Business
Catch Hollywood’s biggest awards ceremony, the Oscars® on DStv
Hosted by Jimmy Kimmel, the 89th Academy Awards will be broadcast live on DStv this Monday, 27 February on M-Net Movies Premiere, DStv channel 104 at 2:30am and during Prime Time on M-Net, DStv channel 101/102, from 6:30pm.
The Oscars also will be televised in more than 225 countries and territories worldwide. Viewers can look forward to seeing perfomances by Oscar®-nominees Lin-Manuel Miranda, Sting, Justin Timberlake and 2014 Oscar-winner John Legend. Movies currently distributed by M-Net (highlighted in yellow): Hacksaw Ridge, Florence Foster Jenkins and La La Land are also competing for the most coveted award in their categories.
For more information, visit mnet.tv. Follow M-Net on Twitter @MNet (#Oscars #MMPremiere #MNet101) and Facebook https://www.facebook.com/MNet/
Attached is an image of Jimmy Kimmel. More images available on request.
Please see below the list of nominees:
Performance by an actor in a leading role
Casey Affleck in Manchester by the Sea
Andrew Garfield in Hacksaw Ridge
Ryan Gosling in La La Land
Viggo Mortensen in Captain Fantastic
Denzel Washington in Fences
Performance by an actor in a supporting role
Mahershala Ali in Moonlight
Jeff Bridges in Hell or High Water
Lucas Hedges in Manchester by the Sea
Dev Patel in Lion
Michael Shannon in Nocturnal Animals
Performance by an actress in a leading role
Isabelle Huppert in Elle
Ruth Negga in Loving
Natalie Portman in Jackie
Emma Stone in La La Land
Meryl Streep in Florence Foster Jenkins
Performance by an actress in a supporting role
Viola Davis in Fences
Naomie Harris in Moonlight
Nicole Kidman in Lion
Octavia Spencer in Hidden Figures
Michelle Williams in Manchester by the Sea
Best animated feature film of the year
“Kubo and the Two Strings” Travis Knight and Arianne Sutner
“Moana” John Musker, Ron Clements and Osnat Shurer
“My Life as a Zucchini” Claude Barras and Max Karli
“The Red Turtle” Michael Dudok de Wit and Toshio Suzuki
“Zootopia” Byron Howard, Rich Moore and Clark Spencer (Catch it on M-Net Movies Premiere at 104 on Sunday 26 February at 18:40)
Achievement in cinematography
“Arrival” Bradford Young
“La La Land” Linus Sandgren
“Lion” Greig Fraser
“Moonlight” James Laxton
“Silence” Rodrigo Prieto
Achievement in costume design
“Allied” Joanna Johnston
“Fantastic Beasts and Where to Find Them” Colleen Atwood
“Florence Foster Jenkins” Consolata Boyle
“Jackie” Madeline Fontaine
“La La Land” Mary Zophres
Achievement in directing
“Arrival” Denis Villeneuve
“Hacksaw Ridge” Mel Gibson
“La La Land” Damien Chazelle
“Manchester by the Sea” Kenneth Lonergan
“Moonlight” Barry Jenkins
Best documentary feature
“Fire at Sea”
A Stemal Entertainment Production
Gianfranco Rosi and Donatella Palermo
“I Am Not Your Negro”
A Velvet Film Production
Raoul Peck, Rémi Grellety and Hébert Peck
“Life, Animated”
A Motto Pictures and A&E IndieFilms Production
Roger Ross Williams and Julie Goldman
“O.J.: Made in America”
A Laylow Films and ESPN Films Production
Ezra Edelman and Caroline Waterlow
“13th”
A Forward Movement Production
Ava DuVernay, Spencer Averick and Howard
Barish
Best documentary short subject
“Extremis”
An f/8 Filmworks in association with Motto Pictures
Production
Dan Krauss
“4.1 Miles”
A University of California, Berkeley Production
Daphne Matziaraki
“Joe’s Violin”
A Lucky Two Production
Kahane Cooperman and Raphaela Neihausen
“Watani: My Homeland”
An ITN Production
Marcel Mettelsiefen and Stephen Ellis
“The White Helmets” (Netflix)
A Grain Media and Violet Films Production
Orlando von Einsiedel and Joanna Natasegara
Achievement in film editing
“Arrival” Joe Walker
“Hacksaw Ridge” John Gilbert
“Hell or High Water” Jake Roberts
“La La Land” Tom Cross
“Moonlight” Nat Sanders and Joi McMillon
Best foreign language film of the year
“Land of Mine”
A Nordisk Film Production
Denmark
“A Man Called Ove”
A Tre Vänner Production
Sweden
“The Salesman”
An Asghar Farhadi/Memento Films Production
Iran
“Tanna”
A Contact Films Production
Australia
“Toni Erdmann”
A Komplizen Film Production
Germany
Achievement in makeup and hairstyling
“A Man Called Ove” Eva von Bahr and Love Larson
“Star Trek Beyond” Joel Harlow and Richard Alonzo
“Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and
Christopher Nelson
Achievement in music written for motion pictures (Original score)
“Jackie” Mica Levi
“La La Land” Justin Hurwitz
“Lion” Dustin O’Halloran and Hauschka
“Moonlight” Nicholas Britell
“Passengers” Thomas Newman
Achievement in music written for motion pictures (Original song)
“Audition (The Fools Who Dream)” from “La La Land”
Music by Justin Hurwitz
Lyric by Benj Pasek and Justin Paul
“Can’t Stop The Feeling” from “Trolls”
Music and Lyric by Justin Timberlake, Max Martin
and Karl Johan Schuster
“City Of Stars” from “La La Land”
Music by Justin Hurwitz
Lyric by Benj Pasek and Justin Paul
“The Empty Chair” from “Jim: The James Foley Story”
Music and Lyric by J. Ralph and Sting
“How Far I’ll Go” from “Moana”
Music and Lyric by Lin-Manuel Miranda
Best motion picture of the year
“Arrival”
A Paramount Pictures Production
Shawn Levy, Dan Levine, Aaron Ryder and David
Linde, Producers
“Fences”
A Paramount Pictures Production
Scott Rudin, Denzel Washington and Todd Black,
Producers
“Hacksaw Ridge”
A Pandemonium Films/Permut Presentations
Production
Bill Mechanic and David Permut, Producers
“Hell or High Water”
A Sidney Kimmel Entertainment/Film 44/LBI
Entertainment/OddLot Entertainment Production
Carla Hacken and Julie Yorn, Producers
“Hidden Figures”
A Fox 2000 Pictures Production
Donna Gigliotti, Peter Chernin, Jenno Topping,
Pharrell Williams and Theodore Melfi, Producers
“La La Land”
An Impostor Pictures/Gilbert Films/Marc Platt
Production
Fred Berger, Jordan Horowitz and Marc Platt,
Producers
“Lion”
A See-Saw Films Production
Emile Sherman, Iain Canning and Angie Fielder,
Producers
“Manchester by the Sea”
A Pearl Street Films/The Media Farm/K Period
Media/The A | Middleton Project/B Story Production
Matt Damon, Kimberly Steward, Chris Moore,
Lauren Beck and Kevin J. Walsh, Producers
“Moonlight”
A Dos Hermanas Production
Adele Romanski, Dede Gardner and Jeremy
Kleiner, Producers
Achievement in production design
“Arrival” Production Design:
Set Decoration:
Patrice Vermette
Paul Hotte
“Fantastic Beasts and Where to Find Them” (Warner Bros.) Production Design:
Set Decoration:
Stuart Craig
Anna Pinnock
“Hail, Caesar!” Production Design:
Set Decoration:
Jess Gonchor
Nancy Haigh
“La La Land” Production Design:
Set Decoration:
David Wasco
Sandy Reynolds-Wasco
“Passengers” Production Design:
Set Decoration:
Guy Hendrix Dyas
Gene Serdena
Best animated short film
“Blind Vaysha”
A National Film Board of Canada Production
Theodore Ushev
“Borrowed Time”
A Quorum Films Production
Andrew Coats and Lou Hamou-Lhadj
“Pear Cider and Cigarettes”
A Massive Swerve Studios and Passion Pictures
Animation Production
Robert Valley and Cara Speller
“Pearl”
A Google Spotlight Stories and Evil Eye Pictures
Production
Patrick Osborne
“Piper”
A Pixar Animation Studios Production
Alan Barillaro and Marc Sondheimer
Best live action short film
“Ennemis Intérieurs”
A Qualia Films Production
Sélim Azzazi
“La Femme et le TGV”
An arbel Production
Timo von Gunten and Giacun Caduff
“Silent Nights”
A M & M Production
Aske Bang and Kim Magnusson
“Sing”
A Meteor Filmstudio Production
Kristof Deák and Anna Udvardy
“Timecode”
A Nadir Films Production
Juanjo Giménez
Achievement in sound editing
“Arrival” Sylvain Bellemare
“Deepwater Horizon” Wylie Stateman and Renée Tondelli
“Hacksaw Ridge” Robert Mackenzie and Andy Wright
“La La Land” Ai-Ling Lee and Mildred Iatrou Morgan
“Sully” Alan Robert Murray and Bub Asman
Achievement in sound mixing
“Arrival” Bernard Gariépy Strobl and Claude La Haye
“Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie
and Peter Grace
“La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow
“Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart
Wilson
“13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth
Achievement in visual effects
“Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington
and Burt Dalton
“Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli
and Paul Corbould
“The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones
and Dan Lemmon
“Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and
Brad Schiff
“Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil
Corbould
Adapted screenplay
“Arrival” Screenplay by Eric Heisserer
“Fences” Screenplay by August Wilson
“Hidden Figures” Screenplay by Allison Schroeder and Theodore
Melfi
“Lion” Screenplay by Luke Davies
“Moonlight” Screenplay by Barry Jenkins;
Story by Tarell Alvin McCraney
Original screenplay
“Hell or High Water” Written by Taylor Sheridan
“La La Land” Written by Damien Chazelle
“The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou
“Manchester by the Sea” Written by Kenneth Lonergan
“20th Century Women” Written by Mike Mills
MOTION PICTURE NOMINATIONS – 89TH AWARDS
NOMINATIONS BY PICTURE
(This list does not include Short Films or Documentary Short Subjects.)
“Allied,” a Paramount Pictures Production
Costume design
(1 nomination)
“Arrival,” a Paramount Pictures Production
Cinematography
Directing
Film editing
Best picture
Production design
Sound editing
Sound mixing
Adapted screenplay
(8 nominations)
“Captain Fantastic,” an Electric City Entertainment/ShivHans Pictures Production (BleeckerStreet) Viggo Mortensen – Performance by an actor in a leading role
(1 nomination)
“Deepwater Horizon,” a di Bonaventura Pictures/Closest to the Hole/Leverage Entertainment
Production
Sound editing
Visual effects
(2 nominations)
“Doctor Strange,” a Marvel Studios Production (
Visual effects
(1 nomination)
“Elle,” an SBS Production
Isabelle Huppert – Performance by an actress in a leading role
(1 nomination)
“Fantastic Beasts and Where to Find Them,” a Boswell Street Production Costume design
Production design
(2 nominations)
“Fences,” a Paramount Pictures Production
Denzel Washington – Performance by an actor in a leading role
Viola Davis – Performance by an actress in a supporting role
Best picture
Adapted screenplay
(4 nominations)
“Fire at Sea,” a Stemal Entertainment Production
Documentary feature
(1 nomination)
“Florence Foster Jenkins,” a Paramount Pictures Production
Meryl Streep – Performance by an actress in a leading role
Costume design
(2 nominations)
“Hacksaw Ridge,” a Pandemonium Films/Permut Presentations Production
Andrew Garfield – Performance by an actor in a leading role
Directing
Film editing
Best picture
Sound editing
Sound mixing
(6 nominations)
“Hail, Caesar!,” a Working Title Films Production (Universal)
Production design
(1 nomination)
“Hell or High Water,” a Sidney Kimmel Entertainment/Film 44/LBI Entertainment/OddLot
Entertainment Production
Jeff Bridges – Performance by an actor in a supporting role
Film editing
Best picture
Original screenplay
(4 nominations)
“Hidden Figures,” a Fox 2000 Pictures Production
Octavia Spencer – Performance by an actress in a supporting role
Best picture
Adapted screenplay
(3 nominations)
“I Am Not Your Negro,” a Velvet Film Production
Documentary feature
(1 nomination)
“Jackie,”
Business
NNPCL and Corruption’s Final Throes
NNPCL and Corruption’s Final Throes
By Pius Olasanmi
In the twilight of the Obasanjo administration, when Nigerians were still capable of being outraged, when Turn Around Maintenance (TAM) of refineries was a buzzword that still held some mysticism to bamboozle citizens, during a conversation, a certain man said something profound. The man said, “As a businessman, if I were the owner of these refineries, knowing that they are three decades old, I would take the last money I have, hire bulldozers, raze them to the ground, and obtain loans to build new ones.”
When we pressed him further on why he would engage in such waste, he explained that repairing the refineries is the real waste. He explained that even if the TAM were honestly carried out, a thirty-year-old refinery would never compete favourably with a new one that would integrate contemporary technology. Operating at its best, such a refinery would never be comparatively more efficient. It is therefore pointless to have spent another one naira on the refineries at that point.
A few months later, I had a conversation with a then-lawmaker on an entirely different matter. I mentioned that the National Assembly has failed by not crafting legislation that would criminalise and punish public office holders who foist wrong decisions on the country. The logic: a public office holder need not steal to be punished, wrong decisions should attract penalties for an office holder who opts for the worst of all options when there are less injurious ones.
These established premises speak to the ongoing nauseating efforts at revisionism by those who wrecked the Nigerian National Petroleum Company Limited (NNPCL) and its previous iteration, the Nigerian National Petroleum Corporation (NNPC). Notably, this campaign to rewrite history is traceable to Engineer Mele Kolo Kyari, the disgraced immediate past Chief Executive Officer of NNPCL and his hirelings. They have suffocated the news and the public opinion space with even more lies than they spun while in office.
The Saint Kyari campaign is anchored on convincing Nigerians that the Port Harcourt, Warri and Kaduna Refineries were fully functional when he was booted out of office. So brazen is the campaign that one of its talking heads challenged the group chief executive officer (GCEO), Engr. Bayo Ojulari, to “inform Nigerians categorically what happened to the functioning refineries he inherited from his predecessor, Engr. Mele Kyari.” The effrontery.
We have not forgotten so soon the charade that followed the baffling claim that Nigeria has spent $2.8 billion on the repair of the refineries, while they are not churning out even a single litre of refined product among them. Saint Kyari and his goons played all manner of tricks, all of which embarrassed President Bola Tinubu, who had counted on ticking off the return to productivity of the refineries as part of his achievements, only to realise that he was deceived into celebrating phantoms. Tragic.
Lest we forget, 200 trucks were arranged as props in a well-directed video clip to celebrate the re-streaming of the Port Harcourt Refinery. The disappointment. Nigerians were to learn from several reports that the Port Harcourt refinery was not producing and was instead using old, stored petroleum products to load trucks. Worse still, the Kyari crew was passing off sanction-tainted Russian-sourced crude oil refined in Malta as locally refined products. More insult was piled on the assault on our collective sensibility with the lies that the Port Harcourt Refinery exported semi-finished products. Brazen.
Meanwhile, Kyari and his hirelings called those who pointed out or protested these glaring scams all manner of names. They hid behind industry technicalities and jargon to create the impression that those of us who knew Nigerians were being robbed did not understand what we were saying. The point remains that a $2.8 billion investment can potentially build a refinery with a capacity of around 100,000 barrels per day (bpd). Of course, the actual capacity of such a refinery will depend on various factors, including the complexity of the refinery, the technology used, and the location. That is the amount that Kyari’s regime at the NNPCL took and did not give Nigerians refined products.
Fast forward to Kyari’s sack and the appointment of Engineer Bayo Ojulari, who has demonstrated that things can indeed be done differently. Kyari’s exit was expectedly followed by the Economic and Financial Crimes Commission (EFCC) going after him and his associates. The extent of the theft is better understood against the backdrop of N80 billion being found in the bank account of one of his associates. They went on the run.
Perhaps because the EFCC was biding its time on securing international warrants for the arrests of these characters on the lam, they have become emboldened. They have decided to fight back and rewrite the story of their participation in the greatest fraud against Nigerians. Engineer Ojulari’s renewed mindset, which is entrenching a semblance of the transparency Nigerians demand, became their natural target. The demons that once roamed around the corporation came out with malevolence. They started spinning stories of corruption to tarnish the incumbent who refused to hide their crimes. The objective: bring Ojulari down. But alas, he is winning the war as it stands.
His innocence is proven, and it is glaring that those who want him out are mere charlatans who can no longer ply their corrupt wares because of the impact of the new reforms. Corruption in the NNPCL is in its final throes. The fake news being unleashed against the incumbent leadership is akin to corruption’s last kicks as reforms in the sector strangulate it and its practitioners. The reforms must take place in the NNPCL, whether the industry demons like it or not.
As a parting shot, Kyari and his associates would do well to prepare their defence. In addition to accounting for the $2.8 billion they laundered in the name of repairing the moribund refineries, they must also answer for the poor decision to fix that which is irretrievably broken. Awarding contracts for Turn Around Maintenance of 59-year-old refineries that a right-thinking person had suggested should be demolished almost twenty years ago, when they were only 30 years old, is criminal. Trying to deceive Nigerians that the fake repairs worked is treason.
Olasanmi is a public affairs analyst writing from Lagos.
Business
GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND
GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND
Set to Rise elegantly against the Lagos skyline, is the Grandis 5Star Luxury Apartment & Suites. According to Adejuwon Ademola, The General Manager of the Development company, it is more than just a residential building
“it’s a lifestyle statement. Standing 17 floors high in the heart of Victoria Island, this revolutionary masterpiece of modern architecture will offer a panoramic 360° view of Eko Atlantic, Victoria Island, and Ikoyi, transforming every apartment into an exclusive penthouse experience for the world’s most discerning elite.”

Developed by Dumarco Construction Limited, a globally acclaimed company with decades of delivering complex, high-value projects in the highly regulated petroleum, oil, and gas industries, Grandis 5Star brings unmatched international safety standards, uncompromising quality, and timeless elegance into Nigeria’s luxury property market.
> “When you live in Grandis, you’re not just buying a home—you’re investing in peace of mind, world-class safety, and an effortless luxury experience that will remain pristine for decades,” says Adejuwon A. Ademola, General Manager of Dumarco Construction Limited.
The Gold Standard in Safety and Quality
Dumarco’s roots in the oil and gas sector mean the company operates to some of the strictest safety protocols in the world. Every stage—from conceptualization, design, construction, to long-term maintenance—follows internationally accepted procedures and quality assurance measures. Cutting corners is simply not in Dumarco’s vocabulary.
> “In the oil and gas industry, there’s no room for compromise. We’ve brought that same discipline and zero-tolerance for mediocrity into property development,” says Ademola. “That’s why Grandis will be one of the safest and most enduring residential developments in Nigeria.”
To ensure transparency and prevent (project complacency), Dumarco deliberately separates the developer, contractor, and consultant roles, engaging only the most competent professionals in each respective field. Dumarco’s project team includes globally recognized contractors such as Julius Berger, Cappa & D’Alberto, and Elalan, Migliore Construczione & Tecniche (MC&T) and their partners VENCO IMTIAZ CONTRACTING COMPANY (VICC) based in Dubai, UAE, Business Contracting Limited, alongside leading consultants like Morgan Omanitan & Abe, LAMBERT, and James Cubitt.
Grandis – Investments, appreciation, returns and profitability
Our selection process for the location of the project alone was pains-taking and completely thorough scientific process. Top professional companies were employed to conduct a scientific data acquisition and analytical survey of the entire Victoria Island, Ikoyi, Lekki and Eko Atlantic before a project site is selected. Analyzing and acquiring areas developmental charts and trends, studying and gathering historical and present sale prices, rental charge and occupancy rates over a 50 year period from every individual street before the selection of the location of any of our developments especially true for the Grandis Project
He adds,
“Our clients and residents can be rest assured that the location of Grandis has been scientifically proven through all existing data to provide our clients with a 100% occupancy rate, highest developmental location, highest rental income and investment returns. ”
The Grandis Experience
Located minutes away from international corporate headquarters, embassies, and landmarks such as Eko Hotel, Radisson Blu, and the Radisson Red, Grandis offers unmatched convenience for professionals, diplomats, and high-net-worth individuals. Every residence is designed for both indulgence and efficiency, with high-grade finishes, smart-home systems, and private amenities that ensure seamless living.
From sunrise over the Atlantic to the glittering Lagos night skyline, residents will enjoy uninterrupted luxury, supported by discreet and highly trained staff, advanced security systems, and a design that prioritizes comfort and privacy.
> “We designed Grandis for people who want everything—security, elegance, convenience, and the assurance that their home will look as spectacular in 20 years as it does on day one,” Ademola notes.
A Legacy That Lasts
With its combination of visionary architecture, peerless safety, and meticulous maintenance planning, Grandis is built to remain iconic for generations. Thanks to Dumarco’s meticulous approach, the building’s service charges are expected to remain low while its value and appeal continue to appreciate over time.
In a market often marred by shortcuts and substandard practices, Mr Ademola says
Grandis stands as a beacon of what luxury living should be—safe, spectacular, and built to last.
“Grandis 5Star Luxury Apartment & Suites — Where safety meets sophistication, and every detail is designed for a life well-lived.”
He added
Website -www.dumarcoltd.com
Project website – www.26idowutaylor.com
Email [email protected]
Tel / WhatsApp +234 9077777883
GM – Adejuwon A. Ademola
celebrity radar - gossips
Nationwide Talent, One Broadcaster: Tinubu Picks Pedro, Bello, Din, Mohammed to Lead NTA
Tinubu Overhauls NTA Leadership: Media Powerhouse Rotimi Pedro Takes Helm as DG
President Bola Ahmed Tinubu has announced a major shake-up at the Nigerian Television Authority (NTA), appointing renowned media executive Rotimi Richard Pedro as the new Director-General in a move widely seen as a bold step toward modernising the state broadcaster.
Pedro, a Lagos native, brings nearly 30 years of expertise in broadcasting, sports rights, and marketing communications across Africa, the UK, and the Middle East. A trained entertainment and intellectual property lawyer, he also holds an MSc in Investment Management and Finance from City University Business School, London.
In 1995, Pedro founded Optima Sports Management International (OSMI), which rose to become one of Africa’s leading sports content providers—distributing premium events such as the English Premier League, UEFA Champions League, FIFA World Cup, and CAF competitions to audiences in over 40 countries.
His career highlights include top roles at Bloomberg Television Africa and Rapid Blue Format, as well as advisory work for FIFA, UEFA, Fremantle Media, and the African Union of Broadcasters (AUB). At the AUB, he was instrumental in securing exclusive pan-African free-to-air media rights for all CAF competitions.
Alongside Pedro’s appointment, Tinubu named Karimah Bello from Katsina State as Executive Director of Marketing, Stella Din from Plateau State as Executive Director of News, and Sophia Issa Mohammed from Adamawa State as Managing Director of NTA Enterprises Limited.
Industry insiders credit Pedro with building commercially viable broadcast platforms, driving sponsorship growth, and delivering world-class content to African audiences. His appointment marks one of the most significant leadership changes at NTA in years—signalling the government’s intent to strengthen the broadcaster’s competitiveness in a fast-evolving media landscape.
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