Business
” Why I reconciled with Kemi Afolabi “- Actress, SheBaby reveals
Seyi Ariyo popularly known as SheBaby is an actress cum singer. In this exclusive chat with Sahara Weekly Magazine , the delectable actress opened up on new single, Champion and why she reconciled with Kemi Afolabi
Q –You just released a musical video trending now; can you tell us what inspired it?
R – I was inspired to write that song just for positive vibes, for the masses. I just wanted to write something inspiring. I did it for the masses, for the young ones because nowadays, what we hear in songs is nothing to write home about. So we can still have our groove and still have some meaningful songs because in recent times, what we have now is out of it – we enjoy the music, we dance to it, but talk about the lyrics, its a NO. It’s something I came up with that you can still dance to, yet the music will make a whole lot of meaning.
What informed the title of the song ‘Champion’?
You know, I was there, I left for so long and for me to face it back, it’s champions that do that. It’s not easy when you go to the battle frontline and after everything, you are still standing, you can still do things. So many people we started together have dropped, we can’t place them again. It’s not easy to come back; so coming back, you are a champion. It has its own message. Even if it’s not giving you the positive outcome, but for the fact that you’ve taken that bold step, you are a champion.
You were off the entertainment radar for 5 years; what were you doing?
At a time, I was married. Normally, I had to settle down, have my baby in London before I came back to Nigeria. Though I was acting alongside, I wasn’t taking it as full-time work. But I felt I was being deprived of what I had passion for, so I had to put something together and come back.
It is usually not easy for women that are married in the industry to make it back in the industry because they have added responsibility. How do you intend to manage your family along with your career?
I’ll like to put it out that normally, I don’t spend 24hrs with my child. I could do that when she was still an infant but my baby is 6 years now. She goes to school , and during that period she’s somewhere else, I’m somewhere else. And during the time, I would have done one or two things, and when she comes back, I can leave her with my mum or sister and do other things. So, because I’m married doesn’t make me not to be responsible, for the fact that I have to work. There are a lot of career ladies that their homes are intact –family, the church, they combine it and their marriage is still intact, and even works. They are doing fantastically well, so I see no reason why I can’t do such. Acting isn’t an everyday thing; music, I don’t go to studio every day. So when you plan well, God will give you the grace to scale through.
So what would you say about the industry you left four years ago. There have been so much changes. What is your opinion about these changes and what are you doing to make an impact with the current trend of things?
Yeah, a whole lot of changes. Before I left the industry, after doing a song you could go to a presenter, they fix you up, do interviews without even thinking of collecting anything from you, they promote your job at length. But it’s so alarming that the kind of industry we had then is nothing close to what we have now. After the music, it’s supposed to be enjoying airplay but it’s not. Because even if your song is as sweet as honey, you can’t play it yourself. You can’t just keep them, you have to tip them to play your song; that’s the way it is. And to people, it’s as if it’s normal: if you don’t tip them, nobody is going to play it. No matter how beautiful your job is, they won’t play it. Corruption is everywhere. Gone are those days you went to the studio and they even wanted to beg to interview you, make you feel important. But nowadays, you will beg them, not even with mouth but you have to add some cash to it. And to me, you have to join them because I want people to view my job. I can’t shoot my video and want only a particular area to listen to it, so you have to join the trend. I’m already in the system, there’s nothing I can do about it.
Your video ‘Champion’, knowing the current situation of things in the country, how were you able to churn out such clear picture, good concept video? Knowing full well that you’d been off the industry for some time, and practically not been making money in the industry, what gave you the confidence to drop such amount for the video? And talking about money for promotion, how do you intend to get that money?
Initially I was supposed to introduce myself as an entrepreneur – I have a fashion house and I tell you that the little money I generate from it, it might sound crazy, but most of the money I generate, I put it back into movie and my music. I left the industry but I wasn’t idle, I was training people on fashion. So the money I get there, I packed it, went to Dre San’s studio and thought I could feature Ortishefemi. I’ve known him for over 15 years, so when I called him, I didn’t pay him and he didn’t even ask. Though it might be difficult to get them, eventually they will deliver because they know I’m not that kind of person they will ask of money from. Even when I featured Pasuma back in those days, I didn’t drop any money for him; I was up-and-coming but he supported me because I was a lady who wanted to do something positive. After we recorded ‘Champion’ with Oritshefemi, I called the director and explained things to him, we planned, and it was a success.
For every glory, there’s always a story to tell. What has been the greatest challenge so far in making this musical video?
It’s marketing. Let me relate it back to our marketers out there, I don’t know how they will curb this piracy of a thing; it’s like a monster that needs to be lynched. After shooting a video of a million naira, I’m talking about movie now. The marketer would want to buy it for N700,000. I have a story like that: I shot a movie in four countries, it was with me for like 8 months and when I kept going to marketers – you know they have an association – since they knew I’d been taking it to marketers, they started beating down the price, from N1 million to N800,000, to N600,000. And I didn’t only go to Ghana to shoot it, I took Oga Bello, Kelvin Ikeduba, others to Ghana to shoot it, because we had Arik Airline as our sponsors. So imagine after all this and the marketer to tell me he wants to pay 600,000. I was like I would rather keep it, and I did. For like 8 months it was with me, and someone said I’ll beg to sell it if I didn’t do so on time. In tears, I sold it for 600,000, something worth over N2 million. And I premiered it, people came and supported me. Apparently, we will get money from movie launch, premiere, then marketer gets it back and they tell you it’s pirated. Thats the greatest challenge any actor or musician can have. Marketing, piracy, I don’t know how it can be curbed. Imagine, government said if someone is caught, he will pay N200,000. They have to make it tighter. If someone is caught, millions has to be paid for his or her bail. Someone that has made millions will easily pay N200,000. These are the challenges we have, so we are not growing. I just pray that I get endorsements, and I won’t relent. There’s another track already which we will be promoting in the next few weeks so they will know I’m back fully in the industry. And this time, I want to give it to them. I have to make it because it’s not easy.
Interestingly, you are also a known face in the movie industry. Does it mean we should be expecting a comeback from you in the movie industry?
I already did that last year. I did Aye Alaye. I did the premier, it featured about 16 known faces in the entertainment industry, cutting across musicians and actors.
A few weeks ago we learnt you and Kemi Afolabi have settled your issue. Do you want to talk about it? What’s the situation like now?
You know, when that thing happened, it was a big, dirty fight on the social media and I regretted it, because she actually made the post known to everybody. My own was just a display picture on my BBM and few people were like I had to take it off. After the whole thing she just went on Instagram and posted, to which I didn’t reply her. After the whole thing, we stopped talking; whenever we saw, we didn’t greet for several months. Last month, April, made it one year that the incident happened. So on her birthday, I wanted to do something weird. Because she was on the receiving end, so to say, she felt so bad about the whole thing. On her birthday, I just put up my instagram page and I was like, ‘Kemi Afolabi, I was wrong, you were wrong, even the media and the fans exaggerated everything but at the end of the day, we are still one family, we are still friends. Happy birthday, Kemi Afolabi, I wish you all the best.’ She saw it and was shocked. It was her publicist, Yomi Fabiyi, that saw it and was like, for She Baby to have swallowed her pride, she should let it go. And I wrote there that I take back my words. That is the weirdest thing I’ve ever done because it still hurts me, but for peace to reign.
She commended and appreciated. I saw her at an event recently and a whole lot of people were looking at us, so I was watching her because I didn’t want to receive a cold reception. And I’m sure she was reading my attitude too, because she might come to me and I give her a cold reception. So she was reading me but I was calm. She was close by and wasn’t smiling but I’m sure she looked around and saw people looking at us and I was like, if I choose to hug her and she gives me a cold reception, it would be documented that I greeted her but I’ll do my part. So interestingly, she read me and I read her; I was reading her and I was lost in thought. Before I knew it, she was in front of me. To her, it was like I didn’t want to greet her. But to me, I wanted to see that connection coming. Then we hugged and I said ‘I’m sorry’ and she said, ‘It’s over,’ so we sat close to each other.
Are we looking at more songs from you anytime from now?
Yes, I already recorded 6 tracks but because of funds I have to do this for now. I recorded Mr DJ Featuring JayWon and Oritshefemi; it’s dropping in a few weeks.
What is your advice to upcoming ones?
Firstly, I would love to let them know that it’s not until you sleep with big actors or a marketer before you get there. Apparently, what these marketers do is sleep with all these young girls, promising them to put them on the poster, and because they don’t have much experience, they agree and they keep passing them around. Marketers will not make you, it’s only God that can make you a star; you already have the talent, nobody can collect it from you. Discover yourself and work on it. I don’t have vacation. Even when I go abroad, I work – I do launching, shoot movie – I work from sunrise to sunset because most of this upcoming are kind of lazy; once they knock on a door and it’s not opening, they don’t want to knock another door. I’ve pushed several doors because you can’t keep doing something you are good at for years and someone won’t recognise you. That’s where the breakthrough starts from. Education is everything, you will be needing it because you will be widely exposed. It cuts across the globe. If you are educated, you can stand anywhere, you will have value. You can’t compare an uneducated tomato seller to an educated one – the packaging that one will give it will be different. Just make sure one way or the other, you are educated
Business
Deadline of Compliance: Nigeria’s Urgent Call for Tax Return Filing
Deadline of Compliance: Nigeria’s Urgent Call for Tax Return Filing
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com
“Shift or Structural Demand? A Declaration of Civic Duty in a Nation at a Fiscal Crossroads.”
In the unfolding narrative of national development and economic reform, few instruments are as defining as tax compliance. For Nigeria, a nation perpetually grappling with revenue shortfalls, structural dependency on a single export commodity, and entrenched informal economic behaviour, the Federal Government’s recent clarification on tax return deadlines is not mere bureaucratic noise. It is a deliberate and inescapable declaration: the social contract between citizen and state must be honoured through transparent, lawful and timely tax reporting.
At its core, the government’s pronouncement is stark in its simplicity and radical in its implications. Federal authorities, speaking through the Chairman of the Presidential Committee on Fiscal Policy and Tax Reforms, Taiwo Oyedele, have made it unequivocally clear that every Nigerian, whether employer or individual taxpayer, must file annual tax returns under the law. This encompasses self-assessment filings by individuals that too many assumed ended once employers deducted pay-as-you-earn taxes from their salaries.
This is not an optional civic suggestion, it is mandatory, backed by statute, and tied to a broader vision of national fiscal responsibility. Citizens can no longer hide behind ignorance, apathy, or false assumptions. “Many people assume that if their employer deducts tax from their salaries, their obligations end there. That is wrong,” Oyedele warned, emphasizing that the obligation to file remains with the individual under both existing and newly reformed tax laws.
The Deadlines and the Reality They Reveal.
Across the federation, state and federal revenue authorities have reaffirmed statutory deadlines in pursuit of compliance. The Lagos State Internal Revenue Service, for instance, moved to extend its filing date for employer returns by a narrow window, reflecting the reality that compliance often lags behind legal timelines. The extension was intended not as leniency, but as a pragmatic effort to allow accurate and complete submissions, underscoring that true compliance rises above mere mechanical ticking of a box.
At the federal level, Oyedele’s intervention was even more fundamental. He reminded Nigerians that annual tax returns for the preceding year must be filed in good faith, with integrity and in respect of the law. This applies regardless of income level including low-income earners who have historically believed that they are outside the tax net. “All of us must file our returns, including those earning low income,” he stated.
Herein lies one of the most challenging truths of contemporary Nigerian governance: widespread tax non-compliance is not just a technical breach of law, it is a deep cultural and structural issue that reflects decades of mistrust between citizens and the state.
The Root of the Problem: Non-Compliance as a Symptom.
Nigeria’s tax culture has long been under scrutiny. Public discourse and economic analysis consistently show that a significant majority of eligible taxpayers do not file annual returns. Oyedele highlighted that even in states widely regarded as tax administration leaders, compliance remains strikingly low, often below five percent.
This widespread non-compliance stems from multiple sources:
A long history of weak tax administration systems, where enforcement was inconsistent and penalties were rarely applied.
A perception that public services do not reflect the taxes collected, eroding the citizenry’s belief in reciprocity.
An informal economy where income often goes unrecorded, making filing seem irrelevant or impossible to many.
Lack of awareness, with many Nigerians genuinely believing that tax liability ends with employer deductions.
The government’s renewed push for compliance directly challenges these perceptions. It signals a shift from voluntary or lax compliance to structured accountability, a stance that aligns with best practices in modern public finance.
Why This Matters: Beyond Deadlines.
At its most profound level, the insistence on tax return filings is about nation-building and shared responsibility.
Scholars of public finance universally agree that a robust tax system is the backbone of sustainable development. As the eminent economist Dr. Joseph E. Stiglitz has observed, “A society that cannot mobilize its own resources through fair taxation undermines both its government’s legitimacy and its capacity to provide for its people.” Filing tax returns is not a mere administrative task, it is a declaration of participation in the collective project of national advancement.
In Nigeria’s context, this declaration carries weight. With the enactment of comprehensive tax reforms in recent years (including unified frameworks for tax administration and enforcement) authorities now possess broader statutory tools to ensure compliance and accountability. These measures, which include electronic filing platforms and stronger enforcement powers, have been framed as fair and equitable, targeting efficiency rather than arbitrariness.
Yet the success of these reforms depends heavily on citizens embracing their civic duties with sincerity. And this depends on mutual trust, the belief that paying taxes yields tangible benefits in infrastructure, education, healthcare, security and social services.
Voices From Experts: Fiscal Responsibility as a Public Ethic.
Tax law experts and economists, reflecting on the compliance push, have underscored a universal theme: taxation without transparency is inequity, but taxation with accountability is empowerment. When managed with fairness, a functional tax system can reduce dependency on volatile revenue sources, stabilise national budgets, and support long-term investment in human capital.
Professor Aisha Bello, a respected authority in fiscal policy, notes that “Tax compliance is not a burden; it is the foundation upon which social contracts are built. A citizen who honours tax obligations affirms the legitimacy of governance and demands better performance in return.”
Similarly, a leading tax scholar, Dr. Emeka Okon, argues that “The era when Nigerians could evade broader tax responsibilities simply because automatic deductions occur at source must end. For a modern economy, every eligible citizen must be part of the formal tax fold not as victims, but as stakeholders.”
These authoritative voices point to an unassailable truth: filing tax returns is both a legal requirement and a moral responsibility, an expression of citizenship in its fullest sense.
Challenges on the Ground: Compliance and Capacity.
While the rhetoric of compliance is compelling, the reality on the ground demands nuanced understanding. Many taxpayers (especially in the informal sector) lack meaningful access to digital platforms and resources for filing returns. For others, the fear of bureaucratic complexity and perceived punitive enforcement deters participation.
The government, for its part, has responded by promoting online systems and pledging greater taxpayer support. Tax authorities are increasingly engaging stakeholders to demystify filing processes, explain requirements and offer assistance. This mix of enforcement and facilitation is essential. As one seasoned revenue specialist observed: “The state cannot compel compliance through force alone; it must earn it through education, simplicity and fairness.”
The Broader Implication: A New Social Compact.
Ultimately, Nigeria’s renewed emphasis on tax return filing transcends administrative deadlines. It is an unequivocal declaration that national development is a shared responsibility, that citizens and state must engage in a transparent, accountable, and reciprocal relationship.
Tax compliance, therefore, becomes far more than a legal act; it becomes a moral claim on the nation’s future.
When citizens file their returns honestly, they affirm their stake in the nation’s destiny. When the government collects taxes transparently and deploys them effectively, it strengthens not only public services but civic trust itself.
In this sense, the deadlines proclaimed by Nigeria’s fiscal authorities mark not an end but a beginning; the beginning of a civic epoch in which accountability replaces apathy, participation replaces indifference and national purpose triumphs over fragmentation.
The road ahead will not be easy. But in demanding compliance, Nigeria is demanding more than tax returns. It is demanding commitment and that, ultimately, is the foundation on which nations are built.
Business
BUA Foods Records 91% Surge in Profit After Tax, Hits ₦508bn in 2025
BUA Foods Records 91% Surge in Profit After Tax, Hits ₦508bn in 2025
By femi Oyewale
Business
Adron Homes Unveils “Love for Love” Valentine Promo with Exciting Discounts, Luxury Gifts, and Travel Rewards
Adron Homes Unveils “Love for Love” Valentine Promo with Exciting Discounts, Luxury Gifts, and Travel Rewards
In celebration of the season of love, Adron Homes and Properties has announced the launch of its special Valentine campaign, “Love for Love” Promo, a customer-centric initiative designed to reward Nigerians who choose to express love through smart, lasting real estate investments.
The Love for Love Promo offers clients attractive discounts, flexible payment options, and an array of exclusive gift items, reinforcing Adron Homes’ commitment to making property ownership both rewarding and accessible. The campaign runs throughout the Valentine season and applies to the company’s wide portfolio of estates and housing projects strategically located across Nigeria.
Speaking on the promo, the company’s Managing Director, Mrs Adenike Ajobo, stated that the initiative is aimed at encouraging individuals and families to move beyond conventional Valentine gifts by investing in assets that secure their future. According to the company, love is best demonstrated through stability, legacy, and long-term value—principles that real estate ownership represents.
Under the promo structure, clients who make a payment of ₦100,000 receive cake, chocolates, and a bottle of wine, while those who pay ₦200,000 are rewarded with a Love Hamper. Payments of ₦500,000 attract a Love Hamper plus cake, and clients who pay ₦1,000,000 enjoy a choice of a Samsung phone or a Love Hamper with cake.
The rewards become increasingly premium as commitment grows. Clients who pay ₦5,000,000 receive either an iPad or an all-expenses-paid romantic getaway for a couple at one of Nigeria’s finest hotels, which includes two nights’ accommodation, special treats, and a Love Hamper. A payment of ₦10,000,000 comes with a choice of a Samsung Z Fold 7, three nights at a top-tier resort in Nigeria, or a full solar power installation.
For high-value investors, the Love for Love Promo delivers exceptional lifestyle experiences. Clients who pay ₦30,000,000 on land are rewarded with a three-night couple’s trip to Doha, Qatar, or South Africa, while purchasers of any Adron Homes house valued at ₦50,000,000 receive a double-door refrigerator.
The promo covers Adron Homes’ estates located in Lagos, Shimawa, Sagamu, Atan–Ota, Papalanto, Abeokuta, Ibadan, Osun, Ekiti, Abuja, Nasarawa, and Niger States, offering clients the opportunity to invest in fast-growing, strategically positioned communities nationwide.
Adron Homes reiterated that beyond the incentives, the campaign underscores the company’s strong reputation for secure land titles, affordable pricing, strategic locations, and a proven legacy in real estate development.
As Valentine’s Day approaches, Adron Homes encourages Nigerians at home and in the diaspora to take advantage of the Love for Love Promo to enjoy exceptional value, exclusive rewards, and the opportunity to build a future rooted in love, security, and prosperity.
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