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Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems

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Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems

Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music

By Alhaji Arems

Fuji music, a genre deeply rooted in the cultural tapestry of Nigeria, has a rich history that dates back several decades. This article aims to take fans and the general public down memory lane, tracing the origins of Fuji music, its key figures, and the leadership that has shaped its evolution. It’s crucial to acknowledge and celebrate the pioneers who laid the foundation for this vibrant musical genre and correct any misconceptions that have arisen, especially among the younger generation.

Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music

By Alhaji Arems

The Beginnings of Fuji Music :

Fuji music emerged in the late 1960s and early 1970s, primarily within the Yoruba community of Nigeria. It was an evolution of the were music—a traditional Islamic music genre played during the Ramadan season. Fuji music blended elements of were, apala, and juju music to create a distinctive sound characterized by its energetic percussion, vibrant rhythms, and engaging call-and-response vocals.

 

The Pioneer : Alhaji Sikiru Ayinde Barrister

The genesis of Fuji music is closely tied to the name Alhaji Sikiru Ayinde Barrister, widely regarded as the creator and undisputed leader of Fuji music. Born on February 9, 1948, Barrister’s innovative approach transformed were music into Fuji, infusing it with modern instrumentation and dynamic stage performances. His impact on Fuji music was profound, as he popularized the genre both within Nigeria and internationally, earning a loyal fanbase that spans generations.

 

Leadership in Fuji Music: Past and Present :

Following the death of Barrister in 2010, the mantle of leadership within Fuji music has often been a topic of discussion. Alhaji Kollington Ayinla, another prominent figure in the Fuji music scene, is widely acknowledged as the current leader. Kollington, known for his unique style and powerful lyrics, played a significant role in shaping Fuji music alongside Barrister. His contributions to the genre are invaluable, and it is essential to recognize his position and influence within the Fuji community.

 

Correcting Misconceptions And Honoring Legacy :

In recent times, there has been a growing trend among younger Fuji artists and fans—often referred to as the “Indomie Generation”—to overlook the contributions of foundational figures like Kollington Ayinla. Some have even begun to lay claims to titles and positions that rightfully belong to the pioneers of Fuji music. This publication seeks to correct these misconceptions and ensure that due credit is given where it is deserved.

 

Kollington Ayinla, as the rightful heir to the leadership of Fuji music, deserves respect and recognition. While it is important to acknowledge the contributions of emerging artists, it should never come at the expense of those who paved the way for Fuji music to flourish. The legacy of pioneers like Barrister and Kollington must be preserved and celebrated, not overshadowed by contemporary claims.

 

Enlightening The New Generation :

It is imperative for the younger generation to be educated about the history and origins of Fuji music. Understanding the genre’s roots, the sacrifices and innovations of its pioneers, and the cultural significance it holds will foster a greater appreciation and respect for Fuji music. This knowledge will ensure that the legacy of Fuji music remains intact and that its leadership is rightfully honored.

 

Fuji music is more than just a genre; it is a cultural treasure that embodies the spirit and resilience of the Nigerian people. By acknowledging and celebrating the pioneers who created and shaped Fuji music, we preserve its rich history and ensure that future generations understand and respect its origins. As we look to the future of Fuji music, let us remember the words of Barrister and Kollington, who through their artistry, have left an indelible mark on the world of music.

Late SAB is the authentic Fuji Mi….

_Fuji mi, Fuji mi, the source—let us always remember where it all began._

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Bullion Records Officially Commissions New Music House in Lagos

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Bullion Records Officially Commissions New Music House in Lagos

One of Nigeria’s leading music labels, Bullion Records, has taken a significant step in its journey of redefining the Afrobeat music industry with the commissioning of its state-of-the-art Music House. The grand ceremony, held on Friday, December 6, 2024, at 29 Abebi Close, Goodwill Estate, Bemil, Ojodu Abiodun, Berger, Lagos, was a star-studded affair graced by notable personalities, well-wishers, and media representatives.
Ogun State chairman of the New Nigeria People’s Party (NNPP), Barrister Femi Aina, officially inaugurated the facility by cutting the ribbon. He was joined by key dignitaries, including the NNPP’s Ogun State Public Relations Officer, Comrade Omokehinde Olowu; the convener of the Ajadi Independent Movement (AIM), Hon. Idowu Shola Imoleayo; and the Ogun State Secretary, Alhaja Shakirat Arowolo.

Ambassador Olufemi Ajadi Oguntoyinbo, CEO of Bullion Records, expressed his gratitude and excitement during the event. He described the Music House as a dream realized, emphasizing the label’s dedication to fostering creative excellence.

“This Music House represents our commitment to providing a platform where talents can thrive and Afrobeat can continue to flourish globally,” Ajadi said. “Bullion Records is more than a music label; it is a family, a movement, and a force for positive change in the entertainment industry. We are proud to unveil this facility as a hub for creativity and innovation.”
The Managing Director of Bullion Records, Mr. Elegbede Ajibola, also highlighted the significance of the Music House. “This is a new chapter in our journey. The Music House will not only serve as a recording studio but also as a center for nurturing and promoting exceptional talents. We are excited about the possibilities it holds for the future of Afrobeat,” he stated.

The event was hosted by popular comedians MC Emmer and African Pencil G, while comedian MC Kirikiri entertained the dignitaries and guests with his humor. DJ Dr. Step, and DJ Danny Yankee of LASU FM curated the music policy for the night, setting an energetic and celebratory tone throughout the event.

Guests were further captivated by electrifying performances from Bullion Records’ star artistes. Harcher, the label’s newly signed 20-year-old Afrobeat sensation, delivered an unforgettable performance alongside Kingsley Fortune, popularly known as GyC, the label’s senior act. The duo thrilled the audience with their hit tracks, showcasing the label’s dedication to producing quality music.

In his remarks, Harcher expressed his appreciation for the opportunity to be part of Bullion Records, calling it a family that supports his passion and vision. “This is not just a music house; it is the home of dreams. I’m grateful to be part of this journey, and I promise to make my fans and the label proud,” he said.

GyC, who has been a pivotal figure in the label’s success, also shared his excitement about the new development. “Bullion Records has always set the standard for excellence, and this Music House is a testament to that. It is a space where creativity will thrive, and I am proud to be part of this historic moment,” GyC said.

The event drew significant media attention, with Soundcity TV, a prominent Nigerian lifestyle and music channel, in attendance alongside other reputable media houses.

The ceremony ended on a high note, with well-wishers applauding Bullion Records’ innovative vision and commitment to uplifting the Afrobeat genre globally.

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Eze 1 Fuji: The Rising Star of Fuji Music

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Eze 1 Fuji: The Rising Star of Fuji Music

 

Oluwaseun Michael Oyeyemi popularly known as Eze 1 Fuji, Omo Iya Ibadan is a talented Fuji Artiste making waves in the Nigerian Fuji music industry.
Eze Fuji 1, Remi Aluko’ s sing alike, displayed a deep passion for music right from the church at his young age.
He began his journey from singing in the church.

After his primary and secondary school educations, he was trained as a mechanical engineer, but yet did not allowed his passion for music to fizzled out.

Eze 1 discoragraphy includes four remarkable albums titled My Time, My Birthday, Sunshine & Thanksgiving.

Currently, Eze 1 Fuji is preparing for the next chapter of his musical, as fans eagerly anticipate the new sounds and stories he will bring. His dedication to his craft , combined with his thoughtful insights, makes him a rising star worth watching out for in the Nigeria music scene.

Gifted Eze 1 whose success of his first album has set the stage for his subsequent works each offering a distinct flavor and message.

Omo Iya Ibadan as he’s fondly called promises that his next work Advance Level will be a significant milestone in his career with plan for a grand album launch, a mega concert and international travel deal in 2025.

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Netflix Denies Leaving Nigerian Market

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Netflix Denies Leaving Nigerian Market

Netflix Denies Leaving Nigerian Market

 

Despite reports from three publications suggesting Netflix is exiting the Nigerian market, the global streaming giant has firmly denied these claims, insisting it will continue to invest in Nigerian content.

The speculation was fueled by comments from Nigerian filmmaker Kunle Afolayan, who spoke at the 2024 Zuma International Film Festival. Afolayan claimed Netflix canceled several films it had previously commissioned from unnamed filmmakers.

“Three years ago, when we signed the three-film deal with Netflix, it was really exciting,” Afolayan said. The filmmaker went on to share that despite the stellar performance of those movies globally, Netflix seemed unimpressed by their returns in Nigeria.

“Thank God we had shot seasons two and three [of Anikulapo] because all the other people that were commissioned with us at the same time were canceled.”

However, Afolayan did not explicitly state that Netflix was exiting the Nigerian market, although his remarks will rightly drive speculation that the streaming platform is retreating from the country. This speculation is not entirely unfounded—Amazon Prime, another major streaming service, exited Nigeria in January 2024 one year after a huge marketing campaign and a slate of original Nigerian productions..

In a statement to TechCabal on Wednesday, a Netflix spokesperson reaffirmed the company’s commitment to Nigeria, saying, “We are not exiting Nigeria. We will continue to invest in Nigerian stories to delight our audience.”

The spokesperson did not immediately address Afolayan’s claims about canceled projects. Still, Wednesday’s conversation and social media reactions highlight growing uncertainty around Netflix’s long-term strategy in Nigeria, where rising inflation and currency devaluation have pressured consumer spending power.

Netflix has struggled to capture a large share of Nigeria’s competitive streaming market, which is dominated by the more affordable Showmax, a service operated by Multichoice. Netflix—currently priced at ₦7,000 ($4) per month—remains a luxury for many Nigerians, especially as inflation and naira devaluation erode purchasing power.

With local players continuing to outperform in pricing, Netflix’s ability to maintain its position in the region could become increasingly challenging.

Netflix’s relationship with Nigeria dates back to 2016 when it began licensing high-profile local films. Since 2016, it has poured over $23 million into Nigeria’s film industry, backing over 250 locally licensed titles, co-productions, and original commissions. Lionheart, The Wedding Party 2, and King of Boys are some of its most recognisable titles. In 2020, the streaming service signed multi-title deals with prominent Nigerian producers like Mo Abudu’s EbonyLife Productions. In 2021, it expanded its partnership with Kunle Afolayan, signing a deal for three films, including an adaptation of Sefi Atta’s Swallow.

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