celebrity radar - gossips
How Oluwo Of Iwo Was Jailed In The US By Tunde Odesola
Nestling aboard an incoming Delta Airline flight from Atlanta, Georgia on May 10, 2024, the window-seat view of the landscape and skyscape of Ikeja cityscape was gloomy. The giant American bird called Boeing glided through the clouds before swooping down intently like a hawk in hunt. There were no trees, no greenery in sight from my Skyview as Lagos spread out like a ghetto cast in concrete, iron, rubble and filth.
“Where are all the trees the Babatunde Fashola administration planted,” I asked myself. I answered myself, “Felled by the Godfather and his mafia who were happy to throw the baby out with the bathwater.” Like the Champions League is to Real Madrid, Lagos has become a political trophy belonging to the MD – Master Dribbler – who has dribbled his way to the Centre, and Nigeria now lies unconsciously at his feet.
The plane touched down around 10 a.m. Welcome to Nigeria! After about eight years, it felt good to be back home. A national anthem war would soon rage between ‘nationalists’ and ‘colonialists’, amid chants of ‘Arise, O Compatriots’ and shouts of ‘Nigeria, we hail thee’. The national anthem war was avoidable if leadership had a meaning in Nigeria. But leisurely, Captain Bourdillon draws hard on his cigar, steering the wheel of the sinking Nigerian ship back into slavery waters. The controversial descriptions of Nigeria as Fatherland and Motherland in the two national anthems show that Nigeria urgently needs a DNA test to confirm its legitimacy.
As passengers disgorged from the belly of the bird, I caught a whiff of the perennial Nigerian virus when a dirty-looking lady in mufti, whose wrinkled skin betrays bleaching cream overuse, held a ‘gentleman’ in suit by the hand, and led him from the back of the queue towards the front. Ironically, the queue was fast-moving.
I raised my voice in protest. “Una no even allow the plane land before una begin una madness! You, yeye man, you fit jump queue for US? You, (pointing at the ‘immigration’ woman), take that man back to the end of the queue from where you took him!”
I heard the yeye man tell the clutchy lady, ‘I told you it’s wrong, I don’t like causing a scene’ but the woman held his hand and led him on, all the same, prompting me to raise my voice louder, cussing and embarrassing them both.
An old man at my back in the queue said, “Young man, when last did you come to Nigeria?” I told him I didn’t understand his question. He continued, “Nigeria is not America. That’s the way we are here o.” I told him, “Every society needs eternal vigilance to oil the wheels of justice and fairness.” He shrugged, “Well, I agree.”
In no time, I was done with immigration and I landed at the carousel for my luggage. My luggage didn’t arrive on the plane: come tomorrow. Ok. No wahala. Tomorrow is a stone’s throw.
I hopped into a taxi. Portable omo Olalomi hopped in with me. The car stereo blared: “Ara adugbo (Zeh) /Tuntun ti de o (Zeh) /Zazoo (Zeh) /O po leti (Zeh) /O ye ke ti ma gbo (Zeh)… /Baddo sneh (Zeh) /Pepper sneh (Zeh) /Many many were wa n le (Zeh) /Ahh, repete (Zeh) /Unruly (Zeh) /Baddo Lee (Zeh) /Hacker (Zeh) /Ika (Zeh) /Te s’oju e (Zeh)… /Eje loju bi t’Abacha (Zeh) /Run’ju pa (Zeh) /Le’ju pa (Zeh) /Ma rerin (Zeh) /Kala (Zeh) /Daju (Zeh) /Hu wa ika (Zeh)… If you don’t understand these Yoruba lyrics, just imagine Adolf Hiler, ogres, members of Nigeria’s political class, together with Satan and his angels in a dark hall – you’ll understand the level of mercilessness Portable portrays in Zazoo.
‘Zazoo’ is the story of Nigeria’s degeneration. Though it has a multiplicity of meanings, a central theme of the song includes the glorification of internet fraud expressed in ‘Hacker’, ‘Kolu to n bo kaadi o’. It also praises extreme wickedness in the referenced stanza. Most of the song is street nonsense.
I smiled wryly. The taxi driver didn’t know why. He asked, “You too like Portable, sir?” I kept the plastic smile on and fetched my phone from my pocket. WhatsApp was my first port of call. I scrolled. A senior colleague had sent me news links. They were about the Oluwo of Iwo, Oba Abdulrasheed Adewale Akanbi.
The senior colleague wrote, “See what you caused.” I skimmed through the texts and thought he was talking about the Oluwo’s aso òkè, which was similar to the one I wore during my father’s burial on Friday, May 17, 2024, in Lagos. I replied, “I’m not royal, I’m a hunter,” asking if he was talking about the aso òkè. My relentless senior highlighted to me the links to a story on the Oluwo done by two British tabloids, The Sun, and The Mail on Sunday.
Both British newspapers called the Oluwo a thief, a misfit, 419 king, Yahoo kingpin, ‘Kolu to n bo kaadi’ and jailbird.
Metaphorically, the reports of the newspapers intone that lacking royalty, honesty, loyalty, pedigree and bíbí ire – a Yoruba word for honour – the life of Abdulrasheed Adewale Akanbi and his emergence as the Oluwo of Iwo was a plot in the drama of the absurd, where a felon grabbed a crown to desecrate a town.
Specifically, on its May 19, 2024 cover, The Mail on Sunday splashed the picture of Akanbi in a close-up handshake with the Duke of Sussex, Prince Harry. The handshake, however, went beyond the elbow when the newspaper befouled the picture with the headline, “Royal Exclusive: Harry and conman Nigerian king twice deported from US.”
The description of the Oluwo as a criminal is the view and product of investigation of the British media, not mine. In a three-part series, ‘Oluwo and the glorification of ignorance’, Tunde the son of Odesola, expressed his views about Oluwo Akanbi in 2022 when he described the conman as a con-king transmuting into a king-kong.
In its publication on May 19, 2024, THE SUN was extensively brutal. The headline of the paper’s story reads, “Dodgy Royal: Nigerian King who Harry called his ‘in-law’ is ‘CONMAN jailed and deported after trying to cash stolen £247k cheque’, with the rider, ‘The ‘Funky King’ (Oluwo) was jailed 15 months in 1998”.
Reporting the three-day visit of the 39-year-old Harry and his 42-year-old wife, Meghan, to Nigeria, THE SUN reveals Akanbi had been deported twice from the US and banned twice for life from entering the US.
THE SUN story reads, “But the Nigerian royal (Oluwo) is a convicted fraudster who was twice kicked out of America. He was allegedly first arrested in Boston in 1998 after he tried to cash a stolen cheque for £247,000 from aviation company Boeing.
“Akanbi posed as a successful businessman called Joseph Pigott but cops were alerted by a suspicious bank teller at BankBoston. The conman (Oluwo) was also charged for forging a cheque for £59,000 using the name Thomas Eyring. He was also reportedly jailed for 15 months and deported to Nigeria in April 1999.
“His £1,500 fine was waived ‘because of an inability to pay’. Despite being banned from re-entering the US, he was then said to have been caught attempting to cross the border in March 2011. Akanbi was with his then-wife Rakiya Saidu and young son and claimed they were going to New York to shop.
“Facing the prospect of a maximum prison sentence of 20 years and a £197,000 fine, Akanbi pleaded guilty. He was sentenced to time served, deported and banned from the US for life a second time.”
If Akanbi had been jailed for 20 years, Iwo would never have witnessed these years of the locust nor would this big calabash of shame hang on the community’s neck. Iwo would’ve remained famous for the honour earned by former Oluwos, including Oba Parin, Oba Lamuye, Oba Samuel Abimbola, and Oba Olatunbosun Tadase among others. The sacred name of Iwo wouldn’t have been stained with dishonour.
If you’re close to Iwo, you could’ve heard their sons and daughters eulogise the impregnable security of the land, saying “Iwo ti o ni ilekun, ti o ni kokoro; eru wewe ni iran baba won fi n de ile.”
O ye descendants of Iwo, is it a mistake that your forebears left the city gateless and keyless? O ye children of Iwo, is it not too late now that a virus has crept onto the throne? Where were the ‘eru wewe’ small slaves sentineled at the gate when Akanbi crept into town? Sé wón gbà’bòdè ni? Did they sabotage?
Then-Governor of Ondo State, Dr Olusegun Mimiko, stood up for integrity when he kicked out the Deji of Akure, Oba Oluwadare Adepoju, from the palace in 2010, for beating his wife, Olori Bolanle.
From Ife to Oyo, Lagos, Ijebu, Abeokuta, Ede, Owo, Benin, Warri, Sokoto, Kano, Bauchi, Gwandu etc, monarchs had been dethroned. Sadly, none of the deposed kings in Nigeria’s history parades the kind of criminal credentials as the Oluwo. Governor Adeleke, ICPC, EFCC, National Council of Traditional Rulers, Yoruba Council of Obas, Iwo kingmakers, Iwo people, over to you. Oluwo must go!
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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