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Why I established Oko Opo Foundation for widows – Dr Adeyemo, CEO, Pelican-Valley

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Why I established Oko Opo Foundation for widows - Dr Adeyemo, CEO, Pelican-Valley

Why I established Oko Opo Foundation for widows – Dr Adeyemo, CEO, Pelican-Valley

 

 

 

Dr Babatunde Adeyemo is the Chief Executive Officer of Pelican-Valley Nigeria Limited, a Real Estate company.

 

 

 

Why I established Oko Opo Foundation for widows - Dr Adeyemo, CEO, Pelican-Valley

 

 

In an interview with Great Achiever Magazine, Dr Adeyemo speaks on the establishment of Oko Opo Foundation, a Non Governmental Organisation that rekindles the hope of widows, in fulfilment of his life-long dream to give back to society.

 

Excerpts:

 

You have just come up with a new initiative called Oko Opo Foundation. Please tell us what it is all about.

 

The proposed Oko Opo Foundation is one of my life-long ambitions and dreams. The Foundation is a product of my personal experience about life generally.

 

Being a journalist who had been in the profession for almost 15 years, and had covered many people, including about four governors in Ogun State; I’ve covered the rich and the poor; seen the mighty fallen; seen people at the peak and the lowest part of their lives. After much thought, I’ve come to realise that life is vanity and I realised also that no matter the amount of money you have, it doesn’t secure the future of your children because money is like spirit which you can’t tie down except you invest it on institutions and people.

 

Look at the high and mighty in our society many years back; where are their wealth now? When they died, their wealth went with them and now you start hearing some news that you’ve not been hearing before. So, I realised that the only way you can leave indelible mark on the sands of time is by building people and institutions.

 

For instance, I’ve told my children that substantial part of my assets will be bequeathed to the widows, orphans and less privileged people in the society.

 

So, Oko Opo Foundation is a step towards walking my talk, and also a reflection of my life experience, that life itself is vanity, but while alive one should build people and institutions which I’ve dedicated my life to do.

 

Secondly, I’m the type of person that has passion for adding value to people’s lives. I love being a philanthropist; touching people’s lives positively, and this propelled me to establish Oko Opo Foundation.

 

What does the Foundation want to achieve?

 

The Foundation is about rekindling the hope of the widows, widowers, orphans and the less privileged people in the society.

 

How do you intend to achieve this?

 

Definitely we can’t do it alone. So, we are going to establish our presence on social media where we will seek support through partnership.

 

Again, I’ve earned a lot of goodwill in real estate and in journalism; I will deploy it in Oko Opo Foundation. I will also use my proficiency and integrity in Real Estate business to gather people of likeminds, while I also lead by example.

 

I have some properties which I’m donating to the Foundation immediately because the Foundation has been registered.

 

Equally, I’m building a mini multipurpose hall which is about 98% completed, and this will be used for the activities of the Foundation.

 

How do you want to identify and bring together beneficiaries of this Foundation?

 

We are going to look at it from the angle of direct assessment. We will make the entry open to everybody. People can just walk in; they will be interviewed and submit their credentials which will be verified. From the interview, we will determine their strengths, weaknesses and opportunities that can be available for them and also their various peculiar needs.

 

Some of the things we will do for them are; granting interest free loans; there is a few acres of land, part of which will be made available to them for farming activities; we will also raise an endowment funds to build low income houses with modern facilities to solve the housing problems of the critically vulnerable ones.

 

In addition, we are partnering with one of our clients in the United States who will build old people’s home to cater for the elderly people. There will be a farm market and farm Estate which will create employment opportunities for the widows and elderly people who are still agile and want to engage themselves in physical activities to keep fit and kill boredom.

 

In a project of this nature, finance is always very crucial. Have you reached out to people who can support this initiative and what response have you got from them?

 

Like I said earlier, goodwill is very important. So, I’m not perturbed about finance. We have people of likeminds around the world. Presently, I have over 1000 Nigerians in the Diaspora who have keyed into the Pelican Real Estate project. If you are known as Mr Integrity, people will not hesitate to support and join you in what you are doing.

 

Don’t forget that I’m not doing this for money. I thank God for what He has done for me, and this Foundation is an avenue for me to give back to the society. My goodwill will surely come in handy, as people are ready and willing to support the initiative. Once you are transparent in whatever you do, people will donate generously to a worthy cause.

 

Oko Opo will have a strong presence online where we will be engaging people via various online programmes and they will donate willingly. Once people realise that there is sincerity of purpose, they will want to be part of the success story.

 

I will definitely lead by example. So far, I’ve spent almost N70 million on the mini multipurpose hall which is about 98% completed and very soon a very big generator will be installed there, while I’ve also donated five acres of land in a prime location to the foundation.

 

Can you speak on the peculiarity of the Foundation’s logo?

 

Yes, the Oko Opo Foundation’s logo carries a caricature image of a malnourishly dieing child with a vulture standing behind. That image depicts the present state of an average Nigerian orphan and widow, which Oko Opo Foundation is here to rescue, God willing .

 

How soon will the Oko Opo Foundation kick off?

 

We are planning to launch by September, and mostly, we are going to have so much online presence. We will organise World Press Conference and invite people of likeminds to talk, do interviews and such other things.

 

I’m very optimistic that Oko Opo Foundation will be a success.

Credit: Achievers

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors

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*Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors*

By Rtn. Victor Ojelabi

 

The much-anticipated movie series Seven Doors by Femi Adebayo has finally premiered, currently showing on Netflix, captivating audiences with its intricate storytelling and compelling characters.

The movie begins with a haunting scene of seven women under a mysterious spell leaping to their deaths from a waterfall, setting the tone for a gripping tale that unravels in Ilara Kingdom.

The series explores various societal issues, including corruption, greed, gluttony, family values, malicious conspiracies, and the delicate balance of law and order.

Central to its plot is the calamitous fate of Oba Adedunjoye, the Onilara of Ilara, whose failure to perform traditional rites—symbolised by knocking on seven doors—unleashes devastating consequences on his kingdom.

At the heart of this chaos is Esusu, a malevolent and exiled villain whose return wreaks havoc.

Esusu, a ni ohun t’Eledumare o ni.
Eledumare o ni ika, ika ni Esusu

The character of Esusu, pivotal to the story’s depth, is masterfully brought to life by Aliu Gafar.

Gafar’s first appearance, late in Episode 2, immediately shifts the narrative, introducing a chilling force that spares no one, not even the royal family. His commanding portrayal encapsulates the essence of Esusu, a man whose wickedness defies comprehension.

The backstory reveals Esusu’s sinister pact with Ọba Adejuwọn, an ancestor of Adedunjoye.

Desperation led Adejuwon to seek Esusu’s help to evade death—a move that came at an unthinkable cost, forgetting that bi alọ ba lọ, abọ nbọ (a pendulum that swings to is still coming to swing fro).

Esusu’s return demanded not only royal treatment but the freedom to live as he pleased, challenging the very fabric of the kingdom.

Gafar embodies this complex character with remarkable precision, delivering a performance that is both chilling and unforgettable.

With almost two decades in Nollywood, Aliu Gafar has solidified his reputation as a versatile and dedicated actor.

His extensive filmography includes acclaimed productions such as Jagun Jagun, Anikulapo, Iyalode, Eefin, and Omo Ajele.

His role in Seven Doors further cements his legacy as a master of his craft, showcasing his ability to seamlessly portray multifaceted characters.

The Yoruba actor has also garnered accolades for his work, including the Best Actor award at the Dallas International Yoruba Movies Awards for his role in Peregun.

His commitment to the industry and his talent for captivating performances continue to make him a force to be reckoned with in Nollywood.

In Seven Doors, Gafar’s nuanced performance as Esusu elevates the series, demonstrating his ability to command attention and bring depth to a complex narrative.

His contribution to the Nigerian film industry remains invaluable, and his portrayal of Esusu is a testament to his enduring excellence.

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Bullion Records Officially Commissions New Music House in Lagos

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Bullion Records Officially Commissions New Music House in Lagos

One of Nigeria’s leading music labels, Bullion Records, has taken a significant step in its journey of redefining the Afrobeat music industry with the commissioning of its state-of-the-art Music House. The grand ceremony, held on Friday, December 6, 2024, at 29 Abebi Close, Goodwill Estate, Bemil, Ojodu Abiodun, Berger, Lagos, was a star-studded affair graced by notable personalities, well-wishers, and media representatives.
Ogun State chairman of the New Nigeria People’s Party (NNPP), Barrister Femi Aina, officially inaugurated the facility by cutting the ribbon. He was joined by key dignitaries, including the NNPP’s Ogun State Public Relations Officer, Comrade Omokehinde Olowu; the convener of the Ajadi Independent Movement (AIM), Hon. Idowu Shola Imoleayo; and the Ogun State Secretary, Alhaja Shakirat Arowolo.

Ambassador Olufemi Ajadi Oguntoyinbo, CEO of Bullion Records, expressed his gratitude and excitement during the event. He described the Music House as a dream realized, emphasizing the label’s dedication to fostering creative excellence.

“This Music House represents our commitment to providing a platform where talents can thrive and Afrobeat can continue to flourish globally,” Ajadi said. “Bullion Records is more than a music label; it is a family, a movement, and a force for positive change in the entertainment industry. We are proud to unveil this facility as a hub for creativity and innovation.”
The Managing Director of Bullion Records, Mr. Elegbede Ajibola, also highlighted the significance of the Music House. “This is a new chapter in our journey. The Music House will not only serve as a recording studio but also as a center for nurturing and promoting exceptional talents. We are excited about the possibilities it holds for the future of Afrobeat,” he stated.

The event was hosted by popular comedians MC Emmer and African Pencil G, while comedian MC Kirikiri entertained the dignitaries and guests with his humor. DJ Dr. Step, and DJ Danny Yankee of LASU FM curated the music policy for the night, setting an energetic and celebratory tone throughout the event.

Guests were further captivated by electrifying performances from Bullion Records’ star artistes. Harcher, the label’s newly signed 20-year-old Afrobeat sensation, delivered an unforgettable performance alongside Kingsley Fortune, popularly known as GyC, the label’s senior act. The duo thrilled the audience with their hit tracks, showcasing the label’s dedication to producing quality music.

In his remarks, Harcher expressed his appreciation for the opportunity to be part of Bullion Records, calling it a family that supports his passion and vision. “This is not just a music house; it is the home of dreams. I’m grateful to be part of this journey, and I promise to make my fans and the label proud,” he said.

GyC, who has been a pivotal figure in the label’s success, also shared his excitement about the new development. “Bullion Records has always set the standard for excellence, and this Music House is a testament to that. It is a space where creativity will thrive, and I am proud to be part of this historic moment,” GyC said.

The event drew significant media attention, with Soundcity TV, a prominent Nigerian lifestyle and music channel, in attendance alongside other reputable media houses.

The ceremony ended on a high note, with well-wishers applauding Bullion Records’ innovative vision and commitment to uplifting the Afrobeat genre globally.

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