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“I spent nine years in University” + How Ali Baba, RMD helped my career

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Not many people know Ayo Makun, but at the mention of AY, everybody knows who you are talking about. This is because AY, as a stand-up comedian, has built his name into a brand that has broken barriers. In this interview with ADUNOLA FASUYI, the comedian speaks about his beginning and his rise to stardom.

Excerpts: Can you tell us about your childhood? Family background?

Growing up wasn’t bad. The good thing about my growing up was that I was born into a Christian family. My parents gave us the proper guidance we needed in life. I grew up as the first male child from a family of seven. Being the first, there was no such thing as a silverspoon. We didn’t even see a wooden spoon, but it was very good. The fear of God that guided us then and which is still guiding us now, is one thing that kept us strong and fit.
Can you tell us the schools attended with qualifications?

When I say I spent nine years in Delta State University, a lot of people begin to wonder why. I wasn’t a failure and it wasn’t totally due to the strike actions that were rampant in those days. I was just somebody who was unable to get his priority right at the very early stage. Because I needed to be in school, I decided to study Music with the intention of taking elective courses that were in line with Mass Communication. And good enough for me, I passed all the elective courses very well, but the department rejected my application to go. So, I had to study Music.

It was at the point of my final year in Music that I made a decision that I wasn’t going to graduate in music. I took JAMB form again, I now put in for Theatre Arts because you know that when you find yourself in a system, you will have a better understanding of that system. So, I later discovered that Theatre Arts could equally give me everything that I could get in communication because they belong to the same family and that was how I went for Theatre Arts. I was in my final year when they told me that they could not find my course registration form for 200 Level.

It meant that my result was illegal and I needed to repeat. I decided to leave school and I came back to Lagos trying to find my way out of Nigeria. I met somebody who duped me, so I had to go back to Abraka to repeat the 200 Level. But by the time I got there, the registration had closed. So, I had to come back the following year to start 200 Level and I was sponsoring myself in school. It was not easy.

How exactly did you get into comedy, was it by accident or design?

It was between 2005 and 2006. My unveiling came at the RMD-organised Made In Warri of year 2005.

Prior to that time, I had done a show with Basketmouth during his show, Laughs and Jams and he was telling Ali Baba how I performed well. But my breakthrough was with Nite of a Thousand Laffs. Strange to say one of the other comedians said he would use my jokes because I was not a comedian. It was then Ali Baba insisted that I will perform for five minutes.

During the show, Ali Baba beckoned on me and said “O ma se five minutes” (You will perform for five minutes). I immediately got on stage and Opa Williams wondered how I got on stage to perform at his show which was a big show. I went ahead to do my thing and in less than 30 seconds, I had taken the show to another level. By the time I was leaving the stage, I got a standing ovation. By the time the second show would commence, Opa Williams asked me if I could do what I did during the first show. That was all I needed for somebody to believe in me.

The second show was greater than the first show and ever since then, comedy has been putting food on the table for me. It blew out of proportion and I got the best upcoming comedian award for that year and that same year, I was nominated for the best upcoming comedian and I was also nominated for the comedian of the year. That was what gave me the confidence for my one-man show, AY live. The maiden edition was held at the Muson Centre and it was a sell-out. I want to say it is hardwork and luck put together because we are doing a lot as well; I am not the kind of comedian who just believe that let me just go and crack jokes and make a living.

What was your parents’ reaction when you decided to take up comedy as a career, maybe they wanted you to be a doctor, lawyer, banker etc?

I lost my parents while in the university, but they brought me up in a background where my father was a major figure. His presence alone would correct anything that seemed wrong. They were always teaching us that the fear of the Lord is the beginning of wisdom. I can rephrase that and say, ‘the fear of my father being around was the beginning of me trying to get anything that I do right’ because I always would do what he wanted me to do. I imagine they would have been proud of me because it is the inherent creativity that I received from them that has brought me to limelight

Who are your mentors in the industry?

I have already mentioned the role Ali Baba played in my life as a friend and mentor. Another person who has impacted me greatly is RMD. RMD was also a very strong influence in terms of corporate branding and packaging. RMD is a very meticulous individual. Anytime I want to go to an event, I make sure I look my best because all of these add value to your brand. I was at an event one day and somebody came to me and said, “please, did you see the comedian; they said he went through this way” and I was looking at him and I said ‘sir, I’m the comedian, I’m the MC.’ And he said, ‘I almost mistook you for my MD, because of the way you are dressed.’ RMD taught me all these. When they cannot differentiate you from themselves, then you earn respect, but when you go there and your shoe is looking to heaven for help, then they can order you around. Which event shot you into limelight? Was it a Nite of a Thousand Laughs or Ali Baba’s shows?

There is no need to think much on that subject. I have already answered this in past interviews and even on stage. The answer is I needed to give it to Ali Baba. Apart from the fact that I worked with him, I lived with him, so I was able to really study him and tap from his experience. He is the kind that pays attention to details and he is the kind of person who would like to get it right all the time. If, for example, he has an event that has to do with lawyers, he would crack jokes that they can relate with. If you see Ali Baba on stage, you won’t just see a comedian, you will see someone that will interact and get across to the people he is entertaining and they will begin to wonder if he is not one of their learned colleagues. He has one of the largest libraries I know and he reads widely, depending on whose function he is attending. This is to make him capable of relating well with them, which is highly professional and spontaneous. And that’s why we call him the king of comedy. That’s why I say my living with him was a blessing and people are still awed at the fact that I came into the business not long ago and yet I am already relevant; it’s because of the influence of Ali Baba in my life. To specifically answer your question, I started by performing during the Ali Baba Fans Club Show at Victoria Garden City (VGC). Before Ali Baba performed, I would have performed. Sometimes, the jokes were funny and sometimes they were not funny. But Ali Baba would always advice on those jokes. The next week, I would have taken to corrections and corrected those things he advised and the audiences were thrilled with my jokes. That was how I honed my skills as a comedian. Interestingly, when I was not yet a comedian, I had several scripts on jokes that I wanted to give those that will perform. It was just time for me to make use of those scripts.

What does it takes to be a good and successful comedian like you? Well, the determination to succeed propels me. What people see as something that is supposed to weigh me down became the needed tonic for what will just propel me to another level. For comedy, it was other comedians who knew me as an events person and they would poke jokes amongst themselves saying, ‘AY dey crack joke too? Wetin he wan talk?’ Many of them said that to me, but my response was they should wait and see what I would become. And it has happened. In the area of relationship, there was this lady who told me pointblank that I was approaching life at snail speed. Also, I am a great researcher. Those that know me know I always like my laptop close by because I always want to be in the know. Thus, I stand in front of my audience and I can do my jokes and give you facts. I relate with issues and people would be wondering; is this guy a comedian or a teacher? But then, I am achieving both. As I dish out relevant information to my guests, I lace my jokes with information and so my guests go away with laughter and nuggets of information. This is one of the things I learnt from Ali Baba.

No doubt, comedy is time-consuming, does your home front suffers fatherly care and attention due to the job?

No to all those questions. My marriage has been so wonderful and fruitful. I heard a lot of negative advice when I wanted to get married. Friends told me my fan base would reduce and if I had listened to them then, I would not have this blessed life I am living now. The truth is this, “he that finds a good wife, finds a good thing”. It was when I got married that I began to have more female fans. I realised that marriage brings a sense of responsibility and respect. I enjoy a lot of respect as a married man. Marriage is blissful. Myself and my wife, Mabel, are blessed with a wonderful baby girl we named Adeola. On the business side of things, being a husband and a father does not interfere in any way. As a matter of fact, what I do with my brand can be regarded as family business. Those who are used to me always see my wife running the business angle for me. We run the business together and business has been great because we complement each other. What other things do you do besides comedy? If you had not been a comedian what other career would you have chosen? It is encased in one word, entrepreneurship. That is who I am. Since 2007, I have been building an empire on comedy and entertainment. I run a corporate world entertainment; the company that is packaging AY live and I do a TV show known as the AY Show. Right now, I am building a comedy channel on HITV that is going to be the first comedy channel in the country. We have started it already and we are on Hi-Nolly. We also have AY magazine as well as a platform for upcoming comedians called Open Mic Comedy challenge. I also consult for people who want to do live events as well. So, I can say I do a lot. I produce, present, write and act. How rewarding has the career been for you? The career has been rewarding indeed. From the unknown person, Ayo Makun, who sought to make ends meet, my career has turned me to AY, a brand, whose fan base is not limited to the corporate sector but cuts across the entire sectors of the Nigerian economy. I have been opportuned to meet governors, the current president and the crème de lacrème of the society. It is humbling, when such highly-placed individuals declare their admiration for my manner of comedy.

What were the challenges you had to face as a young comedian?

There were times I would be ready and all dressed up and even go backstage believing that the time to perform will be there and I wasn’t even listened to. It was that bad. There were times when the senior colleagues regarded me as a nonentity, who could not grab the microphone. I went through these challenges with gusto because I had a clear view of my goal. So, to me, they were just stepping stones that have led to the success you are seeing now. How long have you been married now? Was it after you started comedy? I started comedy in 2005 and I got married in 2007. So, it is obvious which came first. But we had been dating a long while. We met at Delta State University where I finished from; she was coming in when I was graduating. She became a major reason to go back to the school and today she is my wife.


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Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems

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Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems

Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music

By Alhaji Arems

Fuji music, a genre deeply rooted in the cultural tapestry of Nigeria, has a rich history that dates back several decades. This article aims to take fans and the general public down memory lane, tracing the origins of Fuji music, its key figures, and the leadership that has shaped its evolution. It’s crucial to acknowledge and celebrate the pioneers who laid the foundation for this vibrant musical genre and correct any misconceptions that have arisen, especially among the younger generation.

Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music

By Alhaji Arems

The Beginnings of Fuji Music :

Fuji music emerged in the late 1960s and early 1970s, primarily within the Yoruba community of Nigeria. It was an evolution of the were music—a traditional Islamic music genre played during the Ramadan season. Fuji music blended elements of were, apala, and juju music to create a distinctive sound characterized by its energetic percussion, vibrant rhythms, and engaging call-and-response vocals.

 

The Pioneer : Alhaji Sikiru Ayinde Barrister

The genesis of Fuji music is closely tied to the name Alhaji Sikiru Ayinde Barrister, widely regarded as the creator and undisputed leader of Fuji music. Born on February 9, 1948, Barrister’s innovative approach transformed were music into Fuji, infusing it with modern instrumentation and dynamic stage performances. His impact on Fuji music was profound, as he popularized the genre both within Nigeria and internationally, earning a loyal fanbase that spans generations.

 

Leadership in Fuji Music: Past and Present :

Following the death of Barrister in 2010, the mantle of leadership within Fuji music has often been a topic of discussion. Alhaji Kollington Ayinla, another prominent figure in the Fuji music scene, is widely acknowledged as the current leader. Kollington, known for his unique style and powerful lyrics, played a significant role in shaping Fuji music alongside Barrister. His contributions to the genre are invaluable, and it is essential to recognize his position and influence within the Fuji community.

 

Correcting Misconceptions And Honoring Legacy :

In recent times, there has been a growing trend among younger Fuji artists and fans—often referred to as the “Indomie Generation”—to overlook the contributions of foundational figures like Kollington Ayinla. Some have even begun to lay claims to titles and positions that rightfully belong to the pioneers of Fuji music. This publication seeks to correct these misconceptions and ensure that due credit is given where it is deserved.

 

Kollington Ayinla, as the rightful heir to the leadership of Fuji music, deserves respect and recognition. While it is important to acknowledge the contributions of emerging artists, it should never come at the expense of those who paved the way for Fuji music to flourish. The legacy of pioneers like Barrister and Kollington must be preserved and celebrated, not overshadowed by contemporary claims.

 

Enlightening The New Generation :

It is imperative for the younger generation to be educated about the history and origins of Fuji music. Understanding the genre’s roots, the sacrifices and innovations of its pioneers, and the cultural significance it holds will foster a greater appreciation and respect for Fuji music. This knowledge will ensure that the legacy of Fuji music remains intact and that its leadership is rightfully honored.

 

Fuji music is more than just a genre; it is a cultural treasure that embodies the spirit and resilience of the Nigerian people. By acknowledging and celebrating the pioneers who created and shaped Fuji music, we preserve its rich history and ensure that future generations understand and respect its origins. As we look to the future of Fuji music, let us remember the words of Barrister and Kollington, who through their artistry, have left an indelible mark on the world of music.

Late SAB is the authentic Fuji Mi….

_Fuji mi, Fuji mi, the source—let us always remember where it all began._

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Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future

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Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future

 

Azeez Awiye Odumosu also known as Veron, a rising star in the Yoruba movie industry, has become a force to reckon with as an actor, producer, influencer and the CEO Awiye TV on YouTube channel. Known for his vibrant presence on TikTok and as a successful entrepreneur, Odumosu is the owner of Awiye Autos Nigeria Limited, a reputable car dealership based in Lagos State.

Hailing from Iragunsin, Epe, Lagos State, Azeez began his journey as a content creator, leveraging social media to showcase his talent and build a fanbase. His transition into Nollywood came when he connected with key players in the industry. In 2024, his professional acting career officially began after being introduced to his boss, Kayode Adebayo, popularly known as Kay Alubarika, who is a Nollywood movie director, Akintelu Fatimah Gbemisola and a popular D.O.P, Azeez Tijani also known as AZ.

Since joining the industry, Azeez has featured in several Yoruba movies, earning recognition for his talent and dedication. His venture into movie production has also gained attention, with his debut production, “Odun Kan”, promising to be a blockbuster. With his growing ambitions, Odumosu is currently planning to shoot a cinematic movie, aiming to leave an indelible mark on the industry.

Balancing his acting career with his thriving business, Awiye Autos Nigeria Limited, Azeez Odumosu exemplifies versatility and determination. As he continues to excel in Nollywood and beyond, fans eagerly anticipate his next projects and entrepreneurial milestones.

Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future

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Nigerian Thespian Wuraola Olaniran Takes Center Stage

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Nigerian Thespian Wuraola Olaniran Takes Center Stage

 

Wuraola Olaniran, a versatile actor, scriptwriter, and director, has carved a niche for herself in Nigeria’s entertainment industry. With a degree in English Literature from the University of Ilorin, Wuraola’s passion for acting began at a tender age, blossoming into a successful career.

A Stellar Career

Wuraola’s professional journey commenced in 2015, with her debut screenplay appearance in February 2016. Since then, she has captivated audiences with breathtaking performances in numerous stage and screen productions. Her repertoire includes:

•⁠ ⁠Stage plays: “A Dance of the Forests,” “Life Burial,” “Love Twirls of Aditu and Iyunade,” “Efunsetan Aniwura,” and “Moxie of Afonja.”
•⁠ ⁠Screen productions: “To Kill a Monkey,” “Miracle Center,” “Omije,” “Aiyetoro Town,” and “The Only Celebrity in Nigeria.”
•⁠ ⁠Notable collaborations: Funke Akindele, Sola Sobowale, Toyin Abraham, Femi Adebayo, and Kemi Adetiba.

Directing Credits

Wuraola’s directing credits include:

•⁠ ⁠A Dance of the Forests (Wole Soyinka)
•⁠ ⁠Life Burial (Helen Paul)
•⁠ ⁠KWRS Tax Program (2018)

Upcoming Performance

Catch Wuraola live on stage on November 17th in “Moxie of Aareonakakanfo,” where she will masterfully portray three distinct characters.

Artistic Philosophy

For Wuraola, acting transcends entertainment; it’s a cultural bridge, preserving heritage and uniting diverse audiences. Her dedication to authenticity and immersive storytelling has earned her recognition within the industry.

Nigerian Thespian Wuraola Olaniran Takes Center Stage

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