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Hushpuppi: Fugitive supercop and his godfather

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Hushpuppi

Hushpuppi: Fugitive supercop and his godfather By Tunde Odesola

 

The pride of lions lounge under the baobab. Some look at the sky belly-up in gratitude to nature. Some crouch on their warm, filled bellies, swishing their tails to the music of the wind and the shine of the sun.

 

 

 

Hushpuppi: Fugitive supercop and his godfather

 

 

 

 

 

 

 

 

Like fleeting ghosts, three monkeys, from nowhere, suddenly descended on the pride; giving a knock on the head here, a slap on the face there – in an unrehearsed choreographic raid that could’ve ended in instant death.

 

 

 

 

 

 

Hushpuppi: Fugitive supercop and his godfather

 

 

 

 

 

 

 

 

Jaws drop, breaths pause; before the eyelids could bat, the monkeys disappeared high up into the safety of the tree, laughing madly. All at once, the lions had sprung to their feet, ready to defend their den to the death, cursing when they realised it was the mocking monkeys again. One day monkey go go market, e no go return, the lions rued.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Now, the snarling lions watched intently as the monkeys jumped from one tree branch to the other, dangling dangerously from the tip of the dry branches. Suddenly, a twig snapped and a big monkey was in freefall. He grabbed another branch, but that also snapped, and death was waiting on the ground.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

As powerful teeth dug into the jugular of the monkey, a fugitive policeman called Abba Kyarry jerks awake from sleep, holding his neck, shouting, “Lions! FBI lions! Mai Gaskiya, save me! Mai Gaskiya, kare ni daga hakorin zakin FBI!” He held his neck with both hands, shook it to be sure it was still on his head, feeling with his fingers to see if it was dripping blood. He was dripping sweat.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kyarry’s wife, Hadjia, dashes into his room, switches on the light, and sees the wreck her husband had become. He looks like he just got out of the River Niger. She perceives a strange smell, like concentrated ammonia acid; Kyarry has urinated in bed.

 

 

 

 

 

 

 

 

 

 

 

 

 

Hadjia: (Breaks down crying) I thought Bala the Marabout said you won’t have nightmares again?

Kyarry: Yes, that was what he said. And he got millions of naira from me.

Hadjia: As Marabout Bala directed, did you pluck some of your eyelids and put them on your head to make the FBI forget your case?

Kyarry: I have pulled all my eyelids out. None is remaining there. Look, see. (He leans forward in bed to show his wife his face) I just had a bad dream in which I fell from a tree, and lions wearing FBI uniforms sank their teeth into my neck, that was why I shouted from my sleep.

Hadjia: I think you should call Marabout Bala. Maybe he would give you a potion to ward off the ceaseless FBI nightmare. Where’re your phones?

Kyarry: (Pointing to his wardrobe) They’re there in the pockets of my uniform.

Hadjia: (Brings out his phones together with some bales of dollars) Ha, mai gida?! Dollars again?

Kyarry: I’m sorry, Hadjia, I can’t resist the smell of dollars. It has become an obsession, but I resisted the naira bribe I was given today, I didn’t collect it.

(Hadjia dials Marabout Bala and gives the phone to Kyarry)

Marabout: Incoming Inspector General! How’re you?

Kyarry: I’m not fine o. Lions ate me up.

Marabout: Lions? Did you go to Yankari Games Reserve ne? I hope they didn’t eat your hands?

Kyarry: No, why did you ask if they ate my hands, marabout?

Marabout: How will you be receiving physical offerings if they ate your hands? You know, the hands and pockets are the policeman’s greatest assets.

Kyarry: What can I do for the FBI to forget me and to ward off my nightmares, Marabout Bala?

Marabout: I told you to pull out one or two of your eyelids and put them on your head everyday.

Kyarry: I’ve pulled out all my eyelids. I have none again. What do I do now, my blood pressure is reaching up to heaven? I’m tired of all this trauma, I’m ready to expose all the ogas I give returns to. I won’t go down alone, I swear!

Marabout: Stop swearing, you need to call Mai Gaskiya in Azoo-Roc. Tell him that I said your days are numbered because the FBI are closing in. Tell him I said he should allow you to come and live inside Azoo-Roc, otherwise, the Lions of FBI will eat you up soon.

Kyarry: (Clutches his phone and touches his neck gingerly) Don’t let them eat my neck, Marabout Bala. I’ll call Mai Gaskiya now now! Please, hold on. (He reaches for another customised phone and dials. A familiar voice comes through saying Mai Gaskiya was just finishing a bowl of tuwo shinkafa and miyan kuka, urging Kyarry to hold on.)

Mai Gaskiya: (Picking his teeth) My beloved son, how’re you? I hope you’ve not gone on social media again? Don’t go there again, you hear? Problems will not finish for Nigeria, Nigerians’ll shout and soon forget about your case. Also, don’t do cut and sew for people again.

Kyarry: Yes, sir! Mai Gaskiya, I’m in trouble, sir! Everyday, my conscience is troubling me, sir. I see scary things, sir. Today, FBI lions were about to eat me in my sleep…

Mai Gaskiya: But, are you not a supercop again? Was it not in nightclubs that you used to meet Hushpuppi and all those criminal celebrities? Don’t you listen to music in nightclubs?

Kyarry: Yes, I do, sir.

Mai Gaskiya: Don’t you hear that Zazoo boy that sings, ‘Kala, sanju pa, le ju pa, hu’wa ika, ma rerin…?’

Kyarry: (Chuckles) Ha, Mai Gaskiya, how did you know this song, sir?

Mai Gaskiya: So, you think it’s only you people that know how to enjoy? My children taught me the song, and I danced to it with them. I can dance Zazoo, Warisi, Zanku, Shakiti Bobo etc. Me, I don’t let anything bother me. Nowadays, when I’m making a decision, I remember Zazoo lyrics, ‘kala, sanju pa, le ju pa, wu’wa ika, ma rerin…meaning: ‘Frown, glare, scowl, be ruthless, don’t smile… ’ That’s how to lead Nigerians. Anyone who wants to become IG must be as hard as rock.

Kyarry: Yes, sir! Sir, my marabout said the dream I had is an indication that the FBI are around, that I may be abducted and flown to America for trial, sir. He said I should tell you to allow me to come live with you, sir.

Mai Gaskiya: Live with me? How’re you going to escape the prying eyes of those press boys?

Kyarry: I can come disguised like a female, sir.

Mai Gaskiya: You mean you’ll paint your eyes and lips like yarinya?

Kyarry: Yes, sir!

Mai Gaskiya: (Bursts into laughter) You this boy, you’re a criminal, walahi! This shows that truly you know how to catch criminals. You’ll be IG soon, insha Allah!

Kyarry: Thank you, sir.

Mai Gaskiya: Do you know why I didn’t extradite you to America?

Kyarry: No, sir.

Mai Gaskiya: Firstly, it’s because you’re nuts, no, I mean North. Secondly, because you’re our poster boy for integrity, anti-corruption and security.

Kyarry: Thank you, sir.

Mai Gaskiya: But how did you allow yourself to be caught so cheaply by the FBI?

Kyarry: It’s the work of the devil, sir?

Mai Gaskiya: Don’t tell me it’s the work of the devil. It’s the work of your greed and stupidity. Can’t you see the way I operate? Have you ever heard my name mentioned for corruption in this country?

Kyarry: No, sir.

Mai Gaskiya: Even the Jaguar of Borgu, and the Redim Pastor, that one that wears a cap and speaks like a saint; have you heard them indicted for any corruption allegations?

Kyarry: No, sir.

Mai Gaskiya: Toh, the secret is we all know how to chop, using other people’s hands. With what do you think I sent my children to universities abroad? Stones? You must learn to use other people’s hands. That’s the first law in the art of deceit.

Kyarry: Yes, sir! Thank you, sir!

Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

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