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I am a versatile artist”-Abbey cheche

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Abbey Owokoya also known as “abbey cheche” is an exceptional saxophonist. He has made a name through his dynamic and anointed performance abroad , he is  set to take over the Nigeria music scene as well .His singles ” No one” is ruling the airwaves and he is gradually warming the heart of music lovers with his talent.
In this interview, he told us how the journey began from circular music to gospel music.
How did you get your stage name “abbey cheche”
When I used to play afrobeat, there is this instrument we call maracas, it makes cheche sound. I love that sound so much that people started calling me cheche ,so, i decided to adopt that name as my stage name .There is something about that instrument, it is never heard in a place of mourning, it can only be found where there is joy. So, the interpretation of cheche simply means  sound of joy. That is how I came about my name.
How long have you been into music?
Twenty years now, it started at Ojuelegba in a church, Prayer Link Evangelical Ministry.
So why the choice of gospel music?
I used to play circular music. I have played with the likes of Femi Kuti, Keji Hamilton, Dbanj,Oriz Winiki, later, I discovered gospel is where I belong, gospel is where God wants me to be. It is not as if I cannot play circular music again though, when performing at weddings, I still play circular music, I am a versatile artist.
Tell us where you learnt to play the saxophone?
I started at Prayer Link Evangelical Ministry as well. To the glory of God, it has taken me round the world. Next summer by God’s grace, i am going for  my Europe tour . I got some calls from the UK, France and Ireland, to the glory of God, it is going to be good.
Can you compared being a circular artist to being a gospel artist?
There are  things you don’t do when you play gospel music. You don’t smoke, drink, womanise, you have to live a godly life, seek the presence of God for anointing when you go to minister, the presence and the anointing of God must be present so that lives can be blessed. You must have it at the back of your mind that you are doing the work of God, the holy spirit must guide you. I can remember when I was with Femi Kuti, we were surrounded by people who smoke and drink, I didn’t do such then becauseI am a converted Christian.
How long were you with him?
I was with him for two years, I was also with Dbanj for about four years.
Do you see a collaboration between you and any one of them?
Yes, I see it coming, there is nothing impossible. It might be through that they would be saved. I can remember Ebenezer Obey, he came from circular to gospel. I see myself doing a collabo with a circular artist.
You have a new single out, tell us about it?
It is titled “No One” it is a common song every body knows, very fantastic music, high quality, high definition video, it is a song people can easily relate with. Music must cut across a number of audiences, they should be able to feel the music and relate with it. It is filled with the anointing, I know it will certainly bless lives out there.
I featured two of my colleagues in it, Emmanuel Patrick known as ETG(Emmanuel the Great), Mayowa ponlongo is also there, it was produced by Olaitan Adebowale, the video was edited by Righteous man. The audio was mastered and mixed by Dayo Afolabi.
How is life as a saxophonist?
Life is good, you have to understand your gift, I appreciate God for this gift, being a saxophonist is what I love doing, it is the easiest thing I can do . I don’t need a full band to do it, it comes easy for me. I went to a church to perform  sometimes back and there was no keyboard, the drum set was also not so good, yet the people danced to the glory of God. I don’t need a full band to play, that is what distinguishes a professional, the ability to hold their own when a full band is not around.
Do you think saxophonists have an edge over singers?
I wouldn’t say one is superior to the other. You just have to identify your gift. I live in the United States, I play for Jamaicans, I deal with people who are not Africans, you just have to relate with them, you have to play popular and common music so they can enjoy it. You have to learn and practice so you can master what other people want. Another thing is that,music is not about you playing but about other people listening to you. I wouldn’t say Singers are  superior than us or that we are superior to them. We are both on the same platform.
Who do you admire their work among other gospel artist?
I am anticipating working with Mike Aremu, he is like the boss we were looking up to then before I became a saxophonist. Thank God we are also holding our own here. There is a concert I hold every year in the U.S, I am bringing it to Nigeria next year by God’s grace. It is known as ” sounds of joy”, we are having one by Dec 28 later in the year. I am anticipating featuring Mike Aremu, we would do a number together on stage. I also hope to work with Sinach, I have done a lot with Sunny Badu, he is an African artist.
What brings you to Nigeria?
I am here to unveil Abbey Cheche and what God has given me. A lot of people are blessed under my ministration abroad, why can’t I bring it to Nigeria. People should check my websitewww.abbeycheche.com.  I am also on Instragram, Facebook as abbeycheche.
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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV By Alhaji Arems (Baba Fuji)

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.

 

Early Life And Background :

Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.

 

From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.

 

Music Career And Creative Journey :

Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.

 

While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.

 

His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.

 

Family Life And Personal Milestones :

Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.

 

Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.

 

His Passing :

The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.

 

While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.

 

Burial Arrangements :

The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:

 

Friday, January 23, 2026 :

Time : 2:00 PM

Venue :  His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.

 

A Legacy Beyond Numbers :

Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.

 

In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.

 

As he is laid to rest, his music, memories, and the lives he touched remain.

 

May his soul rest in perfect peace.

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Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

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Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

 

The Chairman-in-Council of the Benin Summit Group, Earl Osaro Onaiwu, has congratulated celebrated music stars Rema and Shallipopi for their outstanding achievements at the recently concluded AFRIMMA Awards, where they emerged as shining ambassadors of the Benin Kingdom on the global entertainment stage.
Rema, ( Divine Justice Ikubor) the internationally acclaimed Afrobeats sensation of Benin extraction, carted home three prestigious awards, while fast-rising artiste Shallipopi ( Crown Uzama) also clinched one award, marking a moment of pride not just for Edo State but for the entire Benin Kingdom.

In a statement issued by the Benin Summit Group, Osaro Onaiwu described their victories as a powerful demonstration of Benin excellence, creativity, and global relevance.

“I commend and congratulate Rema and Shallipopi for putting the Benin Kingdom firmly in the global space through their talent, hard work, and discipline. Their achievements are a source of pride to our people and an inspiration to our youths,” Onaiwu said.

He noted that the success of Benin sons in the global entertainment industry reinforces the importance of nurturing creativity and supporting young talents across music, film, fashion, and other creative arts.

“These accomplishments show what is possible when talent meets opportunity and determination. Benin land is rich in creativity, and the world is beginning to take notice,” he added.

Osaro Onaiwu further urged other Benin sons and daughters, particularly those in the creative and entertainment sectors, to remain focused and strive for excellence, emphasizing that global recognition comes through consistency, hard work, and commitment to craft.

“I urge others to strive harder to excel. Let the achievements of Rema and Shallipopi motivate the next generation to dream bigger, work harder, and represent Benin with dignity and pride wherever they find themselves,” he said.

He reaffirmed the commitment of the Benin Summit Group to promoting unity, culture, and development, including the creative arts, which he described as a powerful tool for projecting the Benin heritage and identity to the world.

According to Onaiwu, celebrating the successes of Benin sons and daughters across various fields remains central to the group’s mission of fostering unity, pride, and collective progress within the Benin Kingdom and the diaspora.

 

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

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Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube

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Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube

 

A powerful new Nigerian drama, GICANA, has made its debut during the Yuletide season, sending a strong social message while keeping audiences glued to their screens. The film, now streaming on Mustapha Sholagbade Television (MSTV) on YouTube, explores the dangerous consequences of transacting one’s body for money, portraying it as a risky game with far-reaching emotional and moral implications.

 

Produced by Almatin Limited, GICANA is directed by the creative duo of Olayemi Adeodu and Ayanbode Simon. The directors bring depth and realism to the story, carefully unpacking themes of desperation, survival, greed, and the silent battles faced by individuals pushed to the edge by circumstance.

 

The movie, which was shot in Canada and Nigeria, boasts a rich ensemble of industry talents who delivered compelling performances, including Remi Surutu, Dotun Adebanjo, Mustapha Sholagbade, Bukola Kiitan, Temidayo (Starboy), Dare Melody, Jumoke Fadipe, Queen Blessing Ebigieson, Adejoke Adesokan, and several others. Their performances added emotional weight and authenticity to the storyline, making GICANA both engaging and thought-provoking.

 

Behind the scenes, the production quality of GICANA stands out. Cinematography was handled by Director Keny and Abiodun Bukola, while Mr Perfect served as script supervisor. Sound was recorded by Idrissound, with lighting by Tomcity. Makeup was expertly done by Ifeoluwa Adejumo, and Muhammed Hussein brought the film’s environments to life as set designer.

 

Released at a time traditionally associated with celebration and reflection, GICANA uses the Yuletide season to challenge viewers to think deeply about societal pressures and the hidden dangers of quick money. The film is already generating conversations online, with viewers praising its message, performances, and strong moral undertone.

 

With its timely release and compelling narrative, GICANA is more than just a movie, it is a cautionary tale and a must-watch drama for audiences seeking meaningful African storytelling this new year.

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