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Megan Thee Stallion, Galloping Into Greatness

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Megan Thee Stallion, Galloping Into Greatness
On YouTube, you can still see one of Megan Thee Stallion’s early appearances at a 2016 rap cypher in Houston.  It’s a very telling performance. Twenty-one years old and still an unknown student (“Support the artists,” pleads the accompanying text, “this is only the beginning of their journey”) she’s vastly outnumbered by male counterparts who don’t seem to be taking her terribly seriously. It could be that they’re laughing and high-fiving while she performs because they’re incredulous at her skills, but it doesn’t really look that way. Yet she seems impossibly confident and self-possessed, ending her performance with the salacious, tongue-out taunt of “ahhh” that has since become her trademark. It isn’t just the benefit of hindsight that makes her seem the artist most likely to.  
Megan Thee Stallion, Galloping Into Greatness
Listening to her debut album four years on, it’s tempting to say that not much has changed. It drops with the same confidence you see in the video of her freestyling on that Houston rooftop. But then, why wouldn’t it? She ends 2020 on the cover of Time magazine, one of its 100 most influential people of the year. It caps off 12 months during which she has enjoyed viral ubiquity on TikTok thanks to a dance challenge based on her single Savage, which sold 3m copies in the US alone; been granted a temporary restraining order against her record label, which she claimed were preventing her from releasing the music she wanted to; created a vast storm – involving everyone from Republican congressional candidates to Russell Brand – with her Cardi B collaboration WAP,  none of which harmed the single’s record-breaking commercial success; delivered a speech about racism in the middle of a performance on Saturday night Live; and managed not merely to ride out the misogynistic online fallout from an incident in which she was shot, allegedly by a rapper Tory Lanez, but skillfully turn it into a conversation about the protection of black woman.  
Megan Thee Stallion, Galloping Into Greatness
 Good News therefore has something of the victory lap about it, but its contents also highlight something basic that’s occasionally been drowned out by the hubbub of controversy and social media chatter: she’s phenomenal at what she does. The internet is filled with memes in which grumpy middle-aged hip-hop fans bemoan the state of the art in recent years, but Megan Thee Stallion is a traditionally gifted rapper: her flow crisp and punchy, her lyrics teeming with sharp and funny lines – “invest in this pussy, boy – support black business”; “all them bitches scary cats, I call ’em Carole Baskin” – and shriveling put-downs. Whatever the outcome of the forthcoming court case over the shooting incident, the opening track, Shots Fired, dispenses its own kind of justice, ripping her (unnamed) assailant to bits along with their online supporters: “They hate me, but watch my videos beating’ their dicks.” She has a fantastic line in inviting male rappers to guest and then deftly undercutting them. “Tell her shake it, drop her friends off and take her pants off,” suggests Lil Durk on Movie. “Tell him spend it – you ain’t got no money, keep your hands off,” she counters. He responds by bragging about the cost of his jewellery. “I’m a boss,” she sniffs in response, “I could buy the same thing that my man bought.”
 
 
While there are pop-facing moments here, not least the slightly too toothsome Don’t Rock Me to Sleep, it’s an album that blithely ignores a lot of prevalent trends in hip-hop: it is 11 tracks in before anyone breaks out the AutoTune, and even then it’s guest star Popcaan. Instead, its USP involves setting its author up in a lineage of classic rap artists. You lose count of the musical references to hip-hop’s past. Shots Fired is based on Notorious BIG’s Who Shot Ya? While Girls in the Hood reworks Eazy-E’s Boyz-n-the-Hood. The production by Juicy J of Three 6 Mafia (favourites of Megan Thee Stallion’s late mother, who was also a rapper) on Freaky Girls is audibly rooted in early 90s G-funk, and the sound of Go Crazy contains a sweet nod to Naughty By Nature’s 1991 hit opp.
 Other samples appear pointed in their intent. The gorgeous electric piano motif on Outside comes from Something in My Heart by Michel’le, the R&B singer-songwriter who endured a Physically abusive relationship  with Dr Dre: among a variety of assaults, he once shot at her.

More often they serve to demonstrate that Megan Thee Stallion’s talents are a moveable feast – she sounds as at home snarling over the minimal 80s gangsta rap of Girls in the Hood as she does with Beyoncé’s voice weaving around hers on Savage Remix. And, of course, they imply that these artists are her forebears: in its own way, that’s as ballsy as SoundCloud rappers’ penchant for dismissing hip-hop history – but, as we’ve established, confidence isn’t really an issue for Megan Thee Stallion. Time will tell whether her implication is right. For the moment, Good News is more than good enough.

Sahara weekly online is published by First Sahara weekly international. contact saharaweekly@yahoo.com

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Rising Afro-Fusion Star “Mac Sarzy” Announces Debut EP Where I Come From – Drops March 28, 2025

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Rising Afro-Fusion Star “Mac Sarzy” Announces Debut EP Where I Come From – Drops March 28, 2025

Rising Afro-Fusion Star “Mac Sarzy” Announces Debut EP Where I Come From – Drops March 28, 2025

By – MR. Bright .M. Braimah

 

Lagos, Nigeria – March 28, 2025_ – Nigerian Afro-fusion artist, Mac Sarzy, is set to release his highly anticipated debut EP, “Where I Come From,” on March 28, 2025. The six-track project is a personal and cultural statement, blending Afrobeats, Afro-pop, and soul to create a compelling narrative of identity, resilience, gratitude, and success.

Rising Afro-Fusion Star “Mac Sarzy” Announces Debut EP Where I Come From – Drops March 28, 2025

“Where I Come From” is more than just music — it’s an expression of Mac Sarzy’s journey, influences, and growth as an artist. “The dream is free, but the hustle is sold separately. The struggle you’re in today is developing the strength you need for tomorrow,” says Mac Sarzy. Each track on the EP is infused with deep storytelling, rich melodies, and rhythmic grooves that paint a vivid picture of his experiences and the African cultural heritage that shapes his sound.

 

Tracklist :

1. Where I Come From (Prod. Karspal Beat)

2. Peace of Mind (Prod. Skillbeat)

3. Ola Oluwa (Prod. Karspal Beat)

4. Eko (Feat. Segunzyno & Uk Zee, Prod. Karspal Beat)

5. Almost There (Feat. Irawo & Boi Jovi, Prod. Karspal Beat)

6. Afro Sax Riddim (Bonus Track, Prod. Karspal Beat)

With a background as a producer and multi-instrumentalist, Mac Sarzy has carved a distinct niche in the Afro-fusion space. His signature style combines vibrant instrumentals with emotionally resonant lyrics, reflecting the depth of his artistry. Songs like “Ola Oluwa” celebrate divine blessings, while “Eko” captures the essence of Lagos, and “Almost There” speaks to perseverance and ambition.

 

“Where I Come From” will be available on all major streaming platforms, bringing listeners an immersive musical experience that showcases Mac Sarzy’s authenticity and sonic evolution.

Connect with Mac Sarzy :

Instagram : @Macsarzy_

Twitter : @MacSarzy

WhatsApp Channel : Mac Sarzy

For press inquiries, interviews, or additional information, please contact:

Media & Brand Management : Swagz On Street

Email Address : Macsarzy@gmail.com

Phone Number : +2348159944899

“Where I Come From” is more than just an EP — it’s a celebration of heritage, ambition, and artistry. Get ready to stream and experience Mac Sarzy’s sonic journey on March 28, 2025!

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Eazie Boi, The Voice of A United Continent/Eazie Boi, The Voice of A Socialist Society

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Eazie Boi, The Voice of A United Continent/Eazie Boi, The Voice of A Socialist Society

 

Raymond Israel, popularly known as Eazie Boi, is a dynamic professional Ib-based music recording artist… A songwriter, singer and rapper…Eazie Boi is an indigene of the state of Akwa Ibom… He’s released heartwarming singles like No Para, Oshey, Dispare, Burning Bridge, Endsarz Symphony. He just wanted to thank he’s Fans audience around the world for their support from day one. He is currently working on new projects combining his commitment to Pan-African network and a socialist government breeding consciousness into Afro-beats and hip-hop music.

 

He places himself in the lineage of pan-African singers like Paul Robeson, Miriam Makeba and the all time greats legendary Fela Kuti. His vision of a united continent and a socialist society is an awareness of the importance of pan-African solidarity of the continent and the diaspora.

For the vocalist, Africa is rich in its diversity and its unity around the philosophical concept Ubuntu. He likes to recall the strength of the Kemits and of the young African today who wishes to take charge of her future.
This commitment begins with his EndSarz symphony, a text committed to calling for an end to police brutality. ENdSars is this social movement of protest against the political violence carried out by the Special Anti-Robbery Squad, a unit of the Nigerian police. This mass protest movement calls for an end to oppression and police brutality in Nigeria. Eazie Boi then embraced socialist ideas. In his leaflet, he calls for socialist revolution in his country, Nigeria, which has problems with brutality, corruption and massacres. He then became the spokesperson for an entire generation of young Nigerians wishing to improve their living conditions.

He wants to make it known that he is working hard and will release his debut EP album in 2025. Although the release date has not yet been set, it will be communicated via his social media account.
Facebook Page:- Eazie Nation
Instagram account:- iam_eazieboi
X:- iam_eazieboi

 

His style of music and his musical genre are a panel of his talents. Although he is gifted in rapping and singing, his preferred style remains afro-beats. He is part of the lineage of current Naija artists who assert themselves as African and Afrobeat remains his favorite genre.
Rap remains a means of expression on political and social issues in Africa but also in the world. Singing is another cool way for Eazie Boi to express his feelings and communicate his ideas to the world.

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Africa Magic Viewers’ Choice Awards 2025: Full List of Nominees Sparks Intense Reactions

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Africa Magic Viewers’ Choice Awards 2025: Full List of Nominees Sparks Intense Reactions

Africa Magic Viewers’ Choice Awards 2025: Full List of Nominees Sparks Intense Reactions

The highly anticipated nominations for the 2025 Africa Magic Viewers’ Choice Awards (AMVCA) have been unveiled, setting the stage for what promises to be a fiercely contested battle among Africa’s finest in film, television, and digital content. With projects released between January 1 and December 31, 2024, the selection showcases an impressive array of talent and storytelling prowess across various categories.

Among the standout contenders, Lisabi: The Uprising, Skeleton Coast, House of Ga’a, and Freedom Way have emerged as dominant forces, securing multiple nominations, including Best Movie and Best Director.

Top Acting Categories

The Best Lead Actor category is stacked with some of Nollywood’s finest, featuring Gideon Okeke (Tokunbo), Stan Nze (Suspicion), Femi Adebayo (Seven Doors), and Adedimeji Lateef (Lisabi: The Uprising). These seasoned actors will battle it out for the prestigious award, each having delivered powerful performances that left audiences in awe.

On the other hand, the Best Lead Actress category sees a stellar lineup, including Chioma Chukwuka (Seven Doors), Bimbo Ademoye (Anikulapo: Rise of the Spectre), and Uche Montana (Thinline), all of whom have been recognized for their compelling roles in some of the year’s most talked-about films.

Fan-Favorite Categories and Industry Buzz

The digital space is also well represented, with the Best Digital Content Creator category featuring talents like Iyo Prosper Adokiye, Maryam Apakagi-Greene, and Elozonam Ogbolu. As social media continues to play a major role in content creation, this category is expected to be one of the most closely watched.

In addition, the Best Multichoice Talent Factory Movie category highlights emerging talents from across Africa, reinforcing the AMVCA’s commitment to nurturing young filmmakers. Titles such as Gone (West Africa), Everything Light Touches (West Africa), and The Immersive Alarm (East Africa) made the cut.

Biggest Showdowns and Surprises

The Best Director category is another highlight, with Robert O Peters (Skeleton Coast), Norman Maake (Inkabi), Bolanle Austen-Peters (House of Ga’a), and Femi Adebayo (Seven Doors) competing for the prestigious accolade. With each director bringing a unique touch to their respective films, this category is expected to be highly competitive.

Meanwhile, the Best Movie category features an exciting mix of epic blockbusters and critically acclaimed productions, including Lisabi: The Uprising, Skeleton Coast, Suspicion, Inkabi, House of Ga’a, Freedom Way, and Christmas in Lagos.

Full List of Nominees

Best Digital Content Creator

  • Iyo Prosper Adokiye
  • Maryam Apakagi-Greene
  • Elozonam Ogbolu, Hoviare Freedom, Chiamaka Uzokwe
  • Jide Pounds Ibitoye
  • Ariyiikedimples, Brain Jotter

Best Movie

  • Lisabi: The Uprising
  • Skeleton Coast
  • Suspicion
  • Inkabi
  • House of Ga’a
  • Freedom Way
  • Christmas in Lagos
  • Farmer’s Bride

Best Director

  • Robert O Peters – Skeleton Coast
  • Norman Maake – Inkabi
  • Bolanle Austen-Peters – House of Ga’a
  • Awam Amkpa – The Man Died
  • Daniel Emeka Oriahi – The Weekend
  • Femi Adebayo, Adebayo Tijani, Tope Adebayo – Seven Doors

Best Lead Actor

  • Gideon Okeke – Tokunbo
  • Bucci Franklin – The Weekend
  • Femi Branch – House of Ga’a
  • Thapelo Makoena – Skeleton Coast
  • Bimbo Manuel – Princess On A Hill
  • Stan Nze – Suspicion
  • Femi Adebayo – Seven Doors
  • Adedimeji Lateef – Lisabi: The Uprising

Best Lead Actress

  • Chioma Chukwuka – Seven Doors
  • Gbugbemi Ejeye – Farmer’s Bride
  • Uzoamaka Onuoha – Agemo
  • Uche Montana – Thinline
  • Uzoamaka Aniunoh – Phoenix Fury
  • Hilda Dokubo – The Uprising: Wives On Strike 3
  • Bimbo Ademoye – Anikulapo: Rise of the Spectre

(Additional nominees for other categories omitted for brevity.)

What’s Next?

The 2025 AMVCA promises to be a night of glitz, glamour, and well-deserved recognition for the best in African entertainment. With some categories too close to call, fans and industry insiders are eagerly anticipating the final results.

Voting lines are now open, and the audience is encouraged to support their favorite nominees. As the countdown to the awards night begins, the excitement continues to build, with predictions and debates already dominating social media discussions.

Who will take home the prestigious AMVCA trophies? Only time will tell, but one thing is certain—this year’s edition will go down as one of the most competitive and talked-about in the history of the awards.

 

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