Connect with us

celebrity radar - gossips

Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail Maadiah johnson

Published

on

Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail queen Maadiah johnson

QUEEN MAADIAH: Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail Nigerian Teen Author, Queen Maadiah Johnson As She Launched Her Debut Effort “Raise them, Queens.”

By Ifioque
Former governor and serving Senator, Owelle Rochas Okorocha has described Queen Maadiah Johnson, Nigerian Teen Author as a Wizkid.
Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail Maadiah johnson
The debut of her latest effort – “Raise Them Queens” happened on Saturday, June 26, 2021, at the Conference Hall, Watbridge Hotel, IBB Way, Uyo, Akwa Ibom State.
      Okorocha in the company of the Uyo Book Club, the Johnsons, and withstanding ovation from seasoned men, women, and children at the event advised the youth to engage themselves in educational efforts that would assist them in their future endeavors.
      Queen Maadiah Johnson’s journey in the industry started like a dream – a still, small voice of inspiration. And then, sheet after sheet of paper, sentence after sentence, she wrought her way to becoming the youngest author in the Niger Delta region of Nigeria with the published book “Clawed to Death” now selling on Amazon.
 On June 24, 2021, Queen Maadiah Johnson launched her Pro girl child project, “Raise Them, Queens.” The initiative is a call to all arms of society, a reorientation campaign as it concerns raising the girl child, to completely toss rape, abuse, violence, servitude, and child labour into the figurative Mediterranean Sea.
Queen Madinah at the event noted that “When the girl child is accepted as a queen, she’s honoured, respected and won’t be molested nor abused.”
Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail Maadiah johnson
This concerted effort of the 16-year-old Queen Maadiah Johnson is a step to her, but a mile for the girl child and every youngster in Nigeria and around the world who lives, dreams, and hopes for the light.
            “Clawed To Death” was created in Maadiah’s unbelievable imagination as a 10-year-old girl.
      “I gathered paper, glued them perfectly together to form a small book, and then I designed a unique front cover with the fearsome but analytical title above.”
      “I started writing and the ink kept flowing while my mind kept stringing layers upon layers of words and sentences together. It took three days to finish what my mind had canvassed.”
      “Back at school, I was not hesitant to show my classmates what I had done. They were amused at what seemed like a pirated story, but if pirated means an original idea reproduced on the bearer’s mind for endless days and night, then I would agree, it had been pirated.”
      “I kept writing, creating a mental world of bliss that friends could travel to just by weaving through my beautiful wordplay. Their amusement was a major inspiration; It gave a great sense of satisfaction and pleasure.”
     “Then one day, I stopped. I stopped and thought: these were kids like me, what about the older population? Would they find stories of wolves and myths as interesting at their level? Were my infantile imaginations going to be controversial? Did the African society have room to accommodate science fiction literature like mine?”
      “I had to pull back in loss of motivation to go a step further. I piled my works and stashed them in a box in the distant corners of my mind and the house – I stopped writing.”
“Another ‘child’s play’ sadly ended.
      “5 years later, during routine home cleaning on a torrid afternoon, I stumbled on a familiar disorderly heap of abandoned books in a box. I smiled: memories of my conjured reality were refreshed. I immediately got back to work!”
     “Thinking, writing, editing, canceling and writing again, chewing the back end of my pen, I refined those thoughts. It was the Covid-19 lockdown and I had enough time to recreate.”
     “Word after word, line by line, I slowly but consistently cut through the sentence structures until, phew! I heaved in satisfaction.”
     “After hours and days of dictionary usage, sleepless nights and laborious days way beyond what a 10-year-old should endure, “Clawed To Death” was born.”
       “I dedicate this book to the girl-child in particular, and to everyone who ever faced discouragement, redundancy and fear – essentially all of us.”
Queen Maadiah in her formative days had always loved creative think-through solutions.
      Hear her: “I remember spending countless hours watching shows on artistry, literary works and showmanship — basically anything that got my mind to explore.”
      “I have always painted this perfect picture of a world where innovations come from the younger minds, and opportunities are given to the youths to exchange those talents and values with the world.”
      “My aims and objectives with this project “Raise Them Queens” is to bring the right value of the girl child to the fore, by creating a sensitization programme for the government and parents to appreciate the need to raise female children as queens.”
      “In every developed societies, inputs of women are pivotal to development. In fact, by nature, a woman was made a solution. A girl child must not be treated unequally; a girl child can not be rudely dealt with; a girl child cannot be bullied, cannot be raped, cannot be seen as body part merchandise. Women should be respected and accepted if our society must be fixed.”
      According to Maadiah, her mission includes:
1. Raising a network of young women to mobilize across Africa and raise an army of confident Queens.
2. Visiting schools in Nigeria to indoctrinate the girl child on the right values and self-dignity necessary to impact society.
3. Visiting social groupings and religious communities to help them appreciate the values of our young women.
      She intends to publish 3 more books before the end of first quarter in 2022. They are: Diary of the Nigerian Girl, Holding Hands and Love At First Words.
      Find her social media platforms on
 linktr.ee/maadieanie or contact mobile +2348055659755

celebrity radar - gossips

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

Published

on

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

Continue Reading

celebrity radar - gossips

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Published

on

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

Continue Reading

celebrity radar - gossips

Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

Published

on

Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

Continue Reading

Cover Of The Week

Trending