Business
Catch Hollywood’s biggest awards ceremony, the Oscars® on DStv
Hosted by Jimmy Kimmel, the 89th Academy Awards will be broadcast live on DStv this Monday, 27 February on M-Net Movies Premiere, DStv channel 104 at 2:30am and during Prime Time on M-Net, DStv channel 101/102, from 6:30pm.
The Oscars also will be televised in more than 225 countries and territories worldwide. Viewers can look forward to seeing perfomances by Oscar®-nominees Lin-Manuel Miranda, Sting, Justin Timberlake and 2014 Oscar-winner John Legend. Movies currently distributed by M-Net (highlighted in yellow): Hacksaw Ridge, Florence Foster Jenkins and La La Land are also competing for the most coveted award in their categories.
For more information, visit mnet.tv. Follow M-Net on Twitter @MNet (#Oscars #MMPremiere #MNet101) and Facebook https://www.facebook.com/MNet/
Attached is an image of Jimmy Kimmel. More images available on request.
Please see below the list of nominees:
Performance by an actor in a leading role
Casey Affleck in Manchester by the Sea
Andrew Garfield in Hacksaw Ridge
Ryan Gosling in La La Land
Viggo Mortensen in Captain Fantastic
Denzel Washington in Fences
Performance by an actor in a supporting role
Mahershala Ali in Moonlight
Jeff Bridges in Hell or High Water
Lucas Hedges in Manchester by the Sea
Dev Patel in Lion
Michael Shannon in Nocturnal Animals
Performance by an actress in a leading role
Isabelle Huppert in Elle
Ruth Negga in Loving
Natalie Portman in Jackie
Emma Stone in La La Land
Meryl Streep in Florence Foster Jenkins
Performance by an actress in a supporting role
Viola Davis in Fences
Naomie Harris in Moonlight
Nicole Kidman in Lion
Octavia Spencer in Hidden Figures
Michelle Williams in Manchester by the Sea
Best animated feature film of the year
“Kubo and the Two Strings” Travis Knight and Arianne Sutner
“Moana” John Musker, Ron Clements and Osnat Shurer
“My Life as a Zucchini” Claude Barras and Max Karli
“The Red Turtle” Michael Dudok de Wit and Toshio Suzuki
“Zootopia” Byron Howard, Rich Moore and Clark Spencer (Catch it on M-Net Movies Premiere at 104 on Sunday 26 February at 18:40)
Achievement in cinematography
“Arrival” Bradford Young
“La La Land” Linus Sandgren
“Lion” Greig Fraser
“Moonlight” James Laxton
“Silence” Rodrigo Prieto
Achievement in costume design
“Allied” Joanna Johnston
“Fantastic Beasts and Where to Find Them” Colleen Atwood
“Florence Foster Jenkins” Consolata Boyle
“Jackie” Madeline Fontaine
“La La Land” Mary Zophres
Achievement in directing
“Arrival” Denis Villeneuve
“Hacksaw Ridge” Mel Gibson
“La La Land” Damien Chazelle
“Manchester by the Sea” Kenneth Lonergan
“Moonlight” Barry Jenkins
Best documentary feature
“Fire at Sea”
A Stemal Entertainment Production
Gianfranco Rosi and Donatella Palermo
“I Am Not Your Negro”
A Velvet Film Production
Raoul Peck, Rémi Grellety and Hébert Peck
“Life, Animated”
A Motto Pictures and A&E IndieFilms Production
Roger Ross Williams and Julie Goldman
“O.J.: Made in America”
A Laylow Films and ESPN Films Production
Ezra Edelman and Caroline Waterlow
“13th”
A Forward Movement Production
Ava DuVernay, Spencer Averick and Howard
Barish
Best documentary short subject
“Extremis”
An f/8 Filmworks in association with Motto Pictures
Production
Dan Krauss
“4.1 Miles”
A University of California, Berkeley Production
Daphne Matziaraki
“Joe’s Violin”
A Lucky Two Production
Kahane Cooperman and Raphaela Neihausen
“Watani: My Homeland”
An ITN Production
Marcel Mettelsiefen and Stephen Ellis
“The White Helmets” (Netflix)
A Grain Media and Violet Films Production
Orlando von Einsiedel and Joanna Natasegara
Achievement in film editing
“Arrival” Joe Walker
“Hacksaw Ridge” John Gilbert
“Hell or High Water” Jake Roberts
“La La Land” Tom Cross
“Moonlight” Nat Sanders and Joi McMillon
Best foreign language film of the year
“Land of Mine”
A Nordisk Film Production
Denmark
“A Man Called Ove”
A Tre Vänner Production
Sweden
“The Salesman”
An Asghar Farhadi/Memento Films Production
Iran
“Tanna”
A Contact Films Production
Australia
“Toni Erdmann”
A Komplizen Film Production
Germany
Achievement in makeup and hairstyling
“A Man Called Ove” Eva von Bahr and Love Larson
“Star Trek Beyond” Joel Harlow and Richard Alonzo
“Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and
Christopher Nelson
Achievement in music written for motion pictures (Original score)
“Jackie” Mica Levi
“La La Land” Justin Hurwitz
“Lion” Dustin O’Halloran and Hauschka
“Moonlight” Nicholas Britell
“Passengers” Thomas Newman
Achievement in music written for motion pictures (Original song)
“Audition (The Fools Who Dream)” from “La La Land”
Music by Justin Hurwitz
Lyric by Benj Pasek and Justin Paul
“Can’t Stop The Feeling” from “Trolls”
Music and Lyric by Justin Timberlake, Max Martin
and Karl Johan Schuster
“City Of Stars” from “La La Land”
Music by Justin Hurwitz
Lyric by Benj Pasek and Justin Paul
“The Empty Chair” from “Jim: The James Foley Story”
Music and Lyric by J. Ralph and Sting
“How Far I’ll Go” from “Moana”
Music and Lyric by Lin-Manuel Miranda
Best motion picture of the year
“Arrival”
A Paramount Pictures Production
Shawn Levy, Dan Levine, Aaron Ryder and David
Linde, Producers
“Fences”
A Paramount Pictures Production
Scott Rudin, Denzel Washington and Todd Black,
Producers
“Hacksaw Ridge”
A Pandemonium Films/Permut Presentations
Production
Bill Mechanic and David Permut, Producers
“Hell or High Water”
A Sidney Kimmel Entertainment/Film 44/LBI
Entertainment/OddLot Entertainment Production
Carla Hacken and Julie Yorn, Producers
“Hidden Figures”
A Fox 2000 Pictures Production
Donna Gigliotti, Peter Chernin, Jenno Topping,
Pharrell Williams and Theodore Melfi, Producers
“La La Land”
An Impostor Pictures/Gilbert Films/Marc Platt
Production
Fred Berger, Jordan Horowitz and Marc Platt,
Producers
“Lion”
A See-Saw Films Production
Emile Sherman, Iain Canning and Angie Fielder,
Producers
“Manchester by the Sea”
A Pearl Street Films/The Media Farm/K Period
Media/The A | Middleton Project/B Story Production
Matt Damon, Kimberly Steward, Chris Moore,
Lauren Beck and Kevin J. Walsh, Producers
“Moonlight”
A Dos Hermanas Production
Adele Romanski, Dede Gardner and Jeremy
Kleiner, Producers
Achievement in production design
“Arrival” Production Design:
Set Decoration:
Patrice Vermette
Paul Hotte
“Fantastic Beasts and Where to Find Them” (Warner Bros.) Production Design:
Set Decoration:
Stuart Craig
Anna Pinnock
“Hail, Caesar!” Production Design:
Set Decoration:
Jess Gonchor
Nancy Haigh
“La La Land” Production Design:
Set Decoration:
David Wasco
Sandy Reynolds-Wasco
“Passengers” Production Design:
Set Decoration:
Guy Hendrix Dyas
Gene Serdena
Best animated short film
“Blind Vaysha”
A National Film Board of Canada Production
Theodore Ushev
“Borrowed Time”
A Quorum Films Production
Andrew Coats and Lou Hamou-Lhadj
“Pear Cider and Cigarettes”
A Massive Swerve Studios and Passion Pictures
Animation Production
Robert Valley and Cara Speller
“Pearl”
A Google Spotlight Stories and Evil Eye Pictures
Production
Patrick Osborne
“Piper”
A Pixar Animation Studios Production
Alan Barillaro and Marc Sondheimer
Best live action short film
“Ennemis Intérieurs”
A Qualia Films Production
Sélim Azzazi
“La Femme et le TGV”
An arbel Production
Timo von Gunten and Giacun Caduff
“Silent Nights”
A M & M Production
Aske Bang and Kim Magnusson
“Sing”
A Meteor Filmstudio Production
Kristof Deák and Anna Udvardy
“Timecode”
A Nadir Films Production
Juanjo Giménez
Achievement in sound editing
“Arrival” Sylvain Bellemare
“Deepwater Horizon” Wylie Stateman and Renée Tondelli
“Hacksaw Ridge” Robert Mackenzie and Andy Wright
“La La Land” Ai-Ling Lee and Mildred Iatrou Morgan
“Sully” Alan Robert Murray and Bub Asman
Achievement in sound mixing
“Arrival” Bernard Gariépy Strobl and Claude La Haye
“Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie
and Peter Grace
“La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow
“Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart
Wilson
“13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth
Achievement in visual effects
“Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington
and Burt Dalton
“Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli
and Paul Corbould
“The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones
and Dan Lemmon
“Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and
Brad Schiff
“Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil
Corbould
Adapted screenplay
“Arrival” Screenplay by Eric Heisserer
“Fences” Screenplay by August Wilson
“Hidden Figures” Screenplay by Allison Schroeder and Theodore
Melfi
“Lion” Screenplay by Luke Davies
“Moonlight” Screenplay by Barry Jenkins;
Story by Tarell Alvin McCraney
Original screenplay
“Hell or High Water” Written by Taylor Sheridan
“La La Land” Written by Damien Chazelle
“The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou
“Manchester by the Sea” Written by Kenneth Lonergan
“20th Century Women” Written by Mike Mills
MOTION PICTURE NOMINATIONS – 89TH AWARDS
NOMINATIONS BY PICTURE
(This list does not include Short Films or Documentary Short Subjects.)
“Allied,” a Paramount Pictures Production
Costume design
(1 nomination)
“Arrival,” a Paramount Pictures Production
Cinematography
Directing
Film editing
Best picture
Production design
Sound editing
Sound mixing
Adapted screenplay
(8 nominations)
“Captain Fantastic,” an Electric City Entertainment/ShivHans Pictures Production (BleeckerStreet) Viggo Mortensen – Performance by an actor in a leading role
(1 nomination)
“Deepwater Horizon,” a di Bonaventura Pictures/Closest to the Hole/Leverage Entertainment
Production
Sound editing
Visual effects
(2 nominations)
“Doctor Strange,” a Marvel Studios Production (
Visual effects
(1 nomination)
“Elle,” an SBS Production
Isabelle Huppert – Performance by an actress in a leading role
(1 nomination)
“Fantastic Beasts and Where to Find Them,” a Boswell Street Production Costume design
Production design
(2 nominations)
“Fences,” a Paramount Pictures Production
Denzel Washington – Performance by an actor in a leading role
Viola Davis – Performance by an actress in a supporting role
Best picture
Adapted screenplay
(4 nominations)
“Fire at Sea,” a Stemal Entertainment Production
Documentary feature
(1 nomination)
“Florence Foster Jenkins,” a Paramount Pictures Production
Meryl Streep – Performance by an actress in a leading role
Costume design
(2 nominations)
“Hacksaw Ridge,” a Pandemonium Films/Permut Presentations Production
Andrew Garfield – Performance by an actor in a leading role
Directing
Film editing
Best picture
Sound editing
Sound mixing
(6 nominations)
“Hail, Caesar!,” a Working Title Films Production (Universal)
Production design
(1 nomination)
“Hell or High Water,” a Sidney Kimmel Entertainment/Film 44/LBI Entertainment/OddLot
Entertainment Production
Jeff Bridges – Performance by an actor in a supporting role
Film editing
Best picture
Original screenplay
(4 nominations)
“Hidden Figures,” a Fox 2000 Pictures Production
Octavia Spencer – Performance by an actress in a supporting role
Best picture
Adapted screenplay
(3 nominations)
“I Am Not Your Negro,” a Velvet Film Production
Documentary feature
(1 nomination)
“Jackie,”
Business
Deadline of Compliance: Nigeria’s Urgent Call for Tax Return Filing
Deadline of Compliance: Nigeria’s Urgent Call for Tax Return Filing
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com
“Shift or Structural Demand? A Declaration of Civic Duty in a Nation at a Fiscal Crossroads.”
In the unfolding narrative of national development and economic reform, few instruments are as defining as tax compliance. For Nigeria, a nation perpetually grappling with revenue shortfalls, structural dependency on a single export commodity, and entrenched informal economic behaviour, the Federal Government’s recent clarification on tax return deadlines is not mere bureaucratic noise. It is a deliberate and inescapable declaration: the social contract between citizen and state must be honoured through transparent, lawful and timely tax reporting.
At its core, the government’s pronouncement is stark in its simplicity and radical in its implications. Federal authorities, speaking through the Chairman of the Presidential Committee on Fiscal Policy and Tax Reforms, Taiwo Oyedele, have made it unequivocally clear that every Nigerian, whether employer or individual taxpayer, must file annual tax returns under the law. This encompasses self-assessment filings by individuals that too many assumed ended once employers deducted pay-as-you-earn taxes from their salaries.
This is not an optional civic suggestion, it is mandatory, backed by statute, and tied to a broader vision of national fiscal responsibility. Citizens can no longer hide behind ignorance, apathy, or false assumptions. “Many people assume that if their employer deducts tax from their salaries, their obligations end there. That is wrong,” Oyedele warned, emphasizing that the obligation to file remains with the individual under both existing and newly reformed tax laws.
The Deadlines and the Reality They Reveal.
Across the federation, state and federal revenue authorities have reaffirmed statutory deadlines in pursuit of compliance. The Lagos State Internal Revenue Service, for instance, moved to extend its filing date for employer returns by a narrow window, reflecting the reality that compliance often lags behind legal timelines. The extension was intended not as leniency, but as a pragmatic effort to allow accurate and complete submissions, underscoring that true compliance rises above mere mechanical ticking of a box.
At the federal level, Oyedele’s intervention was even more fundamental. He reminded Nigerians that annual tax returns for the preceding year must be filed in good faith, with integrity and in respect of the law. This applies regardless of income level including low-income earners who have historically believed that they are outside the tax net. “All of us must file our returns, including those earning low income,” he stated.
Herein lies one of the most challenging truths of contemporary Nigerian governance: widespread tax non-compliance is not just a technical breach of law, it is a deep cultural and structural issue that reflects decades of mistrust between citizens and the state.
The Root of the Problem: Non-Compliance as a Symptom.
Nigeria’s tax culture has long been under scrutiny. Public discourse and economic analysis consistently show that a significant majority of eligible taxpayers do not file annual returns. Oyedele highlighted that even in states widely regarded as tax administration leaders, compliance remains strikingly low, often below five percent.
This widespread non-compliance stems from multiple sources:
A long history of weak tax administration systems, where enforcement was inconsistent and penalties were rarely applied.
A perception that public services do not reflect the taxes collected, eroding the citizenry’s belief in reciprocity.
An informal economy where income often goes unrecorded, making filing seem irrelevant or impossible to many.
Lack of awareness, with many Nigerians genuinely believing that tax liability ends with employer deductions.
The government’s renewed push for compliance directly challenges these perceptions. It signals a shift from voluntary or lax compliance to structured accountability, a stance that aligns with best practices in modern public finance.
Why This Matters: Beyond Deadlines.
At its most profound level, the insistence on tax return filings is about nation-building and shared responsibility.
Scholars of public finance universally agree that a robust tax system is the backbone of sustainable development. As the eminent economist Dr. Joseph E. Stiglitz has observed, “A society that cannot mobilize its own resources through fair taxation undermines both its government’s legitimacy and its capacity to provide for its people.” Filing tax returns is not a mere administrative task, it is a declaration of participation in the collective project of national advancement.
In Nigeria’s context, this declaration carries weight. With the enactment of comprehensive tax reforms in recent years (including unified frameworks for tax administration and enforcement) authorities now possess broader statutory tools to ensure compliance and accountability. These measures, which include electronic filing platforms and stronger enforcement powers, have been framed as fair and equitable, targeting efficiency rather than arbitrariness.
Yet the success of these reforms depends heavily on citizens embracing their civic duties with sincerity. And this depends on mutual trust, the belief that paying taxes yields tangible benefits in infrastructure, education, healthcare, security and social services.
Voices From Experts: Fiscal Responsibility as a Public Ethic.
Tax law experts and economists, reflecting on the compliance push, have underscored a universal theme: taxation without transparency is inequity, but taxation with accountability is empowerment. When managed with fairness, a functional tax system can reduce dependency on volatile revenue sources, stabilise national budgets, and support long-term investment in human capital.
Professor Aisha Bello, a respected authority in fiscal policy, notes that “Tax compliance is not a burden; it is the foundation upon which social contracts are built. A citizen who honours tax obligations affirms the legitimacy of governance and demands better performance in return.”
Similarly, a leading tax scholar, Dr. Emeka Okon, argues that “The era when Nigerians could evade broader tax responsibilities simply because automatic deductions occur at source must end. For a modern economy, every eligible citizen must be part of the formal tax fold not as victims, but as stakeholders.”
These authoritative voices point to an unassailable truth: filing tax returns is both a legal requirement and a moral responsibility, an expression of citizenship in its fullest sense.
Challenges on the Ground: Compliance and Capacity.
While the rhetoric of compliance is compelling, the reality on the ground demands nuanced understanding. Many taxpayers (especially in the informal sector) lack meaningful access to digital platforms and resources for filing returns. For others, the fear of bureaucratic complexity and perceived punitive enforcement deters participation.
The government, for its part, has responded by promoting online systems and pledging greater taxpayer support. Tax authorities are increasingly engaging stakeholders to demystify filing processes, explain requirements and offer assistance. This mix of enforcement and facilitation is essential. As one seasoned revenue specialist observed: “The state cannot compel compliance through force alone; it must earn it through education, simplicity and fairness.”
The Broader Implication: A New Social Compact.
Ultimately, Nigeria’s renewed emphasis on tax return filing transcends administrative deadlines. It is an unequivocal declaration that national development is a shared responsibility, that citizens and state must engage in a transparent, accountable, and reciprocal relationship.
Tax compliance, therefore, becomes far more than a legal act; it becomes a moral claim on the nation’s future.
When citizens file their returns honestly, they affirm their stake in the nation’s destiny. When the government collects taxes transparently and deploys them effectively, it strengthens not only public services but civic trust itself.
In this sense, the deadlines proclaimed by Nigeria’s fiscal authorities mark not an end but a beginning; the beginning of a civic epoch in which accountability replaces apathy, participation replaces indifference and national purpose triumphs over fragmentation.
The road ahead will not be easy. But in demanding compliance, Nigeria is demanding more than tax returns. It is demanding commitment and that, ultimately, is the foundation on which nations are built.
Business
BUA Foods Records 91% Surge in Profit After Tax, Hits ₦508bn in 2025
BUA Foods Records 91% Surge in Profit After Tax, Hits ₦508bn in 2025
By femi Oyewale
Business
Adron Homes Unveils “Love for Love” Valentine Promo with Exciting Discounts, Luxury Gifts, and Travel Rewards
Adron Homes Unveils “Love for Love” Valentine Promo with Exciting Discounts, Luxury Gifts, and Travel Rewards
In celebration of the season of love, Adron Homes and Properties has announced the launch of its special Valentine campaign, “Love for Love” Promo, a customer-centric initiative designed to reward Nigerians who choose to express love through smart, lasting real estate investments.
The Love for Love Promo offers clients attractive discounts, flexible payment options, and an array of exclusive gift items, reinforcing Adron Homes’ commitment to making property ownership both rewarding and accessible. The campaign runs throughout the Valentine season and applies to the company’s wide portfolio of estates and housing projects strategically located across Nigeria.
Speaking on the promo, the company’s Managing Director, Mrs Adenike Ajobo, stated that the initiative is aimed at encouraging individuals and families to move beyond conventional Valentine gifts by investing in assets that secure their future. According to the company, love is best demonstrated through stability, legacy, and long-term value—principles that real estate ownership represents.
Under the promo structure, clients who make a payment of ₦100,000 receive cake, chocolates, and a bottle of wine, while those who pay ₦200,000 are rewarded with a Love Hamper. Payments of ₦500,000 attract a Love Hamper plus cake, and clients who pay ₦1,000,000 enjoy a choice of a Samsung phone or a Love Hamper with cake.
The rewards become increasingly premium as commitment grows. Clients who pay ₦5,000,000 receive either an iPad or an all-expenses-paid romantic getaway for a couple at one of Nigeria’s finest hotels, which includes two nights’ accommodation, special treats, and a Love Hamper. A payment of ₦10,000,000 comes with a choice of a Samsung Z Fold 7, three nights at a top-tier resort in Nigeria, or a full solar power installation.
For high-value investors, the Love for Love Promo delivers exceptional lifestyle experiences. Clients who pay ₦30,000,000 on land are rewarded with a three-night couple’s trip to Doha, Qatar, or South Africa, while purchasers of any Adron Homes house valued at ₦50,000,000 receive a double-door refrigerator.
The promo covers Adron Homes’ estates located in Lagos, Shimawa, Sagamu, Atan–Ota, Papalanto, Abeokuta, Ibadan, Osun, Ekiti, Abuja, Nasarawa, and Niger States, offering clients the opportunity to invest in fast-growing, strategically positioned communities nationwide.
Adron Homes reiterated that beyond the incentives, the campaign underscores the company’s strong reputation for secure land titles, affordable pricing, strategic locations, and a proven legacy in real estate development.
As Valentine’s Day approaches, Adron Homes encourages Nigerians at home and in the diaspora to take advantage of the Love for Love Promo to enjoy exceptional value, exclusive rewards, and the opportunity to build a future rooted in love, security, and prosperity.
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