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Adewale Ayuba Special : Why I built a digital studio + clears the air on the controversial born again report

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Multiple award winning fuji star,  Adewale Ayuba has cleared the air on his born again controversial story.  In an exclusive chat with Sahara Weekly,  he opened up on his career,  new studio   and host of other sundry issues

  Q –. Can you tell us what you are working on presently?

R – We are working on digitalizing fuji music. We are trying to see fuji from a different angle. We want to put fuji music in a level where people can tap from,. Where you can easily send singles from your phone to another because the world now belongs to social media and we are trying to do what is in vogue. To realize this, we must have our own digital studio because 99% of fuji music is done by analogue studio. We want to make it crispy now.

Q – Arguably, everybody acknowledge your standard when it comes to fuji. Your own style differs from others. A lot of people blend with your style. What inspired that?

R – From day one of my life, my prayer has been to make fuji music popular. I want to be a preacher that will preach fuji to the western world. When I started, I had 5 albums that wasn’t even played at all and all my friends were mocking me in school that I was doing something local., I realized it’s not their fault, , its because fuji wasn’t doing well. In this fuji music, lyrics is supposed to be in Arabic or Yoruba but how do you want young ones to understand and appreciate Arabic and Yoruba? And that is why we started writing 50% of English and 50% of Yoruba in our songs. Even for foreigners, it will be understandable for them that way.

  Furthermore, the sound of fuji music rhythm used to be slow so we made the tempo fast and thank God everything went fine.

  Q – A lot of people had this general belief in those days that Fuji music is for illiterates but when you came on board, a lot of people believed that your level of education is why you were able to make it to the top and modernize fuji music, would you agree with that?

 R- I can’t lie to you, it’s part of it. The reason is that education is life but at the same time, I’m a good listener. If you are working for me and I want to do something, I’ll call you to hear your own part before going on. I can call my gateman or anybody and that is why my producer can work with we smoothly.

Q – Another thing people appreciate about your brand is the energy. A lot of people believe you brought the energy into fuji industry. Where do you get the energy from?

R – I had an artist I always look forward to then. He was Micheal Jackson. Anytime I watch him, I marvelled with the energetic things he does. I also wanted to be like King sunny Ade because of his energy .That is the brain behind that.

Q – Interestingly, You just got a new studio, can you tell us more about that?

R – The studio you are talking about is to digitalize fuji music. I realize that I don’t need analogue studio alone. I need the combination of Analogue and Digital studio. There’s no analogue and digital studio in Nigeria, I’m not saying I’m the only one but it’s not much here in Nigeria because nobody wants to digitalised fuji . I’m the one that realize that we need to do this in order to make fuji music move forward. When I start, other artiste will join me. The push came from Late Ayinde Barrister. Before he died, he called me and told me not to let Fuji music go down and that I should do my own. He laid the legacy.

Q – To what extent will the digitalization affect your brand and how about the fund?

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R – It’s about determination. Once you are determined, you won’t think of how much you are paying. My prayer is that God should let me achieve this. My plan is to see other artiste come in to record because it’s not for me alone, it’s a commercial thing but whoever does fuji music will pay just 70% of the normal amount because I opened it because of Fuji music.

Q – How do you joggle your music career and your hospitality business?

R – Thank God for that and there is nothing bad in trying to diversify especially when you don’t make money from entertainment. When we sell our albums, we don’t make money because of piracy. My hospitality business is just something I have. It’s just there to boost my career. I don’t know much about it because I have someone managing it for me, it’s just for my career.

Q – Can you clear the air on the issue surrounding your testimony in church recently?

 R – About religion, we are talking about Christian and Muslim, which are the same thing. I was misquoted as regard my testimony. I said I had wanted to be a Christian from my day one maybe because I don’t understand Arabic but I have to know it because without it, I won’t be able to read the Quran and I realize I’m not serving my God well with what he has done for me. I’m calling myself a Muslim but can I read the Quran? But I can read the bible well because it’s comprehensive.  But because of my background; my parents are Muslims and most of my fans are Muslims too, I was afraid. It’s not as if my parents were going to kill me, they are not killers, Muslims are not killers too. I was just misquoted. Nobody should care about my religion; they should talk more about my career. I did the testimony in my church, not to the public. I’ve been to Hajj and most of my fans are Muslim so it’s impossible for me to say there are going to kill me.

 Q- That means you still appreciate and associate with your muslim fans…..

R – Of course. I’ve been a Christian since 2010. Had it been I just got converted last week, it would have been a different story. In my band, most of them are alhajis. I can’t say muslims will kill me. NO!!!. Religion is like Chelsea and Arsenal, you choose the one you prefer. I was surprised when people started calling me to know if I’ve become a Gospel musician now. Nigerians should talk more about my career. If anyone was offended by my testimony, they should just forgive and forget but I didn’t mean when everyone thought. My parents are not killers. Muslims have given me four different notable titles so why would I say they will kill me? I did the testimony in church and someone spread it and I was misquoted.

Q – People believe Fuji is a house that isn’t united. To what extent do you want to unite artiste in the fuji industry?

R – I don’t know why people think fuji musicians are not united. Have they ever seen two fuji artiste fighting each other publicly? If I say I’m the best dancer in the world now, people will say I’m throwing shades at one artiste. It’s people that is making it look like we are not united. If I call Pasuma and Osupa now, they will join me here and they will be relating well with each other but because marketers believe people like negative stuffs, they sell it to people too. Journalist should help too because their pen can change lives, change the nation.

Q – What should your fans expect from you this year?

R – By God’s grace, the studio is working and my single Is coming up. It will be out before easter. I don’t want to do lengthy albums again. When my album comes out, it will be like 12track in an albums.  Also the studio gives discount to all fuji artistes.

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NNPCL and Corruption’s Final Throes

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NNPCL and Corruption’s Final Throes* By Pius Olasanmi

NNPCL and Corruption’s Final Throes

By Pius Olasanmi

 

In the twilight of the Obasanjo administration, when Nigerians were still capable of being outraged, when Turn Around Maintenance (TAM) of refineries was a buzzword that still held some mysticism to bamboozle citizens, during a conversation, a certain man said something profound. The man said, “As a businessman, if I were the owner of these refineries, knowing that they are three decades old, I would take the last money I have, hire bulldozers, raze them to the ground, and obtain loans to build new ones.”

When we pressed him further on why he would engage in such waste, he explained that repairing the refineries is the real waste. He explained that even if the TAM were honestly carried out, a thirty-year-old refinery would never compete favourably with a new one that would integrate contemporary technology. Operating at its best, such a refinery would never be comparatively more efficient. It is therefore pointless to have spent another one naira on the refineries at that point.

A few months later, I had a conversation with a then-lawmaker on an entirely different matter. I mentioned that the National Assembly has failed by not crafting legislation that would criminalise and punish public office holders who foist wrong decisions on the country. The logic: a public office holder need not steal to be punished, wrong decisions should attract penalties for an office holder who opts for the worst of all options when there are less injurious ones.

These established premises speak to the ongoing nauseating efforts at revisionism by those who wrecked the Nigerian National Petroleum Company Limited (NNPCL) and its previous iteration, the Nigerian National Petroleum Corporation (NNPC). Notably, this campaign to rewrite history is traceable to Engineer Mele Kolo Kyari, the disgraced immediate past Chief Executive Officer of NNPCL and his hirelings. They have suffocated the news and the public opinion space with even more lies than they spun while in office.

The Saint Kyari campaign is anchored on convincing Nigerians that the Port Harcourt, Warri and Kaduna Refineries were fully functional when he was booted out of office. So brazen is the campaign that one of its talking heads challenged the group chief executive officer (GCEO), Engr. Bayo Ojulari, to “inform Nigerians categorically what happened to the functioning refineries he inherited from his predecessor, Engr. Mele Kyari.” The effrontery.

We have not forgotten so soon the charade that followed the baffling claim that Nigeria has spent $2.8 billion on the repair of the refineries, while they are not churning out even a single litre of refined product among them. Saint Kyari and his goons played all manner of tricks, all of which embarrassed President Bola Tinubu, who had counted on ticking off the return to productivity of the refineries as part of his achievements, only to realise that he was deceived into celebrating phantoms. Tragic.

Lest we forget, 200 trucks were arranged as props in a well-directed video clip to celebrate the re-streaming of the Port Harcourt Refinery. The disappointment. Nigerians were to learn from several reports that the Port Harcourt refinery was not producing and was instead using old, stored petroleum products to load trucks. Worse still, the Kyari crew was passing off sanction-tainted Russian-sourced crude oil refined in Malta as locally refined products. More insult was piled on the assault on our collective sensibility with the lies that the Port Harcourt Refinery exported semi-finished products. Brazen.

Meanwhile, Kyari and his hirelings called those who pointed out or protested these glaring scams all manner of names. They hid behind industry technicalities and jargon to create the impression that those of us who knew Nigerians were being robbed did not understand what we were saying. The point remains that a $2.8 billion investment can potentially build a refinery with a capacity of around 100,000 barrels per day (bpd). Of course, the actual capacity of such a refinery will depend on various factors, including the complexity of the refinery, the technology used, and the location. That is the amount that Kyari’s regime at the NNPCL took and did not give Nigerians refined products.

Fast forward to Kyari’s sack and the appointment of Engineer Bayo Ojulari, who has demonstrated that things can indeed be done differently. Kyari’s exit was expectedly followed by the Economic and Financial Crimes Commission (EFCC) going after him and his associates. The extent of the theft is better understood against the backdrop of N80 billion being found in the bank account of one of his associates. They went on the run.

Perhaps because the EFCC was biding its time on securing international warrants for the arrests of these characters on the lam, they have become emboldened. They have decided to fight back and rewrite the story of their participation in the greatest fraud against Nigerians. Engineer Ojulari’s renewed mindset, which is entrenching a semblance of the transparency Nigerians demand, became their natural target. The demons that once roamed around the corporation came out with malevolence. They started spinning stories of corruption to tarnish the incumbent who refused to hide their crimes. The objective: bring Ojulari down. But alas, he is winning the war as it stands.

His innocence is proven, and it is glaring that those who want him out are mere charlatans who can no longer ply their corrupt wares because of the impact of the new reforms. Corruption in the NNPCL is in its final throes. The fake news being unleashed against the incumbent leadership is akin to corruption’s last kicks as reforms in the sector strangulate it and its practitioners. The reforms must take place in the NNPCL, whether the industry demons like it or not.

As a parting shot, Kyari and his associates would do well to prepare their defence. In addition to accounting for the $2.8 billion they laundered in the name of repairing the moribund refineries, they must also answer for the poor decision to fix that which is irretrievably broken. Awarding contracts for Turn Around Maintenance of 59-year-old refineries that a right-thinking person had suggested should be demolished almost twenty years ago, when they were only 30 years old, is criminal. Trying to deceive Nigerians that the fake repairs worked is treason.

NNPCL and Corruption’s Final Throes*
By Pius Olasanmi

Olasanmi is a public affairs analyst writing from Lagos.

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GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

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GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

Set to Rise elegantly against the Lagos skyline, is the Grandis 5Star Luxury Apartment & Suites. According to Adejuwon Ademola, The General Manager of the Development company, it is more than just a residential building
“it’s a lifestyle statement. Standing 17 floors high in the heart of Victoria Island, this revolutionary masterpiece of modern architecture will offer a panoramic 360° view of Eko Atlantic, Victoria Island, and Ikoyi, transforming every apartment into an exclusive penthouse experience for the world’s most discerning elite.”

GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND
Developed by Dumarco Construction Limited, a globally acclaimed company with decades of delivering complex, high-value projects in the highly regulated petroleum, oil, and gas industries, Grandis 5Star brings unmatched international safety standards, uncompromising quality, and timeless elegance into Nigeria’s luxury property market.

> “When you live in Grandis, you’re not just buying a home—you’re investing in peace of mind, world-class safety, and an effortless luxury experience that will remain pristine for decades,” says Adejuwon A. Ademola, General Manager of Dumarco Construction Limited.

The Gold Standard in Safety and Quality

Dumarco’s roots in the oil and gas sector mean the company operates to some of the strictest safety protocols in the world. Every stage—from conceptualization, design, construction, to long-term maintenance—follows internationally accepted procedures and quality assurance measures. Cutting corners is simply not in Dumarco’s vocabulary.

> “In the oil and gas industry, there’s no room for compromise. We’ve brought that same discipline and zero-tolerance for mediocrity into property development,” says Ademola. “That’s why Grandis will be one of the safest and most enduring residential developments in Nigeria.”

To ensure transparency and prevent (project complacency), Dumarco deliberately separates the developer, contractor, and consultant roles, engaging only the most competent professionals in each respective field. Dumarco’s project team includes globally recognized contractors such as Julius Berger, Cappa & D’Alberto, and Elalan, Migliore Construczione & Tecniche (MC&T) and their partners VENCO IMTIAZ CONTRACTING COMPANY (VICC) based in Dubai, UAE, Business Contracting Limited, alongside leading consultants like Morgan Omanitan & Abe, LAMBERT, and James Cubitt.

Grandis – Investments, appreciation, returns and profitability

Our selection process for the location of the project alone was pains-taking and completely thorough scientific process. Top professional companies were employed to conduct a scientific data acquisition and analytical survey of the entire Victoria Island, Ikoyi, Lekki and Eko Atlantic before a project site is selected. Analyzing and acquiring areas developmental charts and trends, studying and gathering historical and present sale prices, rental charge and occupancy rates over a 50 year period from every individual street before the selection of the location of any of our developments especially true for the Grandis Project
He adds,

“Our clients and residents can be rest assured that the location of Grandis has been scientifically proven through all existing data to provide our clients with a 100% occupancy rate, highest developmental location, highest rental income and investment returns. ”

The Grandis Experience

Located minutes away from international corporate headquarters, embassies, and landmarks such as Eko Hotel, Radisson Blu, and the Radisson Red, Grandis offers unmatched convenience for professionals, diplomats, and high-net-worth individuals. Every residence is designed for both indulgence and efficiency, with high-grade finishes, smart-home systems, and private amenities that ensure seamless living.

From sunrise over the Atlantic to the glittering Lagos night skyline, residents will enjoy uninterrupted luxury, supported by discreet and highly trained staff, advanced security systems, and a design that prioritizes comfort and privacy.

> “We designed Grandis for people who want everything—security, elegance, convenience, and the assurance that their home will look as spectacular in 20 years as it does on day one,” Ademola notes.

A Legacy That Lasts

With its combination of visionary architecture, peerless safety, and meticulous maintenance planning, Grandis is built to remain iconic for generations. Thanks to Dumarco’s meticulous approach, the building’s service charges are expected to remain low while its value and appeal continue to appreciate over time.

In a market often marred by shortcuts and substandard practices, Mr Ademola says
Grandis stands as a beacon of what luxury living should be—safe, spectacular, and built to last.

“Grandis 5Star Luxury Apartment & Suites — Where safety meets sophistication, and every detail is designed for a life well-lived.”
He added

Website -www.dumarcoltd.com
Project website – www.26idowutaylor.com
Email [email protected]
Tel / WhatsApp +234 9077777883
GM – Adejuwon A. Ademola

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Nationwide Talent, One Broadcaster: Tinubu Picks Pedro, Bello, Din, Mohammed to Lead NTA

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Nationwide Talent, One Broadcaster: Tinubu Picks Pedro, Bello, Din, Mohammed to Lead NTA

Tinubu Overhauls NTA Leadership: Media Powerhouse Rotimi Pedro Takes Helm as DG

 

President Bola Ahmed Tinubu has announced a major shake-up at the Nigerian Television Authority (NTA), appointing renowned media executive Rotimi Richard Pedro as the new Director-General in a move widely seen as a bold step toward modernising the state broadcaster.

Pedro, a Lagos native, brings nearly 30 years of expertise in broadcasting, sports rights, and marketing communications across Africa, the UK, and the Middle East. A trained entertainment and intellectual property lawyer, he also holds an MSc in Investment Management and Finance from City University Business School, London.

In 1995, Pedro founded Optima Sports Management International (OSMI), which rose to become one of Africa’s leading sports content providers—distributing premium events such as the English Premier League, UEFA Champions League, FIFA World Cup, and CAF competitions to audiences in over 40 countries.

His career highlights include top roles at Bloomberg Television Africa and Rapid Blue Format, as well as advisory work for FIFA, UEFA, Fremantle Media, and the African Union of Broadcasters (AUB). At the AUB, he was instrumental in securing exclusive pan-African free-to-air media rights for all CAF competitions.

Alongside Pedro’s appointment, Tinubu named Karimah Bello from Katsina State as Executive Director of Marketing, Stella Din from Plateau State as Executive Director of News, and Sophia Issa Mohammed from Adamawa State as Managing Director of NTA Enterprises Limited.

Industry insiders credit Pedro with building commercially viable broadcast platforms, driving sponsorship growth, and delivering world-class content to African audiences. His appointment marks one of the most significant leadership changes at NTA in years—signalling the government’s intent to strengthen the broadcaster’s competitiveness in a fast-evolving media landscape.

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