Mercy Chinwo Slams N1.1 Billion Lawsuit Against Social Media Critic VeryDarkMan Over Defamation

 

Renowned gospel singer Mercy Chinwo has taken decisive legal action against controversial social media commentator, VeryDarkMan (VDM), suing him for N1.1 billion over alleged defamation. The lawsuit, dated March 3, follows a series of Instagram posts in which VDM accused Chinwo of withholding earnings from her performances instead of remitting them to her former record label, EeZee Concept, owned by Ezekiel Onyedikachukwu, popularly known as EeZee Tee.

VDM further alleged that Chinwo violated contractual agreements before parting ways with the label, claims that her legal team has strongly refuted. According to her lawyer, Pelumi Olajengbesi, VDM had no direct involvement in the dispute yet made “libelous, malicious, and damaging” statements that tarnished the singer’s reputation.

“The claimant avers that she has neither had any form of relationship with the defendant nor was the defendant involved in the issue between the claimant and EeZee Tee in any material particular,” the legal document states.

Chinwo is demanding N1 billion in general damages, N100 million in punitive and aggravated damages, and an additional N25 million to cover legal expenses. The lawsuit also calls for VDM to delete the alleged defamatory posts, issue a public apology, and publish retractions in four national newspapers for 14 consecutive days.

The legal battle stems from an ongoing dispute between Chinwo and her former label, EeZee Concept, over financial disagreements following her departure. Chinwo had previously accused EeZee Tee of mismanaging approximately $345,000 from her digital platforms and events without proper disclosure or remittance. While EeZee Tee has denied the allegations, he later called for an audit to address concerns of financial misconduct.

Amidst the controversy, a federal high court in Lagos upheld an arrest warrant against EeZee Tee on February 17, with the case adjourned until March 6. The escalating legal drama continues to unfold, drawing significant public attention to the gospel music industry and the contractual disputes between artists and their former labels.

As the legal proceedings move forward, industry watchers await the next developments in what has become a high-profile case of defamation, financial accountability, and artist-label relations.

Daddy Freeze Sparks Controversy Over Sophia Egbueje’s Lamborghini Mileage

Popular media personality, Daddy Freeze, has once again sparked reactions on social media after exposing the mileage of the newly acquired Lamborghini belonging to socialite Sophia Egbueje.

It would be recalled that Sophia had earlier revealed she purchased the luxury vehicle after Nigerian music star Burna Boy failed to fulfill his promise of gifting her one. She proudly shared images and videos of the car’s delivery on her Instagram page, drawing admiration and congratulatory messages from fans and followers.

However, in a surprising twist, Daddy Freeze took to social media to reveal that the car was not as ‘new’ as many believed. Sharing a snapshot of the vehicle’s dashboard, he disclosed that the odometer reading stood at 46,433 miles.

Mileage Controversy

For context, mileage on cars typically represents the total distance a vehicle has traveled since its purchase. It serves as an essential factor in assessing a car’s newness, overall condition, and market value.

Highlighting this, Daddy Freeze sarcastically congratulated Sophia while emphasizing the high mileage count. He wrote:

“Congratulations, our new Lambo has 46,433 miles 🙏 – 46,433 miles = 74,726.67 KM yaaay we are winning! 🥇”

Mixed Reactions Trail Daddy Freeze’s Post

As expected, the revelation sparked a flurry of reactions from social media users, with many divided in their opinions.

Some ridiculed Sophia over the mileage, suggesting that the car was far from being brand new, while others defended her, arguing that a Lamborghini remains a luxury vehicle regardless of its mileage.

Here are some notable reactions:

• @adelakuntufayl: “Just like herself, the car has gone through a whole lot allegedly 😂😂😂”
• @abk_sadiq01: “She get Lambo abi she no get?”
• @plato_15: “😢 It was 0 miles but they drove it down from ‘the abroad.’ Hence the increase in mileage.”
• @simeon_black: “It doesn’t change the fact that it’s a Lambo. Nothing wrong with the mileage. Make una rest abeg.”
• @emeka.daniels: “No one is talking about better government practices, hike in prices of goods et al…”

Luxury or Not? The Mileage Debate

While some argue that mileage is an indicator of how ‘new’ or ‘used’ a vehicle is, others maintain that what truly matters is the car’s make and model.

Lamborghinis, being high-performance luxury cars, often retain significant value regardless of mileage, especially if well-maintained. Some have pointed out that high-mileage luxury cars are common, particularly when imported from abroad.

Despite the controversy, Sophia Egbueje has yet to directly respond to Daddy Freeze’s post or the debate surrounding her Lamborghini. However, her fans and supporters continue to celebrate her latest acquisition, regardless of the mileage discourse.

As the discussion rages on, one thing is certain: Daddy Freeze has once again managed to stir the pot and keep social media buzzing over celebrity lifestyles and luxury purchases.

 

Gospel Music Fallout: Ebuka Songs Reacts to Moses Bliss’ Contract Disclosure

The Nigerian gospel music industry has been rocked by controversy following revelations made by renowned gospel singer Moses Bliss regarding his former signee, Ebuka Songs. The unexpected disclosure has sparked widespread debate, with Ebuka Songs expressing his discontent over the way the issue was presented.

Moses Bliss’ Shocking Revelation

During a recent interview, Moses Bliss revealed that Ebuka Songs had initially signed a three-year contract under his music label but exited after just 11 months. This revelation sent shockwaves through the gospel community, with many questioning the circumstances surrounding Ebuka’s departure.

The interview has since made rounds on social media, igniting mixed reactions from fans and fellow gospel artists alike. Some supported Moses Bliss for sharing the details, while others criticized the decision to publicize what they believe should have remained a private matter.

Ebuka Songs’ Response: Disappointment and Clarification

In response to the interview, Ebuka Songs addressed the situation, expressing his disappointment over certain statements made by Moses Bliss. He stated that while he has moved on from the matter, he was saddened by how the situation was publicly portrayed.

“I was a bit sad to hear some of the things that were said about me in that interview,” Ebuka admitted. He further stated that some of the details disclosed were unnecessary and that he and Moses Bliss had already reached a mutual agreement to go their separate ways amicably.

Public Reactions: Fans Weigh In

The controversy has triggered heated reactions across social media, with fans and critics voicing their opinions. Some questioned the ethics of publicizing contractual disagreements within the gospel industry, while others argued that gospel music has increasingly become commercialized.

Here are some of the notable reactions:

• @ciliapeaches: “Wettin Ebuka go podcast go do 🤦🏾‍♀️”
• @fredcomedian1: “Una go do rubbish use God dey cover up, saying we have to glorify God 😂😂😂😂 guy talk the matter 😂😂😂😂”
• @brendanukagod__: “Everything is now money. Even the anointing of the Holy Spirit will be sold soon for this generation.”
• @talkwithjoe_tv: “I started listening to Ebuka before Moses signed him. The song was already everywhere.”
• @greatdancelord: “Make all of una just dey sing worthy songs abeg. Since it’s all about money and contract, make we know say una be the same tin with Wizkid and the rest.”

The Bigger Picture: Gospel Music and Commercialization

This incident has once again raised concerns about the increasing commercialization of gospel music. While the genre is deeply rooted in spirituality and ministry, financial and contractual disputes continue to highlight the business side of the industry.

The fallout between Moses Bliss and Ebuka Songs serves as a reminder that even within faith-based music, legal agreements and financial interests play a crucial role. As fans process the revelations, the key question remains: where should gospel music draw the line between ministry and business?

Moving Forward

Both Moses Bliss and Ebuka Songs have signaled that they have moved on from the issue, but the controversy has undoubtedly left an impression on their supporters. Whether this situation will affect future collaborations in the gospel music industry remains to be seen.

For now, all eyes remain on the two artists as they continue their individual musical journeys, with the hope that this incident will serve as a lesson for upcoming gospel musicians navigating the complexities of the industry.