Connect with us

Entertainment

NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

Published

on

NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

 

 

 

 

Oluwakemi Otekaiye Collorassi is artistically known as Nnkan Eleduwa or her stage name Nnkan which rings a very loud bell in the Nigerian entertainment sector.

 

 

 

 

 

 

 

Nnkan is the leader of Ditoko Band and she is a lady endowed with multiple talents in the artistic entertainment space, who skilfully chants, sings, acts and dances on stage. She is an epitome of complete creative entertainment. She has been doing this since her growing up years as a child and she is still immensely talented in arts till date.

 

 

 

 

 

 

Nnkan discovered very early in life that she was gifted but she did not know the channel which to pass through.

 

 

 

 

 

However, she was motivated into the arts as a child when one of her neighbours, a woman sang a beautiful song, she immediately fell in love with it. She sang the song and one other person told her she will make a music star in the future.

 

 

 

 

Fast forward, Nnkan joined a group called Black Image where she was really discovered and anchored any music that came with the stage drama whenever the group has a performance.

 

 

 

 

On her parents supporting her career at the beginning, her father was actually a good dancer who challenged the King of world beat himself, King Sunny Ade when Nnkan was just five years old. So, obviously her father was very supportive of her music career because he was always playing the likes of Comfort Omoge, KSA, Ebenezer Obey’s music and he even go further by inviting his friends to come watch his daughter Nnkan dance to Comfort Omoge or King Sunny Ade’s song where she will come out behind the curtain and danced herself to stupor because she did not see that as a performance then.

 

 

 

 

She was then called ‘kokoro’ by her admirers, majority of whom were her father’s friends who admire her dancing talents so much. Though, Nnkan lost her father at a relatively young age of around 10 to 11, he supported her talents very strongly giving her enough confidence.

 

 

 

 

Nnkan also acknowledged her father’s support after her performance at the Silverbird Most Beautiful Girl in Nigeria Pageant many years back. She remembered his support after performing for a very large crowd at the event. She also acknowledged her mother’s supportive roles as well. So, her two parents have being there for her and even though they are no more but they are still there with her in spirit because she knows she can’t be where she is today without God and with them, her parents being her guiding angels, watching over her and propelling her forward.

 

 

 

 

 

Nnkan learnt music and entertainment through the process of her long years on stage. She never went to any musical school to learn. It was an inborn thing and all she had to do is stay focused in the sector to be more knowledgeable about it all. Her stay with the Black Image and being the lead vocalist really helped and she is also highly talented. She picks her key easily and begin to learn the more she performs and the more she finds herself on stage.

 

 

 

Its a process here and there, learning the keyboard and others.

Currently, Nnkan is a Nurse practitioner but she is an OND holder in Business Administration from a higher institution in Nigeria and she also did several professional courses in Marketing. She is also taking some prerequisite classes in Nursing currently. Nnkan, came from a family of five and she was in the middle of the pack having two elderly ones and two younger.

 

 

 

 

Unfortunately however, Nnkan is the only living soul of her family generation and automatically became mother to all the children left behind by her late siblings. One of those children is graduating from the University while the others are doing great in their own academic rights. Like I said earlier, her father influenced her into singing though, she has this natural instinct and passion for singing in her and also her artistic director, Paul Uwagbae who was also the artistic director of Black Image then, for more than 20 years ago, he has always been encouraging Nnkan alongside the CEO of Black Image then. “So, I can only say that my dad encouraged me a lot and with the fact that music is an inborn thing with me, I have always loved to sing and that is what I know how to do best. I have been in the game for years, though I have to take some break to take good care of the kids my siblings left behind. I took over this responsibilities over a decade ago so that they can be well structured.” She was quoted as saying.

 

 

 

 

If Nnkan is not into music today, she would have been a medical doctor which her father had planned for her to be right from her childhood, so, she would have been in the medical line as a nurse if not for music.

 

 

 

 

Nnkan is a beautifully married lady who has quite a lot of men flocking around her with some of them opting for a relationship, but as a married lady, she knows her boundary with them and she maintains an artiste/fan relationship with everyone of them.

 

 

 

 

For her, a star must know how to manage anyone that comes around her, Nnkan has done one album produced by Kayode Samuel way back, Music of Our Ancestors and the next one coming out soon is called Broda.

 

 

 

 

Broda is a song that ministered a lot to Nnkan, inspired by when she was going through a process of healing after a surgery and the part that her husband did really means a lot to her and she decided to did that song written by Baba T who said she is the only one that can give a good voice to that song. So, she has done one album and four singles. ‘Music of our Ancestors’ produced by Kayode Samuel in 2005 was her first album, her first single was ‘Revolution’ and the second one was ‘Get More’ which she didn’t release until after 11 years, that was after ensuring she took good care of her siblings’ children and make sure that they can stand on their own. Get More was actually a gospel song she did during a convention themed with the same name and had great impacts on the people. Next was ‘Mr. DJ’ and after that is the latest one ‘Broda’. Its a song that is dedicated to all men and its going to be released on father’s day. Nnkan realized that the only musician that appreciates men is Luther Vandross. She sees her husband as her brother, as her partner, gist partner and indeed, partner in everything. She also sees him as a father figure who advises her and she listens to him, so she dedicates the song to all wonderful men outside there.

 

 

 

 

Men who stood by somebody they love, somebody they cherish. So, for now my husband influenced me because after we got married, he was the one that propelled me that the world wants to hear my music and that is why we had to go back to the studio and he encouraged me to release ‘Get More’ which I have done a long time, then he pushed me again to do ‘Mr. DJ’ and now he is pushing me again to do another one. So, he’s really influencing me into getting back to my shape and into my musical career back and that is why they say, get married to the right person. So, I will say am very grateful to him because he influenced me to getting back to music.

 

NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

Entertainment

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

Published

on

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV By Alhaji Arems (Baba Fuji)

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.

 

Early Life And Background :

Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.

 

From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.

 

Music Career And Creative Journey :

Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.

 

While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.

 

His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.

 

Family Life And Personal Milestones :

Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.

 

Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.

 

His Passing :

The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.

 

While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.

 

Burial Arrangements :

The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:

 

Friday, January 23, 2026 :

Time : 2:00 PM

Venue :  His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.

 

A Legacy Beyond Numbers :

Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.

 

In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.

 

As he is laid to rest, his music, memories, and the lives he touched remain.

 

May his soul rest in perfect peace.

Continue Reading

Entertainment

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

Published

on

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

 

The Chairman-in-Council of the Benin Summit Group, Earl Osaro Onaiwu, has congratulated celebrated music stars Rema and Shallipopi for their outstanding achievements at the recently concluded AFRIMMA Awards, where they emerged as shining ambassadors of the Benin Kingdom on the global entertainment stage.
Rema, ( Divine Justice Ikubor) the internationally acclaimed Afrobeats sensation of Benin extraction, carted home three prestigious awards, while fast-rising artiste Shallipopi ( Crown Uzama) also clinched one award, marking a moment of pride not just for Edo State but for the entire Benin Kingdom.

In a statement issued by the Benin Summit Group, Osaro Onaiwu described their victories as a powerful demonstration of Benin excellence, creativity, and global relevance.

“I commend and congratulate Rema and Shallipopi for putting the Benin Kingdom firmly in the global space through their talent, hard work, and discipline. Their achievements are a source of pride to our people and an inspiration to our youths,” Onaiwu said.

He noted that the success of Benin sons in the global entertainment industry reinforces the importance of nurturing creativity and supporting young talents across music, film, fashion, and other creative arts.

“These accomplishments show what is possible when talent meets opportunity and determination. Benin land is rich in creativity, and the world is beginning to take notice,” he added.

Osaro Onaiwu further urged other Benin sons and daughters, particularly those in the creative and entertainment sectors, to remain focused and strive for excellence, emphasizing that global recognition comes through consistency, hard work, and commitment to craft.

“I urge others to strive harder to excel. Let the achievements of Rema and Shallipopi motivate the next generation to dream bigger, work harder, and represent Benin with dignity and pride wherever they find themselves,” he said.

He reaffirmed the commitment of the Benin Summit Group to promoting unity, culture, and development, including the creative arts, which he described as a powerful tool for projecting the Benin heritage and identity to the world.

According to Onaiwu, celebrating the successes of Benin sons and daughters across various fields remains central to the group’s mission of fostering unity, pride, and collective progress within the Benin Kingdom and the diaspora.

 

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

Continue Reading

Entertainment

Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube

Published

on

Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube

 

A powerful new Nigerian drama, GICANA, has made its debut during the Yuletide season, sending a strong social message while keeping audiences glued to their screens. The film, now streaming on Mustapha Sholagbade Television (MSTV) on YouTube, explores the dangerous consequences of transacting one’s body for money, portraying it as a risky game with far-reaching emotional and moral implications.

 

Produced by Almatin Limited, GICANA is directed by the creative duo of Olayemi Adeodu and Ayanbode Simon. The directors bring depth and realism to the story, carefully unpacking themes of desperation, survival, greed, and the silent battles faced by individuals pushed to the edge by circumstance.

 

The movie, which was shot in Canada and Nigeria, boasts a rich ensemble of industry talents who delivered compelling performances, including Remi Surutu, Dotun Adebanjo, Mustapha Sholagbade, Bukola Kiitan, Temidayo (Starboy), Dare Melody, Jumoke Fadipe, Queen Blessing Ebigieson, Adejoke Adesokan, and several others. Their performances added emotional weight and authenticity to the storyline, making GICANA both engaging and thought-provoking.

 

Behind the scenes, the production quality of GICANA stands out. Cinematography was handled by Director Keny and Abiodun Bukola, while Mr Perfect served as script supervisor. Sound was recorded by Idrissound, with lighting by Tomcity. Makeup was expertly done by Ifeoluwa Adejumo, and Muhammed Hussein brought the film’s environments to life as set designer.

 

Released at a time traditionally associated with celebration and reflection, GICANA uses the Yuletide season to challenge viewers to think deeply about societal pressures and the hidden dangers of quick money. The film is already generating conversations online, with viewers praising its message, performances, and strong moral undertone.

 

With its timely release and compelling narrative, GICANA is more than just a movie, it is a cautionary tale and a must-watch drama for audiences seeking meaningful African storytelling this new year.

Continue Reading

Cover Of The Week

Trending