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The truth lie, Mohammed cannot kill (Part 1) By Tunde Odesola
The truth lie, Mohammed cannot kill (Part 1) By Tunde Odesola
In light or in darkness, a cockroach is a cockroach; smelly and repulsive. What to do to rid the cockroach of its nuisance? Whack it to death!
The lethargic regime of the retired General Muhammadu Buhari heeded this homily on October 20, 2020, when it crushed to death, like cockroaches, innocent Nigerian youths at the Lekki Toll Gate, Lagos Island.
Since the bloodbath at Lekki over a year ago, the unproductive Buhari regime has been wheeling falsehoods in and out of cosmetic surgery wards, trying all manner of facelifts to beautify deceit. But truth remained missing in the prescribed post-surgery dosage, making Aso Rock’s open wound conscience discharge smelly pus.
But before I attack the cockroaches that crawled out of the latest response from the Minister of Information and Culture, Lai Mohammed, on the Lekki Toll Gate massacre, last week, I’ll ask a question: where’s the camcorder discovered by the Minister of Works and Housing, Babatunde Fashola, at the scene of the murder of innocent Nigerian youths?
My gut feeling is to treat the Fashola camcorder discovery with the doubt that Nigerians attach to government and its officials, and liken the discovery to the purported discovery of River Niger by Scottish explorer, Mungo Park, in 1795, centuries after indigenes had been living on the banks of the river.
The out-of-the-blue camcorder discovery and the ginger way the left-handed minister wrapped the camcorder with a piece of dark cloth, like a detective from Alagbon, suggests there was an untold event at the toll gate before the minister got there that fateful day – just like there were indigenes living around River Niger long before Mungo got there.
Conversely, the authenticity of Fashola’s action and the possibility of extracting evidence from the camcorder were lost in the black hole of government’s characteristic insensitivity to issues that concern the masses.
It’s only an unfeeling and inconsiderate government that would keep quiet on the content of a camera openly discovered by an ex-Chief of Staff, two-term governor, SAN, minister, and member of the federal cabinet.
In a country, where leaders lead with conscience, and consider the citizenry worthier than cows, there won’t be a criminal silence on the content of the camcorder. Mind you, two weeks ago, Fashola had said he openly handed over the camcorder to Lagos State government officials at the toll gate, insisting that he doesn’t know what has become of the camera.
According to online reports, Fashola also claimed the camcorder was planted by subversive elements. This assertion is the reason why the content of the camcorder should be made public if the Babajide Sanwo-Olu-led government of Lagos State wishes to wash its hands clean. Questions beggar answers. Why did the Lagos State government not submit the camcorder to the panel, and why did the panel not mention the camcorder in its report nor call on Fashola to come and testify?
It should be noted that the composition of the retired Justice Doris Okuwobi-led eight-member Lagos State Panel of Inquiry constituted to look at the causes of the Lekki toll gate crises was a child of necessity. If not for the fire consuming Lagos at the time, Sanwo-Olu wouldn’t people the panel with independent-minded and courageous citizens, who never gave two hoots about how Abuja or Alausa feels about the truth they told in the report. I daresay the composition of the panel was to douse the escalating tension eating up Lagos at the time.
Upon the leakage of the panel’s report, Nigeria’s media space went berserk, but the information minister figuratively went underwater like a mighty shark for some days, only for him to suddenly shoot into the air from the deep, twirling to the horror of many, insisting that nobody died at the toll gate.
Alhaji Lai’s latest lie issued forth from the same mouth which claimed in 2018 that it cost government N3.5m monthly to feed detained Shiite leader, Ibrahim El-Zakzaky, even as the same mouth claimed in 2016 that patient Buhari wasn’t sick in London, only for the Daura general to return to the country to say he had never been that sick in his entire life.
The same mouth had also infamously said Boko Haram had been technically defeated only for the terrorist organisation to claim territories in the North-East, and kill soldiers and civilians at will. I’ll restrain from turning on the minister’s tap of misrepresentations.
Reacting to the leaked report, Mohammed quoted a nameless lawyer and a faceless journalist, whom he claimed described the leaked report as disgraceful. If Alhaji Lai was proud of what he was saying, he should have come up with the identities of the unknown persons he copiously quoted in his press statement.
In the aftermath of the massacre, CNN came up with a damning analysis of the CCTV footage from the Lekki toll gate, showing soldiers shooting at the scene and expended live bullet casings, which were traced to the Nigerian military.
After the CNN report, the government went back on its earlier denial that soldiers never had live bullets at the scene, insisting, however, that the live bullets were not shot.
Both the panel and the CNN reports queried the reason behind the ‘panning out of CCTV cameras’ at the scene shortly before the soldiers opened fire on the harmless protesters.
If Mohammed was on the side of the truth and the masses, he should have raised questions as to why the brightly lit toll gate was thrown into darkness shortly before the killer soldiers opened fire on Nigerians whom he swore to serve and protect.
In his sophistry, Mohammed raised a jejune question on why the relatives of the deceased have refused to come out and claim the corpses of the dead.
In a country where the soldiers that killed three policemen and two civilians, who arrested kidnap kingpin, Hamisu Bala aka Wadume, in Taraba State, got a pat on the back, and are today walking free, Mohammed’s poser to the relatives of the dead is akin to telling them to face a moving train.
It’s on record that the Attorney General of the Federation, Abubakar Malami, withdrew the murder charge against the soldiers since June 2020.
With the wave of killings and tension across the country, Mohammed should know that Nigerians have been dehumanised and disenchanted to the extent that they don’t expect anything good from the Buhari regime.
Just a few days ago, a witness, Kamsi Ochuko, who testified at the panel against the Nigerian Army, was allegedly attacked by hoodlums suspected to be sponsored.
One of the victims who survived gunshot wounds, Agbeze Ifeanyi Matthew, a 35-year-old man from Ondo State, testified before the investigative panel and showed his bullet wounds.
He also told UK-based daily, The Guardian, that it was shameful the Federal Government had been denying the shooting of protesters at the toll gate.
He said, “The tollgate lights had never gone off before, but when they turned them all off and we saw people (in uniform) removing the cameras, we became scared.
“The bullet had gone through my back. In the ambulance they were saying I had lost so much blood. The nurse was praying, trying to encourage me to be courageous, saying that I should not lose hope. This was around 1am.
“I was the first person from the tollgate admitted to the ward. Later that morning, there was no more space (in the ward).”
To be continued next week.
Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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