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Obaship: Ifa rejects MC Oluomo (1) By Tunde Odesola

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Obaship: Ifa rejects MC Oluomo (1) By Tunde Odesola

Obaship: Ifa rejects MC Oluomo (1) By Tunde Odesola

 

 

 

 

 

 

 

 

MC Oluomo- They wear the nation’s green-white-green flag as uniform. They have their own army, arms and ammunition. Their constitution is superior to the laws of the land. They’re state-backed bandits. They’re a clan of killers. They’re the National Union of Road Transport Workers.

 

 

 

 

 

 

 

 

 

 

 

Obaship: Ifa rejects MC Oluomo (1) By Tunde Odesola

 

 

 

 

Though Lagos is the centripetal force in this discourse, it’s no breaking news that killings and violence by NURTW members have a nationwide centrifugal spread. From Oyo to Kwara, Sokoto, Kano, Borno, Benue, Anambra, Delta, Rivers etc imprints of blood have marked the steps of the NURTW  ountrywide since its creation in 1978.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Lagos is a unique city. After berthing at the ancient Benin Kingdom, it was on Lagos soil that Portuguese colonialists subsequently stepped their feet in the 15th Century, foraging hinterlands, years after, to amalgamate peoples of different languages, religions and cultures into what is today known as the unworkable contraption called Nigeria.

 

 

 

 

Obaship: Ifa rejects MC Oluomo (1) By Tunde Odesola

 

 

 

 

 

The indigenous name of Lagos is Eko. Eko, which was occupied then by the Awori, was renamed Lago de Curamo by Portuguese explorer, Rui de Sequeira, – after the healing lakes of Portugal.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The panegyrics of Lagos, ‘Eko a r’omi sa legbe legbe’ and ‘Eko akete, ilu ogbon’, define the aquatic splendour and grit of a territory founded on commerce long before the days of European invasion that made Badagry the first slave port in the country.

 

 

 

 

 

 

 

 

Mc Oluomo Explains Why He is Supporting Kendoo

 

 

 

 

On its official website, the Lagos State Government says, “Lagos Gross Domestic Product (GDP) accounted for 26.7% of Nigeria’s total GDP and more than 50% of Nigeria’s non-oil GDP. It (Lagos) accounts for over 80% of the country’s foreign trade flows, and generates over 50% of Nigeria’s port revenues…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Lagos economy, with an estimated population of 24 million, is larger than any other economy in the ECOWAS sub-region despite the rebasing of Ghana’s GDP.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Lagos population is growing 10 times faster than that of New York and Los Angeles, and more than the population of 32 African nations combined, the state’s population is expected to hit the 35 million mark in 2020.”

 

 

 

 

 

 

 

 

 

 

 

 

 

The above-quoted self-description by Lagos State suggests that the government knows the important role Lagos should play in the socio-cultural and economic rebirth of the South-West, in particular, and that of Nigeria, in general.

 

 

 

 

 

 

 

 

Not to recognise the weight of history and grace of providence on Lagos’ shoulders is for Governor Babajide Sanwo-Olu to string corn cobs and tie it across the waist in the congregation of chickens.

 

 

 

 

 

 

 

Sadly, an abomination against the gods is about to be committed in the illustrious land of Lagos. The gods are not to blame if Lagos seas overflow their banks consequently.

 

 

 

 

 

 

 

That the Chairman, National Union of Road Transport Workers, Lagos State chapter, Musiliu Akinsanya aka MC Oluomo, is eyeing the vacant post of the Baale of Oshodi, is no secret.

 

 

 

 

 

 

 

 

 

But it’s highly distressing to observe that Lagos State, for potfuls of questionable electoral votes from the NURTW, appears more than primed to negate Yoruba culture and tradition by enthroning MC Oluomo as the next traditional ruler of Oshodi.

 

 

 

 

 

 

There’s no smoke without fire, goes a popular saying. Although MC Oluomo hasn’t publicly declared interest in the vacant post of Baale of Oshodi, recent activities, especially in the music industry, strengthen the belief MC Oluomo might be hand in glove with the Lagos State government over the Oshodi obaship stool.

 

 

 

 

 

 

 

Many musicians, especially those of the Fuji genre, have been singing the praises of MC Oluomo, recently calling him the next king of Oshodi. Chief among these musicians is the Toast, no, I mean Toad of Fujii, who has been calling MC Oluomo king of Oshodi – in his croaky voice.

 

 

 

 

 

 

If MC Oluomo had a jot of blue blood coursing through his veins, musicians would’ve been assaulting listeners’ eardrums with Oluomo’s kingly panegyrics in the last 15 years, at least.

 

 

 

 

 

 

Before and after his rise to notoriety, not a single musician, living or dead, has ever called MC Oluomo a prince. Is it possible for a limelight-loving gangster not to disclose his royal pedigree and ‘spray’ money while his princehood is being sung? The answer is a capital NO! How much of the over N123bn accruing annually to the Lagos NURTW would MC Oluomo spend for musicians to call him the king of kings and lord of lords?

 

 

 

 

 

 

 

 

I beseech Governor Sanwo-Olu not to break the calabash of Yoruba culture by enthroning MC Oluomo, a man found unworthy by Ifa for kingship.

 

 

 

 

 

 

 

World renowned Ifa scholar, Chief Ifayemi Elebuibon, says, “Someone with physical challenges or who is a thug must not be made king, according to the body of Ifa knowledge. Ifa won’t choose such a person.”

 

 

 

 

 

 

 

 

MC Oluomo limps badly with a swag.

 

 

 

 

 

 

 

Supporting his assertion with Ifa verses, Elebuibon recalls, “Once upon a time, the frog, which the Yoruba call akere, was forewarned to beware of immoderate exuberance.

 

 

 

 

 

 

 

“One day, the frog went to his farm. As he was tilling the ground, his hoe hit a pot in the ground. He dug out the pot and found destiny-changing sum of money in it.

 

 

 

 

 

 

 

“As he was contemplating his newfound wealth, word came that his wife had given birth; his joy grew in leaps and bounds. He didn’t wait to get home, he sent word to all and sundry to come to his farm and partake in marathon celebrations with him right from the farm.

 

 

 

 

 

 

 

 

“He sent for all the drummers, palm wine tappers and bushmeat sellers in the land. It was a great occasion. In the merrymaking, word came from the kingmakers that the frog had been selected as the next king of the land; he went overboard with joy – dancing, jumping, sweating and prancing from one end of town to the other.

 

 

 

 

 

 

“As he jumped up for the umpteenth time, he landed wrongly, and krahah! He broke his thighs. The frog limped in pain to the kingmakers, saying he was ready to be crowned. Alas, he was told a physically challenged individual cannot be king. That was how the frog missed being crowned king.”

 

 

 

 

 

 

 

Aside from physical disability, Elebuibon also describes violence as a vice that can disqualify an aspirant from being made king. A 2010 documentary by British-American journalist, broadcaster and author, Louis Theroux, confirms MC Oluomo’s violent nature, completely ruling him out of the race for Oshodi baale stool.

 

 

 

 

 

 

 

To buttress the density of killings and violence around MC Oluomo and his NURTW, his confidant and aide, Kunle Mamowora, who conducted Theroux round Lagos during the documentary, was shot dead few houses to his father’s residence on Mosaku Street, Oshodi, in October 2015.

 

 

 

 

 

 

 

 

In January 2008, the Lagos State Chairman, NURTW, Alhaji Saka Saula, was shot dead in his Iyana Ipaja home, Lagos. In May 2017, MC Oluomo was accused of masterminding the killing of Rasaq Bello, aka Hamburger, in the Sogunle area, near Oshodi, during the local council primaries of the All Progressives Congress. Hamburger was the state treasurer of the tricycle operators association, a branch of the NURTW. MC Oluomo vehemently denied the allegation. But a leader of the NURTW in the Oshodi area, Taoreed Adedigba, aka Talo Skibo, who was a Peoples Democratic Party supporter, and his pro-PDP faction, accused MC, a staunch APC member, of being behind the killing. In 2019, Talo Skibo himself was arrested and accused of killing Mamok.

 

 

 

 

 

 

 

 

Also, a popular member of the NURTW in Oshodi, Olayemi Eniola, popularly known as Esi Oluwo, was killed in April 2015, when a clash broke out during an APC rally in Oshodi. Esi Oluwo was a staunch member of the PDP before he defected to the APC shortly after meeting with a national leader of the APC who lives in Ikoyi.

 

 

 

 

 

 

 

 

In the documentary, Law and Disorder in Lagos, Theroux, who was born in Singapore on May 20, 1970, to an English mother, Anne, and an American father, Paul, explores the marriage between governance and gangsterism, wondering why thugs are above the law.

To be continued.

Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola

celebrity radar - gossips

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

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