celebrity radar - gossips
Enitan and his convoluted poster boy story-story By Bodunrin Awosanmi
Enitan Olukotun’s feeble attempt to whitewash the image of his Principal Mr. Babatunde Fashola appears to only compound his problem. If the former Lagos State Governor seeks forgiveness for his several misdeeds, he should come out frontally to plead for mercy instead of attempting to sneak in through the back door.
Enitan seeks to portray Fashola’s alleged snub at the recent Bola Tinubu colloquium as one snub too many and blames Vice-President Osibajo, Asiwaju Tinubu himself and Akinwunmi Ambode for his recent travails and diminishing reputation as a former poster boy for the All People’s Congress. The so- called article which was obviously concocted by a misguided and misinformed “palace scout” underscores the reasons why the janus nature of Enitan’s principal has unravelled in recent years.
Enitan chose to ignore the failures of his Principal at the federal level in handling his super portfolio but instead chose to allude to him as a star player who has been benched for a less skillful payer. A skillful player indeed who has been unable to score any significant goals in the there years of playing the federal match he has chosen to play in.
The fictional 100 day in office celebration mentioned in the “article” apparently never happened as the present Lagos Governor is known to use quarterly town hall meetings to give account of his stewardship. Furthermore, the same delusion appears to seize Enitan when he says his principal completed the LASEMA Emergency Centre in Cappa Oshodi. If he had bothered to check his facts he would have known that the location previously housed a moribund bus manufacturing joint venture for Marcopolo buses during his principal’s tenure.
The hatchet writer also alludes to the Fashola magic wand of governance and his failure to dismodge Asiwaju Tinubu when he had the chance to do so, as deserving of him being named a hero/messiah. The jury is still out on the so- called magic wand of governance especially with what is now known of the eight years of unbridled smoke and mirrors. The fact that his true story has not been told does not mean it does not exist. As for Asiwaju Bola Tinubu, if Enitan revels in the fact that Fashola could have castrated and indeed almost castrated a man who blew away a crowded field of seasoned politicians for him – a political neophyte, then it is not surprising he is being snubbed and diminished today.
Enitan again delves into the mystery of self imposed amnesia when he attempts to make us forget that it was the same Fashola who sought to install Supo Shasore and Obafemi Hamzat as candidates of the APC but failed woefully. It was only then he reluctantly signed up to the Ambode project in a last-minute attempt to curry favor and return to a state of grace. His spirited campaigns were self serving and designed to only ensure that a rampaging PDP with their looted funds did not get a beach head in Lagos and unravel his 8 years.
Enitan further posits that Ambode is at the root of an insidious plot to diminish his principal by seeking to erase his legacies and give him land to build a housing estate. However, the misguided writer has forgotten that it was his Principal who was roundly honored like other governors during the Lagos at 50 celebrations but yet he still refused to be present at the State banquet where all former governors who had ever governed Lagos State and other state Governors were present, including Ayo Fayose of the PDP and his former opponent Jimi Agbaje. But it was this same Governor that story-teller Enitan seeks to demonise that received Fashola with pomp at his residence and visited him in his office to conclude the hand-over of the presidential lodge in Marina. That the word “KAI” with the throw-back to a military era is not relevant today should not be rocket science to even the likes of Enitan. A legacy of barracks -like low-income apartments on prime Ilubirin waterfront speaks volumes of the so- called vision and acumen of his principal, lionized by Olukotun in his hack piece of writing. In a city with the smallest land mass, space is usually in short supply and a State Government’s needs have preference over Federal needs; surely Enitan’s pay madters can understand this having exercised similar preferences during his own tenure.
Anyway, Enitan Olukotun or whatever his real name is must be reminded that just being loquacious does not automatically translate to performance. The ability to mesmerize is usually temporary and the true performance index of the 3–in-1 is ultimately unraveling itself. Enu o she (it’s not by mouth), as the Lagosians would say!
Bodunrin Awosanmi is a citizen journalist based in Lagos.
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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