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Enitan and his convoluted poster boy story-story By Bodunrin Awosanmi

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Enitan Olukotun’s feeble attempt to whitewash the image of his Principal Mr. Babatunde Fashola appears to only compound his problem. If the former Lagos State Governor seeks forgiveness for his several misdeeds, he should come out frontally to plead for mercy instead of attempting to sneak in through the back door.

Enitan seeks to portray Fashola’s alleged snub at the recent Bola Tinubu colloquium as one snub too many and blames Vice-President Osibajo, Asiwaju Tinubu himself and Akinwunmi Ambode for his recent travails and diminishing reputation as a former poster boy for the All People’s Congress. The so- called article which was obviously concocted by a misguided and misinformed “palace scout” underscores the reasons why the janus nature of Enitan’s principal has unravelled in recent years.

Enitan chose to ignore the failures of his Principal at the federal level in handling his super portfolio but instead chose to allude to him as a star player who has been benched for a less skillful payer. A skillful player indeed who has been unable to score any significant goals in the there years of playing the federal match he has chosen to play in.

The fictional 100 day in office celebration mentioned in the “article” apparently never happened as the present Lagos Governor is known to use quarterly town hall meetings to give account of his stewardship. Furthermore, the same delusion appears to seize Enitan when he says his principal completed the LASEMA Emergency Centre in Cappa Oshodi. If he had bothered to check his facts he would have known that the location previously housed a moribund bus manufacturing joint venture for Marcopolo buses during his principal’s tenure.

The hatchet writer also alludes to the Fashola magic wand of governance and his failure to dismodge Asiwaju Tinubu when he had the chance to do so, as deserving of him being named a hero/messiah. The jury is still out on the so- called magic wand of governance especially with what is now known of the eight years of unbridled smoke and mirrors. The fact that his true story has not been told does not mean it does not exist. As for Asiwaju Bola Tinubu, if Enitan revels in the fact that Fashola could have castrated and indeed almost castrated a man who blew away a crowded field of seasoned politicians for him – a political neophyte, then it is not surprising he is being snubbed and diminished today.

Enitan again delves into the mystery of self imposed amnesia when he attempts to make us forget that it was the same Fashola who sought to install Supo Shasore and Obafemi Hamzat as candidates of the APC but failed woefully. It was only then he reluctantly signed up to the Ambode project in a last-minute attempt to curry favor and return to a state of grace. His spirited campaigns were self serving and designed to only ensure that a rampaging PDP with their looted funds did not get a beach head in Lagos and unravel his 8 years.

Enitan further posits that Ambode is at the root of an insidious plot to diminish his principal by seeking to erase his legacies and give him land to build a housing estate. However, the misguided writer has forgotten that it was his Principal who was roundly honored like other governors during the Lagos at 50 celebrations but yet he still refused to be present at the State banquet where all former governors who had ever governed Lagos State and other state Governors were present, including Ayo Fayose of the PDP and his former opponent Jimi Agbaje. But it was this same Governor that story-teller Enitan seeks to demonise that received Fashola with pomp at his residence and visited him in his office to conclude the hand-over of the presidential lodge in Marina. That the word “KAI” with the throw-back to a military era is not relevant today should not be rocket science to even the likes of Enitan. A legacy of barracks -like low-income apartments on prime Ilubirin waterfront speaks volumes of the so- called vision and acumen of his principal, lionized by Olukotun in his hack piece of writing. In a city with the smallest land mass, space is usually in short supply and a State Government’s needs have preference over Federal needs; surely Enitan’s pay madters can understand this having exercised similar preferences during his own tenure.

Anyway, Enitan Olukotun or whatever his real name is must be reminded that just being loquacious does not automatically translate to performance. The ability to mesmerize is usually temporary and the true performance index of the 3–in-1 is ultimately unraveling itself. Enu o she (it’s not by mouth), as the Lagosians would say!
Bodunrin Awosanmi is a citizen journalist based in Lagos.

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Inside the Success of Yoruba Cinema’s Biggest Stars

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Inside the Success of Yoruba Cinema’s Biggest Stars

King of the Screen: Why Odunlade, Muyiwa, Femi Adebayo Remain Yoruba Movie Giants

 

The Yoruba movie industry has continued to produce legendary talents whose influence stretches beyond Nigeria to global audiences. Over the years, some actors have distinguished themselves through consistency, versatility, box office success, and cultural impact.

 

Among the numerous stars in Nollywood’s Yoruba sector, three actors have remained dominant figures whose names constantly resonate with fans and filmmakers alike — Odunlade Adekola, Muyiwa Ademola, and Femi Adebayo.

Inside the Success of Yoruba Cinema’s Biggest Stars

Odunlade Adekola: The Street King of Yoruba Cinema

 

Popularly regarded as one of the most entertaining actors in Nollywood, Odunlade Adekola has built a unique reputation through his energetic delivery, comic timing, emotional depth, and strong connection with grassroots audiences.

From comedy to action and emotional family dramas, the actor has consistently proven his versatility in blockbuster productions. His ability to interpret diverse roles effortlessly has made him a household name across Nigeria.

Industry observers believe his dominance on social media platforms, where his movie clips frequently go viral, has further strengthened his popularity among younger audiences.

Beyond acting, Odunlade has also contributed immensely to mentoring upcoming talents and expanding the commercial value of Yoruba films.

 

Muyiwa Ademola: The Master Storyteller

 

For many lovers of indigenous movies, Muyiwa Ademola remains one of the finest storytellers the Yoruba film industry has produced.

Widely respected for producing emotional and morally driven movies, the actor earned massive recognition through classic productions that focused on family values, culture, betrayal, perseverance, and societal lessons.

His calm delivery, deep scripts, and originality have kept him relevant despite changing trends in the entertainment industry.

Film critics often describe Muyiwa Ademola as one of the few actors whose productions combine entertainment with strong cultural education, making his movies timeless among older and younger viewers alike.

 

 

Femi Adebayo: The Modern-Day Box Office Force

 

Femi Adebayo Unveils Cultural and Romantic Inspirations Behind New Film, ‘Seven Doors’

Femi Adebayo has successfully combined traditional Yoruba storytelling with modern cinematic excellence, helping to project indigenous films to international audiences.

The actor, filmmaker, and producer has recorded major successes with high-budget productions that gained attention on streaming platforms and cinemas.

Known for his professionalism and attention to detail, Femi Adebayo has continued to push Yoruba movies beyond local boundaries while preserving cultural identity.

Entertainment analysts say his ability to blend culture, technology, and quality production has positioned him among the leading faces shaping the future of Yoruba cinema.

Growing Global Influence

The success of these actors reflects the increasing acceptance of indigenous Nigerian content globally. With streaming platforms creating wider access to local movies, Yoruba actors are now gaining international recognition and attracting new audiences.

Fans and stakeholders in the entertainment industry believe the contributions of Odunlade Adekola, Muyiwa Ademola, and Femi Adebayo have not only sustained Yoruba culture through film but have also elevated Nollywood’s global reputation.

 

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Eid-el-Kabir: Olowu of Kuta Urges Peace, Unity, Selflessness Among Nigerians

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Olowu Kuta To Yoruba Obas: Uplift Culture And Tradition Of Our Forebears

Eid-el-Kabir: Olowu of Kuta Urges Peace, Unity, Selflessness Among Nigerians

 

The Olowu of Kuta, HRM Oba Dr. Hammed Makama Oyelude, CON, Tegbosun III, has called on the Muslim Ummah and all Nigerians to make peace, unity, and selflessness their guiding principles as the world marks this year’s Eid-el-Kabir celebration.

 

 

In his Sallah message, the revered monarch described Eid-el-Kabir as a “highly spiritual occasion that demands dedication, commitment, and selflessness.”

 

 

Oba Makama said the period should be used to reflect on societal happenings and promote messages of hope and unity without inciting provocation.

 

 

He urged Nigerians to live together harmoniously, irrespective of religious, political, or tribal affiliations, stressing that politicians should exercise restraint and avoid inflammatory rhetoric ahead of the 2027 general elections.

 

 

“What should be uppermost in the mind of every patriotic Nigerian is **‘Country first,’” he said.

 

 

The monarch also appealed to citizens to remain vigilant in the face of insecurity, reassuring that the armed forces and paramilitary agencies are working round the clock to ensure a smooth and peaceful celebration.

 

 

“The price wise men pay for eternal liberty is vigilance. I urge everyone to celebrate moderately and extend a helping hand to the less privileged, widows, and orphans, embracing them as our brothers and sisters,” Olowu Makama added.

 

 

He concluded by wishing all Nigerians a peaceful and fulfilling Eid-el-Kabir celebration.

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Oba Babatunde Saliu Elebo II Felicitates Muslims on Eid-el-Kabir Celebration

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Oba Babatunde Saliu Elebo II Felicitates Muslims on Eid-el-Kabir Celebration

By Adeyemi Obadimu Veron

The Oloworo of Oworosoki Kingdom, Oba Babatunde Saliu Elebo II, has extended warm greetings and heartfelt felicitations to Muslims across Nigeria and the world at large on the joyous occasion of the 2026 Eid-el-Kabir celebration.

In a statement made available to Newsmen, the revered monarch urged Muslims to embrace the true teachings of Islam by promoting peace, love, unity, sacrifice, and compassion during and after the festive period.

Oba Babatunde Saliu Elebo II noted that Eid-el-Kabir, also known as Salah, remains one of the most significant celebrations in Islam as it symbolizes total obedience, faith, and devotion to Almighty Allah, drawing inspiration from the unwavering sacrifice of Prophet Ibrahim (Abraham), who demonstrated complete submission to the will of God.

According to the monarch, the Holy Qur’an teaches believers the importance of righteousness, kindness to humanity, tolerance, and support for the less privileged in society. He emphasized that the season should serve as a reminder for all Nigerians to live in harmony irrespective of religion, ethnicity, or political differences.

The royal father further called on Muslims to use the sacred period to pray fervently for peace, stability, economic growth, and sustainable development in Nigeria, stressing that national progress can only thrive in an atmosphere of unity and mutual understanding.

Oba Saliu also encouraged the faithful to extend hands of generosity to widows, orphans, and vulnerable members of society, noting that the essence of Eid-el-Kabir goes beyond celebration and feasting, but also reflects the spirit of sharing and caring for humanity as instructed in the Qur’an.

While wishing Muslims a peaceful and memorable Eid celebration, the Oloworo of Oworosoki prayed for divine blessings, prosperity, good health, and continued harmony in homes and communities.

“May this year’s Eid-el-Kabir strengthen our faith, deepen our love for one another, and bring renewed hope and abundant blessings to our nation,” the monarch stated.

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