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“I spent nine years in University” + How Ali Baba, RMD helped my career

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Not many people know Ayo Makun, but at the mention of AY, everybody knows who you are talking about. This is because AY, as a stand-up comedian, has built his name into a brand that has broken barriers. In this interview with ADUNOLA FASUYI, the comedian speaks about his beginning and his rise to stardom.

Excerpts: Can you tell us about your childhood? Family background?

Growing up wasn’t bad. The good thing about my growing up was that I was born into a Christian family. My parents gave us the proper guidance we needed in life. I grew up as the first male child from a family of seven. Being the first, there was no such thing as a silverspoon. We didn’t even see a wooden spoon, but it was very good. The fear of God that guided us then and which is still guiding us now, is one thing that kept us strong and fit.
Can you tell us the schools attended with qualifications?

When I say I spent nine years in Delta State University, a lot of people begin to wonder why. I wasn’t a failure and it wasn’t totally due to the strike actions that were rampant in those days. I was just somebody who was unable to get his priority right at the very early stage. Because I needed to be in school, I decided to study Music with the intention of taking elective courses that were in line with Mass Communication. And good enough for me, I passed all the elective courses very well, but the department rejected my application to go. So, I had to study Music.

It was at the point of my final year in Music that I made a decision that I wasn’t going to graduate in music. I took JAMB form again, I now put in for Theatre Arts because you know that when you find yourself in a system, you will have a better understanding of that system. So, I later discovered that Theatre Arts could equally give me everything that I could get in communication because they belong to the same family and that was how I went for Theatre Arts. I was in my final year when they told me that they could not find my course registration form for 200 Level.

It meant that my result was illegal and I needed to repeat. I decided to leave school and I came back to Lagos trying to find my way out of Nigeria. I met somebody who duped me, so I had to go back to Abraka to repeat the 200 Level. But by the time I got there, the registration had closed. So, I had to come back the following year to start 200 Level and I was sponsoring myself in school. It was not easy.

How exactly did you get into comedy, was it by accident or design?

It was between 2005 and 2006. My unveiling came at the RMD-organised Made In Warri of year 2005.

Prior to that time, I had done a show with Basketmouth during his show, Laughs and Jams and he was telling Ali Baba how I performed well. But my breakthrough was with Nite of a Thousand Laffs. Strange to say one of the other comedians said he would use my jokes because I was not a comedian. It was then Ali Baba insisted that I will perform for five minutes.

During the show, Ali Baba beckoned on me and said “O ma se five minutes” (You will perform for five minutes). I immediately got on stage and Opa Williams wondered how I got on stage to perform at his show which was a big show. I went ahead to do my thing and in less than 30 seconds, I had taken the show to another level. By the time I was leaving the stage, I got a standing ovation. By the time the second show would commence, Opa Williams asked me if I could do what I did during the first show. That was all I needed for somebody to believe in me.

The second show was greater than the first show and ever since then, comedy has been putting food on the table for me. It blew out of proportion and I got the best upcoming comedian award for that year and that same year, I was nominated for the best upcoming comedian and I was also nominated for the comedian of the year. That was what gave me the confidence for my one-man show, AY live. The maiden edition was held at the Muson Centre and it was a sell-out. I want to say it is hardwork and luck put together because we are doing a lot as well; I am not the kind of comedian who just believe that let me just go and crack jokes and make a living.

What was your parents’ reaction when you decided to take up comedy as a career, maybe they wanted you to be a doctor, lawyer, banker etc?

I lost my parents while in the university, but they brought me up in a background where my father was a major figure. His presence alone would correct anything that seemed wrong. They were always teaching us that the fear of the Lord is the beginning of wisdom. I can rephrase that and say, ‘the fear of my father being around was the beginning of me trying to get anything that I do right’ because I always would do what he wanted me to do. I imagine they would have been proud of me because it is the inherent creativity that I received from them that has brought me to limelight

Who are your mentors in the industry?

I have already mentioned the role Ali Baba played in my life as a friend and mentor. Another person who has impacted me greatly is RMD. RMD was also a very strong influence in terms of corporate branding and packaging. RMD is a very meticulous individual. Anytime I want to go to an event, I make sure I look my best because all of these add value to your brand. I was at an event one day and somebody came to me and said, “please, did you see the comedian; they said he went through this way” and I was looking at him and I said ‘sir, I’m the comedian, I’m the MC.’ And he said, ‘I almost mistook you for my MD, because of the way you are dressed.’ RMD taught me all these. When they cannot differentiate you from themselves, then you earn respect, but when you go there and your shoe is looking to heaven for help, then they can order you around. Which event shot you into limelight? Was it a Nite of a Thousand Laughs or Ali Baba’s shows?

There is no need to think much on that subject. I have already answered this in past interviews and even on stage. The answer is I needed to give it to Ali Baba. Apart from the fact that I worked with him, I lived with him, so I was able to really study him and tap from his experience. He is the kind that pays attention to details and he is the kind of person who would like to get it right all the time. If, for example, he has an event that has to do with lawyers, he would crack jokes that they can relate with. If you see Ali Baba on stage, you won’t just see a comedian, you will see someone that will interact and get across to the people he is entertaining and they will begin to wonder if he is not one of their learned colleagues. He has one of the largest libraries I know and he reads widely, depending on whose function he is attending. This is to make him capable of relating well with them, which is highly professional and spontaneous. And that’s why we call him the king of comedy. That’s why I say my living with him was a blessing and people are still awed at the fact that I came into the business not long ago and yet I am already relevant; it’s because of the influence of Ali Baba in my life. To specifically answer your question, I started by performing during the Ali Baba Fans Club Show at Victoria Garden City (VGC). Before Ali Baba performed, I would have performed. Sometimes, the jokes were funny and sometimes they were not funny. But Ali Baba would always advice on those jokes. The next week, I would have taken to corrections and corrected those things he advised and the audiences were thrilled with my jokes. That was how I honed my skills as a comedian. Interestingly, when I was not yet a comedian, I had several scripts on jokes that I wanted to give those that will perform. It was just time for me to make use of those scripts.

What does it takes to be a good and successful comedian like you? Well, the determination to succeed propels me. What people see as something that is supposed to weigh me down became the needed tonic for what will just propel me to another level. For comedy, it was other comedians who knew me as an events person and they would poke jokes amongst themselves saying, ‘AY dey crack joke too? Wetin he wan talk?’ Many of them said that to me, but my response was they should wait and see what I would become. And it has happened. In the area of relationship, there was this lady who told me pointblank that I was approaching life at snail speed. Also, I am a great researcher. Those that know me know I always like my laptop close by because I always want to be in the know. Thus, I stand in front of my audience and I can do my jokes and give you facts. I relate with issues and people would be wondering; is this guy a comedian or a teacher? But then, I am achieving both. As I dish out relevant information to my guests, I lace my jokes with information and so my guests go away with laughter and nuggets of information. This is one of the things I learnt from Ali Baba.

No doubt, comedy is time-consuming, does your home front suffers fatherly care and attention due to the job?

No to all those questions. My marriage has been so wonderful and fruitful. I heard a lot of negative advice when I wanted to get married. Friends told me my fan base would reduce and if I had listened to them then, I would not have this blessed life I am living now. The truth is this, “he that finds a good wife, finds a good thing”. It was when I got married that I began to have more female fans. I realised that marriage brings a sense of responsibility and respect. I enjoy a lot of respect as a married man. Marriage is blissful. Myself and my wife, Mabel, are blessed with a wonderful baby girl we named Adeola. On the business side of things, being a husband and a father does not interfere in any way. As a matter of fact, what I do with my brand can be regarded as family business. Those who are used to me always see my wife running the business angle for me. We run the business together and business has been great because we complement each other. What other things do you do besides comedy? If you had not been a comedian what other career would you have chosen? It is encased in one word, entrepreneurship. That is who I am. Since 2007, I have been building an empire on comedy and entertainment. I run a corporate world entertainment; the company that is packaging AY live and I do a TV show known as the AY Show. Right now, I am building a comedy channel on HITV that is going to be the first comedy channel in the country. We have started it already and we are on Hi-Nolly. We also have AY magazine as well as a platform for upcoming comedians called Open Mic Comedy challenge. I also consult for people who want to do live events as well. So, I can say I do a lot. I produce, present, write and act. How rewarding has the career been for you? The career has been rewarding indeed. From the unknown person, Ayo Makun, who sought to make ends meet, my career has turned me to AY, a brand, whose fan base is not limited to the corporate sector but cuts across the entire sectors of the Nigerian economy. I have been opportuned to meet governors, the current president and the crème de lacrème of the society. It is humbling, when such highly-placed individuals declare their admiration for my manner of comedy.

What were the challenges you had to face as a young comedian?

There were times I would be ready and all dressed up and even go backstage believing that the time to perform will be there and I wasn’t even listened to. It was that bad. There were times when the senior colleagues regarded me as a nonentity, who could not grab the microphone. I went through these challenges with gusto because I had a clear view of my goal. So, to me, they were just stepping stones that have led to the success you are seeing now. How long have you been married now? Was it after you started comedy? I started comedy in 2005 and I got married in 2007. So, it is obvious which came first. But we had been dating a long while. We met at Delta State University where I finished from; she was coming in when I was graduating. She became a major reason to go back to the school and today she is my wife.


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Entertainment

Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound

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Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound 

By : Alhaji Arems (Baba Fuji)

 

 

In an industry where virality often overshadows steady growth, Nigerian artist Shanko Rasheed is taking a different route — one defined by gradual expansion, cultural fusion, and strategic international movement. From early releases to touring activity across North America, his trajectory reflects a new class of Nigerian artists who are less visible in headlines but increasingly active on the global stage.

 

 

 

 

A Sound Rooted in Tradition, Shaped by Modern Influence :

 

 

At the core of Shanko Rasheed’s artistry is a blend that feels both familiar and forward-looking: Afro-fusion layered with Fuji influences.

 

Fuji, a genre deeply rooted in Yoruba musical tradition, is known for its percussive intensity, vocal cadence, and spiritual undertones. By merging this with Afro-fusion — a broader, globally digestible sound palette — Shanko positions himself in a lane that bridges:

• Street authenticity

• Cultural heritage

• Contemporary accessibility

 

 

 

 

This hybrid approach aligns with a wider movement in Nigerian music, where artists are increasingly revisiting indigenous sounds and recontextualizing them for modern audiences. However, unlike more mainstream acts who polish these elements for pop appeal, Shanko Rasheed appears to lean into the rawness of Fuji-inspired delivery, giving his music a distinct edge.

 

 

 

 

Building Beyond Borders : Touring The United States And Canada

 

 

One of the clearest indicators of Shanko Rasheed’s growth is his international touring footprint.

 

In the past year, he has:

• Performed across parts of the United States, expanding his reach beyond Nigeria

• Secured upcoming tour dates in Canada for the summer, signaling continued demand within diaspora communities

 

For an artist still in the early stages of mainstream recognition, this level of cross-border activity is significant. It suggests:

• An existing audience base outside Nigeria

• Strategic connections or grassroots promoters within diaspora circuits

• A willingness to invest in physical presence rather than relying solely on digital growth

 

 

 

 

The Nigerian diaspora has long served as a testing ground for emerging talent, and artists who successfully tap into that ecosystem often build loyal, high-engagement audiences before breaking into wider markets.

 

 

 

 

Lifestyle Signals And Artist Positioning :

 

 

Beyond music and touring, Shanko Rasheed’s recent acquisition of a Mercedes-Benz adds another layer to his public image. While such milestones are common in the music industry, they often serve a dual purpose:

 

 

• A personal achievement marker

• A branding signal reinforcing upward mobility and success

 

 

 

 

In the context of an emerging artist, it also reflects a narrative of progression — from early-stage hustle to visible rewards. When communicated effectively, these moments can strengthen audience perception and credibility, particularly within genres that value both authenticity and aspiration.

 

 

 

 

The Visibility Gap : Present, Yet Underdocumented

 

 

Despite these developments, Shanko Rasheed remains underrepresented in mainstream media and digital indexing. There is limited:

 

 

• Press coverage

• Editorial playlist visibility

• Structured artist profiling

 

This creates a noticeable gap between activity and awareness. In practical terms, he exists in a space where:

 

The work is happening, but the story hasn’t been fully told.

 

For many artists at this level, this gap can slow momentum. However, it also presents an opportunity to shape a narrative deliberately, rather than reacting to one formed by external media.

 

 

 

 

A Strategic Moment For Definition :

 

 

Shanko Rasheed’s current phase can best be described as pre-definition — a period where the foundation is in place, but the identity is still being formalized in the public eye.

 

 

 

 

He has:

• A developing catalog on streaming platforms

• An active social media presence

• International performance experience

• A culturally rooted sound with crossover potential

 

 

 

 

What remains is the alignment of these elements into a cohesive narrative that audiences — and industry stakeholders — can easily understand and engage with.

 

In a Nigerian music landscape often dominated by rapid breakout cycles, Shanko Rasheed’s path highlights an alternative model:

 

 

• Build steadily

• Expand geographically

• Refine sound identity

• Let audience growth follow organically

 

His fusion of Afro-fusion and Fuji also contributes to a broader cultural conversation about the preservation and evolution of indigenous sounds. As global listeners become more receptive to genre-blending and cultural specificity, artists operating in this space are well-positioned to benefit.

 

 

 

 

Shanko Rasheed may not yet be a household name, but his movements suggest an artist laying deliberate groundwork for long-term relevance. With international tours, a distinct sonic direction, and visible personal milestones, he is steadily transitioning from obscurity to recognition.

 

 

 

 

Beyond his professional strides, Shanko Rasheed has also faced personal tragedy. The Fuji singer reportedly lost his first son, Jamaldeen Atanda, on February 27, 2026. While details surrounding the loss remain private, the moment marks a deeply personal chapter in his life, unfolding alongside a period of growing international visibility.

 

 

 

 

The next phase of his career will likely depend not just on the music itself, but on how effectively his story is documented, distributed, and amplified. If aligned properly, his blend of Afro-fusion and Fuji — combined with his growing global footprint — could position him as one of the more compelling emerging voices in Nigeria’s evolving music scene.

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother

-Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’

 

 

A young man doing well in life is often defined by a disciplined, and purpose-driven approach to his personal and professional growth. 34-year-old Lagos State born social media influencer, Olalekan Akeem Akintola, disclosed in this interview that he has cultivated the habits and mindsets of a young man determined for long-term success before he attained age 21. He said he continually updated his knowledge and skills to keep up with changing demands and trends even before he left Nigeria for Europe in search of greener pastures at age 29. Other than his talent alone, Akeem noted that his becoming successful abroad was not all by luck, but mostly by being kind and respectful. He also revealed the secret behind his popular social media nickname, ‘oko awon single mothers’. And more…

 

 

 

 

 

What do you love about yourself?

 

What I love about myself is that I am a very determined person. When I am determined to do something I don’t look back. I just go into it not minding what the result would be and I don’t care about what anybody would say.

 

 

 

Tell us about your marital life.

 

I was married. But I’m a single father now (general laughter).

 

 

 

 

 

What year did you travel abroad and how did you manage to succeed abroad?

 

I traveled out of Nigeria in 2021. I’m currently in Europe, Germany, South Cyprus to be precise. I worked in the kitchen. To be honest, my experience abroad wasn’t an easy one. Thank God, today I have my citizenship documents and I’m living fine. It wasn’t easy getting to this level. I give God the glory.

 

 

 

Who are the most special people in your life?

 

The most special person in my life is my mum. Then my kids and my mum’s families, especially Sister Iyabo and Sister Nofisat. My mum’s families are so special in my life because they have been very supportive of my life.

 

 

 

Tell us about your experience helping a sick lady, Keji, whose matter has gone viral on social media.

 

This lady, Keji, came into my Instagram inbox and told me that she was sick and needed help. Ordinarily, I do use my platform to help people, especially those who are sick. There was a time I ignored her and didn’t attend to her complaints. But when she showed me the evidence and pleaded that I should help her, I had to support her. I am the person that sent her to see Agbala Gabriel pastor. But I didn’t know that he was going to mess up.

 

 

 

What type of people do you love to be around you?

 

I love to be around people who are friendly, ready to help and very supportive. I do not like people with negative vibes.

 

I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’  

 

You’re a young guy, why do people call you ‘oko awon single mothers’?

 

There was a time I used to abuse single mothers; what they were doing, why did they leave their marriages and so on. I saw it as an abnormality. But I came to realize that my mum is also a single mother and I said why should I be insulting single mothers when I was also raised by a single mother. So, I had to start making videos about single mothers, praising them and talking about their challenges and qualities. Since that time, single mothers started calling me ‘oko awa single mothers’ (husband of us single mothers).

 

 

 

Do you make so much money through social media posts or you have a job that gives you the biggest?

 

Yes, I make money on social media. I also work in the kitchen as a chef. I’m into kitchen stuff here abroad and it pays me well. Also, I run adverts for people on my platform and I make a lot of money from it.

 

 

 

You are very popular among society women; how did you make it happen?

 

All I can say is thank God. I don’t know how it happened. I just found myself with millions of fans and followers. People really love me, especially older society women who fondly call me ‘oko wa’ (our husband).

 

 

 

What is your success tip for young people like you?

 

My advice for young people like me is that whatever they’re doing they should keep doing it. They should be consistent. Keep doing it, don’t relent and don’t look back. When I started out on social media, I was bullied, cursed. I never envisaged where I am today. I never expected that people would be talking about me sometime in the future. But here I am. I never saw this coming. I really thank God for everything. So, let us just keep doing whatever we are doing. There’s light at the end of the tunnel.

 

 

 

Are you fully in the entertainment industry or on part time?

 

I work and I’m fully back in the entertainment industry.

 

 

 

 

 

You look so young despite your age, what’s the secret?

 

The secret is that I maintain physical fitness, I do regular workouts. I know that a strong body supports a strong mind.

 

 

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Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

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*Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

Abuja, Nigeria – The Actors Guild of Nigeria (AGN) announces the appointment of Amb. Princess Chelsea R.C. Nwodo as the new Chief of Staff to National President, ALHAJI SANUSI ABUBAKAR YAKUBU. This strategic move underscores the Guild’s commitment to excellence and its dedication to fostering a more efficient and effective leadership structure.

 

Amb. Nwodo brings a wealth of experience and expertise to her new role, having served as a National Deputy Secretary (Emeritus) and demonstrating exceptional leadership skills and a deep understanding of the Guild’s vision and mission. A respected member of the Nigerian entertainment industry, she is also known for her dedication to promoting actor welfare and advancing the Guild’s interests.

*A Proven Track Record*

Amb. Nwodo’s appointment is a testament to her outstanding contributions to AGN and her commitment to serving the Nigerian film industry. Her philanthropic efforts and advocacy for social causes have made a positive impact on Nigerian communities, She’s also the CEO of CHELSEA NWODO’S FOUNDATION a foundation known for its unique cultural expression and alliance with many state government including Delta state government and so on.

*About the Actors Guild of Nigeria (AGN)*

The AGN is the governing body for professional actors in Nigeria’s Nollywood film industry, established in 1998 with over one million members across the six geopolitical zones of the federation. The Guild promotes actor’s welfare, protects their rights, and advances the Nigerian film industry.

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