Entertainment
“I spent nine years in University” + How Ali Baba, RMD helped my career
Not many people know Ayo Makun, but at the mention of AY, everybody knows who you are talking about. This is because AY, as a stand-up comedian, has built his name into a brand that has broken barriers. In this interview with ADUNOLA FASUYI, the comedian speaks about his beginning and his rise to stardom.
Excerpts: Can you tell us about your childhood? Family background?
Growing up wasn’t bad. The good thing about my growing up was that I was born into a Christian family. My parents gave us the proper guidance we needed in life. I grew up as the first male child from a family of seven. Being the first, there was no such thing as a silverspoon. We didn’t even see a wooden spoon, but it was very good. The fear of God that guided us then and which is still guiding us now, is one thing that kept us strong and fit.
Can you tell us the schools attended with qualifications?
When I say I spent nine years in Delta State University, a lot of people begin to wonder why. I wasn’t a failure and it wasn’t totally due to the strike actions that were rampant in those days. I was just somebody who was unable to get his priority right at the very early stage. Because I needed to be in school, I decided to study Music with the intention of taking elective courses that were in line with Mass Communication. And good enough for me, I passed all the elective courses very well, but the department rejected my application to go. So, I had to study Music.
It was at the point of my final year in Music that I made a decision that I wasn’t going to graduate in music. I took JAMB form again, I now put in for Theatre Arts because you know that when you find yourself in a system, you will have a better understanding of that system. So, I later discovered that Theatre Arts could equally give me everything that I could get in communication because they belong to the same family and that was how I went for Theatre Arts. I was in my final year when they told me that they could not find my course registration form for 200 Level.
It meant that my result was illegal and I needed to repeat. I decided to leave school and I came back to Lagos trying to find my way out of Nigeria. I met somebody who duped me, so I had to go back to Abraka to repeat the 200 Level. But by the time I got there, the registration had closed. So, I had to come back the following year to start 200 Level and I was sponsoring myself in school. It was not easy.
How exactly did you get into comedy, was it by accident or design?
It was between 2005 and 2006. My unveiling came at the RMD-organised Made In Warri of year 2005.
Prior to that time, I had done a show with Basketmouth during his show, Laughs and Jams and he was telling Ali Baba how I performed well. But my breakthrough was with Nite of a Thousand Laffs. Strange to say one of the other comedians said he would use my jokes because I was not a comedian. It was then Ali Baba insisted that I will perform for five minutes.
During the show, Ali Baba beckoned on me and said “O ma se five minutes” (You will perform for five minutes). I immediately got on stage and Opa Williams wondered how I got on stage to perform at his show which was a big show. I went ahead to do my thing and in less than 30 seconds, I had taken the show to another level. By the time I was leaving the stage, I got a standing ovation. By the time the second show would commence, Opa Williams asked me if I could do what I did during the first show. That was all I needed for somebody to believe in me.
The second show was greater than the first show and ever since then, comedy has been putting food on the table for me. It blew out of proportion and I got the best upcoming comedian award for that year and that same year, I was nominated for the best upcoming comedian and I was also nominated for the comedian of the year. That was what gave me the confidence for my one-man show, AY live. The maiden edition was held at the Muson Centre and it was a sell-out. I want to say it is hardwork and luck put together because we are doing a lot as well; I am not the kind of comedian who just believe that let me just go and crack jokes and make a living.
What was your parents’ reaction when you decided to take up comedy as a career, maybe they wanted you to be a doctor, lawyer, banker etc?
I lost my parents while in the university, but they brought me up in a background where my father was a major figure. His presence alone would correct anything that seemed wrong. They were always teaching us that the fear of the Lord is the beginning of wisdom. I can rephrase that and say, ‘the fear of my father being around was the beginning of me trying to get anything that I do right’ because I always would do what he wanted me to do. I imagine they would have been proud of me because it is the inherent creativity that I received from them that has brought me to limelight
Who are your mentors in the industry?
I have already mentioned the role Ali Baba played in my life as a friend and mentor. Another person who has impacted me greatly is RMD. RMD was also a very strong influence in terms of corporate branding and packaging. RMD is a very meticulous individual. Anytime I want to go to an event, I make sure I look my best because all of these add value to your brand. I was at an event one day and somebody came to me and said, “please, did you see the comedian; they said he went through this way” and I was looking at him and I said ‘sir, I’m the comedian, I’m the MC.’ And he said, ‘I almost mistook you for my MD, because of the way you are dressed.’ RMD taught me all these. When they cannot differentiate you from themselves, then you earn respect, but when you go there and your shoe is looking to heaven for help, then they can order you around. Which event shot you into limelight? Was it a Nite of a Thousand Laughs or Ali Baba’s shows?
There is no need to think much on that subject. I have already answered this in past interviews and even on stage. The answer is I needed to give it to Ali Baba. Apart from the fact that I worked with him, I lived with him, so I was able to really study him and tap from his experience. He is the kind that pays attention to details and he is the kind of person who would like to get it right all the time. If, for example, he has an event that has to do with lawyers, he would crack jokes that they can relate with. If you see Ali Baba on stage, you won’t just see a comedian, you will see someone that will interact and get across to the people he is entertaining and they will begin to wonder if he is not one of their learned colleagues. He has one of the largest libraries I know and he reads widely, depending on whose function he is attending. This is to make him capable of relating well with them, which is highly professional and spontaneous. And that’s why we call him the king of comedy. That’s why I say my living with him was a blessing and people are still awed at the fact that I came into the business not long ago and yet I am already relevant; it’s because of the influence of Ali Baba in my life. To specifically answer your question, I started by performing during the Ali Baba Fans Club Show at Victoria Garden City (VGC). Before Ali Baba performed, I would have performed. Sometimes, the jokes were funny and sometimes they were not funny. But Ali Baba would always advice on those jokes. The next week, I would have taken to corrections and corrected those things he advised and the audiences were thrilled with my jokes. That was how I honed my skills as a comedian. Interestingly, when I was not yet a comedian, I had several scripts on jokes that I wanted to give those that will perform. It was just time for me to make use of those scripts.
What does it takes to be a good and successful comedian like you? Well, the determination to succeed propels me. What people see as something that is supposed to weigh me down became the needed tonic for what will just propel me to another level. For comedy, it was other comedians who knew me as an events person and they would poke jokes amongst themselves saying, ‘AY dey crack joke too? Wetin he wan talk?’ Many of them said that to me, but my response was they should wait and see what I would become. And it has happened. In the area of relationship, there was this lady who told me pointblank that I was approaching life at snail speed. Also, I am a great researcher. Those that know me know I always like my laptop close by because I always want to be in the know. Thus, I stand in front of my audience and I can do my jokes and give you facts. I relate with issues and people would be wondering; is this guy a comedian or a teacher? But then, I am achieving both. As I dish out relevant information to my guests, I lace my jokes with information and so my guests go away with laughter and nuggets of information. This is one of the things I learnt from Ali Baba.
No doubt, comedy is time-consuming, does your home front suffers fatherly care and attention due to the job?
No to all those questions. My marriage has been so wonderful and fruitful. I heard a lot of negative advice when I wanted to get married. Friends told me my fan base would reduce and if I had listened to them then, I would not have this blessed life I am living now. The truth is this, “he that finds a good wife, finds a good thing”. It was when I got married that I began to have more female fans. I realised that marriage brings a sense of responsibility and respect. I enjoy a lot of respect as a married man. Marriage is blissful. Myself and my wife, Mabel, are blessed with a wonderful baby girl we named Adeola. On the business side of things, being a husband and a father does not interfere in any way. As a matter of fact, what I do with my brand can be regarded as family business. Those who are used to me always see my wife running the business angle for me. We run the business together and business has been great because we complement each other. What other things do you do besides comedy? If you had not been a comedian what other career would you have chosen? It is encased in one word, entrepreneurship. That is who I am. Since 2007, I have been building an empire on comedy and entertainment. I run a corporate world entertainment; the company that is packaging AY live and I do a TV show known as the AY Show. Right now, I am building a comedy channel on HITV that is going to be the first comedy channel in the country. We have started it already and we are on Hi-Nolly. We also have AY magazine as well as a platform for upcoming comedians called Open Mic Comedy challenge. I also consult for people who want to do live events as well. So, I can say I do a lot. I produce, present, write and act. How rewarding has the career been for you? The career has been rewarding indeed. From the unknown person, Ayo Makun, who sought to make ends meet, my career has turned me to AY, a brand, whose fan base is not limited to the corporate sector but cuts across the entire sectors of the Nigerian economy. I have been opportuned to meet governors, the current president and the crème de lacrème of the society. It is humbling, when such highly-placed individuals declare their admiration for my manner of comedy.
What were the challenges you had to face as a young comedian?
There were times I would be ready and all dressed up and even go backstage believing that the time to perform will be there and I wasn’t even listened to. It was that bad. There were times when the senior colleagues regarded me as a nonentity, who could not grab the microphone. I went through these challenges with gusto because I had a clear view of my goal. So, to me, they were just stepping stones that have led to the success you are seeing now. How long have you been married now? Was it after you started comedy? I started comedy in 2005 and I got married in 2007. So, it is obvious which came first. But we had been dating a long while. We met at Delta State University where I finished from; she was coming in when I was graduating. She became a major reason to go back to the school and today she is my wife.
Entertainment
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
By Alhaji Arems (Baba Fuji)
Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.
The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.
Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.
The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.
Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.
The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.
Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.
As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.
Entertainment
BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy
*BREAKING NEWS
*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*
Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.
Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.
“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”
Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.
As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.
Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.
Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.
Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.
The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.
Entertainment
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
By Alhaji Arems (Baba Fuji)
Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.
More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.
A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.
Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence
• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.
• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.
Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.
April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.
For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.
In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.
Rewriting the Narrative for Women in Fuji :
Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.
Omo-Opeki’s 3-in-1 album challenges that precedent.
Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.
Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.
This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.
Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.
A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.
A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.
By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.
A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.
April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.
As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.
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