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BODE GEORGE THE UNREPENTANT CON ARTIST BY KAREEM ADEDUNTAN

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Events of the past few weeks have been tumultuous. Unfortunate things have happened. Lives have been lost. Property damaged. Essential institutions such as the police force and army are under justifiable scrutiny. Protests call for needed reform. Taking advantage of the situation, less noble actors have pressed forward, either to steal the hard-earned property of others or to prosecute selfish political objectives not germane to the protests at hand.

Even with many people taking undue license to press cases that would otherwise be tossed from the court of public opinion, one would think certain people would keep their mouths shut and hide their pens even during this period. Bode George is one such person. In commenting on the protests and trying to fault Bola Tinubu for every human imperfection ranging from the original sin in the Garden of Eden to the cost of tomatoes in the local market, George is either one of the world’s most bulbous hypocrites or the victim of the worst bout of amnesia ever recorded in the journals of medical science. In that this gruff, indelicate man well remembers the sound of his own name and responds to the ruffle of fresh naira with the pounce of a hungry jackal, one may fairly assume that his particular diathesis points more to the former moral decrepitude than to any medical infirmity that might affect his memory.

In his recent article published by NEW DAWN entitled “Lagos State THE Anger, The Rage”, Bode George huffs and puffs in contrived indignation at recent events in Lagos. He misrepresents himself as a storm for change and justice. He is nothing of the sort. For all of his blowing and the grand noise he thinks himself to make, he barely manufactures an audible moment. He is but a rickety, broken tea kettle trying futilely with all its waning might to bring a tiny pot of water to boil.

Try as it might, the rickety kettle is unstable and cannot hold itself upright. In the end, the only noteworthy sound it can muster is the sound of its falling to the floor after toppling from the counter top.

Inept as he is loquacious, the former naval commander, once again, has proven that he cannot successfully navigate a toy boat from one end of a bathtub to the other. He would make a wreck of even this simple assignment. Everything he has touched ends up being worse off, if not in complete ruins, than when he first happened upon it. His coming into a room is a cause for sorrow and his exit a cue for celebration. The man is an albatross around his own neck.

Yet, he had the audacity to write that all conscientious men must stand with the righteous at this hour and the he had “chosen to identify with the voiceless…” It seems that George discovered morality a bit late in the game of life and over a decade after the time when even a fiber of morality on his part would have amounted to something. George squeals about the deaths and destruction that have occurred in Lagos and then lays the trouble at the foot of one man who happens to be his political nemesis. Such as assignment of guilt by George is based on political convenience and con games rather than fact. George says Tinubu has questions to answer about the incident at Lekki but he offers no proof as to why Tinubu should be on the spot.

If George were really interested in justice, how come he did not jump at his master Obasanjo when the latter was commander in chief? As commander in chief, Obasanjo presided over the slaughter of several hundreds and perhaps thousands of unarmed innocent men, women and children in separate incidents in Zaki Biam and Odi. In each case, people were burned alive in their homes or dragged away and butchered. George voiced no indignation at these large massacres although they cost a hundred fold more lives than even all the precious lives lost everywhere in Lagos, not just Lekki during this period. Unjust death anywhere is a tragedy and must be condemned. But George’s background tells us that he is not crying because he cares about those who died or were wounded during events in Lagos but because the moment conveniently serves his political interest.

If he had morality, he would have chastised Obasanjo for killing innocent women and children and ransacking whole towns. Instead, George kept publicly quiet while in private endorsing the carnage set down by his boss who would eventually reveal himself to be a turncoat friend and master who would shuffled George off to prison. George talks of people being brought before the ICC in the Hague for what has happened in Lagos. His lawyer should advise him to be circumspect. Should some diligent human rights attorney take a good look at his role in the Obasanjo government and his endorsement of the confirmed large-scale massacres at Zaki Biam and Odi, that lawyer might take a very keen interest in Mr. George. George would surely quake in his boots upon finding on his doorstep one morning a mysterious brochure saying that he just won an all-expenses paid holiday to the Hague.

George is infamous for his meanness of personality and mercenary outlook toward policy – give him an official position and he will do any number of ugly things to keep it. In his writing, he called himself a elder statesman. However, one cannot award that title to oneself. It must be earned not unilaterally expropriated lest it be taken away by those who can rightly bestow it. George is no more a statesman than a mosquito is an eagle.

George claims Lagos to be an awful place yet he still lives here even after vowing to move away forever should the APC win the 2019 election. George will not move because, deep in his heart, he knows Lagos is the best that Nigeria has. It is the best not because of anything George did. It is the best despite George for he tried to thwart every major constructive initiative the state’s progressive governors have attempted since 1999.

George has the nerve to lament about the poor state of infrastructure and blame Tinubu and others. George drips with a double dose of highly toxic hypocrisy here. George well knows he encouraged Obasanjo to illegally withhold Lagos state funds when Tinubu was governor. George did this because he was afraid Tinubu would gain political support if allowed access to those funds to do projects in the state. Thus, George cared nothing that his antics might hurt Lagosians. He is captained by the perverse logic that rules all people who crave public office but are inherently unfit for the roles they seek. He believes the best way for him to gain the support of the people is to make them suffer. This is the way his mind worked then and the manner it malfunctions now. He is more interested in inveigling support than in duly enhancing the public welfare.

As governor, Tinubu brought power generator barges to Lagos to provide 300MW of power to the state and give residents and businesses more, cheaper power. What did George do? He did not applaud the initiative as a boon for Lagosians. He connived with Obasanjo to stop this. Again, he decided that he would rather see Lagosians suffer than Tinubu succeed at doing something new and needed for the people

Like he did in the past, George today is happy about the events that have befallen Lagos. He only feigns concern. He now is possessed of that cruel happiness that specially effects the mean at heart. They are only truly happy when misfortune comes to others. George now gloats the evildoer’s gloat and dances the wicked man’s dance. He is in this deformed way because he knows he cannot gain political traction by outperforming anyone. He cannot win by doing something positive because there is essentially noting positive in him. He is a bundle of negative impulses and actions. Thus, his only avenue of political pleasure and success is to tear down that which others have built. George is a breaker not maker of things.

His career has been monstrous. As military governor in Ondo, he was known to be corrupt to the utmost. He plundered the state’s treasury describing himself, by way of explanation, as a ‘Lagos Boy’ – giving the state a bad name. There was no part of the state treasure his sticky hand did not explore. As NPA chairman, he allowed the port to deteriorate. He is thus partly responsible for the economic bottleneck that is the port and all the harm and higher costs it brings to us. Worse, he was caught artificially segmenting large contracts into smaller ones so as to bypass procurement requirements and oversight. In this manner, he bilked the nation much like he did Ondo state as its governor. If nothing else, one can say that as a thief he has shown remarkable consistency if a coarseness of approach that always seems to get him caught.

As an operative of the PDP in Lagos and the SW, he has been the APC’s best friend for the division and antipathy he foments within his own party makes him one of the APC’s top recruiters.

Last, there is not a truly original thought that ever came from him. Toward the end of his piece, he asserts that the Lekki toll gate should be closed. George is a day late like most plagiarizers are. Tinubu made a similar recommendation the day before. George would not have made his copycat gesture but for having read Tinubu’s earlier statement.

Like the thief he is, George steals someone’s idea then foments hate against the other man for having had the idea first.

George is not a leader, a statesman or a visionary. His is a criminal mind and a cold hearted and an amoral personality. Bode, don’t forget there are still people old enough to remember where you are truly from.

At the end of the statement, George signs off “CON.” For most people that would mean Commander of the Niger. Yet, to get the perfect description of him, one must simply use this word before writing the word “artist” who can’t even identify the grave of his father in Ogun State… WHAT A “LAGOSIAN”.

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

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