Fashion-Enter Ltd and gained fashion business exposure through Fashion Capital UK.
Her technical expertise spans pattern drafting, draping, garment technology, structured tailoring, corsetry, and bespoke fittings—skills she describes as central to credibility in fashion. “Precision builds trust,” she says. “A designer must understand construction as deeply as creativity.”
Fifi Stitches has showcased collections at the Suffolk Fashion Show, Liverpool Fashion Show – FB Fashion Ball, Red Carpet Fashion Event in London, and through editorial features in London Runway Magazine.
The brand has also received coverage in The Guardian Nigeria and Vanguard Allure, expanding its visibility across markets.
Beyond couture, Adeosun integrates community impact into her practice.
She has facilitated garment construction workshops, draping sessions, and introductory training programmes for women and emerging creatives, promoting fashion as both artistic expression and vocational empowerment.
Fifi Stcithes Boss operates between Nigeria and the UK, in order to continue to shape her brand identity.
According to her “Nigeria provides cultural richness and expressive textile traditions, while the UK offers structured production systems, sustainability conversations, and institutional frameworks”.
Looking ahead, Adeosun said she plan to establish a fully structured fashion house spanning Africa and the UK, develop scalable production partnerships, launch capsule collections, and expand independent editorial visibility.
Her broader ambition is clear: to position African textile craftsmanship within global contemporary design conversations—through structure, discipline, and technical excellence.
Business
GTCO Launches “Take on Squad” Hackathon 3.0, Opens Call for Applications
GTCO Launches “Take on Squad” Hackathon 3.0, Opens Call for Applications
Guaranty Trust Holding Company Plc (“GTCO” or the “Group”) has announced the launch of “Take on Squad” Hackathon 3.0, reaffirming its commitment to fostering innovation, empowering talent, and supporting the development of technology-driven solutions that address real-world challenges across Africa.
Now in its third edition, the Hackathon brings together developers, designers and entrepreneurs across Nigeria in a collaborative environment to build practical solutions across key sectors including financial services, healthcare, commerce and digital inclusion. Under the theme “Smart Systems: The Intelligent Economy,” participants are challenged to design and build intelligent, data-driven solutions that transform how communities engage with money.
Applications are now open, and interested teams can find full guidelines and registration details on the official portal at https://squadco.com/hackathon.
Speaking on the initiative, Eduophon Japhet, Managing Director of HabariPay, stated: “Today’s dynamic, digitally driven world demands continuous innovation, which is shaping how economies grow, how businesses scale, and how societies evolve. Through “Take on Squad” Hackathon, we are deliberately investing in the ideas and talent that will define the future. Our objective is not simply to encourage innovation, but to enable its translation into scalable solutions that deliver real and measurable impact. This reflects GTCO’s role as a financial services platform that connects capital, capability, and creativity to drive sustainable progress.”
The social coding event remains a cornerstone of HabariPay’s mission to foster creativity and problem-solving among emerging tech talents. Competing teams will leverage Squad’s advanced APIs to create scalable digital tools that address everyday challenges faced by businesses and individuals.
Through initiatives such as this, GTCO continues to position itself at the intersection of finance, technology and enterprise, actively shaping the future of digital transformation in Africa.
About HabariPay
HabariPay Ltd is the fintech subsidiary of Guaranty Trust Holding Company Plc (GTCO), one of the largest financial services institutions in Africa with direct and indirect investments in a network of operating entities located in 10 countries across Africa and the United Kingdom.
Licensed by the Central Bank of Nigeria (CBN), our goal is to support SMEs, micro merchants, large corporations and other fintechs (Tech Stars) with the tools they need to thrive in an evolving digital economy and expand beyond their current market reach. HabariPay’s solutions include Squad, a full-scale digital payments toolkit to make in-person and online payments simpler, HabariPay Storefront, an e-commerce website to facilitate online purchases, Value-Added Services to help merchants access cost-effective and flexible airtime and data bundles to run their businesses, as well as a switching infrastructure that enables tech-focused businesses to optimise cost and make transactions more efficient.
HabariPay’s contributions to Accelerating Digital Acceptance in Africa have not gone unnoticed–it received Mastercard’s Innovative Mobile Payment Solution Award at TIA 2022 for its innovative payment solution, SquadPOS.
About Squad
Squad is a complete digital payments solution that is reliable, secure, and affordable, making receiving in-person and online payments simpler and convenient.
Thousands of merchants currently leverage Squad’s payment solutions for their daily business operations. Squad’s current products and service offerings include SquadPOS, Squad Payment Links, Squad Virtual Accounts, USSD, and E-Commerce Storefront.
Find out more at www.squadco.com.
Business
Electric 8-Seater Tula Moto Keke Enters Nigerian Market, Targets Higher Operator Earnings
Electric 8-Seater Tula Moto Keke Enters Nigerian Market, Targets Higher Operator Earnings
LAGOS — A new electric-powered tricycle with an expanded passenger capacity has been introduced into Nigeria’s urban transport sector, offering operators a potentially more profitable and eco-friendly alternative to conventional petrol-driven “keke.”
The newly launched 8-seater electric tricycle, now available in Lagos with plans for nationwide distribution, features a dual-row seating arrangement capable of accommodating up to eight passengers per trip—significantly higher than the standard three-passenger configuration common across the country.
Promoters of the innovation say the increased capacity is designed to boost daily earnings for operators, particularly amid persistent fluctuations in fuel prices. By running entirely on electric power, the vehicle eliminates dependence on petrol, reducing operating costs and shielding drivers from fuel price volatility.
According to the distributors, the tricycle is equipped with a durable battery system capable of covering extended distances on a single charge, making it suitable for commercial operations across high-traffic routes, residential estates, campuses, and marketplaces.
“The concept is straightforward—enable drivers to earn more while spending less,” a company representative stated. “With higher passenger capacity and zero fuel requirements, operators can maximise each trip without the burden of daily fuel expenses.”
Beyond its cost-saving potential, the electric keke is also said to require less maintenance than traditional models, offering additional long-term savings. Its quieter and smoother operation is expected to enhance passenger comfort and overall commuting experience.
Industry analysts note that the introduction of electric mobility solutions reflects a growing shift toward cleaner and more sustainable transportation alternatives in Nigeria, particularly in densely populated urban centres such as Lagos.
The distributors added that the product is currently available under a limited promotional offer, with delivery options across the country.
For inquiries and purchase: 📞 08153432071
📞 08035889103
Office Address:
📍 Plot 9, Block 113, Beulah Plaza,
Lekki–Epe Expressway,
Lekki Phase 1, Lagos
As transportation costs continue to rise and environmental concerns gain prominence, innovations like the electric 8-seater keke may signal an emerging transition toward more efficient and sustainable mobility solutions nationwide.
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