Entertainment
Why Pastor Kumuyi turned down Jonathan’s request to visit church during campaign
President Goodluck Jonathan’s bid to ‘worship’ at Deeper Christian Life Ministry during the presidential election campaign hit the rocks as pastorate of the church outrightly turned down his request, DAILY POST has learnt.
It was gathered that President Jonathan, who worshiped in most churches across the country before the March 28 presidential election, was denied entry into Deeper Life, when he wrote authorities of the ministry to inform them of his visit last January.
Jonathan had during one of his visits to Dunamis International Gospel Centre, Abuja, explained why he was embarking on ‘presidential church tour’.
According to him, “Traditionally, we have the State House Chapel where I worship every Sunday. If we do not have the chapel, probably I would have been here one or two times before this time.
“It is only during the Christmas period, maybe two Sundays before Christmas and the Sunday before and after New Year that we sometimes close the chapel, and allow people to participate in their church services and that time, I do go round.
“This year, we have decided that from now onward, until I leave the State House, every last Sunday of the month, I will go to different churches.
“Yes, that is the State House Chapel presided over by a chaplain and from time to time other men and women of God come to preach to us.
“But I feel that it is good for me to go round and continue to appreciate what our brothers and sisters have been doing”.
However, We learnt that the Special Adviser to Jonathan on Media and Publicity, Dr. Reuben Abata had on January 22, written the authorities of the church through the office of its spokesman, Pastor Segun Babatope to inform them about his visit but the leadership of the church refused to acknowledge the letter.
According to an insider, when Babatope informed leaders of the church about the development, many of them kicked against it, saying that the ministry is not a platform where politicians come to campaign.
Jonathan was originally billed to visit Deeper Life on February 8 after leaving Redemption Camp, but he had to proceed to the Lord’s Chosen when he discovered the church was not ready to welcome him.
The highly-placed source said the church’s decision to honourably turn down the request was because of how some sections of media misquoted Bishop David Oyedpoe of Winners Chapel during Jonathan’s visit to the church.
Oyedepo was quoted as threatening to open the gate of hell to anybody who campaigned against Jonathan.
The alleged statement triggered social media war as many were lambasting the preacher for using his church to campaign for politicians.However, Oyedepo denied making such statement.
The source said, “Leadership of the ministry was very careful not to allow politics or politicians dent the image of the church or pastor Kumuyi. The presidency had invited him severally for meetings with the president, but he would wave it aside.
“When Abati wrote the church to inform them about Jonathan’s visit, precisely January 22, the church leaders deliberated upon it and decided to turn it down”.
Asked if Kumuyi was aware of the decision, the insider said, “of course, but he has no final say. Though he founded the church, he does not decide how such thing is being handled. He had to allow leaders of the church to handle it. And when it became obvious that they were not ready to welcome the president, Daddy Kumuyi had to accept their decision”.
It was gathered that the president had to leave Redemption Camp for Rev. Lazarus Mouka’s Lords Chosen in Ijesha when he discovered the church was not ready to welcome him.
In Chosen, he warned politicians against using church to campaign.
The President said, “I would not say much because this is not a good period for those of us who are contesting for election to talk so much in church. I do not want to be accused of coming to campaign in churches because I believe that we should not campaign in churches. We may discuss with people but not to use the platform of the church to campaign
@Daily Post
Entertainment
Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV
Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV
By Alhaji Arems (Baba Fuji)
The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.
Early Life And Background :
Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.
From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.
Music Career And Creative Journey :
Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.
While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.
His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.
Family Life And Personal Milestones :
Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.
Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.
His Passing :
The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.
While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.
Burial Arrangements :
The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:
Friday, January 23, 2026 :
Time : 2:00 PM
Venue : His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State
Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.
A Legacy Beyond Numbers :
Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.
In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.
As he is laid to rest, his music, memories, and the lives he touched remain.
May his soul rest in perfect peace.
Entertainment
Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards
Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards
The Chairman-in-Council of the Benin Summit Group, Earl Osaro Onaiwu, has congratulated celebrated music stars Rema and Shallipopi for their outstanding achievements at the recently concluded AFRIMMA Awards, where they emerged as shining ambassadors of the Benin Kingdom on the global entertainment stage.
Rema, ( Divine Justice Ikubor) the internationally acclaimed Afrobeats sensation of Benin extraction, carted home three prestigious awards, while fast-rising artiste Shallipopi ( Crown Uzama) also clinched one award, marking a moment of pride not just for Edo State but for the entire Benin Kingdom.
In a statement issued by the Benin Summit Group, Osaro Onaiwu described their victories as a powerful demonstration of Benin excellence, creativity, and global relevance.
“I commend and congratulate Rema and Shallipopi for putting the Benin Kingdom firmly in the global space through their talent, hard work, and discipline. Their achievements are a source of pride to our people and an inspiration to our youths,” Onaiwu said.
He noted that the success of Benin sons in the global entertainment industry reinforces the importance of nurturing creativity and supporting young talents across music, film, fashion, and other creative arts.
“These accomplishments show what is possible when talent meets opportunity and determination. Benin land is rich in creativity, and the world is beginning to take notice,” he added.
Osaro Onaiwu further urged other Benin sons and daughters, particularly those in the creative and entertainment sectors, to remain focused and strive for excellence, emphasizing that global recognition comes through consistency, hard work, and commitment to craft.
“I urge others to strive harder to excel. Let the achievements of Rema and Shallipopi motivate the next generation to dream bigger, work harder, and represent Benin with dignity and pride wherever they find themselves,” he said.
He reaffirmed the commitment of the Benin Summit Group to promoting unity, culture, and development, including the creative arts, which he described as a powerful tool for projecting the Benin heritage and identity to the world.
According to Onaiwu, celebrating the successes of Benin sons and daughters across various fields remains central to the group’s mission of fostering unity, pride, and collective progress within the Benin Kingdom and the diaspora.
Entertainment
Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube
Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube
A powerful new Nigerian drama, GICANA, has made its debut during the Yuletide season, sending a strong social message while keeping audiences glued to their screens. The film, now streaming on Mustapha Sholagbade Television (MSTV) on YouTube, explores the dangerous consequences of transacting one’s body for money, portraying it as a risky game with far-reaching emotional and moral implications.
Produced by Almatin Limited, GICANA is directed by the creative duo of Olayemi Adeodu and Ayanbode Simon. The directors bring depth and realism to the story, carefully unpacking themes of desperation, survival, greed, and the silent battles faced by individuals pushed to the edge by circumstance.
The movie, which was shot in Canada and Nigeria, boasts a rich ensemble of industry talents who delivered compelling performances, including Remi Surutu, Dotun Adebanjo, Mustapha Sholagbade, Bukola Kiitan, Temidayo (Starboy), Dare Melody, Jumoke Fadipe, Queen Blessing Ebigieson, Adejoke Adesokan, and several others. Their performances added emotional weight and authenticity to the storyline, making GICANA both engaging and thought-provoking.
Behind the scenes, the production quality of GICANA stands out. Cinematography was handled by Director Keny and Abiodun Bukola, while Mr Perfect served as script supervisor. Sound was recorded by Idrissound, with lighting by Tomcity. Makeup was expertly done by Ifeoluwa Adejumo, and Muhammed Hussein brought the film’s environments to life as set designer.
Released at a time traditionally associated with celebration and reflection, GICANA uses the Yuletide season to challenge viewers to think deeply about societal pressures and the hidden dangers of quick money. The film is already generating conversations online, with viewers praising its message, performances, and strong moral undertone.
With its timely release and compelling narrative, GICANA is more than just a movie, it is a cautionary tale and a must-watch drama for audiences seeking meaningful African storytelling this new year.
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