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‘How M.I Abaga almost destroyed my Music career + His many lies against me’ – Rapper, Milli cries out

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It’s no more news that Chocolate city rapper, Milli has parted ways with the label over some unsettled disputes between him and the label’s management. Last week when the news broke out, M.I, Who is the current Chairman of the Label, accused the rapper of being too proud to be controlled.

However, contrary to this report, the Victim, Milli has decried M.I’s accusations levied against him and also revealed the main reasons behind his exit from the label.

READ BELOW

 

Part One

It’s no longer news that the time has come for me to move on from Chocolate City, but until now, no one has heard my side of the story.

It’s been a long journey – one year in 2014 with M.I. writing and co-producing theChairman album, and another year in 2015 being signed with Loopy and Choc City, writing and co-producing the TICBN album, and working on individual Choc City artist projects.

I have a lot of love for my CC family, especially for Koker and Dice, but for me, things didn’t turn out how I thought they would at all… I was getting held back all the time, I wasn’t allowed to put out music like I wanted to, and it was getting really hard to be myself…

I’m not going to say much out there, about what really happened, that’s why I created this private Facebook group. I don’t want to do interviews and talk about what happened, I wouldn’t even want to write all of it down because it’s quite painful.

But I haven’t told anyone what’s been happening, and you guys have been showing me love all this time, even in my absence, so it’s only fair that you know more than everyone else… What I want to share with you will come in five parts and this is Part 1.

I really love you guys and feel so blessed.

Part Two:

 

I started working on the Childish EP in 2014, and all the tracks on the EP were ready by the end of 2014, but when I got signed to Loopy in January 2015, M.I asked me to go back and re-record the entire EP.

When Mr Audu left in February 2015 and handed over to M.I, I automatically became a Choc City artist. I was told dropping my EP under CC was going to be great for me so I was really excited. But there was a lot going on at that time, so attention shifted from my EP and I was told I couldn’t drop it for the next few months after the handover because I had to wait for the label to reorganise itself. In March, I figured out a way to drop music though, that’s how I started #FreeMusicFridays. But after three Fridays, they pulled the plug on it and said I couldn’t continue putting out free music…

When the handover was completed, we were asked to start putting together the TICBN album in order to promote the Choc City brand, so again I was told to be patient, and I was… I came up with the idea to drop the Childish EP on Children’s Day (May 27th, which is also my birthday), but no one at the label paid attention and M.I didn’t want me to drop it at the end of May because the TICBN Album would still being promoted around that time, so I had to be patient again. Once the TICBN album that I was also working on was recorded and dropped, I still wasn’t allowed to drop the Childish EP, but instead I was asked to pay attention to the TICBN album and promote it, which I did…

\The TICBN album

Around August, after the TICBN promo, it was time for individual artists to drop projects they had been working on before the TICBN album, so I was excited and thought I could finally put out Childish. But then a new rule was invented: New music could only be dropped if it came with a music video… Sigh. More patience.

The music video for Unlooking was shot in September last year but turned out a disaster, a lot of things that were supposed to happen didn’t and it just didn’t look right. I wasn’t proud of it, and you wouldn’t have liked it at all, but I couldn’t afford to shoot another one, and I couldn’t drop Childish unless I dropped a video, so I was willing to live with it. I just wanted to drop my EP… But when M.I saw the footage, he said I couldn’t drop the video yet, because we had to shoot additional scenes. The next shoot was set for January 2016 (four months after the first shoot!), which meant Childish wouldn’t drop till then. One year of waiting, and more patience…

Part Three

 

In November last year, I realised the year was almost over and I hadn’t put out any single yet. It bothered me, because people were waiting, and with all my frustrations I had to ask that the rule be waived in my case for Unlooking because my video was already shot, but not yet ready. Luckily it was approved but M.I wasn’t fully behind my decision, so I wasn’t very confident. But I knew I had to drop something with or without his support…

I know some of y’all have been asking about the Wizkid feature and if it that was even true. Well, it did exist, and still exists. I did have a song with Wiz, which was also supposed to have M.I on it, but unfortunately he took it from me. M.I gave me a choice – if I wanted to put out Unlooking, I would have to give up the Wizkid feature.

I guess nobody in their right mind would give up a feature with Wiz, but I did believe in Unlooking, and everybody around me wanted me to release it. Also, I didn’t want my first release to be a feature, and I knew I could always find him again, so I gave up the Wizkid track and prepared the release of Unlooking.

I created Unlooking in a really unique way. When I first wrote it, the verses were different, not Pidgin, but M.I asked me to rewrite the song, and had me change it from English into Pidgin, to be more ‘street‘… so I did, even though I never enjoyed remaking the song. But I wanted to make him happy so I would get all the support I needed by the time Unlooking was coming out. Unfortunately, after so much time rewriting it, when I finally dropped the song, he didn’t support me and Unlooking wasn’t pushed.

He didn’t put much effort into promoting it, I could tell, and after Unlooking, all these new dab songs started coming out and the move that I had started was jacked from me… I saw M.I supporting Olamide’s dab and it really hurt me.

I thought M.I was ashamed of me. He was telling people that Unlooking was just 60% of what it could have been, and that the only reason people liked it was because it was in Pidgin. There was no budget for promotion, so I had to hustle by myself, but I am just one person and I can’t win if my own people don’t believe in me…

And all this while, M.I told me to be more like this or that artist, be more ‘street’, and people told me that he kept saying that my music wasn’t gonna fly in Naij… It’s like they had decided my sound wasn’t going to work before they even gave it a chance. It made me really, really sad…

Part Four

 

In December last year, I met some cool and serious people that not only believe in me and my music, but they also want to see me shine. My new team wanted to work with Choc City but Choc City didn’t want that. All this while, all CC artists were told to build their own teams. And here I was, with a dope team that wanted nothing from the label but the opportunity to invest in me, and work on my promo and branding together with the label, and CC said no.

They said ‘Either all us or nothing’. So what choice did I have? Sit and wait some more, or work with people who actually believe in me? I didn’t want to leave the label, but they didn’t really leave me a choice… So as much as it pained me to leave my fam behind, we started the release process in January…

Right after the meeting with M.I, my new team and I travelled abroad for four weeks to shoot two music videos. The change of environment was good for me as I was really down at the time, I felt abandoned because after all the hard work I had put into the various CC projects and the Chairman album, the label was ready to just give up on me like that…

Then things started picking up and I did more work with my new team in one month than with Choc City in an entire year, and I’m grateful. They get me and my music. They wanna make me succeed the way I am, not change my sound. They see the big picture, and way beyond Nigeria.

Not everyone is happy about my departure from CC though, and even for me, it wasn’t easy to make that decision… In ‘Everything’ M.I. really went deep, calling me disloyal for leaving the family and so on. People in the label office stopped talking to me. It became difficult for me to work with Reinhard, my producer that I introduced to M.I. at the time we produced Chairman. They talked to radio OAPs and other media people and told them their side of the story, making me look bad and as if I don’t care about anyone.

And then it took almost five months to release me from the label, so I was stuck. Choc City was delaying me and crushed my vibe… My new team said I shouldn’t be on social media until things are settled with Choc City, so that they don’t change their mind about releasing me or delay us some more when they see how well things are going for me. That’s why I went quiet at some point. I didn’t even know what to say or post anyway, I was just really, really sad…

Part Five

 

Being signed to Choc City was a big opportunity in my life that I will forever be grateful for. I’ve learned a lot, the good and the bad. But to keep following my dream, I needed to let go, even if it hurts and it still does…

But I’ve got my own label now, Up Next, a dope team, and I’ve got you guys, and that’s all I need. But I can’t lie, it’s gonna be tough. I already know that he and his people have been talking to the media, and I don’t know how that will affect what the blogs will write, and how much radio and TV airplay I will get for my music… Maybe they will shut me out, he has people everywhere, so its possible for him to do things his way… Some of the social media influencers even told me they don’t want to promote my new projects, for fear of upsetting M.I or Choc City…

It’s scary and I don’t know what will happen but I’m ready for the challenge, and as long as you guys have my back and help me post, RT, Regram and spread the word about the#UpNextMovement and my new music to your people, we don’t even need all the fake hype!

Much more happened than what I’ve told you, a lot of personal things that really disappointed and hurt me deeply, coming from a person I admire and respect so much. I won’t speak about details because I don’t want this to be about any of those personal things. That’s between him and me. #DontAskMeWhatHappened.

But I will never forget how I was put down again and again, how my confidence in my sound was broken, and how it was impossible for me to put out my music. I even stopped believing in myself at some point… Your messages all this while really helped me a lot and gave me new motivation. I felt your love and I’m grateful for that.

What I’m going to drop this week is daring, but it’s my way of overcoming my fear, stand up for the Art I believe in and move on. I hope I can count on you to have my back and get others to join the #UpNextMovement. The Movement is about the art of good music, and about giving other artists that make ‘different’ sound the courage and strength to BE different, instead of getting frustrated by the industry.

I’m sure many people will say I’m ungrateful and I want to cause drama but what I really want to do is to leave the old structures behind that suppressed my art and my sound, follow my dream and #SetArtFree! That’s my mission with the #UpNextMovement.

We need to allow Art to exist in Nigeria and I’m not shutting up no more. And if that upsets some people, so be it.

Bless you all and thanks for being with me.

Milli

 

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Deadline of Compliance: Nigeria’s Urgent Call for Tax Return Filing

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Deadline of Compliance: Nigeria’s Urgent Call for Tax Return Filing

By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

“Shift or Structural Demand? A Declaration of Civic Duty in a Nation at a Fiscal Crossroads.”

In the unfolding narrative of national development and economic reform, few instruments are as defining as tax compliance. For Nigeria, a nation perpetually grappling with revenue shortfalls, structural dependency on a single export commodity, and entrenched informal economic behaviour, the Federal Government’s recent clarification on tax return deadlines is not mere bureaucratic noise. It is a deliberate and inescapable declaration: the social contract between citizen and state must be honoured through transparent, lawful and timely tax reporting.

At its core, the government’s pronouncement is stark in its simplicity and radical in its implications. Federal authorities, speaking through the Chairman of the Presidential Committee on Fiscal Policy and Tax Reforms, Taiwo Oyedele, have made it unequivocally clear that every Nigerian, whether employer or individual taxpayer, must file annual tax returns under the law. This encompasses self-assessment filings by individuals that too many assumed ended once employers deducted pay-as-you-earn taxes from their salaries.

This is not an optional civic suggestion, it is mandatory, backed by statute, and tied to a broader vision of national fiscal responsibility. Citizens can no longer hide behind ignorance, apathy, or false assumptions. “Many people assume that if their employer deducts tax from their salaries, their obligations end there. That is wrong,” Oyedele warned, emphasizing that the obligation to file remains with the individual under both existing and newly reformed tax laws.

The Deadlines and the Reality They Reveal.
Across the federation, state and federal revenue authorities have reaffirmed statutory deadlines in pursuit of compliance. The Lagos State Internal Revenue Service, for instance, moved to extend its filing date for employer returns by a narrow window, reflecting the reality that compliance often lags behind legal timelines. The extension was intended not as leniency, but as a pragmatic effort to allow accurate and complete submissions, underscoring that true compliance rises above mere mechanical ticking of a box.

At the federal level, Oyedele’s intervention was even more fundamental. He reminded Nigerians that annual tax returns for the preceding year must be filed in good faith, with integrity and in respect of the law. This applies regardless of income level including low-income earners who have historically believed that they are outside the tax net. “All of us must file our returns, including those earning low income,” he stated.

Herein lies one of the most challenging truths of contemporary Nigerian governance: widespread tax non-compliance is not just a technical breach of law, it is a deep cultural and structural issue that reflects decades of mistrust between citizens and the state.

The Root of the Problem: Non-Compliance as a Symptom.
Nigeria’s tax culture has long been under scrutiny. Public discourse and economic analysis consistently show that a significant majority of eligible taxpayers do not file annual returns. Oyedele highlighted that even in states widely regarded as tax administration leaders, compliance remains strikingly low, often below five percent.

This widespread non-compliance stems from multiple sources:

A long history of weak tax administration systems, where enforcement was inconsistent and penalties were rarely applied.

A perception that public services do not reflect the taxes collected, eroding the citizenry’s belief in reciprocity.

An informal economy where income often goes unrecorded, making filing seem irrelevant or impossible to many.

Lack of awareness, with many Nigerians genuinely believing that tax liability ends with employer deductions.

The government’s renewed push for compliance directly challenges these perceptions. It signals a shift from voluntary or lax compliance to structured accountability, a stance that aligns with best practices in modern public finance.

Why This Matters: Beyond Deadlines.
At its most profound level, the insistence on tax return filings is about nation-building and shared responsibility.

Scholars of public finance universally agree that a robust tax system is the backbone of sustainable development. As the eminent economist Dr. Joseph E. Stiglitz has observed, “A society that cannot mobilize its own resources through fair taxation undermines both its government’s legitimacy and its capacity to provide for its people.” Filing tax returns is not a mere administrative task, it is a declaration of participation in the collective project of national advancement.

In Nigeria’s context, this declaration carries weight. With the enactment of comprehensive tax reforms in recent years (including unified frameworks for tax administration and enforcement) authorities now possess broader statutory tools to ensure compliance and accountability. These measures, which include electronic filing platforms and stronger enforcement powers, have been framed as fair and equitable, targeting efficiency rather than arbitrariness.

Yet the success of these reforms depends heavily on citizens embracing their civic duties with sincerity. And this depends on mutual trust, the belief that paying taxes yields tangible benefits in infrastructure, education, healthcare, security and social services.

Voices From Experts: Fiscal Responsibility as a Public Ethic.
Tax law experts and economists, reflecting on the compliance push, have underscored a universal theme: taxation without transparency is inequity, but taxation with accountability is empowerment. When managed with fairness, a functional tax system can reduce dependency on volatile revenue sources, stabilise national budgets, and support long-term investment in human capital.

Professor Aisha Bello, a respected authority in fiscal policy, notes that “Tax compliance is not a burden; it is the foundation upon which social contracts are built. A citizen who honours tax obligations affirms the legitimacy of governance and demands better performance in return.”

Similarly, a leading tax scholar, Dr. Emeka Okon, argues that “The era when Nigerians could evade broader tax responsibilities simply because automatic deductions occur at source must end. For a modern economy, every eligible citizen must be part of the formal tax fold not as victims, but as stakeholders.”

These authoritative voices point to an unassailable truth: filing tax returns is both a legal requirement and a moral responsibility, an expression of citizenship in its fullest sense.

Challenges on the Ground: Compliance and Capacity.
While the rhetoric of compliance is compelling, the reality on the ground demands nuanced understanding. Many taxpayers (especially in the informal sector) lack meaningful access to digital platforms and resources for filing returns. For others, the fear of bureaucratic complexity and perceived punitive enforcement deters participation.

The government, for its part, has responded by promoting online systems and pledging greater taxpayer support. Tax authorities are increasingly engaging stakeholders to demystify filing processes, explain requirements and offer assistance. This mix of enforcement and facilitation is essential. As one seasoned revenue specialist observed: “The state cannot compel compliance through force alone; it must earn it through education, simplicity and fairness.”

The Broader Implication: A New Social Compact.
Ultimately, Nigeria’s renewed emphasis on tax return filing transcends administrative deadlines. It is an unequivocal declaration that national development is a shared responsibility, that citizens and state must engage in a transparent, accountable, and reciprocal relationship.

Tax compliance, therefore, becomes far more than a legal act; it becomes a moral claim on the nation’s future.

When citizens file their returns honestly, they affirm their stake in the nation’s destiny. When the government collects taxes transparently and deploys them effectively, it strengthens not only public services but civic trust itself.

In this sense, the deadlines proclaimed by Nigeria’s fiscal authorities mark not an end but a beginning; the beginning of a civic epoch in which accountability replaces apathy, participation replaces indifference and national purpose triumphs over fragmentation.

The road ahead will not be easy. But in demanding compliance, Nigeria is demanding more than tax returns. It is demanding commitment and that, ultimately, is the foundation on which nations are built.

 

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BUA Foods Records 91% Surge in Profit After Tax, Hits ₦508bn in 2025

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BUA FOODS PLC RECORDS 101% PROFIT GROWTH IN H1 2025, CONSOLIDATES LEADERSHIP IN NIGERIA’S FOOD SECTOR …Revenue Rises to ₦912.5 Billion; PBT Hits ₦276.1 Billion

BUA Foods Records 91% Surge in Profit After Tax, Hits ₦508bn in 2025

By femi Oyewale

BUA Foods Plc has delivered one of the most impressive financial performances in Nigeria’s fast-moving consumer goods (FMCG) sector, recording a 91 per cent increase in Profit After Tax (PAT) for the 2025 financial year.
According to the company’s unaudited financial results for the year ended December 31, 2025, Profit After Tax rose sharply to ₦508 billion, compared with ₦266 billion recorded in 2024, underscoring strong operational efficiency, improved cost management, and resilience despite a challenging macroeconomic environment.
The near-doubling of profit reflects BUA Foods’ ability to navigate rising input costs, foreign exchange volatility, and inflationary pressures that weighed heavily on manufacturers throughout the year. Analysts note that the performance places the company among the strongest earnings growers on the Nigerian Exchange in 2025.
The company’s Q4 2025 performance further highlights this momentum. Group turnover stood at ₦383.4 billion, while gross profit came in at ₦151.5 billion, demonstrating sustained demand across its core product lines including sugar, flour, pasta, and rice.
Despite a year marked by higher operating costs across the industry, BUA Foods maintained disciplined spending. Administrative and selling expenses were kept under control relative to revenue, helping to protect margins.
Operating profit for Q4 2025 stood at ₦126.9 billion, reinforcing the company’s strong core earnings capacity. Although finance costs and foreign exchange losses remained a factor, reflecting the broader economic realities, BUA Foods still closed the period with a Net Profit Before Tax of ₦102.3 billion for the quarter.
Earnings Per Share Rise Sharply
Shareholders were among the biggest beneficiaries of the strong performance. Earnings Per Share (EPS) rose significantly, reflecting the substantial growth in net income and strengthening the company’s investment appeal.
Market watchers say the improved earnings profile could support sustained investor confidence, especially as the company continues to consolidate its leadership position in Nigeria’s food manufacturing space.
BUA Foods Records 91% Surge in Profit After Tax, Hits ₦508bn in 2025

By femi Oyewale
Industry Leadership Amid Economic Headwinds
BUA Foods’ 2025 results stand out against a backdrop of currency depreciation, energy cost spikes, and logistics challenges that constrained many manufacturers. The company’s scale, backward integration strategy, and local sourcing advantages are widely seen as key contributors to its resilience.
Outlook
With a 91% year-on-year growth in PAT, BUA Foods enters 2026 on a strong footing. Analysts expect the company to remain a major driver of growth in the consumer goods sector, provided macroeconomic stability improves and cost pressures ease.
For now, the 2025 numbers send a clear signal: BUA Foods is not only growing—it is accelerating.
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Adron Homes Unveils “Love for Love” Valentine Promo with Exciting Discounts, Luxury Gifts, and Travel Rewards

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Adron Homes Unveils “Love for Love” Valentine Promo with Exciting Discounts, Luxury Gifts, and Travel Rewards

Adron Homes Unveils “Love for Love” Valentine Promo with Exciting Discounts, Luxury Gifts, and Travel Rewards

In celebration of the season of love, Adron Homes and Properties has announced the launch of its special Valentine campaign, “Love for Love” Promo, a customer-centric initiative designed to reward Nigerians who choose to express love through smart, lasting real estate investments.

The Love for Love Promo offers clients attractive discounts, flexible payment options, and an array of exclusive gift items, reinforcing Adron Homes’ commitment to making property ownership both rewarding and accessible. The campaign runs throughout the Valentine season and applies to the company’s wide portfolio of estates and housing projects strategically located across Nigeria.

 

Adron Homes Unveils “Love for Love” Valentine Promo with Exciting Discounts, Luxury Gifts, and Travel Rewards

Speaking on the promo, the company’s Managing Director, Mrs Adenike Ajobo, stated that the initiative is aimed at encouraging individuals and families to move beyond conventional Valentine gifts by investing in assets that secure their future. According to the company, love is best demonstrated through stability, legacy, and long-term value—principles that real estate ownership represents.

Under the promo structure, clients who make a payment of ₦100,000 receive cake, chocolates, and a bottle of wine, while those who pay ₦200,000 are rewarded with a Love Hamper. Payments of ₦500,000 attract a Love Hamper plus cake, and clients who pay ₦1,000,000 enjoy a choice of a Samsung phone or a Love Hamper with cake.

The rewards become increasingly premium as commitment grows. Clients who pay ₦5,000,000 receive either an iPad or an all-expenses-paid romantic getaway for a couple at one of Nigeria’s finest hotels, which includes two nights’ accommodation, special treats, and a Love Hamper. A payment of ₦10,000,000 comes with a choice of a Samsung Z Fold 7, three nights at a top-tier resort in Nigeria, or a full solar power installation.

For high-value investors, the Love for Love Promo delivers exceptional lifestyle experiences. Clients who pay ₦30,000,000 on land are rewarded with a three-night couple’s trip to Doha, Qatar, or South Africa, while purchasers of any Adron Homes house valued at ₦50,000,000 receive a double-door refrigerator.

The promo covers Adron Homes’ estates located in Lagos, Shimawa, Sagamu, Atan–Ota, Papalanto, Abeokuta, Ibadan, Osun, Ekiti, Abuja, Nasarawa, and Niger States, offering clients the opportunity to invest in fast-growing, strategically positioned communities nationwide.

Adron Homes reiterated that beyond the incentives, the campaign underscores the company’s strong reputation for secure land titles, affordable pricing, strategic locations, and a proven legacy in real estate development.

As Valentine’s Day approaches, Adron Homes encourages Nigerians at home and in the diaspora to take advantage of the Love for Love Promo to enjoy exceptional value, exclusive rewards, and the opportunity to build a future rooted in love, security, and prosperity.

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