Business
Adewale Ayuba Special : Why I built a digital studio + clears the air on the controversial born again report
Multiple award winning fuji star, Adewale Ayuba has cleared the air on his born again controversial story. In an exclusive chat with Sahara Weekly, he opened up on his career, new studio and host of other sundry issues
Q –. Can you tell us what you are working on presently?
R – We are working on digitalizing fuji music. We are trying to see fuji from a different angle. We want to put fuji music in a level where people can tap from,. Where you can easily send singles from your phone to another because the world now belongs to social media and we are trying to do what is in vogue. To realize this, we must have our own digital studio because 99% of fuji music is done by analogue studio. We want to make it crispy now.
Q – Arguably, everybody acknowledge your standard when it comes to fuji. Your own style differs from others. A lot of people blend with your style. What inspired that?
R – From day one of my life, my prayer has been to make fuji music popular. I want to be a preacher that will preach fuji to the western world. When I started, I had 5 albums that wasn’t even played at all and all my friends were mocking me in school that I was doing something local., I realized it’s not their fault, , its because fuji wasn’t doing well. In this fuji music, lyrics is supposed to be in Arabic or Yoruba but how do you want young ones to understand and appreciate Arabic and Yoruba? And that is why we started writing 50% of English and 50% of Yoruba in our songs. Even for foreigners, it will be understandable for them that way.
Furthermore, the sound of fuji music rhythm used to be slow so we made the tempo fast and thank God everything went fine.
Q – A lot of people had this general belief in those days that Fuji music is for illiterates but when you came on board, a lot of people believed that your level of education is why you were able to make it to the top and modernize fuji music, would you agree with that?
R- I can’t lie to you, it’s part of it. The reason is that education is life but at the same time, I’m a good listener. If you are working for me and I want to do something, I’ll call you to hear your own part before going on. I can call my gateman or anybody and that is why my producer can work with we smoothly.
Q – Another thing people appreciate about your brand is the energy. A lot of people believe you brought the energy into fuji industry. Where do you get the energy from?
R – I had an artist I always look forward to then. He was Micheal Jackson. Anytime I watch him, I marvelled with the energetic things he does. I also wanted to be like King sunny Ade because of his energy .That is the brain behind that.
Q – Interestingly, You just got a new studio, can you tell us more about that?
R – The studio you are talking about is to digitalize fuji music. I realize that I don’t need analogue studio alone. I need the combination of Analogue and Digital studio. There’s no analogue and digital studio in Nigeria, I’m not saying I’m the only one but it’s not much here in Nigeria because nobody wants to digitalised fuji . I’m the one that realize that we need to do this in order to make fuji music move forward. When I start, other artiste will join me. The push came from Late Ayinde Barrister. Before he died, he called me and told me not to let Fuji music go down and that I should do my own. He laid the legacy.
Q – To what extent will the digitalization affect your brand and how about the fund?
R – It’s about determination. Once you are determined, you won’t think of how much you are paying. My prayer is that God should let me achieve this. My plan is to see other artiste come in to record because it’s not for me alone, it’s a commercial thing but whoever does fuji music will pay just 70% of the normal amount because I opened it because of Fuji music.
Q – How do you joggle your music career and your hospitality business?
R – Thank God for that and there is nothing bad in trying to diversify especially when you don’t make money from entertainment. When we sell our albums, we don’t make money because of piracy. My hospitality business is just something I have. It’s just there to boost my career. I don’t know much about it because I have someone managing it for me, it’s just for my career.
Q – Can you clear the air on the issue surrounding your testimony in church recently?
R – About religion, we are talking about Christian and Muslim, which are the same thing. I was misquoted as regard my testimony. I said I had wanted to be a Christian from my day one maybe because I don’t understand Arabic but I have to know it because without it, I won’t be able to read the Quran and I realize I’m not serving my God well with what he has done for me. I’m calling myself a Muslim but can I read the Quran? But I can read the bible well because it’s comprehensive. But because of my background; my parents are Muslims and most of my fans are Muslims too, I was afraid. It’s not as if my parents were going to kill me, they are not killers, Muslims are not killers too. I was just misquoted. Nobody should care about my religion; they should talk more about my career. I did the testimony in my church, not to the public. I’ve been to Hajj and most of my fans are Muslim so it’s impossible for me to say there are going to kill me.
Q- That means you still appreciate and associate with your muslim fans…..
R – Of course. I’ve been a Christian since 2010. Had it been I just got converted last week, it would have been a different story. In my band, most of them are alhajis. I can’t say muslims will kill me. NO!!!. Religion is like Chelsea and Arsenal, you choose the one you prefer. I was surprised when people started calling me to know if I’ve become a Gospel musician now. Nigerians should talk more about my career. If anyone was offended by my testimony, they should just forgive and forget but I didn’t mean when everyone thought. My parents are not killers. Muslims have given me four different notable titles so why would I say they will kill me? I did the testimony in church and someone spread it and I was misquoted.
Q – People believe Fuji is a house that isn’t united. To what extent do you want to unite artiste in the fuji industry?
R – I don’t know why people think fuji musicians are not united. Have they ever seen two fuji artiste fighting each other publicly? If I say I’m the best dancer in the world now, people will say I’m throwing shades at one artiste. It’s people that is making it look like we are not united. If I call Pasuma and Osupa now, they will join me here and they will be relating well with each other but because marketers believe people like negative stuffs, they sell it to people too. Journalist should help too because their pen can change lives, change the nation.
Q – What should your fans expect from you this year?
R – By God’s grace, the studio is working and my single Is coming up. It will be out before easter. I don’t want to do lengthy albums again. When my album comes out, it will be like 12track in an albums. Also the studio gives discount to all fuji artistes.
Business
Group Signs Investment Promotion Agreement in Ivory Coast as UNIPGC Deploys Funding for Capital Projects
Group Signs Investment Promotion Agreement in Ivory Coast as UNIPGC Deploys Funding for Capital Projects
– Ivorycoast, Cot’devouir
Noble & Gold Consulting Ltd has officially signed a partnership agreement with Gicobat Group of Company to facilitate funding for capital projects in Abidjan, Côte d’Ivoire, through the UNIPGC–Global Economic Development Council (GEDC), during a high-level Business and Investment Roundtable held in the country.
The meeting, which took place on May 12, 2026, at the World Trade Centre in Abidjan, brought together senior executives and stakeholders from both organizations, including His Excellency, Amb. Jonathan Ojadah GCOP, Global President of UNIPGC; Mr. Noble Eze, CEO of Noble & Gold Consulting Ltd; and the Chairman of Gicobat Group of Company, Côte d’Ivoire.
The roundtable focused on opportunities for capital project financing, investment promotion, and business development across strategic sectors of the economy. Following extensive deliberations, the parties finalized terms and signed an agreement aimed at advancing the projects discussed during the engagement.
Speaking at the event, the Chairman of the UNIPGC-GEDC, His Excellency Amb. Jonathan Ojadah, delivered a presentation titled *“How Reputable Brands Can Secure Funding for Capital Projects.”* He stated that the agreement represents a major milestone in supporting high-profile business initiatives that require structured financing and professional project management.
According to him, the partnership aligns with UNIPGC-GEDC’s mandate as a leading investment promotion, advisory, and business development institution operating across Africa and internationally.
> “Today, I am delighted to address this important topic on how leaders of established and reputable brands can secure the capital required for major expansion, technological advancement, or infrastructure development. The objective is not merely to find funding, but to attract the right funding at the most competitive cost of capital,” he stated.
He emphasized that brand reputation remains a critical asset in attracting investors and financial institutions.
> “In business, reputation is everything. In the world of capital-intensive projects, reputation is more than public perception; it is an asset class. A reputable brand represents stability, proven performance, and trustworthiness,” he added.
Amb. Ojadah further noted that successful funding processes begin long before formal investment pitches are made. According to him, investors seek organizations that demonstrate value stewardship, operational excellence, and financial discipline.
Drawing from his international experience in capital project engagements across Egypt, Kenya, the Democratic Republic of Congo, Zambia, and other countries, he highlighted several categories of major funding institutions involved in large-scale development financing. These include multilateral development banks, government agencies, private foundations, and impact investors focused on infrastructure, healthcare, real estate, energy, oil and gas, and sustainable development.
Among the institutions he referenced were the International Finance Corporation (IFC), the European Union (EU), the United Nations Capital Development Fund (UNCDF), the OPEC Fund for International Development, the Bill & Melinda Gates Foundation, the Mastercard Foundation, the Ford Foundation, the Rockefeller Foundation, and the UNIPGC Foundation.
He explained that through the UNIPGC Global Economic Development Council (GEDC), the organization facilitates funding opportunities for startups, private sector operators, and government projects through public-private partnerships (PPP), leveraging its network of international funding partners and financial institutions.
Amb. Ojadah identified three critical indicators commonly assessed by investors and lenders before financing projects:
1. **Transparency and Financial Performance** – Organizations must maintain audited financial records, quality assets, and sustainable growth patterns.
2. **Operational Excellence** – Investors prefer businesses with proven operational systems and stable cash flow generation, which reduce investment risks.
3. **A Strong Project Narrative** – Businesses must clearly demonstrate how proposed projects align with long-term strategic goals such as digital transformation, automation, infrastructure expansion, or increased market competitiveness.
He also outlined key strategies reputable brands can adopt in securing project financing, including bank financing, strategic partnerships, vendor financing arrangements, private equity investments, and asset-based lending structures.
> “Securing capital for projects as a reputable brand is ultimately about combining trust with strategic planning. Reputation is your strongest asset, and when paired with sound financial planning and a compelling vision, it becomes a powerful tool for building the future,” he concluded.
For Gicobat Group of Company, the partnership is expected to accelerate the execution of ongoing and proposed projects by leveraging UNIPGC-GEDC’s network of investors and financial partners. Officials of the company expressed confidence that the collaboration would significantly improve project implementation timelines and financing accessibility.
Organizers noted that the choice of the World Trade Centre, Abidjan, as the venue reflected the international scope and significance of the engagement, particularly for negotiations involving capital-intensive projects in infrastructure, trade, and industrial development.
UNIPGC-GEDC describes itself as a leading global investment promotion, advisory, and business development consultancy, working with governments, private enterprises, and institutional investors to structure, finance, and manage large-scale projects from inception to completion.
According to the organization, the Abidjan agreement adds to its expanding portfolio of strategic partnerships aimed at unlocking capital for projects with significant economic and social impact. It also confirmed that due diligence and project structuring processes had been completed prior to the signing to ensure project bankability and investor confidence.
Officials from both organizations further disclosed that implementation teams would be constituted immediately to oversee the next phase of the agreement. Although specific project details were not disclosed, both parties assured stakeholders that updates would be communicated as implementation milestones are achieved.
UNIPGC-GEDC also encouraged businesses, institutions, and investors with high-impact projects requiring financing or management support to engage with its team for collaboration opportunities. Further information on its services is available via UNIPGC-GEDC Official Website www.unipgc.org/gedc
Business
Dennis Ekamah Isn’t Building Houses—He’s Redefining What Home Means for Africans Through PropTech
Dennis Ekamah Isn’t Building Houses—He’s Redefining What Home Means for Africans Through PropTech.
The founder of coHouse.ng is reimagining how millions of Africans access, experience, and share housing through technology.
In Africa’s rapidly evolving innovation landscape, the most transformative companies are no longer defined by the industries they enter, but by the systems they redesign.
For Dennis Ekamah, the opportunity was never about constructing buildings, it was about confronting a deeper question.
why is access to housing still so structurally difficult for millions of Africans in a digital age?
Rather than stepping into real estate as a developer. Dennis chose a different path, positioning coHouse.ng as a PropTech platform rethinking how housing is accessed, experienced, and shared. At the heart of this vision which is connecting potential home owners together via resource pooling for the purpose of either Living or Growth. Simply, *Connect. Live. Grow.*
*A Platform Not a Property Company*
coHouse.ng is not a real estate company. It is a technology-driven ecosystem connecting like-minded individuals into structured communities where they can live intentionally, invest collectively, and grow within a shared system.
From Insight to Recognition
In 2025, coHouse.ng was recognised among the Top 50 Tech Startups in Africa. Even ahead of its official launch, the platform attracted over 1,000 early waitlist users, individuals eager to be part of a new way of living and investing.
Solving for Access, Alignment, and Trust
Dennis Ekamah’s diagnosis goes deeper than supply shortfalls. The real barriers he argues are access, coordination, and trust. coHouse.ng tackles all three through identity verification powered by a third party verification system api. coHouse is not flying solo without the help and collaboration with government bodies across Nigeria and other African countries.
In his words;
“Imagine what you would achieve as an individual or group if you’re living with the right people or like-minded individuals around you.”
I’m not a developer, I’m not a professional realtor, I’m just someone who sees the need for this solution based on the problem we face as youth/young entrepreneurs in today’s housing deficiency across Africa.
— Dennis Ekamah
Join our waitlist by visiting www.cohouse.ng
Business
Landmark Judgment: Federal High Court Dismisses ₦50bn Oil Spill Claim Against ExxonMobil
Landmark Judgment: Federal High Court Dismisses ₦50bn Oil Spill Claim Against ExxonMobil
The Federal High Court sitting in Uyo has dismissed a ₦50 billion lawsuit filed against ExxonMobil, sued as Mobil Producing Nigeria Unlimited, now Seplat Energy Producing, in a ruling analysts say could significantly reshape oil spill litigation and compensation claims in Nigeria’s petroleum sector.
Delivering judgment on April 29, 2026, Justice Onyetenu held that the suit instituted by the Ejige Ore Njenyisi Muma & Fishing Co-operative Society Ltd was incompetent and liable to dismissal for lack of jurisdiction.
The plaintiffs had sought ₦50 billion in damages over an alleged hydrocarbon spill said to have occurred on September 12, 2021.
However, counsel to the defendant, Chinonso Ekuma of KENNA LP, successfully argued that the claimants failed to disclose any legally recognisable violation attributable to the oil firm.
In its findings, the court held that the plaintiffs failed to establish any actionable wrongdoing against the defendant.
A key element in the court’s decision was the Joint Investigation Visit (JIV) Report tendered by the plaintiffs themselves, which showed that the alleged spill incident was confined within ExxonMobil’s operational facility and did not impact the members of the cooperative society or their sources of livelihood.
The court further ruled that claims arising from such incidents must be pursued strictly under the statutory compensation framework provided in Section 11(5) of the Oil Pipelines Act, rather than through common-law claims founded on negligence or nuisance.
Justice Onyetenu held that the plaintiffs’ attempt to circumvent the statutory regime by framing the suit as a tort action rendered the matter incompetent before the court, thereby depriving it of jurisdiction.
Legal analysts say the judgment reinforces the supremacy of the Oil Pipelines Act in determining compensation procedures relating to oil pipeline incidents and environmental claims in Nigeria.
The ruling is also seen as strengthening the evidential weight of Joint Investigation Visit Reports, particularly in cases where such reports indicate no direct impact on claimants or host communities.
Industry observers believe the judgment will have far-reaching implications for future oil spill litigation, especially regarding the procedural requirements for compensation claims against oil operators.
The court’s decision further provides clarity for operators within Nigeria’s energy sector by reaffirming that compliance with Section 11(5) of the Oil Pipelines Act is mandatory and cannot be sidestepped through alternative legal formulations.
While K.O. Uzuokwu appeared for the plaintiffs, the defence was led by Chinonso Ekuma of KENNA LP on behalf of ExxonMobil.
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