Entertainment
Why Rapper, Olamide will never meet up with Wizkid, Davido
By Osho Oluwatosin
No doubt, the youngest music stars making waves currently in Nigeria are Wizkid, Davido, and Olamide. Any artiste will come after them. They have done a lot of songs, gotten endorsements, and recorded songs that had massive airplay, videos that won awards, and are still doing more, Arguably, in Nigeria currently, they are the richest among their age grades when it comes to music.
Everything was going fine between them until last year 2017, I mean, they all had almost the same status in the music industry. They all have almost the same crowd of fans and had sold out shows until one of them, Olamide fell out of the race ( I will explain). One thing I discovered is in Nigeria, even till now, they have their fans, lot of them, but Music is beyond just a region.
Arguably, Ayodeji Balogun ‘Wizkid’ in 2017 had the best concert in the United Kingdom. He had a sold out with the hall of the event filled with lots of people. You would agree with me that Wizkid throughout 2017 was practically not in Nigeria. He technically relocated to the United Kingdom all for Music sake and it really paid off. He sold the highest ticket, meaning he had the highest money and gained so much popularity. Wizkid even got a nomination on the prestigious grammy award though it wasn’t his song directly. Apart from that, Wizkid’s signees were also part of the successful artistes in the year. Everyone knew Mr.Eazi, Maleek Berry. Infact, if you weren’t told, you wouldn’t believe they were signed to Star boy Record Label because their Boss, Wizkid gave them a free hand and don’t even interfere. Infact, he hardly appears in their videos. He sees Music beyond Entertainment, and faced the business aspect of it. Through great management, and we can say Wizkid is the greatest artiste of all time.
On the other hand, although DMW Boss, David Adeleke widely known as ‘Davido’ didn’t follow the same process as Wizkid, he gave Nigerians and the world great music. Everyone knew Davido to always do ‘gra-gra’ songs but the Young man changed his tune. He made sure he gave us something better and continued with the trend. Take a look at his debut single, Damiduro and his master hit song, IF. Davido was an opposite of ‘Damiduro’ character in IF, it was just too cool and ever since then, he released FIA, Flora My Flawa. cool songs, he changed his tune and he was more blown than he was.
It wasn’t a surprise that he won several awards in the year, got endorsements, and has his 30 Billion concert. And Gosh! He made half a billion from that concert and it was completely sold out, why? Davido brought Wizkid, united Mo’hits crew, and in 2017, it was one of the most talked about concert. This is Business, Camping his fans and Wizkid’s fans together, how strategic!
Now to Our Street Credibility brother, Self Acclaimed street King, Olamide Badoo. He has also done greatly in the music industry but Olamide has failed to do justice to the business aspect of Music. Olamide always has OLIC sold-out every year where he uses Eko Hotel and it’s always very filled up. According to reports, the hall he uses there is a 6000 capacity hall but in 2017, Olamide decided to move to Teslim Balogun Stadium, a 24,000 capacity stadium, where did he expect to get crowd to fill it up? This is one of the reasons his 2017 OLIC failed to get to be the talk of the town.
Furthermore, Olamide has been feeding us with the same style of songs, dishing out different dance steps, giving out a lot of slangs but what has Olamide made out of this. This is beyond money. It is about how far you are recognised, not just in your home zone but outside your comfort zone. Recongition won’t come to you, you get it. You don’t just sit down in Nigeria and be claiming king of streets whereas your mates are out there, becoming King of the Kings of street.
I remember in one of his songs, he said he doesn’t need the International recognition, doesn’t need award but why did Olamide fight on stage for his artiste, Lil Kesh over ordinary headies, not grammy or MTV o. I mean, who knows Olamide if he leaves Nigeria? I haven’t heard Olamide do a concert abroad in recent times, and this is killing his career gradually.
Olamide no longer gets on big shows, he wasn’t even on the Gidifest that was just concluded, awards are becoming tough to get which isn’t supposed to be.
It calls for attention how a young man with great prospect could be so comfortable as a local champion. He has the Nigerian Market already, what about the African countries not to talk of United Kingdom, Atlanta, many more.
However, I would say Olamide lacks a good managerial team. Getting endorsements for Olamide was even as a result of his hit songs, not a managerial work at all. Lil Kesh left YBNL without Endorsement, Chinko Ekun left without Endorsements, Adekunle Gold, Viktoh too, now we have Dovolee, Temmie, they have no endorsement.How would they have a very balanced life being with a big star like Olamide.
He just needs a managerial team which will make him realise the need for the international market, shoot him out there, or else, He will never meet up with Wizkid and Davido
– Osho Oluwatosin, Is a Music Critic.
Entertainment
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
By Alhaji Arems (Baba Fuji)
Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.
The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.
Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.
The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.
Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.
The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.
Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.
As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.
Entertainment
BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy
*BREAKING NEWS
*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*
Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.
Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.
“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”
Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.
As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.
Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.
Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.
Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.
The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.
Entertainment
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
By Alhaji Arems (Baba Fuji)
Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.
More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.
A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.
Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence
• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.
• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.
Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.
April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.
For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.
In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.
Rewriting the Narrative for Women in Fuji :
Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.
Omo-Opeki’s 3-in-1 album challenges that precedent.
Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.
Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.
This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.
Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.
A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.
A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.
By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.
A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.
April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.
As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.
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