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Ibadan International Film Festival: Venture Government, Private Sector Must Embrace’ –  Prof. Tunji Azeez

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Ibadan International Film Festival

Ibadan International Film Festival: Venture Government, Private Sector Must Embrace’ –  Prof. Tunji Azeez

Ibadan International Film Festival

Glizt, Glamour as Ibadan International Film Festival Rekindles Ibadan as City of Art, Culture, and Entertainment
Globally, the impact of film making cannot be underrated. Apart from the fact that it can be used build positive societal values, its contribution to unite people in a common sense of humanity and shared responsibility gives it power to foster positive changes and developments in any given society, as it can reach a wide audience to inform and inspire change through engaging audiences and reflecting society.

Economically, film making industry in Nigeria has continued to break barriers, grossing millions in dollars as it is being watched globally.

 

Ibadan International Film Festival

According to PwC Global Entertainment and Media Outlook for 2020-2024, Nigeria’s media and entertainment industry is one of the fastest-growing creative industries in the world. It has the potential to become the country’s greatest export, with a projected annual growth rate of 8.6% and a compound annual growth rate (CAGR) of 19.3% from 2018-2023.

The report further pointed that the Nigeria’s film industry in 2021 contributed 2.3% and about 239 billion naira ($660 million) to GDP and projects that the industry will increase its export revenue earnings to over $1 billion.
 

For much of these efforts to be appreciated and further inform the society on the contributions the industry is making to the Nigerian economic and national landscape, major Nollywood stakeholders gathered in Ibadan last week under the platform of Ibadan International Film Festival.

As it was set out, the international festival was a three-day event that gathered major film making players and stakeholders from different institutions to entertain and educate people about films.
The Festival Convener, Usman “Blackky” Ogunlade said that the festival was born out of the idea of putting Ibadan back to its old status of been the cradle of entertainment in Africa which was driven by WNBS/WNTV which later became Nigerian Television Authority.
 

 

Ogunlade said the birth of NTA have birth to the beginning of filmmaking Africa.

In his word, “We set out not for a local film festival but an international film festival because of the status of Ibadan in the World Map. We created an avenue where we can bring the World to Ibadan and also take Ibadan to the world using filmmaking/entertainment.”
 

The event which started on Thursday with workshops on film making was facilitated by Ehizojie Ojesebholo, popular filmmaker known as Jimi Bendel; Godwin Lawani, and Charles Oleghe.

The second day of the event featured workshops on Directing for Film/TV which was facilitated by Niji Akanni; Producing for Film/TV by James Omokwe and Jemila Akinwale and Sound Design for Film/TV was facilitated by Segun “Ebonie” Osisanya.

 

 

This day also screened selected films which were wrapped with an ‘Art Hang Out’ that was supported by the prominent art Curator/Collector – Prince Tunde Odunlade of Tunde Odunlade Arts and Culture.
The last day of the festival featured film screenings and seminar that had the top key players in the business of filmmaking in Nigeria, Biodun Stephen, Olaleken Wasiudeen of LibraTV, Femi Ogunsanwo and Adeleye Fabusoro of the popular family series – Awon Aladun.

In his keynote address, Lagos State University’s Professor of Theatre, Film and Cultural Studies, Professor Tunji Azeez identified the role corporate sponsorship play in event like Ibadan International Film, saying that any nation, such as Nigeria that refuses to consciously and intentionally invest in art, culture and filmmaking does so at its own peril.

 

 

The former Acting Head of Department of Theatre Arts and Music of the institution lamented that successive Nigerian governments have not woken up to this reality in over hundred years of the industry existence.

Professor Azzez emphasized that the birth of Ibadan International Film Festival should be seen as a venture that we all, particularly the government must embrace, pointing that government must put structures and policies in place to guarantee that it is a permanent festival.

 

 

 

 

“Now, let me add that beyond coming to deliver a keynote address at this maiden festival, I am a bonafide son of Oyo state with a passion for the state and the arts and culture sector generally. For this reason, I must emphasize that if we get this right, Ibadan and Oyo state will have cause to attract investors that will impact positively on our people and our culture.”, he said.

The festival received over 10000 entries from over 117 Countries across the world for different categories of awards which went through rigorous screening by the college of screeners and panel of jury which comprises renowned filmmakers and scholars within and outside Nigeria.

 

 

 

 

 

How to Tie a Tie won the Best Screenplay; Leiying Luan in Medea won the  Best Actor (Female); Badmus Ibironke in Sky Pie won the Best Supporting Actor (Female); Gerard Depardieu in Umami won the Best Actor (Male); Pierre Richard in Umami won the Best Supporting Actor (Male); Favour Eraikhuvwmem in Baba won the Best Child Actor, while Kiryane Ahmad won the Best Child Actor (Male) in “Merlich Merlich.

From Trash To Treasure won the Best Editing; Potato won the Best Short Film; Ami won the Best Nigerian Film; Impossible Love won the Best Cinematography; Mummy Is Not Fine won Best Sound Design; Merlich Merlich won the Best Student Film and Ami won the Best Animation

 

 

 

Other movies that had honourary mentions were Kiitan , Midnight Gift, Invisible Manners; Urgent News Bulletin and Archibald Syndrome.

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Islamic Rising Star, Hajia Kifaya Aṣeyọri Marks Birthday, Reflects on 15-Year Music Journey

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Islamic Rising Star, Hajia Kifaya Aṣeyọri Marks Birthday, Reflects on 15-Year Music Journey

Islamic Rising Star, Hajia Kifaya Aṣeyọri Marks Birthday, Reflects on 15-Year Music Journey

 

 

Popular Islamic singer and entertainer, Hajia Kifaya Aṣeyọri, has continued to receive prayers and accolades from fans, friends and well-wishers as she celebrates her birthday today.

The celebrated artiste, known for her inspiring Islamic songs and captivating stage presence, described music as a divine calling and a special gift from God meant to announce her greatness to the world.

Speaking on her journey in the entertainment industry, Kifaya said her unique voice and wisdom helped her gain quick recognition among music lovers and industry stakeholders.

According to her, “My beautiful voice coupled with great wisdom have made my versatility in the entertainment industry quick to be noticed by all and sundry.”

The singer, whose maiden album titled Alaseyori brought her into the limelight years ago, also ventured into fashion and the sales of imported shoes and bags alongside her music career.

As part of efforts to expand her reach in the industry, the Islamic music star disclosed that her songs are available on several digital streaming platforms, including Audiomack and other online play stores.

Having spent over 15 years in the music industry, Kifaya said her versatility has also earned her ambassadorial deals for different brands.

Despite the challenges encountered on her path to success, the singer expressed gratitude to God for sustaining her through difficult times.

“I have got reasons to appreciate God. Though I have passed through a lot, today I have opportunities to thank God,” she said.

Meanwhile, admirers have continued to describe the celebrant as a symbol of grace, faith and excellence, praying for greater achievements, sound health, peace of mind and abundant blessings in her new age.

The birthday celebration has also generated reactions across social media platforms, where fans and associates continue to celebrate her impact in the Islamic entertainment space and wish her many more fruitful years filled with happiness and prosperity.

 

Islamic Rising Star, Hajia Kifaya Aṣeyọri Marks Birthday, Reflects on 15-Year Music Journey

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Ileya Tonic : King Saheed Osupa Announces New 2-in-1 Album, Acapella & Metamorphosis

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Ileya Tonic : King Saheed Osupa Announces New 2-in-1 Album, Acapella & Metamorphosis

By Alhaji Arems (Baba Fuji)

 

 

Veteran Fuji musician King Saheed Osupa is set to release a new 2-in-1 album titled Acapella & Metamorphosis on May 26, 2026.

The announcement was revealed through promotional materials shared across the singer’s official social media pages, where anticipation has already started building among longtime fans of the Fuji icon. The artwork for the project presents Osupa in a calm and regal setting, matching the mature image he has maintained throughout his career.

While full details about the tracklist and featured artists are yet to be officially released, the title of the project has already sparked conversations online. “Metamorphosis” suggests a new phase or evolution, while “Acapella” hints at a more raw or expressive musical direction. Together, both titles point toward a project that may combine classic Fuji elements with a refreshed sound and message.

Over the years, Osupa has remained one of the most respected voices in Fuji music, known for his deep lyrical style, cultural storytelling, and loyal fanbase across Nigeria and beyond. Even as the music industry continues to evolve, the singer has maintained strong relevance, especially among audiences who appreciate traditional Yoruba-rooted sounds blended with contemporary production.

The decision to release a 2-in-1 album also stands out at a time when many artists are focusing on shorter projects and singles. For established acts like Osupa, larger releases often serve as a statement of longevity, consistency, and artistic confidence.

Fans have continued to react positively to the announcement online, with many already counting down to the release date. The project is expected to arrive on major streaming platforms including Spotify, Apple Music, Audiomack, Boomplay, YouTube Music, TIDAL, and Deezer.

With the official release now scheduled for May 26, listeners will be watching closely to see what King Saheed Osupa delivers on Acapella & Metamorphosis and whether the project marks another defining moment in his long-running career.

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Aesha Mikaelson Returns as Producer: Actress Aishy Announces Powerful Screen Comeback With IJA ORU

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Aesha Mikaelson Returns as Producer: Actress Aishy Announces Powerful Screen Comeback With IJA ORU

 

After years away from the spotlight, Nigerian actress, producer, and media personality Aesha Mikaelson is making a highly anticipated return to the screen with a bold new identity, a renewed creative vision, and a powerful upcoming movie project titled IJA ORU — a project she is also producing.

 

Previously known in the entertainment industry as Aishy, whose real name is Aisat Iyabode Asamu, the actress built recognition through multiple media appearances and interviews across prominent Nigerian publications. Over the years, she became known for her charisma, screen presence, and growing influence within Nollywood and youth entertainment culture.

 

Now reintroduced professionally as Aesha Mikaelson, she is entering a new phase of her career — one that reflects growth, reinvention, and artistic maturity, marked not only by her return in front of the camera but also by her expanded role behind the scenes as a producer.

 

Her comeback project, IJA ORU, is scheduled to premiere on May 22 via Yetunde Barnabas TV on YouTube, marking what many insiders describe as one of the most symbolic independent returns currently building momentum in Nigeria’s digital film space.

 

Produced by Aesha Mikaelson under Quila Visuals Production, the movie blends mystery, spiritual tension, emotion, and psychological storytelling — themes that continue to resonate strongly with modern African audiences. Her dual role as both lead talent and producer underscores her evolution from performer to creative force shaping her own narratives.

 

Speaking on her return, Aesha Mikaelson described the project as more than just another film release.

 

“This is not just a comeback. It is a rebirth — creatively and personally. I took time away from the spotlight to grow, reflect and rebuild my vision as an actress, producer, and storyteller.”

 

Before her hiatus, Aishy gained public attention through several interviews and entertainment features discussing her career journey, personal growth, and experiences in the entertainment industry. Her media presence appeared in outlets including Vanguard Media Limited, Tribune Online, BusinessDay, TMY News, and The Nation Newspaper.

 

Industry observers say the rebrand to Aesha Mikaelson — paired with her step into producing — reflects a broader shift happening among modern Nigerian creatives, moving from conventional celebrity culture into more intentional brand positioning, ownership of creative output, and cinematic storytelling.

 

The visuals surrounding IJA ORU have already generated growing online conversations, particularly for their dark symbolic aesthetic and emotionally charged presentation. Fans and supporters across social media platforms have also welcomed the actress back, describing her return as “long overdue.”

 

The release further highlights the growing influence of YouTube-driven Nollywood distribution, where independent creators and producers like Aesha Mikaelson are increasingly building global audiences beyond traditional cinema systems.

 

With IJA ORU now approaching release, many believe Aesha Mikaelson’s return — this time as both star and producer — could mark the beginning of a major new chapter in her career.

 

For followers who remember the actress as Aishy, the comeback represents nostalgia. For newer audiences discovering her for the first time, it may become the start of a powerful new screen identity led by a creator now firmly in command of her own story.

 

IJA ORU premieres May 22 on Yetunde Barnabas TV via YouTube.

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