celebrity radar - gossips
MTV VMAs 2023: See the full list of winners
MTV VMAs 2023: See the full list of winners
The 2023 MTV Video Music Awards started and ended with Taylor Swift.
In between the most-awarded artist of the night receiving the best pop award during NSYNC’s surprise reunion and winning video of the year, the Tuesday broadcast celebrated artists from around the globe, including Shakira, Peso Pluma, Stray Kids, Rema and Anitta.
Nicki Minaj hosted and performed during the show, which took place at Prudential Center in Newark, New Jersey. Sean “Diddy” Combs was honored with the Global Icon Award after performing hits from throughout his 30-year career with his children on stage with him. The “She Wolf” was back and better than ever as Shakira accepted the Video Vanguard Award and gave a medley performance.
Complete list of 2023 MTV VMA winners and nominees
VIDEO OF THE YEAR
- Doja Cat – “Attention” – Kemosabe Records / RCA Records
- Miley Cyrus – “Flowers” – Columbia Records
- Nicki Minaj – “Super Freaky Girl” – Republic Records
- Olivia Rodrigo – “vampire” – Geffen Records
- Sam Smith, Kim Petras – “Unholy” – Capitol Records
- SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records
- Winner: Taylor Swift – “Anti-Hero” – Republic Records
ARTIST OF THE YEAR
- Beyoncé – Parkwood Entertainment / Columbia Records
- Doja Cat – Kemosabe Records / RCA Records
- KAROL G – Interscope Records
- Nicki Minaj – Republic Records
- Shakira – Sony Music US Latin
- Winner: Taylor Swift – Republic Records
SONG OF THE YEAR
- Miley Cyrus – “Flowers” – Columbia Records
- Olivia Rodrigo – “vampire” – Geffen Records
- Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
- Sam Smith, Kim Petras – “Unholy” – Capitol Records
- Steve Lacy – “Bad Habit” – L-M Records / RCA Records
- SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records Records
- Winner: Taylor Swift – “Anti-Hero” – Republic Records
BEST NEW ARTIST
- GloRilla – CMG / Interscope Records
- Winner: Ice Spice – 10K Projects / Capitol Records
- Kaliii – Atlantic Records
- Peso Pluma – Double P Records
- PinkPantheress – 300 Entertainment
- Reneé Rapp – Interscope Records
PUSH PERFORMANCE OF THE YEAR
- August 2022: Saucy Santana – “Booty” – Arena Records / RCA Records
- September 2022: Stephen Sanchez – “Until I Found You” – Mercury Records / Republic Records
- October 2022: JVKE – “golden hour” – AWAL
- November 2022: Flo Milli – “Conceited” – ’94 Sounds / RCA Records
- December 2022: Reneé Rapp – “Colorado” – Interscope Records
- January 2023: Sam Ryder – “All The Way Over” – Elektra Entertainment
- February 2023: Armani White – “GOATED” – Def Jam
- March 2023: FLETCHER – “Becky’s So Hot” – Capitol Records
- Winner: April 2023: TOMORROW X TOGETHER – “Sugar Rush Ride” – BIGHIT MUSIC / Republic Records
- May 2023: Ice Spice – “Princess Diana” – Heavy On It / 10K Projects / Capitol Records
- June 2023: FLO – “Losing You” – Uptown/Republic Records
- July 2023: Lauren Spencer Smith – “That Part” – Island Records
BEST COLLABORATION
- David Guetta & Bebe Rexha – “I’m Good (Blue)” – Warner Records
- Post Malone, Doja Cat – “I Like You (A Happier Song)” – Mercury Records / Republic Records
- Diddy ft. Bryson Tiller, Ashanti, Yung Miami – “Gotta Move On” – Motown Records
- Winner: KAROL G, Shakira – “TQG” – Universal Music Latino
- Metro Boomin with The Weeknd, 21 Savage, and Diddy – “Creepin’ (Remix)” – Boominati / Republic Records
- Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
BEST POP
- Demi Lovato – “Swine” – Island Records
- Dua Lipa – “Dance The Night (From Barbie The Album)” – Atlantic Records
- Ed Sheeran – “Eyes Closed” – Atlantic Records
- Miley Cyrus – “Flowers” – Columbia Records
- Olivia Rodrigo – “vampire” – Geffen Records
- P!NK – “TRUSTFALL” – RCA Records
- Winner: Taylor Swift – “Anti-Hero” – Republic Records
BEST HIP-HOP
- Diddy ft. Bryson Tiller, Ashanti, Yung Miami – “Gotta Move On” – Motown Records
- DJ Khaled ft. Drake & Lil Baby – “STAYING ALIVE” – We The Best / Epic Records
- GloRilla & Cardi B – “Tomorrow 2” – CMG / Interscope Records
- Lil Uzi Vert – “Just Wanna Rock” – Atlantic Records / Generation Now
- Lil Wayne ft. Swizz Beatz & DMX – “Kant Nobody” – Young Money Records
- Metro Boomin ft Future – “Superhero (Heroes and Villains)” – Boominati / Republic Records
- Winner: Nicki Minaj – “Super Freaky Girl” – Republic Records
Most outrageous VMAs moments ever:From Britney Spears’ snake to Lady Gaga’s meat dress
BEST R&B
- Alicia Keys ft. Lucky Daye – “Stay” – RCA Records
- Chlöe ft. Chris Brown – “How Does It Feel” – Parkwood Entertainment / Columbia
- Metro Boomin with The Weeknd, 21 Savage, and Diddy – “Creepin’ (Remix)” – Boominati / Republic Records
- Winner: SZA – “Shirt” – Top Dawg Entertainment / RCA Records
- Toosii – “Favorite Song” – South Coast Music Group / Capitol Records
- Yung Bleu & Nicki Minaj – “Love In The Way” – Empire Distribution
BEST ALTERNATIVE
- blink-182 – “EDGING” – Columbia Records
- boygenius – “the film” – Interscope Records
- Fall Out Boy – “Hold Me Like A Grudge” – Fueled By Ramen
- Winner: Lana Del Rey ft. Jon Batiste – “Candy Necklace” – Interscope Records
- Paramore – “This Is Why” – Atlantic Records
- Thirty Seconds To Mars – “Stuck” – Concord Records / Concord
BEST ROCK
- Foo Fighters – “The Teacher” – RCA Records
- Linkin Park – “Lost (Original Version)” – Warner Records
- Red Hot Chili Peppers – “Tippa My Tongue” – Warner Records
- Winner: Måneskin – “THE LONELIEST” – Arista Records
- Metallica – “Lux Æterna” – Blackened Recordings
- Muse – “You Make Me Feel Like It’s Halloween” – Warner Records
BEST LATIN
- Winner: Anitta – “Funk Rave” – Republic Records
- Bad Bunny – “WHERE SHE GOES” – Rimas Entertainment
- Eslabon Armado, Peso Pluma – “Ella Baila Sola” – DEL Records, Inc. / Prajin Parlay, Inc. Grupo Frontera Bad Bunny – “un x100to” – Rimas Entertainment
- KAROL G, Shakira – “TQG” – Universal Music Latino
- ROSALÍA – “DESPECHÁ” – Columbia Records
- Shakira – “Acróstico” – Sony Music US Latin
BEST K-POP
- aespa – “Girls” – SM ENTERTAINMENT Co., Ltd.
- BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records
- FIFTY FIFTY – “Cupid” – ATTRAKT / Warner Records
- SEVENTEEN – “Super” – HYBE / Geffen Records
- Winner: Stray Kids – “S-Class” – JYP / Republic
- TOMORROW X TOGETHER – “Sugar Rush Ride” – BIGHIT MUSIC / Republic Records
BEST AFROBEATS
- Ayra Starr – “Rush” – Mavin Global Holdings
- Burna Boy – “It’s Plenty” – Atlantic Records / Spaceship Entertainment Ltd
- Davido ft. Musa Keys – “UNAVAILABLE” – Sony Music U.K. / RCA Records
- Fireboy DML & Asake – ”Bandana” – Empire Distribution
- Libianca – “People” – Sony Music U.K. / RCA Records
- Winner: Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
- Wizkid ft Ayra Starr– “2 Sugar” – Starboy / RCA Records
VIDEO FOR GOOD
- Alicia Keys – If I Ain’t Got You (Orchestral) – NETFLIX
- Bad Bunny – “El Apagón – Aquí Vive Gente” – Rimas Entertainment
- Demi Lovato – “Swine” – Island Records
- Winner: Dove Cameron – “Breakfast” – Columbia Records
- Imagine Dragons – “Crushed” – KIDinaKORNER / Interscope Records
- Maluma – “La Reina” – Sony Music US Latin
BEST DIRECTION
- Doja Cat – “Attention” – Kemosabe Records / RCA Records – Directed by Tanu Muiño
- Drake – “Falling Back” – OVO/Republic Records – Director X (Julien Christian Lutz)
- Kendrick Lamar – “Count Me Out” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records – Directed by Dave Free & Kendrick Lamar
- Megan Thee Stallion – “Her” – 300 Entertainment – Directed by Colin Tilley
- Sam Smith, Kim Petras – “Unholy” – Capitol Records – Directed by Floria Sigismondi
- SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records – Directed by Christian Breslauer
- Winner: Taylor Swift – “Anti-Hero” – Republic Records – Directed by Taylor Swift
BEST CINEMATOGRAPHY
- Adele – “I Drink Wine” – Columbia Records – Cinematography by Adam Newport-Berra
- Ed Sheeran – “Eyes Closed” – Atlantic Records – Cinematography by Natasha Baier
- Janelle Monae – “Lipstick Lover” – Atlantic Records – Cinematography by Allison Anderson
- Kendrick Lamar – “Count Me Out” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records 0 Cinematography by Adam Newport-Berra
- Miley Cyrus – “Flowers” – Columbia Records – Cinematography by Marcell Rev
- Olivia Rodrigo – “vampire” – Geffen Records – Cinematography by Russ Fraser
- Winner: Taylor Swift – “Anti-Hero” – Republic Records – Cinematography by Rina Yang
BEST VISUAL EFFECTS
- Fall Out Boy – “Love From The Other Side” – Fueled By Ramen – Visual Effects by Thomas Bailey and Josh Shaffner
- Harry Styles – “Music For A Sushi Restaurant” – Columbia Records – Visual Effects by Chelsea Delfino and Black Kite Studios
- Melanie Martinez – “VOID” – Atlantic Records – Visual Effects by Carbon
- Nicki Minaj – “Super Freaky Girl” – Republic Records – Visual Effects by Max Colt and Sergio Mashevskyi
- Sam Smith, Kim Petras – “Unholy” – Capitol Records – Visual Effects by Max Colt / FRENDER
- Winner: Taylor Swift – “Anti-Hero” – Republic Records – Visual Effects by Parliament
BEST CHOREOGRAPHY
- Winners: BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Choreography by Kiel Tutin, Sienna Lalau, Lee Jung (YGX), Taryn Cheng (YGX)
- Dua Lipa – “Dance The Night (From Barbie The Album)” – Atlantic Records – Choreography by Charm LaDonna
- Jonas Brothers – “Waffle House” – Republic Records – Choreography by Jerry Reece
- Megan Thee Stallion – “Her” – 300 Entertainment – Choreography by Sean Bankhead
- Panic! At The Disco – “Middle Of A Breakup” – Fueled By Ramen – Choreography by Monika Felice Smith
- Sam Smith, Kim Petras – “Unholy” – Capitol Records – Choreography by (LA)HORDE – Marine Brutti, Jonathan Debrouwer, Arthur Harel
BEST ART DIRECTION
- boygenius – “the film” – Interscope Records – Art Direction by Jen Dunlap
- BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Art Direction by Seo Hyun Seung (GIGANT)
- Winner: Doja Cat – “Attention” – Kemosabe Records / RCA Records – Art Direction by Spencer Graves
- Lana Del Rey ft. Jon Batiste – “Candy Necklace” – Interscope Records – Art Direction by Brandon Mendez
- Megan Thee Stallion – “Her” – 300 Entertainment – Art Direction by Niko Philipides
- SZA – “Shirt” – Top Dawg Entertainment / RCA Records – Art Direction by Kate Bunch
BEST EDITING
- BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Editing by Seo Hyun Seung (GIGANT)
- Kendrick Lamar – “Rich Spirit” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records – Edited by Grason Caldwell
- Miley Cyrus – “River” – Columbia Records – Edited by Brandan Walter
- Winner: Olivia Rodrigo – “vampire” – Geffen Records – Edited by Sofia Kerpan and David Checel
- SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records – Edited by Luis Caraza Peimbert
- Taylor Swift – “Anti-Hero” – Republic Records – Edited by Chancler Haynes
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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