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I am a versatile artist”-Abbey cheche

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Abbey Owokoya also known as “abbey cheche” is an exceptional saxophonist. He has made a name through his dynamic and anointed performance abroad , he is  set to take over the Nigeria music scene as well .His singles ” No one” is ruling the airwaves and he is gradually warming the heart of music lovers with his talent.
In this interview, he told us how the journey began from circular music to gospel music.
How did you get your stage name “abbey cheche”
When I used to play afrobeat, there is this instrument we call maracas, it makes cheche sound. I love that sound so much that people started calling me cheche ,so, i decided to adopt that name as my stage name .There is something about that instrument, it is never heard in a place of mourning, it can only be found where there is joy. So, the interpretation of cheche simply means  sound of joy. That is how I came about my name.
How long have you been into music?
Twenty years now, it started at Ojuelegba in a church, Prayer Link Evangelical Ministry.
So why the choice of gospel music?
I used to play circular music. I have played with the likes of Femi Kuti, Keji Hamilton, Dbanj,Oriz Winiki, later, I discovered gospel is where I belong, gospel is where God wants me to be. It is not as if I cannot play circular music again though, when performing at weddings, I still play circular music, I am a versatile artist.
Tell us where you learnt to play the saxophone?
I started at Prayer Link Evangelical Ministry as well. To the glory of God, it has taken me round the world. Next summer by God’s grace, i am going for  my Europe tour . I got some calls from the UK, France and Ireland, to the glory of God, it is going to be good.
Can you compared being a circular artist to being a gospel artist?
There are  things you don’t do when you play gospel music. You don’t smoke, drink, womanise, you have to live a godly life, seek the presence of God for anointing when you go to minister, the presence and the anointing of God must be present so that lives can be blessed. You must have it at the back of your mind that you are doing the work of God, the holy spirit must guide you. I can remember when I was with Femi Kuti, we were surrounded by people who smoke and drink, I didn’t do such then becauseI am a converted Christian.
How long were you with him?
I was with him for two years, I was also with Dbanj for about four years.
Do you see a collaboration between you and any one of them?
Yes, I see it coming, there is nothing impossible. It might be through that they would be saved. I can remember Ebenezer Obey, he came from circular to gospel. I see myself doing a collabo with a circular artist.
You have a new single out, tell us about it?
It is titled “No One” it is a common song every body knows, very fantastic music, high quality, high definition video, it is a song people can easily relate with. Music must cut across a number of audiences, they should be able to feel the music and relate with it. It is filled with the anointing, I know it will certainly bless lives out there.
I featured two of my colleagues in it, Emmanuel Patrick known as ETG(Emmanuel the Great), Mayowa ponlongo is also there, it was produced by Olaitan Adebowale, the video was edited by Righteous man. The audio was mastered and mixed by Dayo Afolabi.
How is life as a saxophonist?
Life is good, you have to understand your gift, I appreciate God for this gift, being a saxophonist is what I love doing, it is the easiest thing I can do . I don’t need a full band to do it, it comes easy for me. I went to a church to perform  sometimes back and there was no keyboard, the drum set was also not so good, yet the people danced to the glory of God. I don’t need a full band to play, that is what distinguishes a professional, the ability to hold their own when a full band is not around.
Do you think saxophonists have an edge over singers?
I wouldn’t say one is superior to the other. You just have to identify your gift. I live in the United States, I play for Jamaicans, I deal with people who are not Africans, you just have to relate with them, you have to play popular and common music so they can enjoy it. You have to learn and practice so you can master what other people want. Another thing is that,music is not about you playing but about other people listening to you. I wouldn’t say Singers are  superior than us or that we are superior to them. We are both on the same platform.
Who do you admire their work among other gospel artist?
I am anticipating working with Mike Aremu, he is like the boss we were looking up to then before I became a saxophonist. Thank God we are also holding our own here. There is a concert I hold every year in the U.S, I am bringing it to Nigeria next year by God’s grace. It is known as ” sounds of joy”, we are having one by Dec 28 later in the year. I am anticipating featuring Mike Aremu, we would do a number together on stage. I also hope to work with Sinach, I have done a lot with Sunny Badu, he is an African artist.
What brings you to Nigeria?
I am here to unveil Abbey Cheche and what God has given me. A lot of people are blessed under my ministration abroad, why can’t I bring it to Nigeria. People should check my websitewww.abbeycheche.com.  I am also on Instragram, Facebook as abbeycheche.
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Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound

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Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound 

By : Alhaji Arems (Baba Fuji)

 

 

In an industry where virality often overshadows steady growth, Nigerian artist Shanko Rasheed is taking a different route — one defined by gradual expansion, cultural fusion, and strategic international movement. From early releases to touring activity across North America, his trajectory reflects a new class of Nigerian artists who are less visible in headlines but increasingly active on the global stage.

 

 

 

 

A Sound Rooted in Tradition, Shaped by Modern Influence :

 

 

At the core of Shanko Rasheed’s artistry is a blend that feels both familiar and forward-looking: Afro-fusion layered with Fuji influences.

 

Fuji, a genre deeply rooted in Yoruba musical tradition, is known for its percussive intensity, vocal cadence, and spiritual undertones. By merging this with Afro-fusion — a broader, globally digestible sound palette — Shanko positions himself in a lane that bridges:

• Street authenticity

• Cultural heritage

• Contemporary accessibility

 

 

 

 

This hybrid approach aligns with a wider movement in Nigerian music, where artists are increasingly revisiting indigenous sounds and recontextualizing them for modern audiences. However, unlike more mainstream acts who polish these elements for pop appeal, Shanko Rasheed appears to lean into the rawness of Fuji-inspired delivery, giving his music a distinct edge.

 

 

 

 

Building Beyond Borders : Touring The United States And Canada

 

 

One of the clearest indicators of Shanko Rasheed’s growth is his international touring footprint.

 

In the past year, he has:

• Performed across parts of the United States, expanding his reach beyond Nigeria

• Secured upcoming tour dates in Canada for the summer, signaling continued demand within diaspora communities

 

For an artist still in the early stages of mainstream recognition, this level of cross-border activity is significant. It suggests:

• An existing audience base outside Nigeria

• Strategic connections or grassroots promoters within diaspora circuits

• A willingness to invest in physical presence rather than relying solely on digital growth

 

 

 

 

The Nigerian diaspora has long served as a testing ground for emerging talent, and artists who successfully tap into that ecosystem often build loyal, high-engagement audiences before breaking into wider markets.

 

 

 

 

Lifestyle Signals And Artist Positioning :

 

 

Beyond music and touring, Shanko Rasheed’s recent acquisition of a Mercedes-Benz adds another layer to his public image. While such milestones are common in the music industry, they often serve a dual purpose:

 

 

• A personal achievement marker

• A branding signal reinforcing upward mobility and success

 

 

 

 

In the context of an emerging artist, it also reflects a narrative of progression — from early-stage hustle to visible rewards. When communicated effectively, these moments can strengthen audience perception and credibility, particularly within genres that value both authenticity and aspiration.

 

 

 

 

The Visibility Gap : Present, Yet Underdocumented

 

 

Despite these developments, Shanko Rasheed remains underrepresented in mainstream media and digital indexing. There is limited:

 

 

• Press coverage

• Editorial playlist visibility

• Structured artist profiling

 

This creates a noticeable gap between activity and awareness. In practical terms, he exists in a space where:

 

The work is happening, but the story hasn’t been fully told.

 

For many artists at this level, this gap can slow momentum. However, it also presents an opportunity to shape a narrative deliberately, rather than reacting to one formed by external media.

 

 

 

 

A Strategic Moment For Definition :

 

 

Shanko Rasheed’s current phase can best be described as pre-definition — a period where the foundation is in place, but the identity is still being formalized in the public eye.

 

 

 

 

He has:

• A developing catalog on streaming platforms

• An active social media presence

• International performance experience

• A culturally rooted sound with crossover potential

 

 

 

 

What remains is the alignment of these elements into a cohesive narrative that audiences — and industry stakeholders — can easily understand and engage with.

 

In a Nigerian music landscape often dominated by rapid breakout cycles, Shanko Rasheed’s path highlights an alternative model:

 

 

• Build steadily

• Expand geographically

• Refine sound identity

• Let audience growth follow organically

 

His fusion of Afro-fusion and Fuji also contributes to a broader cultural conversation about the preservation and evolution of indigenous sounds. As global listeners become more receptive to genre-blending and cultural specificity, artists operating in this space are well-positioned to benefit.

 

 

 

 

Shanko Rasheed may not yet be a household name, but his movements suggest an artist laying deliberate groundwork for long-term relevance. With international tours, a distinct sonic direction, and visible personal milestones, he is steadily transitioning from obscurity to recognition.

 

 

 

 

Beyond his professional strides, Shanko Rasheed has also faced personal tragedy. The Fuji singer reportedly lost his first son, Jamaldeen Atanda, on February 27, 2026. While details surrounding the loss remain private, the moment marks a deeply personal chapter in his life, unfolding alongside a period of growing international visibility.

 

 

 

 

The next phase of his career will likely depend not just on the music itself, but on how effectively his story is documented, distributed, and amplified. If aligned properly, his blend of Afro-fusion and Fuji — combined with his growing global footprint — could position him as one of the more compelling emerging voices in Nigeria’s evolving music scene.

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother

-Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’

 

 

A young man doing well in life is often defined by a disciplined, and purpose-driven approach to his personal and professional growth. 34-year-old Lagos State born social media influencer, Olalekan Akeem Akintola, disclosed in this interview that he has cultivated the habits and mindsets of a young man determined for long-term success before he attained age 21. He said he continually updated his knowledge and skills to keep up with changing demands and trends even before he left Nigeria for Europe in search of greener pastures at age 29. Other than his talent alone, Akeem noted that his becoming successful abroad was not all by luck, but mostly by being kind and respectful. He also revealed the secret behind his popular social media nickname, ‘oko awon single mothers’. And more…

 

 

 

 

 

What do you love about yourself?

 

What I love about myself is that I am a very determined person. When I am determined to do something I don’t look back. I just go into it not minding what the result would be and I don’t care about what anybody would say.

 

 

 

Tell us about your marital life.

 

I was married. But I’m a single father now (general laughter).

 

 

 

 

 

What year did you travel abroad and how did you manage to succeed abroad?

 

I traveled out of Nigeria in 2021. I’m currently in Europe, Germany, South Cyprus to be precise. I worked in the kitchen. To be honest, my experience abroad wasn’t an easy one. Thank God, today I have my citizenship documents and I’m living fine. It wasn’t easy getting to this level. I give God the glory.

 

 

 

Who are the most special people in your life?

 

The most special person in my life is my mum. Then my kids and my mum’s families, especially Sister Iyabo and Sister Nofisat. My mum’s families are so special in my life because they have been very supportive of my life.

 

 

 

Tell us about your experience helping a sick lady, Keji, whose matter has gone viral on social media.

 

This lady, Keji, came into my Instagram inbox and told me that she was sick and needed help. Ordinarily, I do use my platform to help people, especially those who are sick. There was a time I ignored her and didn’t attend to her complaints. But when she showed me the evidence and pleaded that I should help her, I had to support her. I am the person that sent her to see Agbala Gabriel pastor. But I didn’t know that he was going to mess up.

 

 

 

What type of people do you love to be around you?

 

I love to be around people who are friendly, ready to help and very supportive. I do not like people with negative vibes.

 

I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’  

 

You’re a young guy, why do people call you ‘oko awon single mothers’?

 

There was a time I used to abuse single mothers; what they were doing, why did they leave their marriages and so on. I saw it as an abnormality. But I came to realize that my mum is also a single mother and I said why should I be insulting single mothers when I was also raised by a single mother. So, I had to start making videos about single mothers, praising them and talking about their challenges and qualities. Since that time, single mothers started calling me ‘oko awa single mothers’ (husband of us single mothers).

 

 

 

Do you make so much money through social media posts or you have a job that gives you the biggest?

 

Yes, I make money on social media. I also work in the kitchen as a chef. I’m into kitchen stuff here abroad and it pays me well. Also, I run adverts for people on my platform and I make a lot of money from it.

 

 

 

You are very popular among society women; how did you make it happen?

 

All I can say is thank God. I don’t know how it happened. I just found myself with millions of fans and followers. People really love me, especially older society women who fondly call me ‘oko wa’ (our husband).

 

 

 

What is your success tip for young people like you?

 

My advice for young people like me is that whatever they’re doing they should keep doing it. They should be consistent. Keep doing it, don’t relent and don’t look back. When I started out on social media, I was bullied, cursed. I never envisaged where I am today. I never expected that people would be talking about me sometime in the future. But here I am. I never saw this coming. I really thank God for everything. So, let us just keep doing whatever we are doing. There’s light at the end of the tunnel.

 

 

 

Are you fully in the entertainment industry or on part time?

 

I work and I’m fully back in the entertainment industry.

 

 

 

 

 

You look so young despite your age, what’s the secret?

 

The secret is that I maintain physical fitness, I do regular workouts. I know that a strong body supports a strong mind.

 

 

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Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

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*Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

Abuja, Nigeria – The Actors Guild of Nigeria (AGN) announces the appointment of Amb. Princess Chelsea R.C. Nwodo as the new Chief of Staff to National President, ALHAJI SANUSI ABUBAKAR YAKUBU. This strategic move underscores the Guild’s commitment to excellence and its dedication to fostering a more efficient and effective leadership structure.

 

Amb. Nwodo brings a wealth of experience and expertise to her new role, having served as a National Deputy Secretary (Emeritus) and demonstrating exceptional leadership skills and a deep understanding of the Guild’s vision and mission. A respected member of the Nigerian entertainment industry, she is also known for her dedication to promoting actor welfare and advancing the Guild’s interests.

*A Proven Track Record*

Amb. Nwodo’s appointment is a testament to her outstanding contributions to AGN and her commitment to serving the Nigerian film industry. Her philanthropic efforts and advocacy for social causes have made a positive impact on Nigerian communities, She’s also the CEO of CHELSEA NWODO’S FOUNDATION a foundation known for its unique cultural expression and alliance with many state government including Delta state government and so on.

*About the Actors Guild of Nigeria (AGN)*

The AGN is the governing body for professional actors in Nigeria’s Nollywood film industry, established in 1998 with over one million members across the six geopolitical zones of the federation. The Guild promotes actor’s welfare, protects their rights, and advances the Nigerian film industry.

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