celebrity radar - gossips
HOW Goldie Hawn, Kurt Russell Shared Love And The Screen Together
In the new Netflix film “The Christmas Chronicles 2,” you get pretty much what you’d expect from a big holiday movie, along with Kurt Russell as arguably the fittest Santa Claus ever. And of course, his longtime, real-life partner, Goldie Hawn, plays the Mrs.

But it might surprise you to know that, for Goldie and Kurt, the Clauses are more than merely mythical.
“I like your approach to these characters, because you take them seriously,” said correspondent Tracy Smith. “This is not a caricature, or a cartoon.”
“You gotta remember, he’s a real human being,” said Russell. “He’s not a comic book character. He’s not made up, he’s not drawn up. He was a bishop. He was a man. The question, of course, is through the myth and the legend and whatnot, how is he still around? How is that possible?”

But no matter how St. Nicholas, a.k.a. Santa is still around, or how he and Mrs. wound up together, the real-life story of Kurt and Goldie has a certain magic all its own.
Their first meeting, if you can call it that, happened on the set of the 1968 Disney musical, “The One and Only Genuine Original Family Band.”
So, was there a first impression? “I don’t know,” said Russell.
“I think for me, I mean, he was way too young for me,” said Hawn. “I was, like, dating older guys, right? I was what, 20?”
“I was only 15 years old,” said Russell. “I didn’t even have a car. I didn’t have a license.”
Hawn was a dancer without much of a speaking part (her role was “Giggly Girl”) – and what’s more, the producer didn’t even like her name.
“He called me and he said, ‘You know, I know this is sensitive, but you really, your name sounds like a stripper.’ My mother gave me that name! That was my great-aunt’s name, Goldie. And I said, ‘Oh, I’m not changing my name. I’m sorry.’ I said, ‘You know, my middle name is Jeanne. What about Goldie Jeanne Hawn? Would that work for you?’ And he went, ‘Well, I guess it’s gonna have to work.’ And I said, ‘Gee, I guess it is!'”
Russell asked, “Were you ever billed that way again?”
“No,” she replied. “That was it, Goldie Jeanne Hawn.”
“That’s where we met!” Russell said.
But by the 1980s, Goldie Hawn was a name: an Oscar-winner (for “Cactus Flower”), who could produce a hit movie and star in it, too (“Private Benjamin”)
Smith said, “You were producing/directing/acting at a time when a lot of women were not doing that. How many times did you hear, “No’?”
“Not many,” said Hawn. “Unh-uh. But the problem wasn’t the ‘no,’ the problem was the trepidation, really, of other, male directors wanting to work with me, because they thought that I would wanna take over.”
For his part, Kurt Russell had shed his wholesome Disney image for something a little grittier, such as Snake in “Escape From New York. ” And when he met Hawn again during his audition for 1984’s “Swing Shift,” both were divorced, and neither was looking for love.
“Matter of fact, when I met Goldie, I was at a time in my life and a period of my life where I was very definitely gonna put my worst foot forward when it came to any kind of a relationship, or the possibility of a relationship,” he said. “I put my worst foot forward. If you can handle that, then maybe there’s a chance of some reality there being together.”
“You put your worst foot forward? I could hardly say that,” said Hawn. “I would say if you’d done that with me I wouldn’t be with you today.”
“Well, I think I did, but … I did. I did kinda.”
How so? “Well, the first time I met her I was horribly hungover. You know, that’s not a good foot forward.”
“But sort of fun. Your worst foot forward?”
“Well, I didn’t try to put my best foot forward, because it’s a hard thing to hold that up. You know, once you’ve done that, now you’ve established something – you’ve set a bar that you can’t stay with, you can’t keep.”
“Like, you’re really confusing me right now,” Hawn said. “This is like a group therapy session!”
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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