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Toyin Abraham Thanks Fans and Supporters For the ‘FAKE LOVE’’, Reveals Release Date for New Movie ‘Seven and a Half Dates’

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The last six months and the three months preceding it have been
nothing short of fantastic. Yesterday, I got the new figure for The
Ghost and the Tout and I almost cried. Not only have we sold more than
the highest selling Nollywood movie this year, we have sold more than
the
highest selling movie this year by over 11Million Naira. I’m
overwhelmed and grateful for loyal fans, good support-system,
individuals and institutions that keep believing in me.
Over the weekend, I was in Ilorin Cinema with the First Lady of Kwara
State. Officials of the mall and the manager of VIVA Cinemas where we
went to do “meet and greet” for my movie ‘The Ghost and The
Tout’confirmed to me that the turnout of crowd was unprecedented in
the
history of the establishment.
Few months ago, I was in Agege, Mushin, Sango and Lagos Island for
Nasco Cornflakes and the manager of the Agency handling Nasco campaign
also confirmed that the turnout was unprecedented since they had been
doing activations. Last quarter, I was in Kebbi. The turnout of my
fans in the far North was unbelievably huge.
The love is real and it’s almost like I don’t deserve it. I’m grateful
for the show of love and support, I don’t take it for granted.
Few weeks ago, one of the top players in the Nigerian economic space
reached out to me personally to commend me for a job well done in The
Ghost and The Tout.  Details of our discussion is not for now. My
point is, it has been a good six months or to put it better, it’s been
a good nine months.
Toyin Titans, fans and the public generally, I do not know what I did
to deserve this. I have had people accuse me of having fake fans,
having fake accounts, and faking love, I really wish those people are
smart enough to know the meaning of fake because the crowd in Kebbi,
Kwara, Abuja, Mushin, Sango, Agege, and Island must be the new
definition of Fake. About 50,000 people that have seen The Ghost And
The Tout are perhaps fake as well and over 12 cinema movies that I
have appeared in–with 6 of them going on to be blockbusters–are
perhaps also fake.
Now, we want to show them more fake by being the second woman in the
history of Nollywood to have two blockbusters in a year as Seven And A
Half Date hits Cinemas August 3rd, (Fams, trust me you will like this
one).
If the life I am living now is what fake is all about, please leave me
to it. It’s my fake, not yours.
When I was in the pit with some of these people, all of them loved me.
I was the sweetest Angel they have ever met. Immediately I decided to
leave the pit to something greater, I became the demon with fake love
and fake accounts (May God deliver us from friends who love us but
don’t want us to succeed or rise above a certain level of mediocrity).
For the record, it is the people who benefit from the “mediocrity”
that don’t want you to leave the “mediocrity” behind. As for me, I’m
not going back to pettiness and small mindedness that have made it
difficult for some people to get attention except they mention my
name. May God continue to make us the reason why some people shine in
life.
Asides “Seven And A Half Dates” coming on August 3rd (Please, don’t
forget that date, let’s repeat success), I will be making an
announcement for two major things later this year, (man shall not live
by movies alone).  There’s more we can do with our lives than rant on
Instagram. Remember, when they go low, we go high.
I am a product of grace. Even in my deepest moments of “mess-up” and
deepest hole of hell, God found me and gave me a second chance and
aligned my path with grace. Do I mess up sometimes? Yes. Like the
Mercy Aigbe slip, it was an error in judgment on my part. I was wrong
and way out of line. I’ve since reached out to Mercy and we have
sorted our differences. Yesterday, we still had cause to communicate.
I want to thank Toyin Titans for being passionate about the brand even
though some of them are quite over-zealous. (LOL) Please, take it easy
o. Let’s have more people go watch the movie as it’s still in Cinemas
six weeks after release.
All the Cinemas that have supported this movie, I am grateful. The 12
movie producers who have featured me in their works, I am grateful,
All the Cinemas that have kept my movie for six weeks, Filmhouse,
Silverbird, Viva, Ozone, Kada, thank you for being part of the
supposedly ‘’fake movement’’.
Filmhouse and Filmone, you guys have been amazing, Thank you.
BBB Media, thank you. Prestige Platform, thank you. Samuel Olatunji
(BIgsam) Great guy, thank you.
All the corporate organizations that have chosen to work with me,
thank you. If the last six months have been amazing, the experiences
of the next six months will be out of this world.
I want to thank the Lagos State Government for trusting me as a host
of Lagos Street Carnival and One Lagos Fiesta in December 2017. Thank
You.
To the purveyors of bad news about me, keep waiting, God’s got a lot
of things up His sleeves for me this year. To the
Bloggers–professionals and non-professionals– help us report that
Seven And A Half Dates is coming on August 3rd .
Thank you all and God bless.
TOYIN ABRAHAM

celebrity radar - gossips

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

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