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History As Nollywood Shoots Movie (Plan C) With Sony Venice 2 Camera For the First Time in Africa

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History As Nollywood Shoots Movie (Plan C) With Sony Venice 2 Camera For the First Time in Africa.

…same camera used for Black Panther, Avatar and Maverick movies.

…Stars Nkem Owoh, Akin Lewis, Yvonne Jegede, Bimbo Akintola, Faithia Balogun, Uzor Arukwe, Frank Donga and others

…Directed by Samuel ‘Bigsam’ Olatunji

 

In a move considered by many as major, a number of production studios have come together to make history as they announce conclusion of principal photography of the comedy movie, Plan C on Sony Venice 2 camera. This will be the first time Sony Venice 2 will be used in Africa. Sony Venice 2 is a recent camera that was used in filming major Hollywood movies such as Avatar, Black Panther and Maverick.

 

 

 

 

The movie, titled Plan C is a comedy film starring major Nollywood stars such as Nkem Owoh, Akin Lewis, Yvonne Jegede, Lizzy Jay, Bimbo Akintola, Faithia Balogun, Uzor Arukwe, Frank Donga, Kelechi Udegbe, Bianca Ugowanne, Greg Ojeifua, Ayo Badmus, Jigan Babaoja, Mama No Network, Westy Baba, Lydia Lawrence Nze, Maryjane Ogu, Alariya and others.

 

 

 

 

 

Plan C’s comedic story grips you from the opening scene till the last. It tells the story of an intending couple Tishe and Nnamdi, a naughty sister, hilarious parents from both sides and host of silly friends who make the movie non-stop fun from start to finish.

 

 

 

Tishe’s dad owns one of Nigeria’s biggest real estate firms while Nnamdi’s father is a
major land speculator. If both businesses merge, theirs will be a major conglomerate.
To ensure the future of their company and cement their long-time friendship, both men resolve to force their eligible children into an arranged union. But the couple have other plans. Nnamdi aspires to be film producer and wants nothing to do with his dad’s business and the planned wedding. Scared of losing his inheritance if he opposes the wedding, he comes up with a plan to be kidnapped on the wedding day! He will be ransomed and with that money, start life afresh somewhere far away.

 

 

 

 

 

Unknown to Nnamdi, Tishe also has a similar plan in protest against the forced union. She will be kidnaped but this time she plans to put the blame on Nnamdi, his dubious friends and his career choices. In Tishe’s mind, this will show Nnamdi is not husband material. With that, her plan to take over her father’s company will be back on course. Each party enlists their friends to pull off their plans but things go horribly wrong from the start.

 

 

 

Tishe’s friends kidnap the couple on their way to the wedding. Nnamdi’s friends panic as they watch their guy being kidnapped! As Plan A fails, they go for plan B and kidnap Tishe and her friends but to the shock of both parties, PLAN C unravels as real kidnappers led by the notorious Ossai end kidnapping everyone!

While all this is going on, the couple’s families have called in the police who launch a search for the bride and groom.
Tishe and Nnamdi realize they’re in trouble since the kidnappers are not known to them or their friends.
Now it’s up to the couple’s friends and naughty sister to join forces and hack a near-impossible escape.

Directed by Samuel ‘Bigsam’ Olatunji, produced by seasoned producers led by Wale Osagie Muraina, others are Adebola Adeyela (Lizzy Jay), Bianca Ugowanne and Olukanmi Abayomi (Abazee).

Yvonne Jegede, a leading Nollywood actress is an associate producer on the project.

Now in post production, Plan C will be ready in few months and plans are in top gear to colour grade it in Hollywood.

Speaking on the movie, the director, Bigsam said it’s an ambitious project that cost an arm and a leg.

“Plan C is the kind of story Nollywood would be proud of. It’s comedy told with depth of story, technical deft, and notable performers that will grip you from the opening scene to the last.

We took our time to weave it layer upon layer because the scale of the story has prompted us to have a sequel planned.

Plan C has major supports from Tribitat, a major real estate company led by Tony Kolawole (Aspire), Emmanuel Abikoye and Gbenga Adeleke. It’s the parent company of Billionaire Realtors Group.

Billed for theatrical run before debut on VOD platforms, Plan C is executive produced by Heavyweight Studios (Led by Samuel ‘Bigsam’ Olatunji), LizzyJay Production, Abazee Production and Bianca Ugo Studios.

History As Nollywood Shoots Movie (Plan C) With Sony Venice 2 Camera For the First Time in Africa

About Sony Venice 2…

About Wale Osagie Muraina…

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

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