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Blackmailers at Work! Neconde Not Involved in Illegal Oil Lifting
Blackmailers at Work! Neconde Not Involved in Illegal Oil Lifting
…Warns Falsehood Peddlers
Neconde Energy Limited, an exploration and production company, has sent a strong warning to peddlers of falsehood attempting to link it with an alleged illegal lifting of crude oil at Ugo Ocha export terminal around Oil Mining Lease (OML) 42.
Refuting the allegation that it was complicit, the firm in a statement released to debunk the contents of a purported petition by one Oluwatosin F. Emmanuel of O.F. Emmanuel & Co., maintained that it was being pressured to purchase a low quality LACT unit – a measuring device used in the industry by the alleged blackmailers.The lawyer had alleged that Neconde had continued to operate the terminal in flagrant violation of the federal government’s mandate for accurate custody transfer measurement at all export terminals.
But describing the allegations of improper accounting, unauthorised lifting of crude oil, amongst others as “extremely damaging,” the firm noted that there had never been a time when all the representatives of the statutory bodies were not present during crude poduction.
“We wish to categorically state that these allegations made against Neconde in the aforesaid publications are totally false, wicked, mischievous, baseless and are aimed at blackmailing Neconde into making unreasonable payments and accepting the installation of an unsuitable LACT unit wrongly contracted by certain persons in the defunct Asset Management Team (AMT) of OML 42 Joint Venture without following due process.
“Neconde had insisted that a fit-for-purpose, cost efficient and compliant LACT unit be procured and installed.“We wish to state that the contracting and procurement processes for the appropriate and compliant LACT unit have already been initiated by Neconde but it would appear that certain persons with selfish interest are bent on foisting the expensive, technically deficient and rejected LACT unit on the OML 42 Joint Venture,” the company stated.
Furthermore, Neconde added that the “selfish personal interest” in the matter was unacceptable, maintaining that the elements pressuring it to purchase the LACT unit were obviously behind the petitions and orchestrated media campaign.“This is with the sole aim of blackmailing our company into accepting the already rejected non-compliant LACT unit,” it stated.As part of its business principles, Neconde explained that it would never be hounded into accepting another LACT unit that was unsuitable, saying its position remains unchanged.
Furthermore, it stressed that the Nigeria Upstream Petroleum Regulatory Commission (NUPRC) had in this month of September, acting in the interest of business continuity, allowed a three-month grace period within which the suitable compliant LACT unit would be installed.
“We and our JV partners are working to meet this target. In the meantime, we need to place on record that Neconde has not mis-accounted for any barrel of crude oil and has never been in a position to wrongly account for any volume of crude oil.
“The NUPRC representatives are permanently positioned to monitor, certify and sign off on daily crude oil production records at Keremo loading platform and Ugo Ocha export terminal respectively to ensure that all barrels are accounted for.
“During export operations, several other regulatory and security agencies are present at all times in addition to the representatives of NUPRC. These include the Nigerian Customs Services and the NNPC Crude Oil Marketing Division (COMD) which validate the volumes of crude oil .
“Besides, NNPC COMD are always present at the disport location for confirmatory valuation; while the mandatory Nigerian Navy clearance is required for the export vessel to depart the terminal with the confirmed cargo volume duly documented on the bill of lading .“Without these confirmations, approvals and Naval clearance, no single barrel can be exported or delivered to any buyer,” Neconde stated, insisting that the NNPC remains the lifting coordinator of OML 42 JV crude oil production at the Ugo Ocha terminal.
The company reiterated that being a highly responsible corporate organisation, it would only support a procurement process governed by transparency and due diligence that will result in the establishment of an engineered, functional, fit for purpose LACT unit for the export operations.
“This process has commenced and all efforts directed to ensure timely closure. Again, Neconde stands firm in its principle that it will not tolerate any coercion whatsoever by any party attempting to circumvent a process that protects prudent application of resources,” it stressed.
Neconde warned that it reserves all rights at law to seek appropriate redress, urging the general public to disregard as baseless, unfounded, spurious and mischievous the said publications.
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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