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Col. Gabriel Ajayi: Tortured to impotence
Sixteen years after General Sani Abacha’s death, a Swiss delegation led by the country’s Federal Councillor and Head of its Foreign Affairs Department, Mr. Didier Burkhalter, and the Swiss Ambassador to Nigeria, Mr. Eric Mayoruz were with Vice-President Yemi Osinbajo last Tuesday to sign a memorandum on the return of another $321m loot by the dark goggled general.
It was a paradox of some sort that the same Sani Abacha had the temerity to engage in anti-corruption fight at some point in the sorry story of this funny country called Nigeria.
He hounded a number of bank chiefs to jail under the Failed Banks Decree in what would now appear to be that Abacha in his era had monopoly over stealing and whoever stole apart from him committed a grievous offense a gainst him-not the state.
A day after the signing of the agreement that reminded us of the evil general’s rapacity, I met with a gentleman whose ordeal in the hands of Abacha paints the grimmest picture of man’s inhumanity to man and the excruciating pains of irreparable damage far beyond stolen funds that can be repatriated years after.
Hausa as lingua franca His name is Col. Gabriel Ajayi who was retired from the Nigerian Army he joined in 1971 under controversial circumstances.
Ajayi left Secondary school in 1969 under the tutelage of the late Chief Adebayo Adefarati burning with a lot of passion. He was offered a job at the Nigerian Tribune where he honed his journalistic zeal before he joined the army in 1971with a hope of re-enacting the warrior streak of his ancestry.
Three years into his career in the army in 1974, he encountered his first shock of innocence at the army barracks in Ibadan where the Hausa Language was “official” language of communications.
Young Ajayi felt that was not right. He voiced out that this was supposed to be Nigerian Army barracks in Ibadan and there was no reason Hausa language should be lingua franca. His gut to say that earned him 15 days in the guardroom in the hands of a fellow Yoruba commander who was loyal to the iniquitous arrangement.
The said officer was to later apologise to him later in life after he was dealt a fatal blow by the very system he tried to protect. Col. Gabriel Ajayi (rtd) continued his career with spartan discipline and rose to become Colonel Administration and Quartermaster General, Lagos Garrison Command.
By his appointment at the Garrison Command, he was second-in-command to the then General Officer Commanding, GOC, Major Gen. Ishaya Bamaiyi, whose hands infantry officer alleged were apparent in his travails over the alleged 1995 coup. Ajayi along other officers was accused of planning to overthrow General Sani Abacha. He was arrested after taking Holy Communion in a church with Bamaiyi, tried and sentenced to death alongside former President Olusegun Obasanjo, the late Major Gen. Shehu Musa Yar’Adua and Colonel Lawan Gwadabe, among others.
In the course of being tortured for an offense he insists till date he did not committed, Ajayi lost his manhood in the hands of deranged soldiers.
He was sentenced to death on July 14, 1995 by the Brigadier General Patrick Aziza’s Special Military Tribunal (SMT) before it was commuted to 25 years jail term. He spent four years in Minna prison before he was compulsorily retired in 1999 when co-convict Obasanjo became President.
Ajayi holds till date that his travail was over his insistence for justice and that he was roped into a coup because he objected to the annulment of June 12 elections and the murder of hundreds of protesters in Lagos on June 23rd 1993 when Abacha drove through protesters. He recalls vividly how his boss, Bamaiyi, once boasted in an army conference that he had only pity for Yoruba women and children whose husbands and fathers would be gone when the shooting would commence.
The shootings indeed commenced and quite a number of Yoruba women became widows while a lot of children became either fatherless or motherless. I see Aliu and Kazeem Abiola every now and then with reminiscences of the unlimited ramifications of evil.
Col. Ajayi carries eternal scars of the physical and emotional violence done to him and others by mindless fellows who went to Oputa panel to brag that they would repeat the evil they did if they had the chance again. He carries with him the library of iniquities perpetrated under that dark era.
He reminded me of Prof. Agboluaje who left America in 1997 and was to have arrived at Murtala Muhammed International Airport in Lagos and has not been seen till date. Anger wells in you when you see men like Ajayi who have been deeply hurt by Nigeria’s machinery of injustice without any remorse.
You are annoyed the more to see prominent men of that evil era occupying prime offices in our affairs today. And Nigeria thinks it can make progress in the midst of such injustice? I doubt it!
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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