celebrity radar - gossips
Why my movie, Tiresimi Is trending” Adetona Davies
Why my movie, Tiresimi Is trending” Adetona Davies
Adetona Davies is a Music Artist cum Film Producer and a successful entrepreneur. In an exclusive chat with us, the amiable CEO of the TALENT HUNT AFRICA-EUROPE FOUNDATION opens up on the success of his newly released movie, which came out on the 5th of February 2023 and showing on YouTube via LIBRA TV
CAN YOU TELL US ABOUT YOURSELF
My name is Adetona Davies. I am the CEO of a Youth Empowerment foundation named Talent Hunt Africa AcademySouth Africa) which I fully registered and started in the city of Johannesburg in 2011. For seven years, we operated the NGO fully with the main training center in Joburg and during those years, we reached out extensively to Nigeria, Kenya, Ghana, Sweden, Germany, Norway, France, and Holland with various training programs in MUSIC among African and European children/youths. In 2018, I got an appointment from a Spanish School of Art in Madrid, to be its first African Music Instructor! After completion of the contract, I moved down to an Island called PALMA DE MALLORCA here in SPAIN. where I started my community outreach music programs. In 2019, I change the name of the NGO to TALENT HUNT AFRICA-EUROPE FOUNDATION because SPAIN is now my permanent base with the vision of reaching out to both African and European youths with our TALENT DISCOVERY PROGRAMS
HOW DID YOUR JOURNEY INTO ENTERTAINMENT START AND WHAT MOTIVATED YOU
Hmmm! That’s a good question that I love to answer because it brings back the memory of my growing up in the city of IBADAN (Oyo State, Nigeria). It is an ancient rich in deep and undiluted YORUBA CULTURE! As a young teenager, as far back as 1981, every evening after dinner, we always gathered together to watch Yoruba play like KOOTU ASHIPA, AWADA KERIKERI, and ARELU! I always get excited every evening because I always look out for the songs that will be rendered along with the acting by the actors! My best of them are all the plays produced by Late PA Oyin Adejobi and I can categorically say that he was my foundational Mentor in Music, because all the songs from those plays are my daily National Anthem! I got motivated and from there started developing my singing talent! There as a teenager, I gave birth to MY DREAM that one day, I will be going around the world singing and producing films rich in AFRICAN CULTURE and that it will be a TOTAL THEATER (i.e Combination of MUSIC/ACTING/DANCE) Production, just like the late legends ( Pa Oyin Adejobi, Hubert Ogunde, Ade Love, etc) during their time.
*YOUR MOVIE TIRESIMI IS TRENDING, HOW DID YOU FEEL ABOUT IT?
I’m so excited and happy about the huge success and can you believe it that within three weeks, we got over half a million views on YouTube! This can only be GOD and having a good story with good handlers! For a movie to get people’s attention, it must be a good STORYLINE to be handled by a seasoned and professional DIRECTOR!
I did my homework, I sought out one of the best YORUBA MOVIE DIRECTOR that is current in NIGERIA! My net caught Princess ALLWELL ADEMOLA, who is currently an award-winning and best Yoruba Female Director in Nigeria!
She did justice on the well-scripted story written by my lovely daughter – EWABUNMI AKINNUBI, who acted as TIRESIMI in the FILM. My director really went far in getting seasoned and current award-winning Nollywood actors for the film! That effort of hers gave the film a great boost! This year, people should look out for more!
TO EVERY GLORY IS A STORY TO TELL! WHAT ARE THE CHALLENGES FACED AND HOW DID YOU OVERCOME THEM?
In the past, I’ve gotten a lot of bitter and bad experiences through debts! I’ve borrowed money in the past for projects that I ran into huge debts which I never recover from till we entered the pandemic! So during the pandemic, I concluded that I won’t come near film production again! Towards the end of 2021, I ventured into another business related to travel and tours, expecting a breakthrough by the early part of 2022! So I entered with great hope for huge success but unfortunately, the business failed woefully! I WAS DUPED! I became depressed through the month of February and March of 2022! I stayed indoors throughout, seeking God’s face and new direction! You won’t believe it that during that dark period, apart from God’s deep intimacy I had, I WATCHED OVE 50 YORUBA MOVIES and most of them gave me motivational messages that made me conclude that this is for real the path God wanted me to take! To be producing films that will touch lives(especially Yoruba people living in the diaspora!)
But as a die-hard person who doesn’t give up at all, by April of 2022, TIRESIMI became a personal message to me when my daughter(EWABUNMI) shared it with me!
God miraculously provided the fund for the shoot without consulting anyone to borrow money for the project! God indeed PUSH FAVOUR TOWARDS MY DIRECTION (OLUWATIRESIMI)
*WHAT SEPARATES THE MOVIE FROM OTHER MOVIES
In this present generation, especially in Africa, the general belief is that the best production can only be done by men! That we are in a Men’s world where people always assume that only men can direct good films and that good stories can only come from popular and guru story and script writers! The uniqueness of the film TIRESIMI is that it proved all those beliefs wrong! The story was written by a woman and directed by a woman that is ever ready to operate in the midst of a highly competitive world of film directing in Nigeria and the entire World!
*IS THIS YOUR FIRST MOVIE AS A PRODUCER?
No! I did my last movie in 2013 and it was titled THE UNBROKEN that future Nollywood Actors like DAMOLA OLATUNJI, AYO ADESANYA, SHOLA KOSOKO, BIDEMI KOSOKO, and others. It was shot in Nigeria, South Africa, and UK
We know you are into music too, tell us about it.
Yes! MUSIC is my mainstream! I’ve been singing since 1982. I started in IBADAN with Mummy TOUN SOETAN.
Then in 1994, with my box guitar, I became a traveling evangelist to Nations of the World!
There is a particular musical storyline that I’ve rendered in 18 Countries of the World! I became famous in churches with the story titled TAANI YOO D’ADE(WHO WILL WEAR THE CROWN) and this is our next film coming out this year!
*WHICH OTHER PROJECTS ARE YOU WORKING ON?
This year, people should be expecting two major films of which one is going to be an epic film!
Two, we are planning a big event here in Spain tagged TALENT FESTIVAL!
Three, We are going to create more awareness about my NGO(TALENT HUNT AFRICA-EUROPE ACADEMY SPAIN) with a training center here in Spain and Nigeria for youths and adults talented in MUSIC/ACTING/DANCE
By GOD’S GRACE, our vision is to TRAIN YOUTHS ON HOW TO PLAY GUITAR, BE A GOOD actors & dancers, and establish TALENT SCHOOL & FILM VILLAGE here on the Island of Palma De Mallorca SPAIN! Lastly, to AFRICAN and EUROPEAN Culture through MUSIC, ACTING, and DANCE! Will be having frequent film PRODUCTIONS in Nigeria, and South Africa where our European students will travel to collaborate with their African counterparts!
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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