celebrity radar - gossips
Nollytainment partners silicon Valley to introduce Nollycloud Technology for fast movie downloads in seconds.
Just when you thought you have seen it all, Nollytainment is here again to hit your imaginations with a shocking development which looks like a magic in Nollywood. Its all about a new application that enables you download heavy movies, movies that are as large as 2gig, in less than 1 minute, without the use of internet.
It’s no doubt a shocking but amazing development in the movie industry and the country as large as this has never happened in the country. We have found ourselves in a country where downloading even a 10Megabyte file online is an issue due to the epileptic internet services available and bad network.
Nollytainment is set to solve this problem in conjunction with a USA based company, silicon Valley through the invention of an application called Nollycloud, a Revolutionary Wireless Movie/Video Download App That Does Not Use Internet Data or bandwidth. According to the inventors, the application is at an advanced stage of completion and is already being beta tested.
WATCH DEMO
Dr. Ope Banwo, Founder and CEO Nollytainment Inc during his return from Silicon Valley USA said: “We are so blessed to be the first company to solve a major problem that has limited the growth and development of the movie industry in developing nations where the cost of internet access is ridiculously expensive and prohibitive for users. Many people who have been frustrated from being able to enjoy full length movies or videos on their mobile phones, laptops or desktops can now do so with astounding speed at no cost of internet bandwidth. I honestly can’t overstate the importance of this app to the growth of the movie industry”.
Explaining how NollyCloud works, Dr. Banwo said: “to download a full length two-hour movie from the interne, before Nollycloud was created, will typically take anywhere from one hour to three hours, depending on the time of the day and country. The process will also eat up a huge chunk the user’s internet access bandwidth, but with ‘NollyCloud’ it’s totally different. There is no need to use your internet service or give up any part of your internet plan’s allocated bandwidth. Nollycloud uses a new proprietary technology that works like Wifi but on steroids.”
“A two-hour movie will typically consume about two gigabytes of internet data. Therefore, for any internet user to download and watch a movie of two hours, they would have to give up about two gigabytes of data. This is a huge cost in an environment where a two gigabytes internet device would cost about $10 or more.”
“To make matters worse for internet users, more often than not, because of the erratic and unstable internet service in most parts of the developing nations, the movie or video downloading process is often interrupted before it is fully downloaded. When that happens, the user would lose the bandwidth already used before the download attempt. The user would then have to start all over again by using another two gigabytes of data to download the movie or video. With ‘NollyCloud’, this expensive and frustrating problem has now been solved in a way that is nothing short of amazing.”
One of the things it will also eliminate is the use of exorbitant amount of money to buy data in order to gain access to the internet because with Nollycloud, a user wouldn’t need to even have his internet service on, It’s an applications that is set to blow the minds of everyone.
Presently, the ‘NollyCloud’ is being positioned to be one of the key products in the Nollytainment’s blockchain-powered movie distribution ecosystem, and would be officially available as an exclusive utility for holders of the Nollycoin Cryptocurrency from August 1st, 2018. The Nollycoin ICO crowdsale is currently on at ico.Nollycoin.com from 1st April to 30th April, 2018
Other qualities of the Nollycloud includes:
- Nolly Cinemas (A Blockchain enabled screening of movies at cinemas complete with a blockchain Nolly box office that lets people purchase movie tickets using cryptocurrency: www.NollyBoxOffice.com).
- NollyFlix360 (An online Movie Streaming Platform that has been described by knowledgeable observers as a kind of Netflix on Steroids: www.NollyFlix360.com)
- NollyShopper (An Amazon styled Marketplace/Online Mall for buying and selling of entertainment products and services that will be open to all artistes and products creators to sell their products and services. This will be accessible at www.NollyShopper.com)
- Nolly Varsity (An online and offline training and certification academy for aspiring entertainers, industry technicians and support personnel: www.NollyVasity.com)
- Nolly Funder — (A special crowdfunding platform for movie producers www.NollyFunder.com). This will help qualifying producers raise funds for their projects through their fan base.
For more about Nollytainment’s ecosystem and participate in its ongoing crowdfunding campaign visit ico.Nollycoin.com
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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