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Cash “Aye-ko-ooto” Onadele: A Roaring African Voice Calling for Change through the Arts

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Cash "Aye-ko-ooto" Onadele: A Roaring African Voice Calling for Change through the Arts

Cash “Aye-ko-ooto” Onadele: A Roaring African Voice Calling for Change through the Arts

 

 

 

By Bolaji Israel

 

 

 

 

Sahara Weekly Reports That The arts and their promoters have long served as powerful voices for inspiring and enforcing radical changes across social, political, economic, and cultural landscapes.

 

 

 

Cash "Aye-ko-ooto" Onadele: A Roaring African Voice Calling for Change through the Arts

 

 

 

 

Nigeria, and Africa more broadly, has suffered from poor leadership characterised by corruption, nepotism, widespread poverty, stunted development, inequality, loss of identity, erosion of cultural values, and a troubling craving for foreign lifestyles, among other social maladies.

 

 

 

 

 

 

 

 

These issues have marred the promising trajectory of a nation with over 200 million people, rich in both natural and human resources, especially since the onset of its current fourth democratic era in 1999.

 

 

 

 

 

 

 

 

One of the literary voices leveraging the power of the arts—particularly drama—to inspire change in Nigeria and Africa is Cash Akinyemi Onadele, also known as Aye-ko-Ooto. He is a prolific writer and a culture-aware philosopher, poet, and playwright.

 

 

 

 

 

 

 

 

His passion for literature was nurtured by his childhood experiences with his farmer grandparents, who filled his early years with captivating stories. This foundation sparked his interest in literature, and despite earning a Master’s degree in Agronomy, he ultimately found his voice in the realm of the arts.

 

 

 

 

 

 

 

 

Onadele firmly believes that the erosion of cultural identity has distorted the mindset of many Nigerians, leading them to embrace foreign influences—revised histories, religions, lifestyles, foods, music, and addictions—instead of the indigenous practices that have proven their worth for centuries before European colonisation.

 

 

 

 

 

 

 

 

Through his art, he passionately calls on Africans to return to their roots and heritage as a critical first step towards achieving comprehensive social and economic development. He asserts that a lost mind, devoid of identity, cannot effectively contribute to nation-building.

 

 

 

 

 

 

 

 

Despite spending considerable time in Europe and America gaining valuable experience and writing extensively, Onadele has remained true to his African roots, a theme that permeates his impressive body of literary work, which includes over 109 collections of plays, poetry, and prose.

 

 

 

 

 

 

 

 

His latest play, “Eni Ogun” (The Noble Warrior), produced with the support of the business sector led by FirstBank, was performed in July across Lagos and Ogun States at iconic venues such as the Muson Centre in Lagos Island and the June 12 Cultural Centre in Abeokuta, in celebration of Prof. Wole Soyinka’s 90th birthday.

 

 

 

 

 

 

 

 

Through the play, Aye-ko-ooto not only celebrates Soyinka’s artistic exploits but also tackles critical issues of leadership, identity crisis, culture, values, class, history, and corruption in Nigeria through the lens of history, aligning with Soyinka’s radical ideologies.

 

 

 

 

 

 

 

 

The protagonist—a representation of Professor Soyinka—is the young and charismatic Oluwole Lowo, a noble prince and warrior who, despite his preference for a private life of hunting, teaching, and romance with his intended, Olasope, becomes the conscience of society, catalysing a seismic shift in leadership and community dynamics.

 

 

 

 

 

 

 

 

Set in the colonial era of 1884/1885, the fictional play delves into themes of colonial invasion and subjugation, love, leadership, cultural beliefs, religion, and corruption.

 

 

 

 

 

 

 

 

Onadele weaponises the protagonist’s struggles as a potent catalyst for the community’s collective demand for positive change, ultimately leading to the natives’ triumph over their oppressors.

 

 

 

 

 

 

 

 

The over two-hour play, an adaptation from the drama emerges as a clarion call for Nigerians and Africans to unite, shed foreign identities and practices, rediscover true histories and heritage, embrace indigenous customs and cultures, advocate for responsible leadership, and strive for an egalitarian society characterised by development.

 

In an interview with THECONSCIENCE NG, the playwright unveiled the philosophy underpinning the play: “Every soul has a shell,” inspired by Wole Soyinka’s play, “Death and the King’s Horseman” (1975).

 

He stated, “I distilled the essence of this quote and wrapped literature around it to explore the persona. The story is rich and layered. My aim was to celebrate a dramatist with a drama. I sought the deeper meaning of the quote, combining romantic comedy with beautiful literature, all interwoven with the story of our people.”

 

Aye-ko-Ooto elaborated on the underlying philosophy: “Every soul has a birthplace, representing identity; every soul is nurtured, reflecting culture; every soul is loved, embodying passion; and every soul has a noble purpose tied to tribal citizenship. When faced with adversity, every soul must summon the courage of character. Ultimately, every soul carries a message, and that message is your inheritance.

 

“The essence is clear: if you fail to find your identity, neglect your citizenship, and do not stand up for your values in troubled times, you leave your children without an inheritance.”

 

Onadele described Wole Soyinka as an enigma—a literary cult hero, cultural icon, champion of freedom, and an unwavering advocate for justice, who also holds a deep affection for children. He shared a personal connection with Soyinka, emphasizing the playwright’s commitment to preserving cultural artifacts as an undeniable ambassador of culture.

 

To promote the Yoruba language and culture, Aye-ko-Ooto intentionally wrote parts of the play in Yoruba, encouraging European audiences to engage more deeply with the language.

 

In response to the alarming decline in cultural awareness and identity among young Nigerians, the playwright urged the government to embrace ethnography—a principle that prioritizes narratives rooted in African stories. He advocated for increased funding, including prizes and grants, for works celebrating African culture over those with foreign plots.

 

He called on well-meaning Nigerians to treat artists and their promoters with respect, rather than viewing them as beggars, while encouraging greater support for the arts based on merit.

 

Onadele, who also has a background in Artificial Intelligence (AI) from his time in Europe, recalls how being exposed at an early age to the works of renowned Nigerian author of Yorùbá heritage, Chief Daniel Olorunfẹmi Fágúnwa (commonly known as D. O. Fágúnwà), inspired his own interest in writing. For him, the Yoruba native voice adds authenticity to storytelling.

 

According to Onadele, who has built the world’s largest library of individual poetry produced by any single author, every success story has humble beginnings.

 

Earlier this year, Aye-ko-Ooto was in his element at the Lagos Book and Art Festival (LABAF), dubbed Africa’s largest cultural picnic, where he conducted a two-day mentorship session with undergraduate students from the Creative Arts Department at the University of Lagos on the first day at Kongi’s Harvest Gallery, Freedom Park, Lagos.

 

Onadele also hosted another mentorship programme for pupils from various public primary schools.

 

The prolific writer engaged young people on the value of literature while unveiling an endowment for literary prizes in both Yoruba and English languages. It was a rich, educational, and inspiring experience for participating students, as Onadele shared insights from his journey as a writer, despite having a BSc. and MSc. in Agronomy.

 

Through Adubiifa Network Company (ANC), a multi-media literary, theatre, and movie company, he employs performance theatre as a means to drive change.

 

His productions have gained recognition from major players like the Wole Soyinka International Cultural Exchange (WSICE) and the Centre for Black and African Arts and Civilization (CBAAC).

 

Onadele’s name continues to resonate in the literary space, where calls for major shifts and changes in Nigeria keeps growing louder.

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Sahara weekly online is published by First Sahara weekly international. contact [email protected]

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

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2 weeks ago

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April 10, 2026

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

By Alhaji Arems (Baba Fuji)

 

Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.

 

The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.

 

Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.

 

The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.

 

Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.

 

The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.

 

Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.

 

As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.

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BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy

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2 weeks ago

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April 8, 2026

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*BREAKING NEWS

*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.

 

Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.

 

“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”

 

Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.

 

As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.

 

Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.

 

Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.

 

Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.

 

The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.

 

BREAKING NEWS *Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

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Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release 

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3 weeks ago

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April 5, 2026

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 Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release

By Alhaji Arems (Baba Fuji) 

Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.

 

More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.

 

A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.

Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence

• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.

• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.

 

Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.

 

April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.

 

For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.

 

In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.

 

Rewriting the Narrative for Women in Fuji :

Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.

 

Omo-Opeki’s 3-in-1 album challenges that precedent.

Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.

Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.

This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.

 

Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.

 

A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.

 

A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.

 

By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.

A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.

 

April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.

 

As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.

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