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Inside Pastor Kumuyi’s N5b 30000 seater ultramodern Auditorium + All you Need to know about the N350b Deeper Life Ministry

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Inside Pastor Kumuyi’s N5b 30000 seater ultramodern Auditorium

+ All you Need to know about the  N350b Deeper Life Ministry

13 years after, Pastor Kumuyi led Deeper Life 30,000 seater auditorium has been commissioned on Tuesday,  April 24th, 2018 amidst pomp and pageantry.

Sahara weekly check revealed that the ultra modern headquarters in Gbagada, Lagos can house over 30,000 worshippers comfortably. The cathedral is a mini stadium and costs the church N5 billion to build.

An Italian civil engineering firm, Cappa & D’Alberto, won the contract for the construction.  The building which began in June 2005 covers 6,200 square meters, with additional 1,624 square meters for land spacing, sidewalks and car parks. An additional underground car park will take about 200 cars at once.

Dignitaries, including Nigeria’s Vice President, Prof. Yemi Osinbajo and thousands of Nigerians witnessed the grandeur inauguration of the multi-billion Deeper Life Bible Church headquarters in Gbagada area of Lagos, Southwest Nigeria on Tuesday.

All the assets of the conservative church

The Deeper Life Bible Church which Pastor Williams Folorunsho Kumuyi started with only 15 members in 1973, while teaching Mathematics at the University of Lagos, Akoka, Yaba, Lagos, has gone so big.

Today, the ministry has become international and worth over N350 billion with branches in almost every continent of the world, with worshippers numbering over three million. With an international headquarters worth N4 billion, N40 billion camp, International Bible Teaching College worth N10 billion branches all over the continent worth N100 billion amongst others.

In fact, everywhere you turn in Nigeria and all over Africa and other continents, Deeper Life is constructing new structures, some of them so massive and could be termed ultra modern.

But most impressive is their ultra modern headquarters in Gbagada, Lagos. The 30,000 – seater cathedral is a mini stadium and costs the church N4 billion to build. An Italian civil engineering firm, Cappa & D’Alberto, won the contract for the construction.  The building covers 6,200 square meters, with additional 1,624 square meters for land spacing, sidewalks and car parks. An additional underground car park will take about 200 cars at once.

Deeper Life also has a 240 hectare project off the Lagos-Ibadan Expressway, Olowosedo Village, Kilometer 42, Ogun State. It is used for retreats and special programmes. This place is so massive that it looks like a new town being carved out of the bush. Most of the structures, such as hostels, chalets and an elaborate water supply system have been completed.

It also has its own electricity supply scheme and a petrol station which is yet to be completed. A 130,000 capacity main auditorium is also underway. This camp known as Deeper Life Conference Centre, is worth N40 billion. Similarly, the ministry has a world class International Bible Training Centre (IBTC) at Ayobo, Lagos. It is a village complex with chalets, conference centre, offices, classroom blocks, new 10,000 capacity student hostels, a massive kitchen complex, supermarket, children’s church, factory producing mattresses, iron beds, pillows and paint for church use.

Also inside it is the ministry’s university in progress worth N2.5 billion. The IBTC which serves as their stand in HQ in Lagos pending the completion of the Gbagada church is worth N10 billion.

Huge cathedrals have equally sprung up in almost all the 36 states of Nigeria where the church has branches. In Ebonyi, the ministry has a N55 million state headquarters. It is a 5,000 sitting cathedral.  In Port Harcourt, Rivers state, the Deeper Life Complex has a main adult auditorium that sits about 10,000 and a children’s church which also sits 10,000 bringing the capacity to 35,000. The cathedral is worth N2.5 billion.

Major sources of income for the ministry are tithe and offering. Among the three million worshippers in the ministry, if one million of them pay tithe of an average of N1,000 weekly in a year, it’s about N52biilion. While N100 offering by at least two million worshippers weekly and in a year is over N10 billion.

Other sources includes the ministry’s Christian Women Mirror which was formerly published by late Mrs. Abiodun Kumuyi. It is a monthly magazine that is dedicated to building godly Christian life ministry. It contains articles that address family issues like child training, love, leadership and unity in the family.  The magazine is widely read, home and abroad.  The ministry sells about five million copies monthly at the rate of N20 per copy, thus they net in about N100 million monthly and N1.2 billion annually.

They also publish a bi-annual Sunday school manual called Search the Scripture, it comes in different languages and it’s sold for N60. The ministry publishes over five million copies because other ministries buy from them too to teach Sunday school. They pocket about N1 billion annually from it.

They also publish another monthly journal known as Life Magazine.  It features articles on discipleship, godly living and account of God’s mighty power at work in the lives of ordinary people. This publication alone brings in about N1.2 billion annually.

Furthermore, in 2008, Pastor Kumuyi joined the league of churches that have their own satellite television stations in Nigeria. The primary purpose of the station is to evangelize the world for Christ, as his messages feature prominently in the satellite station. The satellite dish and decoder goes for over N20,000 and has a viewership of over three million. That translates to an average of N40 billion.

Meanwhile, the electronics department of the church handles the recording of all events in the church. This department provides translation of the sermons into different languages.  This department makes a monthly income of about N100million.  And N1.2 billion annually.

Pastor Kumuyi, who remarried in 2010 to Esther Blaise after the demise of his wife in April 11, 2010, lives in IBTC at Ayobo, Lagos and rides a black SUV jeep. His late wife bore him two sons.

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

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