celebrity radar - gossips
MURIC Makes U-turn, backs down on suing Nigerian Artiste, Falz
The Muslim Rights Concern (MURIC) last week resolved to sue Folarin Falana (Falz the Bahd Guy), a Nigerian artist, who produced the video song titled ‘This is Nigeria’ in which a Fulani man was seen beheading somebody. The video also featured hijab-wearing female choreographers dancing the ‘shaku-shaku’ (a dance associated with drug). A seven-day ultimatum was given for the withdrawal of the video and an apology failing which a legal tussle would be launched.
Our office has since been inundated with solidarity visits, while our telephone lines have been flooded with a deluge of calls from members, friends, well-wishers, journalists and other concerned Nigerians, majority of whom are of the Islamic faith.
In view of the intervention of these well-meaning Nigerians, counseling from several quarters and commitments given by us to those who interfaced with us on this matter, an emergency meeting of MURIC’s Think-Tank was convened on Sunday, June 10, 2018 to review the situation.
In deference to pleas made by well-meaning Nigerians, in order to keep faith with our avowed motto (Dialogue, Not Violence) and to further confirm that MURIC is a listening, mature and responsible organization committed to promoting peace in Nigeria, the Think-Tank resolved to drag the artist to government agencies saddled with the responsibility of censoring films and videos. It is not a U-turn but a sudden change in tactics.
This will have a more enduring impact not only on Falz but the entire entertainment industry. It will also make the agencies sit up to their responsibilities and inject a huge dose of discipline in the music and film industries in general.
MURIC expresses deep appreciation to its members nation-wide, particularly Muslim lawyers who volunteered to take up the case gratis, leaders of Islamic organizations across the country who offered their solidarity as well as senior civil servants who shared their rich experiences with us.
Although he stopped short of apologizing, the artist has tried to clear himself in published interviews made available to us. According to him, he did not intend to ridicule Muslims. He said his intention was to call attention to the plight of the Chibok girls although we think he has done that the wrong way.
A scene in the video in which the ‘Chibok girls’ are in pensive mood would have been more representative of the reality on ground because kidnapped girls cannot be dancing like people under the influence of drug. They are in captivity and so they have no cause under the sun for jubilating.
Again, the Fulanis (Muslims) were painted as killers while Benue militias (Christians) who rustle Fulani cattles and slaughter their wives and children were not featured. This is grossly unfair. Falz should find a way of balancing his video. The kidnappers of the South East (also Christians) were spared while the oil saboteurs of the Niger Delta (Christians too) were ignored. Falz video is loaded with Islamophobia. That video should be titled ‘This is not Nigeria’. It is Islam-bashing. Nigeria’s video regulatory agency should therefore ban the video or ask the artist to edit it properly.
With this latest development and even before the seven-day ultimatum expires, MURIC is no longer contemplating court action against Falz, neither are we demanding any apology from him or his management. The likely pecuniary gain in the event of a court validation of our claims does not interest us. We are no longer looking at Falz but at a larger picture.
The courts will only be interested in legalities, judiciability and technicalities but the video board will look beyond all that. Is it professional? Is it balanced? Is it truly representative of our country? Is it morally justifiable? These are what will interest the board and they are in tandem with our thinking. We appreciate artists and our aim is not to punish Falz. He is not a lazy Nigerian youth.
The matter will now go to those government agencies who are supposed to do their jobs in the first place. Instead of creating media tension and granting cheap popularity, this matter will now be handled by professionals who know what to do.
Our emphasis is going to be mainly on the portrayal of Fulanis as killers in the video with the concomitant ugly perception it is likely to create among Nigerians as well as its bandwagon effect on the image of Muslims in general. This is one area Falz has not been able to explain away, yet he refused to apologise. That aspect of the video would have been edited had the censorship agencies done what was expected of them or if Falz had followed due process.
In the interest of peace, law and order, we are calling on the National Film And Video Censors Board (NFVCB) to take up the matter from this moment. Although MURIC will still do a followup with an official petition, we expect the board to have begun its independent investigations on the matter particularly with the furore generated by the issue.
In a nutshell, we insist that Falz video “This is Nigeria” is offensive and provocative. It portrays Fulanis (and Nigerian Muslims) as killers. It is capable of igniting crisis and precipitating a general breakdown of law and order. The video board must therefore do the needful
celebrity radar - gossips
The Unfinished Conversation: Five Years of Missing T.B. Joshua BY FEMI OYEWALE
The Unfinished Conversation: Five Years of Missing T.B. Joshua BY FEMI OYEWALE
”In life we meet to part, we part to meet, but parting is the sweetest sorrow.”
Five years have vanished like a vapor, yet the echoes of his voice remain as vivid as a morning sunrise. June 5th marks the anniversary of the transition of a man who was not merely a global religious icon, but a father, a mentor, and a beacon of profound simplicity in a complex world. As I pen this, I find myself still navigating the shores of denial. How does one write a tribute to a man whose influence was as vast as the oceans, yet whose heart remained as humble as the desert sands?
The Last Assignment
Time truly flies, but some moments are frozen in the amber of memory. I recall with poignant nostalgia that I was among the final few with whom he spoke before stepping out for his last assignment on the pulpit on June 5,2021. Unknown to many, we shared an uncommon bond—a father-son relationship that stood the test of time.
Just an hour before that glorious, final ministration, my phone rang. We discussed the fulfillment of prophecies and my planned assignment to South Africa, an assignment he promised to single-handedly finance. By God’s grace, I have traveled the globe, and ninety percent of those journeys were bankrolled by him. Before ending the call, he spoke with finality: “Femi, go and watch it.” I never knew it was a parting shot. I never knew those words would be the threshold of eternity. Perhaps that is why, despite being part of his burial media committee, I lacked the courage to write until today.
From Fear to Faith: The Beginning
My journey to the Synagogue Church of All Nations (SCOAN) was written in the stars of fate. Then a reporter for Encomium Weekly, under the tutelage of the legendary Mr. Kunle Bakare, I was recommended to handle media work for a “prominent client.” When the name “T.B. Joshua” was mentioned, my heart sank.
Having cut my journalistic teeth under titans like Mr. Femi Adeshina and Mr. Dele Alake, I had heard the tales, stories of monsters, of shape-shifters, of dark magic. As I drove to Ikotun, I recited every Psalm I could muster and texted my parents my destination, unsure if I would return. I arrived expecting a beast; I was introduced to a brother. I met a man so profoundly simple, so devastatingly ordinary in his humility, that if not for his presence on Emmanuel TV, I would have sworn I was meeting an impostor. That was the day the fear died, and a lifelong relationship began.
The Man Behind the Mantle
I am not here to validate a legend; I am here to honor a human. I have been privileged to stand in his office, his personal room, his private altar, and his prayer house. What did I find? Not a demigod, but a man who lived for others.
A Heart of Forgiveness: Like the father in Luke 15, no matter the depth of the offense, a sincere “I am sorry” was all it took to be welcomed back into his fold.
The Weight of Misunderstanding: I remember the pain of the building collapse. He asked me, with tears that shattered my heart, “Femi, can you believe they said I used these people for rituals?” That was the first time I saw the iron man break.
A Channel of Healing: I recall a man brought to the prayer line who had previously declared, “Even if T.B. Joshua is the devil, if he can take this pain away, I am ready.” The moment those words left his lips, the Prophet walked over, touched him, and the healing was instantaneous.
He was a comedian, a teacher, a preacher, and above all, a man who loved his family and his ministry with every fiber of his being. If most clergy possessed even half the global influence he wielded, they would have long ago become arrogant demigods. T.B. Joshua remained, to his last breath, a servant.
A Legacy Enduring
It has been five years, yet it feels like yesterday. Many of those who cast stones in the shadows often came seeking his light in secret. Today, as we remember him, I see that legacy thriving. Prophetess Evelyn Joshua is truly holding the torch, preserving the foundation with grace and strength.
Good morning, Prophet T.B. Joshua. You live on in the lives you changed, the doors you opened, and the heart of your many disciples who will never forget the man who taught them that true greatness is found in the simplicity of love.
”He was a man globally misunderstood, yet a man whose name alone opened doors globally. He lived for others, and in doing so, he became immortal.”
celebrity radar - gossips
Let’s build a future where access to healthcare is strengthened…….Oba Odugbemi
Let’s build a future where access to healthcare is strengthened…….Oba Odugbemi
A call has gone to every stakeholder in the health sector to build a future where access to healthcare is guaranteed and strengthened.
The Onilisa of Lisa Kingdom, Oba Oladele Odugbemi make the call in Lisa while donating a Sanitary Sterilisation Box to the Lisa health centre.
Oba Odugbemi said that the donation became necessary in order to further strengthen the capacity of the health centre for the benefits of the people.
The royal father stressed that his foundation, Oladele Odugbemi foundation would continue to make meaningful impacts in community healthcare aimed at complementing the efforts of government in healthcare delivery system.
He pointed out that the foundation reflects its unwavering commitment to promoting quality healthcare services, enhancing hygiene standards and supporting health institutions with essential tools that contribute to safer and healthier communities.
According to the monarch, all stakeholders in the health sector should work hand-in- hand with government to take healthcare to the doorsteps of the masses as government cannot do it alone, hence health is wealth.
Oba Odugbemi also charged the governments at all levels to declare a state of emergency in the health sector so that every Nigerian can have smooth access to healthcare delivery system in the interest of the country and for the benefits of the masses.
The monarch therefore said that the foundation would continue to care for the people through empowerment by ensuring that masses have good and quality health condition.
The Sanitary Sterilisation Box was presented by the Foundation Director, Hajia Suliat Odugbemi – Tinuosho to the Matron of Lisa Community Health Centre, Mrs Temitope Nofisat Sanni who received it on behalf of the health centre.
celebrity radar - gossips
Inside the Success of Yoruba Cinema’s Biggest Stars
King of the Screen: Why Odunlade, Muyiwa, Femi Adebayo Remain Yoruba Movie Giants
The Yoruba movie industry has continued to produce legendary talents whose influence stretches beyond Nigeria to global audiences. Over the years, some actors have distinguished themselves through consistency, versatility, box office success, and cultural impact.
Among the numerous stars in Nollywood’s Yoruba sector, three actors have remained dominant figures whose names constantly resonate with fans and filmmakers alike — Odunlade Adekola, Muyiwa Ademola, and Femi Adebayo.
Odunlade Adekola: The Street King of Yoruba Cinema
Popularly regarded as one of the most entertaining actors in Nollywood, Odunlade Adekola has built a unique reputation through his energetic delivery, comic timing, emotional depth, and strong connection with grassroots audiences.
From comedy to action and emotional family dramas, the actor has consistently proven his versatility in blockbuster productions. His ability to interpret diverse roles effortlessly has made him a household name across Nigeria.
Industry observers believe his dominance on social media platforms, where his movie clips frequently go viral, has further strengthened his popularity among younger audiences.
Beyond acting, Odunlade has also contributed immensely to mentoring upcoming talents and expanding the commercial value of Yoruba films.
Muyiwa Ademola: The Master Storyteller
For many lovers of indigenous movies, Muyiwa Ademola remains one of the finest storytellers the Yoruba film industry has produced.
Widely respected for producing emotional and morally driven movies, the actor earned massive recognition through classic productions that focused on family values, culture, betrayal, perseverance, and societal lessons.
His calm delivery, deep scripts, and originality have kept him relevant despite changing trends in the entertainment industry.
Film critics often describe Muyiwa Ademola as one of the few actors whose productions combine entertainment with strong cultural education, making his movies timeless among older and younger viewers alike.
Femi Adebayo: The Modern-Day Box Office Force
Femi Adebayo has successfully combined traditional Yoruba storytelling with modern cinematic excellence, helping to project indigenous films to international audiences.
The actor, filmmaker, and producer has recorded major successes with high-budget productions that gained attention on streaming platforms and cinemas.
Known for his professionalism and attention to detail, Femi Adebayo has continued to push Yoruba movies beyond local boundaries while preserving cultural identity.
Entertainment analysts say his ability to blend culture, technology, and quality production has positioned him among the leading faces shaping the future of Yoruba cinema.
Growing Global Influence
The success of these actors reflects the increasing acceptance of indigenous Nigerian content globally. With streaming platforms creating wider access to local movies, Yoruba actors are now gaining international recognition and attracting new audiences.
Fans and stakeholders in the entertainment industry believe the contributions of Odunlade Adekola, Muyiwa Ademola, and Femi Adebayo have not only sustained Yoruba culture through film but have also elevated Nollywood’s global reputation.
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