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Garri Day Festival Targets Unity, Diversity Through Food – Obani Boyede

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Garri Day Festival Targets Unity, Diversity Through Food – Obani Boyede

 

 

 

 

 

Sahara Weekly Reports That Chief Obani Oluwabiyi Anthony Boyede Greenlyte, founder of Theatre Centrik and organiser of the 2024 African Food and Drinks Festival, Garri Day, revealed that the event was intentionally crafted to use food as a means of fostering national unity, cohesion, and diversity in Nigeria while addressing issues of ethnicity, tribalism, and disunity.

 

 

 

Garri Day Festival Targets Unity, Diversity Through Food - Obani Boyede

 

 

Boyede, a cultural advocate who also leads the Alimosho Arts Community Initiatives (AACI) in the Alimosho area of Lagos State, noted that the celebration would also contribute to development, as cohesion and unity are vital for national growth and advancement.

 

In an interview with THECONSCIENCE NG, the multi-talented thespian, traditionalist, cultural ambassador, and performance theatre icon shared insights during the annual event in Lagos over the weekend.

 

He reiterated his commitment to celebrating African culture with a special emphasis on Garri, a staple of African cuisine.

 

He stated, “The event was centered around cultural promotion and capacity building. We are celebrating the African Food and Drinks Festival, tagged Garri Day 2024. We leveraged the importance of food as a source of unity, bringing people together regardless of age or race, without discrimination, using Garri as a common denominator. We are promoting diversity across the nation. This is the 19th edition; we organise it year-round and promote our culture through various initiatives. We also host other cultural festivals under the Alimosho Arts Community Initiatives.”

 

Looking ahead, Boyede expressed his vision for the next five years: “We aim to establish an empire where children can acquire general academic knowledge alongside African culture. We envision a school that incorporates Ifa and the total culture of Africa alongside essential subjects. That’s why we have established the University of Kulture as an academic institution to drive this mission.”

 

The event was held in partnership with the Lagos State Tourism Board, the University of Kulture, Alimosho Arts Community Initiatives (AACI), and other esteemed organisations.

 

Regarding community acceptance, he shared, “This is a community-based programme, and we have seen great turnout, as evidenced by the attendance at our summer programme. Although financial support is limited, we are persevering. Participants are enjoying it and they remain enthusiastic.”

 

On the support from the state government, he praised Hon. Toke Benson, the Lagos State Commissioner for Culture and Tourism, for her endorsement of the forthcoming cultural fest, which he described as the mother of all festivals, and will take place at the same venue on November 16-17 this year to conclude the year’s activities.

 

“Frankly, a lack of funding has been a long-standing challenge from the Lagos State government, but this year we have received their support, for which we are very grateful. We are moving forward and not slowing down.”

 

Temitope Ojubanire, the Garri Queen 2024, remarked on the festival’s impact on the community, stating, “The food and culture festival, Garri Day, has been amazing, evident in the quality of people who turned out.”

 

She added, “Garri is a beloved staple that transcends food. It is recognided globally, from America to Africa, and symbolises love, unity, and cultural heritage. That’s why we celebrate culture through Garri, a cherished food staple among various tribes in Nigeria, enjoyed in different forms, including Koro and eba.”

 

Discussing the children’s participation, she reflected, “Events like this create lasting memories not only for adults but for kids as well. Growing up, I remember attending events with my mother, where I learned invaluable lessons that continue to inspire me to give back to society.”

 

Approximately 1,000 children participated in dance, competitions, songs, and cultural activities, showcasing exhibitions from Yoruba, Igbo, Efik, South African cultures, and others.

 

Speaking further, Ojubanire said she plans to engage further with the community, meeting children and stakeholders to promote cultural awareness through Garri, advocating for love and humanity as a volunteer and one of the visionaries at the Alimosho Arts Community Initiatives (AACI) and University of Kulture.

 

The event, which held on August 24th, provided attendees with a day filled with cultural activities, including various Garri drinking and eba eating competitions, dance and drama performances, and numerous exhibitions.

 

The festival showcased a variety of Garri from across Africa, including Ijebu Garri with its fine texture and sweet taste, Ghanaian Garri with its spiced blend, Cameroonian Garri known for its crunchy texture and rich aroma, and traditional Nigerian Garri.

 

In addition to the culinary delights, the event featured a lineup of notable guests, including veteran actors, traditional rulers, and key figures from the Lagos State Government and the Ministry of Tourism.

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Banwo Questions Omokri’s Conduct After Appointment As Ambassador

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Banwo Questions Omokri’s Conduct After Appointment As Ambassador

 

Political commentator and founder of the Naija Lives Matter Organisation (NLM), Dr. Ope Banwo, has raised concerns about the conduct expected of diplomats following the appointment of Reno Omokri as Nigeria’s ambassador to Mexico.

 

In an article published on his website, www.mayoroffadeyi.com, Banwo argued that individuals appointed to represent Nigeria abroad are expected to maintain a level of neutrality and decorum that reflects the country’s diplomatic traditions.

 

The article titled “The Strange Case of Reno Omokri,” questions whether the tone of public political engagement associated with Omokri’s social media presence aligns with the expectations of diplomatic service.

 

Omokri, a former presidential aide who has built a strong online following through commentary on Nigerian politics and governance, was recently appointed as Nigeria’s envoy to Mexico.

 

According to Banwo’s article, the role of an ambassador requires a transition from partisan political commentary to broader national representation.

 

“An ambassador represents the entire nation and not a political party,” Banwo wrote, noting that diplomats are traditionally expected to avoid public political confrontations that could affect international perceptions of their countries.

 

He contrasted the roles of political campaigners and diplomats, arguing that the two require different communication styles and responsibilities.

 

“Politics is combative while diplomacy is measured,” Banwo stated in the article, emphasizing that ambassadors typically engage in dialogue, negotiation and relationship-building rather than domestic political disputes.

 

Banwo also pointed to the historical composition of Nigeria’s diplomatic corps, which has largely included career diplomats trained in international relations and protocol.

 

According to him, such professionals are accustomed to maintaining restraint in public communication because their statements can carry official implications.

 

The article also referenced the biblical book of Ecclesiastes to illustrate the author’s broader reflections on leadership and public office.

 

Banwo noted that the appointment of political figures to diplomatic positions is not unusual globally but stressed that such appointments usually come with expectations of behavioural adjustments.

 

He urged Nigerian public officials who hold diplomatic positions to prioritise the country’s international image and approach public commentary with caution.

 

“Nigeria deserves ambassadors who elevate the country’s image,” he wrote.

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How OPay Is Turning Product Architecture Into a Customer Service Advantage

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How OPay Is Turning Product Architecture Into a Customer Service Advantage

In high-volume fintech markets like Nigeria, customer service can no longer sit at the end of the business process. When a platform serves tens of millions of users and processes millions of transactions every day, the old model of customer service, call centres, long queues, and manual complaint handling quickly becomes too slow, too costly, and challenging to scale.

The future of customer service in fintech is not just about answering calls faster. It is about preventing problems before they happen. This is where product design, technology, and risk systems begin to play a bigger role. Instead of reacting to customer complaints, modern fintech platforms are now building customer protection and support directly into the app experience itself.

OPay is one of the platforms showing how this shift works in practice.

Over the past few years, OPay’s product development has followed a clear pattern. New features are not only designed to make payments easier, but also to reduce errors, prevent fraud, and lower the number of issues that customers need to complain about. In simple terms, many customer service problems are stopped before users even notice them.

One of the strongest examples of this approach is OPay’s real-time fraud and scam alerts. Traditionally, customers only contact support after money has already left their account. At that point, the damage is done, emotions are high, and recovery becomes more complex. OPay’s system works differently. When a transaction looks unusual, based on amount, timing, behaviour, or pattern, the system raises a warning before the transfer is completed. This gives users a chance to pause, review, and confirm. In many cases, this stops fraud before it happens.

For users, this feels like protection built into the app, not an emergency response after a loss. For the business, it means fewer fraud cases, fewer complaints, and less pressure on customer support teams. This proactive model aligns with global fintech best practices, which prioritise prevention over recovery.

Another important layer is step-up security for high-risk or high-value transactions. As users move more money and rely more heavily on digital wallets, security cannot be one-size-fits-all. Adding too many checks to every transaction creates frustration. Adding too few creates risk. OPay balances this by applying stronger security only when it is needed. For example, biometric verification and additional authentication steps are triggered in sensitive situations. This keeps everyday transactions smooth, while adding extra protection when the risk is higher. This approach builds trust quietly. Users may not always notice the security working in the background, but they feel the result: fewer unauthorised transfers and fewer urgent problems that require support intervention.

Beyond visible features, OPay also runs behaviour-based risk systems in the background. These systems monitor patterns such as sudden device changes, unusual login behaviour, or transaction activity that does not match a user’s normal habits. When something looks off, the system responds automatically. Most users never see these checks. But their impact shows up in fewer failed transactions, fewer reversals, and fewer cases where customers need to chase resolutions. As a result, customer service interactions shift away from crisis handling toward simple guidance and assistance.

Together, these layers form what can be called an invisible customer service system. Many issues are intercepted early, long before they become formal complaints. User sentiment on social media provides real-world signals of how this system is being experienced. On X (formerly Twitter), some users have publicly shared their experiences with OPay’s responsiveness and reliability.

One user, @ifedayo_johnson, wrote, “Opay has refunded it almost immediately. Before I even made this tweet but I didn’t notice. logged it as transfer made in error on the Opay app and they acted almost immediately. Commendable. Thank you @OPay_NG. I’m very impressed with this!”

Another user, @EgbonAduugbo, shared “The reason I love opay so much is that you hardly ever have to worry, wait or call their customer service for anything cuz everything just works!”

While social media comments are not formal performance metrics, they matter. They reflect how real users feel when systems work smoothly and issues are resolved quickly, often without friction. This product-led customer service model becomes even more important when viewed in the context of OPay’s scale. At this scale, even minor improvements in fraud prevention or transaction success rates can prevent thousands of potential complaints every day. In this context, customer service is no longer driven mainly by headcount. It is driven by engineering choices, risk models, and system design.

OPay’s journey suggests what the future of fintech in Africa may look like. The next generation of leaders will not only be those with the most users, but those whose systems are designed to protect users, resolve issues quickly, and reduce friction at scale.

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Phillips Esther Omolara : Answering The Call To Worship And Transforming Lives Through Gospel Music

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Phillips Esther Omolara : Answering The Call To Worship And Transforming Lives Through Gospel Music

 

 

Introduction : Phillips Esther Omolara (Apple Of God’s Eye) is an Inspirational and passionate Nigerian gospel music minister, singer, and songwriter dedicated to spreading the message of Christ through her songs.

 

Background : I was born and brought up in Lagos State. I am a devoted gospel minister and a worship leader who began her musical journey in the children choir later graduated to adult church choir at a young age, leading praises and also a vocalist in the choir.

 

 

Early Life : I was born on April 8th 1990 in Lagos, Phillips Esther Omolara is a native of Oyo state in Ogbomosho. 

 

 

Family : Got married to Phillips Oluwatomisin Omobolaji from Ogun State and our union was blessed with children. 

 

 

Education : I went to Duro-oyedoyin nursery and primary school Ijeshatedo, Lagos, where I laid the foundation for my academic pursuits. For my secondary education, I attended Sanya Grammer school in Ijeshatedo, Lagos. 

 

During my high school years, I was already deeply involved in church activities. After completing my secondary education, Phillips Esther pursed higher education at Lagos State Polytechnic (LASPOTECH).

 

 

Musical Style : Known for [e.g., Inspirational songs, Contemporary Worship, Highlife, Reggae, Traditional Yoruba], and my music blends spiritual depth with creative musicality.

 

 

INSPIRATIONS AND INFLUENCES : I have no specific role model in the gospel music industry. However, I have expressed my love for songs from several Veteran gospel artists who have influenced my musical journey.

 

Some of the gospel artists whose music i admires include: 

* Mama Bola Are

* Tope Alabi 

* Omije Ojumi

* Baba Ara

* Bulky Beks

 

 

Mission : My ministry focuses on leading people to the presence of God and creating an atmosphere for miracles.

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