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Africa Film Academy: Epe Class Premiers Long Walk To Forever

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Africa Film Academy

Africa Film Academy: Epe Class Premiers Long Walk To Forever

Africa Film Academy
The excited faces and applause at the Lagos Theatre, Epe, Lagos could pass for the performance of A-list acts on the big screen. However, the noise were those of family members, friends, parents and classmates of the Epe class of the film project of students of Africa Film Academy (AFA) – Film in a box -premiering their 10 minutes short film; Long Walk To Forever.

The initiative by Peace Anyiam Osigwe in conjunction with the Lagos state government in building capacity in the entertainment industry in three local governments of Alimosho, Badagry and Epe is yielding positive results.

 

 

According to Enwai, the coordinator of the Epe project, the students had a four-week theory before embarking on the practical aspect of the project.

She said: The purpose of the premiere is towards actualizing their project for Africa Film Academy (AFA). We came in and had a workshop with the students in different departments like acting, directing, scriptwriting, cinematography. AFA in conjunction with Lagos State put together a workshop for the indigenes of Epe, creative , people who are interested in joining the entertainment industry. We had facilitators coming to take the students on acting, directing, scriptwriting , cinematography and then CDGN craft like costume design, makeup, production design, and set design.

 

 

Unfortunately here in Epe, we have more of the makeup creatives. They finished with their workshop and the students out together a short film to showcase what they have learnt. We are hoping this would help the students move on from here into something bigger. Lagos state has been good with grants and the rest. We are hoping they get some money and continue from where they have started but basically what happens is that after the workshop , they are broken into companies and each company is going to continue from where they stopped. They put together stuff and hopefully, they would be empowered. We wish for the best for them. We have a mentoring session that hasn’t ended should they have any question, project or anything that they need help with.”

For Habeeb Seidu, Head, Strategy and Training, it was an amazing experience having 220 students participate in Epe alone which cuts across other areas like sound, editing and same for the film director, Olaoluwa Owoduni, indigene a graduate of Business Administration who described his experience as joyful. He plans to make good use of the knowledge he has gathered to climb to the next level.

 

 

The Producer, Toba Obafemi informed that the major cast were 14 but all the 25 students of the class including crew members were given roles.

Peter Chukwuemeka DG, the Executive producer who in his personal capacity has produced a flick is also grateful for the Lagos state for the opportunity and vowed to continue in production, directing and acting.

 

 

Though she agreed that her role was challenging and even got to a point of frustration, the lead actress, Nimot Hassan, weathered the storm and currently preparing for greater challenges in acting.
From this smile, one can observe that loverboy lead actor, Olayinka Rotinwa gave a good account of himself on screen.

Assistant director, Oluwaseyi Jimoh said that that it was not his first time in directing but he is happy to be part of the project.

 

 

Dickson Omolara Florence, who played the role of the bride’s mother debunked her role as not her actual person off screen as she said that she is a gentle and kind woman.

Adding his voice to the many thanks showered on the Lagos state government as well as giving an overview of the project, Dean of the faculty, veteran actor, Keppy Ekpeyong –Bassey said: “What we do is to recruit interested participants in about Nine (9) departments of filmmaking. We have the mandate to capacity build the three local government areas; Alimosho, Badagry and Epe. And we have been doing this six (6) months at a stretch, we have done it for some time, we have recruited some of the best brains as facilitators in the industry and the good part of it is that they are not just from the academia, we are having working practitioners also sharing experiences. We bring in people like Jide kosoko, probably Saidi Balogun, to share their experiences and encourage the participants at all levels.

 

 

Today, the students in Epe have produced their first short film. They put a premiere together and that is what they are screening. They are now more motivated now than ever because they have seen themselves for the first time on the big screen. They are hearing the applause from their classmates, parents, friends who they invited and they are realising that they can do it. The important thing is not size of building capacity, it is the fact that it is translative and already they are producing films.

And the next level after this first short film which is like a class project, it is like that in each of the local governments where we are building capacity. We break the students into four companies randomly, everybody is mixed up with all participants and they are challenged to produce films. So, we have repertoire of short films which they have produced and all the things that would be uploaded shortly and you would see what these people have done in a short time is unbelievable. What that means is not that they are the best at teaching, it is the fact that they are hungry. The participants are rather enthusiastic and they also demonstrate a lot of passion and they are translating it. We are really excited about the Lagos state government. This is about the only government that is investing heavily in entertainment. Averagely we have 250 students in each of our local government. In this present exercise, we have built capacity in over 750 people. During the exercise because of the long duration, we give them a meal a day and we found out that some of them are not really as healthy as they look, so there is a medical team that comes in and check their sugar levels, heart beats and subsequently advise them on what to do.

 

 

The scope our curriculum goes beyond the focal areas , so we included project management , mental health issues, personal hygiene, branding – those key areas to give them a more rounded feel about real life and help them key into that and take off. For instance, we started from Alimosho and since then, they have been producing their own films and sending us what they have done. We broke them into companies so that we can keep supervising what they do.

Lagos state has also volunteered to give them loans and grants, all they have to do is, come together of the companies which we have created for them and pitch, then they will consider their pitch and give them grants or loans. It doesn’t just stop now, it is a continuous exercise for them. This is a success story for me. I am waiting to see more. This vision of AFA is a Peace Anyaiam Osigwe initiative; the rest of us are just executing on her behalf.”

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors

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*Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors*

By Rtn. Victor Ojelabi

 

The much-anticipated movie series Seven Doors by Femi Adebayo has finally premiered, currently showing on Netflix, captivating audiences with its intricate storytelling and compelling characters.

The movie begins with a haunting scene of seven women under a mysterious spell leaping to their deaths from a waterfall, setting the tone for a gripping tale that unravels in Ilara Kingdom.

The series explores various societal issues, including corruption, greed, gluttony, family values, malicious conspiracies, and the delicate balance of law and order.

Central to its plot is the calamitous fate of Oba Adedunjoye, the Onilara of Ilara, whose failure to perform traditional rites—symbolised by knocking on seven doors—unleashes devastating consequences on his kingdom.

At the heart of this chaos is Esusu, a malevolent and exiled villain whose return wreaks havoc.

Esusu, a ni ohun t’Eledumare o ni.
Eledumare o ni ika, ika ni Esusu

The character of Esusu, pivotal to the story’s depth, is masterfully brought to life by Aliu Gafar.

Gafar’s first appearance, late in Episode 2, immediately shifts the narrative, introducing a chilling force that spares no one, not even the royal family. His commanding portrayal encapsulates the essence of Esusu, a man whose wickedness defies comprehension.

The backstory reveals Esusu’s sinister pact with Ọba Adejuwọn, an ancestor of Adedunjoye.

Desperation led Adejuwon to seek Esusu’s help to evade death—a move that came at an unthinkable cost, forgetting that bi alọ ba lọ, abọ nbọ (a pendulum that swings to is still coming to swing fro).

Esusu’s return demanded not only royal treatment but the freedom to live as he pleased, challenging the very fabric of the kingdom.

Gafar embodies this complex character with remarkable precision, delivering a performance that is both chilling and unforgettable.

With almost two decades in Nollywood, Aliu Gafar has solidified his reputation as a versatile and dedicated actor.

His extensive filmography includes acclaimed productions such as Jagun Jagun, Anikulapo, Iyalode, Eefin, and Omo Ajele.

His role in Seven Doors further cements his legacy as a master of his craft, showcasing his ability to seamlessly portray multifaceted characters.

The Yoruba actor has also garnered accolades for his work, including the Best Actor award at the Dallas International Yoruba Movies Awards for his role in Peregun.

His commitment to the industry and his talent for captivating performances continue to make him a force to be reckoned with in Nollywood.

In Seven Doors, Gafar’s nuanced performance as Esusu elevates the series, demonstrating his ability to command attention and bring depth to a complex narrative.

His contribution to the Nigerian film industry remains invaluable, and his portrayal of Esusu is a testament to his enduring excellence.

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Bullion Records Officially Commissions New Music House in Lagos

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Bullion Records Officially Commissions New Music House in Lagos

One of Nigeria’s leading music labels, Bullion Records, has taken a significant step in its journey of redefining the Afrobeat music industry with the commissioning of its state-of-the-art Music House. The grand ceremony, held on Friday, December 6, 2024, at 29 Abebi Close, Goodwill Estate, Bemil, Ojodu Abiodun, Berger, Lagos, was a star-studded affair graced by notable personalities, well-wishers, and media representatives.
Ogun State chairman of the New Nigeria People’s Party (NNPP), Barrister Femi Aina, officially inaugurated the facility by cutting the ribbon. He was joined by key dignitaries, including the NNPP’s Ogun State Public Relations Officer, Comrade Omokehinde Olowu; the convener of the Ajadi Independent Movement (AIM), Hon. Idowu Shola Imoleayo; and the Ogun State Secretary, Alhaja Shakirat Arowolo.

Ambassador Olufemi Ajadi Oguntoyinbo, CEO of Bullion Records, expressed his gratitude and excitement during the event. He described the Music House as a dream realized, emphasizing the label’s dedication to fostering creative excellence.

“This Music House represents our commitment to providing a platform where talents can thrive and Afrobeat can continue to flourish globally,” Ajadi said. “Bullion Records is more than a music label; it is a family, a movement, and a force for positive change in the entertainment industry. We are proud to unveil this facility as a hub for creativity and innovation.”
The Managing Director of Bullion Records, Mr. Elegbede Ajibola, also highlighted the significance of the Music House. “This is a new chapter in our journey. The Music House will not only serve as a recording studio but also as a center for nurturing and promoting exceptional talents. We are excited about the possibilities it holds for the future of Afrobeat,” he stated.

The event was hosted by popular comedians MC Emmer and African Pencil G, while comedian MC Kirikiri entertained the dignitaries and guests with his humor. DJ Dr. Step, and DJ Danny Yankee of LASU FM curated the music policy for the night, setting an energetic and celebratory tone throughout the event.

Guests were further captivated by electrifying performances from Bullion Records’ star artistes. Harcher, the label’s newly signed 20-year-old Afrobeat sensation, delivered an unforgettable performance alongside Kingsley Fortune, popularly known as GyC, the label’s senior act. The duo thrilled the audience with their hit tracks, showcasing the label’s dedication to producing quality music.

In his remarks, Harcher expressed his appreciation for the opportunity to be part of Bullion Records, calling it a family that supports his passion and vision. “This is not just a music house; it is the home of dreams. I’m grateful to be part of this journey, and I promise to make my fans and the label proud,” he said.

GyC, who has been a pivotal figure in the label’s success, also shared his excitement about the new development. “Bullion Records has always set the standard for excellence, and this Music House is a testament to that. It is a space where creativity will thrive, and I am proud to be part of this historic moment,” GyC said.

The event drew significant media attention, with Soundcity TV, a prominent Nigerian lifestyle and music channel, in attendance alongside other reputable media houses.

The ceremony ended on a high note, with well-wishers applauding Bullion Records’ innovative vision and commitment to uplifting the Afrobeat genre globally.

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