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Why Pastor Kumuyi turned down Jonathan’s request to visit church during campaign

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President Goodluck Jonathan’s bid to ‘worship’ at Deeper Christian Life Ministry during the presidential election campaign hit the rocks as pastorate of the church outrightly turned down his request, DAILY POST has learnt.

It was gathered that President Jonathan, who worshiped in most churches across the country before the March 28 presidential election, was denied entry into Deeper Life, when he wrote authorities of the ministry to inform them of his visit last January.

Jonathan had during one of his visits to Dunamis International Gospel Centre, Abuja, explained why he was embarking on ‘presidential church tour’.

According to him, “Traditionally, we have the State House Chapel where I worship every Sunday. If we do not have the chapel, probably I would have been here one or two times before this time.

“It is only during the Christmas period, maybe two Sundays before Christmas and the Sunday before and after New Year that we sometimes close the chapel, and allow people to participate in their church services and that time, I do go round.

“This year, we have decided that from now onward, until I leave the State House, every last Sunday of the month, I will go to different churches.

“Yes, that is the State House Chapel presided over by a chaplain and from time to time other men and women of God come to preach to us.

“But I feel that it is good for me to go round and continue to appreciate what our brothers and sisters have been doing”.

However, We learnt that the Special Adviser to Jonathan on Media and Publicity, Dr. Reuben Abata had on January 22, written the authorities of the church through the office of its spokesman, Pastor Segun Babatope to inform them about his visit but the leadership of the church refused to acknowledge the letter.

According to an insider, when Babatope informed leaders of the church about the development, many of them kicked against it, saying that the ministry is not a platform where politicians come to campaign.

Jonathan was originally billed to visit Deeper Life on February 8 after leaving Redemption Camp, but he had to proceed to the Lord’s Chosen when he discovered the church was not ready to welcome him.

The highly-placed source said the church’s decision to honourably turn down the request was because of how some sections of media misquoted Bishop David Oyedpoe of Winners Chapel during Jonathan’s visit to the church.

Oyedepo was quoted as threatening to open the gate of hell to anybody who campaigned against Jonathan.
The alleged statement triggered social media war as many were lambasting the preacher for using his church to campaign for politicians.

However, Oyedepo denied making such statement.

The source said, “Leadership of the ministry was very careful not to allow politics or politicians dent the image of the church or pastor Kumuyi. The presidency had invited him severally for meetings with the president, but he would wave it aside.

“When Abati wrote the church to inform them about Jonathan’s visit, precisely January 22, the church leaders deliberated upon it and decided to turn it down”.

Asked if Kumuyi was aware of the decision, the insider said, “of course, but he has no final say. Though he founded the church, he does not decide how such thing is being handled. He had to allow leaders of the church to handle it. And when it became obvious that they were not ready to welcome the president, Daddy Kumuyi had to accept their decision”.

It was gathered that the president had to leave Redemption Camp for Rev. Lazarus Mouka’s Lords Chosen in Ijesha when he discovered the church was not ready to welcome him.

In Chosen, he warned politicians against using church to campaign.

The President said, “I would not say much because this is not a good period for those of us who are contesting for election to talk so much in church. I do not want to be accused of coming to campaign in churches because I believe that we should not campaign in churches. We may discuss with people but not to use the platform of the church to campaign

@Daily Post

 

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

By Alhaji Arems (Baba Fuji)

 

Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.

 

The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.

 

Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.

 

The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.

 

Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.

 

The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.

 

Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.

 

As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.

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BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy

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*BREAKING NEWS

*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.

 

Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.

 

“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”

 

Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.

 

As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.

 

Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.

 

Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.

 

Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.

 

The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.

 

BREAKING NEWS *Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

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Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release 

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 Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release

By Alhaji Arems (Baba Fuji) 

Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.

 

More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.

 

A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.

Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence

• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.

• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.

 

Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.

 

April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.

 

For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.

 

In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.

 

Rewriting the Narrative for Women in Fuji :

Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.

 

Omo-Opeki’s 3-in-1 album challenges that precedent.

Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.

Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.

This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.

 

Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.

 

A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.

 

A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.

 

By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.

A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.

 

April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.

 

As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.

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