celebrity radar - gossips
Amosun:Tinpot Emperor by Sam Omatseye
His cap fits him, especially as a measure of his ego. It points up like an airport tower as though intending to graze the sky. Ibikunle Amosun’s head gear suffers from what Sigmund Freud and his followers would call phallic anxiety. From base to top, the cap occupies a real estate bigger than his face from fore-head to chin. To his credit, few politicians have so mastered what I would call the “political look.” Some showcase their shirts, others their shoes, many their caps. But few set themselves apart like the Ogun State governor as a fop of the head. Many say it is inelegant with the top rims caved in so the centre spikes up like a blade. But it is his own.
What does not fit, though, is the man and his task. So, Amosun may be a governor, but he is not gubernatorial. He has never been gubernatorial, not even before he mounted the throne and grovelled in prayer from party leader to party leader, sitting in lobbies on end and playing the suppliant fellow as an impresario of humility. Like Oliver Goldsmith’s familiar character, Amosun thinks he stooped then. Now it is his time to conquer. He was afflicted early by the fear of gratitude, and his ogas must pay for his humble pie.
The first shadow of the ego at work was a picture of a flood few months into his reign. The man paid a visit, and in spite of his ponderous boots, he would not allow his special footwear to touch the intrusive waters. He cruised on a canoe while the rest of Ogun humanity around swam. He, with his boots, was too pristine for the stain.
Of late though, what he has done puts the man in bold relief, especially his bold belief. He wanted to post his successor, and he had the right to it. But he wanted to do it without due process. A godfather must earn the respect of his son. The scriptures warn parents not to provoke their children to wrath. It was lesson number one that he did not understand. He was less than the lesson. Godfathers must play a delicate game of balance and flattery of conflicting interests and tendencies. If he wants to impose he must follow the paradox of imposition by consent. He followed the path of imposition by fiat.
Because he was too confident, he fell out of touch with the grassroots. The primary poll came, and he lost. His candidate for governor had to wait on the side-lines. But while others cheered, he lamented. His party, the APC, had thumbed its finger for another man, Dapo Abiodun. Amosun would not yield. His patriarchal air would not absorb such a defeat. He had to seek oxygen elsewhere.
His path was to seek another party, and be on record as one of a few governors who are leaders without discipline. He betrayed what Joseph Conrad calls a “bravado of guilt” or “an adventurer’s easy morality.” He, like his Imo State mate of erections, Rochas Okorocha, announced that his candidate was going to another party. A party leader masterminded an anti-party activity. Party chairman Adams Oshiomhole yelled, but the man Amosun yelled back. He had cried that party leaders had squeezed him out of contention in his own realm.
He screamed at Lagos, and at Abuja, and he screamed until he turned hoarse. He said he wanted to run as senatorial candidate of APC. The people of Ogun State he urged to vote him as APC senator and his candidate Akinlade of the APM as the governor pick. That was local politics.
He who claimed to love Buhari more than the so-called cabal decided to play another stunt. His people should vote Buhari of the APC for president, him for senator and Akinlade for governor. A confused trinity. He took his man Akinlade on a sojourn to Aso Rock. It was indeed a theatre when even Buhari received Amosun in Aso Rock and received the candidate and posed for the camera. If all politics is local, Amosun is making the byway the main road. Governor is main road but by asking his supporters to go to another party for the top post in the state, he made the byway the main road.
Segun Osoba had to remind Buhari that he had erred woefully by taking the party pick to visit him. But Buhari is for everyone and nobody and the translation is that Buhari is for Buhari only. By that, Buhari had become guilty like Amosun.
But nothing reflected the absurdity like what happened in Abeokuta at the APC rally when members of his own rival party APM pelted the president with missiles and boos. He endangered the life of the first citizen. Rauf Aregbesola called him a hypocrite. It was a lawless scene that day. Eyewitness accounts show that persons were mauled and one person’s eye was gouged.
Yet he wants to be a senator. As I tweeted, we have enough of the tout in a certain fellow from Kogi State. The senate cannot abide another one, especially if he was once governor. Amosun is a great shuffler. That day, he jostled Abiodun from the front row. It took the vice president’s intervention who ceded his place beside the president to him. Prof Yemi Osinbajo had to secure a place on the other side of the president. More than one governor has told me that when his colleagues gather around the president, he often pushes them away so as to stand beside Buhari. Hence he is often beside the man for photo ops, unless on a few occasions when the shuffler fails.
Amosun ought to learn about the limits of power. A friend of mine apprised me of a text message he sent Amosun as new year greetings in 2017. Excerpt: “…it is obvious the euphoria that greeted your ascension to power in 2011 has avoidably vanished… rather than be the solution, most inhabitants of the Gateway state, including civil servants, most politicians, civil society groups, market men and women now see you as the problem…this could be traced only to one factor: …you listen only to yourself…which can only lead to self-perdition…why are you daring God with your published statement that you know the person that won’t be governor come 2019…you’re determined to play Babangida here but we all know how Babangida ended…but try to reflect on why the populace of that state no longer like you. Remember the verdict of history and the incontrovertible fact that: today is not forever.”
During the Yoruba Wars, the story is told of an Alafin, who grovelled by day and plotted by night, and he ended up in the night of infamy. For now, we can say Amosun is playing emperor, but an expiring one. His reign is going roughneck into that goodnight. He is raging against the dying of his light, apologies Dylan Thomas.
@nation

celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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