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“I spent nine years in University” + How Ali Baba, RMD helped my career

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Not many people know Ayo Makun, but at the mention of AY, everybody knows who you are talking about. This is because AY, as a stand-up comedian, has built his name into a brand that has broken barriers. In this interview with ADUNOLA FASUYI, the comedian speaks about his beginning and his rise to stardom.

Excerpts: Can you tell us about your childhood? Family background?

Growing up wasn’t bad. The good thing about my growing up was that I was born into a Christian family. My parents gave us the proper guidance we needed in life. I grew up as the first male child from a family of seven. Being the first, there was no such thing as a silverspoon. We didn’t even see a wooden spoon, but it was very good. The fear of God that guided us then and which is still guiding us now, is one thing that kept us strong and fit.
Can you tell us the schools attended with qualifications?

When I say I spent nine years in Delta State University, a lot of people begin to wonder why. I wasn’t a failure and it wasn’t totally due to the strike actions that were rampant in those days. I was just somebody who was unable to get his priority right at the very early stage. Because I needed to be in school, I decided to study Music with the intention of taking elective courses that were in line with Mass Communication. And good enough for me, I passed all the elective courses very well, but the department rejected my application to go. So, I had to study Music.

It was at the point of my final year in Music that I made a decision that I wasn’t going to graduate in music. I took JAMB form again, I now put in for Theatre Arts because you know that when you find yourself in a system, you will have a better understanding of that system. So, I later discovered that Theatre Arts could equally give me everything that I could get in communication because they belong to the same family and that was how I went for Theatre Arts. I was in my final year when they told me that they could not find my course registration form for 200 Level.

It meant that my result was illegal and I needed to repeat. I decided to leave school and I came back to Lagos trying to find my way out of Nigeria. I met somebody who duped me, so I had to go back to Abraka to repeat the 200 Level. But by the time I got there, the registration had closed. So, I had to come back the following year to start 200 Level and I was sponsoring myself in school. It was not easy.

How exactly did you get into comedy, was it by accident or design?

It was between 2005 and 2006. My unveiling came at the RMD-organised Made In Warri of year 2005.

Prior to that time, I had done a show with Basketmouth during his show, Laughs and Jams and he was telling Ali Baba how I performed well. But my breakthrough was with Nite of a Thousand Laffs. Strange to say one of the other comedians said he would use my jokes because I was not a comedian. It was then Ali Baba insisted that I will perform for five minutes.

During the show, Ali Baba beckoned on me and said “O ma se five minutes” (You will perform for five minutes). I immediately got on stage and Opa Williams wondered how I got on stage to perform at his show which was a big show. I went ahead to do my thing and in less than 30 seconds, I had taken the show to another level. By the time I was leaving the stage, I got a standing ovation. By the time the second show would commence, Opa Williams asked me if I could do what I did during the first show. That was all I needed for somebody to believe in me.

The second show was greater than the first show and ever since then, comedy has been putting food on the table for me. It blew out of proportion and I got the best upcoming comedian award for that year and that same year, I was nominated for the best upcoming comedian and I was also nominated for the comedian of the year. That was what gave me the confidence for my one-man show, AY live. The maiden edition was held at the Muson Centre and it was a sell-out. I want to say it is hardwork and luck put together because we are doing a lot as well; I am not the kind of comedian who just believe that let me just go and crack jokes and make a living.

What was your parents’ reaction when you decided to take up comedy as a career, maybe they wanted you to be a doctor, lawyer, banker etc?

I lost my parents while in the university, but they brought me up in a background where my father was a major figure. His presence alone would correct anything that seemed wrong. They were always teaching us that the fear of the Lord is the beginning of wisdom. I can rephrase that and say, ‘the fear of my father being around was the beginning of me trying to get anything that I do right’ because I always would do what he wanted me to do. I imagine they would have been proud of me because it is the inherent creativity that I received from them that has brought me to limelight

Who are your mentors in the industry?

I have already mentioned the role Ali Baba played in my life as a friend and mentor. Another person who has impacted me greatly is RMD. RMD was also a very strong influence in terms of corporate branding and packaging. RMD is a very meticulous individual. Anytime I want to go to an event, I make sure I look my best because all of these add value to your brand. I was at an event one day and somebody came to me and said, “please, did you see the comedian; they said he went through this way” and I was looking at him and I said ‘sir, I’m the comedian, I’m the MC.’ And he said, ‘I almost mistook you for my MD, because of the way you are dressed.’ RMD taught me all these. When they cannot differentiate you from themselves, then you earn respect, but when you go there and your shoe is looking to heaven for help, then they can order you around. Which event shot you into limelight? Was it a Nite of a Thousand Laughs or Ali Baba’s shows?

There is no need to think much on that subject. I have already answered this in past interviews and even on stage. The answer is I needed to give it to Ali Baba. Apart from the fact that I worked with him, I lived with him, so I was able to really study him and tap from his experience. He is the kind that pays attention to details and he is the kind of person who would like to get it right all the time. If, for example, he has an event that has to do with lawyers, he would crack jokes that they can relate with. If you see Ali Baba on stage, you won’t just see a comedian, you will see someone that will interact and get across to the people he is entertaining and they will begin to wonder if he is not one of their learned colleagues. He has one of the largest libraries I know and he reads widely, depending on whose function he is attending. This is to make him capable of relating well with them, which is highly professional and spontaneous. And that’s why we call him the king of comedy. That’s why I say my living with him was a blessing and people are still awed at the fact that I came into the business not long ago and yet I am already relevant; it’s because of the influence of Ali Baba in my life. To specifically answer your question, I started by performing during the Ali Baba Fans Club Show at Victoria Garden City (VGC). Before Ali Baba performed, I would have performed. Sometimes, the jokes were funny and sometimes they were not funny. But Ali Baba would always advice on those jokes. The next week, I would have taken to corrections and corrected those things he advised and the audiences were thrilled with my jokes. That was how I honed my skills as a comedian. Interestingly, when I was not yet a comedian, I had several scripts on jokes that I wanted to give those that will perform. It was just time for me to make use of those scripts.

What does it takes to be a good and successful comedian like you? Well, the determination to succeed propels me. What people see as something that is supposed to weigh me down became the needed tonic for what will just propel me to another level. For comedy, it was other comedians who knew me as an events person and they would poke jokes amongst themselves saying, ‘AY dey crack joke too? Wetin he wan talk?’ Many of them said that to me, but my response was they should wait and see what I would become. And it has happened. In the area of relationship, there was this lady who told me pointblank that I was approaching life at snail speed. Also, I am a great researcher. Those that know me know I always like my laptop close by because I always want to be in the know. Thus, I stand in front of my audience and I can do my jokes and give you facts. I relate with issues and people would be wondering; is this guy a comedian or a teacher? But then, I am achieving both. As I dish out relevant information to my guests, I lace my jokes with information and so my guests go away with laughter and nuggets of information. This is one of the things I learnt from Ali Baba.

No doubt, comedy is time-consuming, does your home front suffers fatherly care and attention due to the job?

No to all those questions. My marriage has been so wonderful and fruitful. I heard a lot of negative advice when I wanted to get married. Friends told me my fan base would reduce and if I had listened to them then, I would not have this blessed life I am living now. The truth is this, “he that finds a good wife, finds a good thing”. It was when I got married that I began to have more female fans. I realised that marriage brings a sense of responsibility and respect. I enjoy a lot of respect as a married man. Marriage is blissful. Myself and my wife, Mabel, are blessed with a wonderful baby girl we named Adeola. On the business side of things, being a husband and a father does not interfere in any way. As a matter of fact, what I do with my brand can be regarded as family business. Those who are used to me always see my wife running the business angle for me. We run the business together and business has been great because we complement each other. What other things do you do besides comedy? If you had not been a comedian what other career would you have chosen? It is encased in one word, entrepreneurship. That is who I am. Since 2007, I have been building an empire on comedy and entertainment. I run a corporate world entertainment; the company that is packaging AY live and I do a TV show known as the AY Show. Right now, I am building a comedy channel on HITV that is going to be the first comedy channel in the country. We have started it already and we are on Hi-Nolly. We also have AY magazine as well as a platform for upcoming comedians called Open Mic Comedy challenge. I also consult for people who want to do live events as well. So, I can say I do a lot. I produce, present, write and act. How rewarding has the career been for you? The career has been rewarding indeed. From the unknown person, Ayo Makun, who sought to make ends meet, my career has turned me to AY, a brand, whose fan base is not limited to the corporate sector but cuts across the entire sectors of the Nigerian economy. I have been opportuned to meet governors, the current president and the crème de lacrème of the society. It is humbling, when such highly-placed individuals declare their admiration for my manner of comedy.

What were the challenges you had to face as a young comedian?

There were times I would be ready and all dressed up and even go backstage believing that the time to perform will be there and I wasn’t even listened to. It was that bad. There were times when the senior colleagues regarded me as a nonentity, who could not grab the microphone. I went through these challenges with gusto because I had a clear view of my goal. So, to me, they were just stepping stones that have led to the success you are seeing now. How long have you been married now? Was it after you started comedy? I started comedy in 2005 and I got married in 2007. So, it is obvious which came first. But we had been dating a long while. We met at Delta State University where I finished from; she was coming in when I was graduating. She became a major reason to go back to the school and today she is my wife.


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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors

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*Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors*

By Rtn. Victor Ojelabi

 

The much-anticipated movie series Seven Doors by Femi Adebayo has finally premiered, currently showing on Netflix, captivating audiences with its intricate storytelling and compelling characters.

The movie begins with a haunting scene of seven women under a mysterious spell leaping to their deaths from a waterfall, setting the tone for a gripping tale that unravels in Ilara Kingdom.

The series explores various societal issues, including corruption, greed, gluttony, family values, malicious conspiracies, and the delicate balance of law and order.

Central to its plot is the calamitous fate of Oba Adedunjoye, the Onilara of Ilara, whose failure to perform traditional rites—symbolised by knocking on seven doors—unleashes devastating consequences on his kingdom.

At the heart of this chaos is Esusu, a malevolent and exiled villain whose return wreaks havoc.

Esusu, a ni ohun t’Eledumare o ni.
Eledumare o ni ika, ika ni Esusu

The character of Esusu, pivotal to the story’s depth, is masterfully brought to life by Aliu Gafar.

Gafar’s first appearance, late in Episode 2, immediately shifts the narrative, introducing a chilling force that spares no one, not even the royal family. His commanding portrayal encapsulates the essence of Esusu, a man whose wickedness defies comprehension.

The backstory reveals Esusu’s sinister pact with Ọba Adejuwọn, an ancestor of Adedunjoye.

Desperation led Adejuwon to seek Esusu’s help to evade death—a move that came at an unthinkable cost, forgetting that bi alọ ba lọ, abọ nbọ (a pendulum that swings to is still coming to swing fro).

Esusu’s return demanded not only royal treatment but the freedom to live as he pleased, challenging the very fabric of the kingdom.

Gafar embodies this complex character with remarkable precision, delivering a performance that is both chilling and unforgettable.

With almost two decades in Nollywood, Aliu Gafar has solidified his reputation as a versatile and dedicated actor.

His extensive filmography includes acclaimed productions such as Jagun Jagun, Anikulapo, Iyalode, Eefin, and Omo Ajele.

His role in Seven Doors further cements his legacy as a master of his craft, showcasing his ability to seamlessly portray multifaceted characters.

The Yoruba actor has also garnered accolades for his work, including the Best Actor award at the Dallas International Yoruba Movies Awards for his role in Peregun.

His commitment to the industry and his talent for captivating performances continue to make him a force to be reckoned with in Nollywood.

In Seven Doors, Gafar’s nuanced performance as Esusu elevates the series, demonstrating his ability to command attention and bring depth to a complex narrative.

His contribution to the Nigerian film industry remains invaluable, and his portrayal of Esusu is a testament to his enduring excellence.

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Bullion Records Officially Commissions New Music House in Lagos

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Bullion Records Officially Commissions New Music House in Lagos

One of Nigeria’s leading music labels, Bullion Records, has taken a significant step in its journey of redefining the Afrobeat music industry with the commissioning of its state-of-the-art Music House. The grand ceremony, held on Friday, December 6, 2024, at 29 Abebi Close, Goodwill Estate, Bemil, Ojodu Abiodun, Berger, Lagos, was a star-studded affair graced by notable personalities, well-wishers, and media representatives.
Ogun State chairman of the New Nigeria People’s Party (NNPP), Barrister Femi Aina, officially inaugurated the facility by cutting the ribbon. He was joined by key dignitaries, including the NNPP’s Ogun State Public Relations Officer, Comrade Omokehinde Olowu; the convener of the Ajadi Independent Movement (AIM), Hon. Idowu Shola Imoleayo; and the Ogun State Secretary, Alhaja Shakirat Arowolo.

Ambassador Olufemi Ajadi Oguntoyinbo, CEO of Bullion Records, expressed his gratitude and excitement during the event. He described the Music House as a dream realized, emphasizing the label’s dedication to fostering creative excellence.

“This Music House represents our commitment to providing a platform where talents can thrive and Afrobeat can continue to flourish globally,” Ajadi said. “Bullion Records is more than a music label; it is a family, a movement, and a force for positive change in the entertainment industry. We are proud to unveil this facility as a hub for creativity and innovation.”
The Managing Director of Bullion Records, Mr. Elegbede Ajibola, also highlighted the significance of the Music House. “This is a new chapter in our journey. The Music House will not only serve as a recording studio but also as a center for nurturing and promoting exceptional talents. We are excited about the possibilities it holds for the future of Afrobeat,” he stated.

The event was hosted by popular comedians MC Emmer and African Pencil G, while comedian MC Kirikiri entertained the dignitaries and guests with his humor. DJ Dr. Step, and DJ Danny Yankee of LASU FM curated the music policy for the night, setting an energetic and celebratory tone throughout the event.

Guests were further captivated by electrifying performances from Bullion Records’ star artistes. Harcher, the label’s newly signed 20-year-old Afrobeat sensation, delivered an unforgettable performance alongside Kingsley Fortune, popularly known as GyC, the label’s senior act. The duo thrilled the audience with their hit tracks, showcasing the label’s dedication to producing quality music.

In his remarks, Harcher expressed his appreciation for the opportunity to be part of Bullion Records, calling it a family that supports his passion and vision. “This is not just a music house; it is the home of dreams. I’m grateful to be part of this journey, and I promise to make my fans and the label proud,” he said.

GyC, who has been a pivotal figure in the label’s success, also shared his excitement about the new development. “Bullion Records has always set the standard for excellence, and this Music House is a testament to that. It is a space where creativity will thrive, and I am proud to be part of this historic moment,” GyC said.

The event drew significant media attention, with Soundcity TV, a prominent Nigerian lifestyle and music channel, in attendance alongside other reputable media houses.

The ceremony ended on a high note, with well-wishers applauding Bullion Records’ innovative vision and commitment to uplifting the Afrobeat genre globally.

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