Connect with us

Entertainment

I am a versatile artist”-Abbey cheche

Published

on

Abbey Owokoya also known as “abbey cheche” is an exceptional saxophonist. He has made a name through his dynamic and anointed performance abroad , he is  set to take over the Nigeria music scene as well .His singles ” No one” is ruling the airwaves and he is gradually warming the heart of music lovers with his talent.
In this interview, he told us how the journey began from circular music to gospel music.
How did you get your stage name “abbey cheche”
When I used to play afrobeat, there is this instrument we call maracas, it makes cheche sound. I love that sound so much that people started calling me cheche ,so, i decided to adopt that name as my stage name .There is something about that instrument, it is never heard in a place of mourning, it can only be found where there is joy. So, the interpretation of cheche simply means  sound of joy. That is how I came about my name.
How long have you been into music?
Twenty years now, it started at Ojuelegba in a church, Prayer Link Evangelical Ministry.
So why the choice of gospel music?
I used to play circular music. I have played with the likes of Femi Kuti, Keji Hamilton, Dbanj,Oriz Winiki, later, I discovered gospel is where I belong, gospel is where God wants me to be. It is not as if I cannot play circular music again though, when performing at weddings, I still play circular music, I am a versatile artist.
Tell us where you learnt to play the saxophone?
I started at Prayer Link Evangelical Ministry as well. To the glory of God, it has taken me round the world. Next summer by God’s grace, i am going for  my Europe tour . I got some calls from the UK, France and Ireland, to the glory of God, it is going to be good.
Can you compared being a circular artist to being a gospel artist?
There are  things you don’t do when you play gospel music. You don’t smoke, drink, womanise, you have to live a godly life, seek the presence of God for anointing when you go to minister, the presence and the anointing of God must be present so that lives can be blessed. You must have it at the back of your mind that you are doing the work of God, the holy spirit must guide you. I can remember when I was with Femi Kuti, we were surrounded by people who smoke and drink, I didn’t do such then becauseI am a converted Christian.
How long were you with him?
I was with him for two years, I was also with Dbanj for about four years.
Do you see a collaboration between you and any one of them?
Yes, I see it coming, there is nothing impossible. It might be through that they would be saved. I can remember Ebenezer Obey, he came from circular to gospel. I see myself doing a collabo with a circular artist.
You have a new single out, tell us about it?
It is titled “No One” it is a common song every body knows, very fantastic music, high quality, high definition video, it is a song people can easily relate with. Music must cut across a number of audiences, they should be able to feel the music and relate with it. It is filled with the anointing, I know it will certainly bless lives out there.
I featured two of my colleagues in it, Emmanuel Patrick known as ETG(Emmanuel the Great), Mayowa ponlongo is also there, it was produced by Olaitan Adebowale, the video was edited by Righteous man. The audio was mastered and mixed by Dayo Afolabi.
How is life as a saxophonist?
Life is good, you have to understand your gift, I appreciate God for this gift, being a saxophonist is what I love doing, it is the easiest thing I can do . I don’t need a full band to do it, it comes easy for me. I went to a church to perform  sometimes back and there was no keyboard, the drum set was also not so good, yet the people danced to the glory of God. I don’t need a full band to play, that is what distinguishes a professional, the ability to hold their own when a full band is not around.
Do you think saxophonists have an edge over singers?
I wouldn’t say one is superior to the other. You just have to identify your gift. I live in the United States, I play for Jamaicans, I deal with people who are not Africans, you just have to relate with them, you have to play popular and common music so they can enjoy it. You have to learn and practice so you can master what other people want. Another thing is that,music is not about you playing but about other people listening to you. I wouldn’t say Singers are  superior than us or that we are superior to them. We are both on the same platform.
Who do you admire their work among other gospel artist?
I am anticipating working with Mike Aremu, he is like the boss we were looking up to then before I became a saxophonist. Thank God we are also holding our own here. There is a concert I hold every year in the U.S, I am bringing it to Nigeria next year by God’s grace. It is known as ” sounds of joy”, we are having one by Dec 28 later in the year. I am anticipating featuring Mike Aremu, we would do a number together on stage. I also hope to work with Sinach, I have done a lot with Sunny Badu, he is an African artist.
What brings you to Nigeria?
I am here to unveil Abbey Cheche and what God has given me. A lot of people are blessed under my ministration abroad, why can’t I bring it to Nigeria. People should check my websitewww.abbeycheche.com.  I am also on Instragram, Facebook as abbeycheche.

Continue Reading
Advertisement
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Entertainment

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

Published

on

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

 

As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.

Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.

The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.

That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.

An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.

In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.

Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.

Steven Anu’ Adesemoye

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

Continue Reading

celebrity radar - gossips

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Published

on

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

 

The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.

Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.

As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.

Stay tuned for updates and watch the video below as the mystery continues to unfold!

View this post on Instagram

A post shared by The Tattle Room 🇳🇬 🌎 (@thetattleroomng)

Continue Reading

celebrity radar - gossips

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

Published

on

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

Continue Reading

Cover Of The Week

Trending