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The truth lie, Mohammed cannot kill (Part 2)

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"Nobody Can Stop FG From Probing #EndSARS Protesters" - Lai Mohammed Declares

The truth lie, Mohammed cannot kill (Part 2) Tunde Odesola

 

Finally, truth flew out of the dirty White Paper, last week, encircled the powerful seat in Alausa seven times, and blessed the bony head of Johnny Walker with a poop. Singing a dirge, “Justice is the first condition for peace walk,” truth shook its little tail, and away it flew!

 

 

 

 

 

Truth flew back to Lekki. To continue to sing the panegyrics of the nine AK-47 victims, whose red blood was used to signpost the Lekki Toll Gate on October 20, 2020 as a monument in memory of brutality.

 

 

 

 

 

 

 

Truth is blunt, it doesn’t care a hoot about the slavish godson, and his all-grabbing godfather scheming to grab the biggest cake in the land come 2023. From the aquatic splendour of Bourdillon to the House-o-Rock in Abuja, where the head herdsman resides, the wind of truth has blown, exposing the rump of the hen.

 

 

 

 

 

 

 

His Most Majestic Excellency, Lagos State Governor, Rt. Hon. Babajide Sanwo-Olu, knows the truth but cannot swallow its bitterness. He desires peace but dislikes its sauce, justice. He knows that with the proverbial duck, the swallowed stone ends in a piss.

 

 

 

 

 

 

 

In Lagos, piss splatter down on peace with no law in sight to bring pissing soldiers and policemen to justice at Lekki, and Nigeria’s foulest city rolls on in filth as honest celebrities abandon Gv Johnny Walker to walk alone on Falsehood Road.

 

 

 

 

 

 

 

 

Minister of Information and Culture, Alhaji Lai Mohammed, knows the truth, but he curls up in the bed of fallacy; fallacy that the rain of bullets at the Lekki toll gate in October 2020, all missed their targets, like the piss of the drunk refusing to enter the targeted latrine hole.

 

 

 

 

 

 

 

Alhaji Lai worships in Abuja, Governor Sanwo-Olu worships in Lagos. They both serve the same omnipotence. Ironically, Mohammed and Sanwo-Olu, sired from the same political loins, today sing divergent tunes when truth came to judgment at the abattoir called Lekki Toll Gate.

 

 

 

 

 

 

 

When truth catches up with falsehood, egberun Lai or Sanwo-Olu can’t rescue it. Truth turns lies into foolishness in the fullness of time. Truth is a tongue twister. It is colourless.

 

 

 

 

 

 

 

In far away Abuja, Hadji Lai sat under the evening shade of the baobab, and sang tales by moonlight, insisting that nobody died at Lekki but Sanwo-Olu, holding aloft his dirty White Paper, contradicts Mohammed, admitting that one person died at Lekki while many others were injured.

 

 

 

 

 

 

 

Buoyed up by the 41-page White Paper produced through a four-member hand-picked committee that comprised officials under his authority, Sanwo-Olu debunked the submission of the retired Justice Doris Okuwobi-led panel that nine persons fell to the bullets of soldiers at the LTG in October, last year.

 

 

 

 

 

 

 

Sanwo-Olu’s White Paper panel was headed by the Lagos State Attorney-General and Commissioner for Justice, Mr. Moyosore Onigbanjo (SAN); with the Commissioner for Youths and Social Development, Mr. Segun Dawodu; Special Adviser, Works and Infrastructure, Mrs Aramide Adeyoye, and Permanent Secretary, Cabinet Office, Mrs. Tolani Oshodi, as members.

 

 

 

 

 

 

 

 

 

Departing from the path of truth set by the eclectic Judicial Panel of Inquiry on Restitution for Victims of SARS-Related Abuses and Other Matters, inaugurated shortly after the Lekki massacre in 2020, a statement by Lagos State on December 1, 2021 said, “This recommendation is not acceptable to Lagos State Government for the following reasons: The finding of the JPI at page 288 paragraph M is that, ‘The evidence of the pathologist Prof Obafunwa that only 3 of the bodies that they conducted post mortem examination on were from Lekki and only one had gunshot injury and this was not debunked.’”

 

 

 

 

 

 

 

 

The statement continued, “The JPI’s finding of nine deaths is therefore irreconcilable with the evidence of Prof Obafunwa that only one person died of gunshot wounds at 7:43pm at LTG on October 21, 2020.”

 

 

 

 

 

 

 

Ehn-ehn? So, the White Paper produced by Governor Sanwo-Olu’s officials even acknowledged the submission that three dead persons were brought in dead from the LTG with one of them dying from gunshot? Where, therefore, did Alhaji Lai get his nobody-died-at-Lekki tales by moonlight from?

 

 

 

 

 

 

 

 

For the government’s White Paper panel to admit with the pathologist that only three dead bodies were brought dead from Lekki leaves so much unsaid about the other skeletons in the cupboard. Nigerians are not dumb to believe that the loyalists of a generous governor will turn around to pull down his government, kamari ni Paul wi.

 

 

 

 

 

 

 

 

In the obsession to rubbish the JPI report, the statement by the Sanwo-Olu government claimed two names were mentioned twice in the JPI’s list of victims that died at Lekki. An incorrupt primary school pupil would know that was a typographical error demanding just a subtraction of the repeated names to arrive at nine, the figure the Okuwobi panel said were killed at the LTG.

 

 

 

 

 

 

 

Still rummaging the haystack to invalidate the bloodbath at Lekki, Sanwo-Olu’s government said, “Furthermore, the person listed as No. 46, Nathaniel Solomon, who testified as a witness and petitioned the JPI in respect of his brother, whom he said alleged died at LTG, was himself listed as having died at LTG on 20th October 2020. Remarkably, Nathaniel Solomon’s deceased brother (Abuta Solomon) was then also listed as No. 2 on the list of persons who died at LTG.”

 

 

 

 

 

 

 

This admission by the Lagos State Government puts the lie to Alhaji Lai’s annoying claim that no family of the deceased showed up to complain about the death of their member. The listing of the deceased’s brother among the dead was another typographic error that doesn’t vitiate the fact that Abuta Solomon died from bullet(s) fired at the toll gate – as acknowledged by the White Paper.

 

 

 

 

 

 

 

Meanwhile, a group of grieving women reportedly stormed the Ikoyi residence of the Lagos Deputy Governor, Obafemi Hamzat, four days ago, to protest the death of their children at the LTG.

 

 

 

 

 

 

 

In its recommendation, the JPI revealed that one Olamilekan Sanusi testified that he was mistaken for dead, and packed with corpses in a vehicle. It’s the truth of Sanusi and six other victims of gunshots, who were awarded N15m each, that Lai Mohammed and Sanwo-Olu want interred.

 

 

 

 

 

 

 

The family of a dead victim, Nathaniel Solomon, was awarded N25m by the panel even as two amputees, Lucky Philemon and Olalekan Faleye, were awarded N15m each just as others that sustained various degrees of injury were also awarded millions of naira.

 

 

 

 

 

 

 

A mother, Adesola, who lost her 32-year-old son to a gunshot wound at the toll gate, told CNN that her son (name withheld), died in her arms after sustaining a gunshot injury to the chest. Standing by her son’s tomb one year after, a weeping Adesola told CNN her son, who had two children, was buried according to Muslim rites, the day after he was shot.

 

 

 

 

 

 

 

Fearing for her dear live, Adesola (not real name) refused to show her face on camera as she recalled seeing a dead protester in the gutter at the LTG, where she had gone to look for her son, whose chest was pierced by a bullet that exited through his back.

 

 

 

 

 

 

 

 

 

Adesola’s plight was replicated in many families who lost loved ones during the nationwide #ENDSARS protests. Felicia Ogunniyi, the mother of an 18-year-old, Kemisola, has an unpalatable tale to tell. She had sent her daughter on an errand when she was apprehended by soldiers on a raid. She was handed over to the police and charged with being part of the group that burnt down the All Progressives Congress secretariat in Akure. Kemisola, who gave birth to a baby boy in prison last June, has been released on humanitarian grounds, but thousands of protesters remain behind bars nationwide while state governments including Lagos offer olive branches in one hand, and whips of falsehood in the other hand, calling for a peace walk but closing the door on justice.

 

 

 

 

 

 

 

 

 

The wind has exposed the rump of the hen. It’s now clear why the police didn’t preserve, secure and investigate the crime scene shortly after the massacre.

Conscience is an open wound…

Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

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