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Africa Film Academy: Epe Class Premiers Long Walk To Forever

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Africa Film Academy

Africa Film Academy: Epe Class Premiers Long Walk To Forever

Africa Film Academy
The excited faces and applause at the Lagos Theatre, Epe, Lagos could pass for the performance of A-list acts on the big screen. However, the noise were those of family members, friends, parents and classmates of the Epe class of the film project of students of Africa Film Academy (AFA) – Film in a box -premiering their 10 minutes short film; Long Walk To Forever.

The initiative by Peace Anyiam Osigwe in conjunction with the Lagos state government in building capacity in the entertainment industry in three local governments of Alimosho, Badagry and Epe is yielding positive results.

 

 

According to Enwai, the coordinator of the Epe project, the students had a four-week theory before embarking on the practical aspect of the project.

She said: The purpose of the premiere is towards actualizing their project for Africa Film Academy (AFA). We came in and had a workshop with the students in different departments like acting, directing, scriptwriting, cinematography. AFA in conjunction with Lagos State put together a workshop for the indigenes of Epe, creative , people who are interested in joining the entertainment industry. We had facilitators coming to take the students on acting, directing, scriptwriting , cinematography and then CDGN craft like costume design, makeup, production design, and set design.

 

 

Unfortunately here in Epe, we have more of the makeup creatives. They finished with their workshop and the students out together a short film to showcase what they have learnt. We are hoping this would help the students move on from here into something bigger. Lagos state has been good with grants and the rest. We are hoping they get some money and continue from where they have started but basically what happens is that after the workshop , they are broken into companies and each company is going to continue from where they stopped. They put together stuff and hopefully, they would be empowered. We wish for the best for them. We have a mentoring session that hasn’t ended should they have any question, project or anything that they need help with.”

For Habeeb Seidu, Head, Strategy and Training, it was an amazing experience having 220 students participate in Epe alone which cuts across other areas like sound, editing and same for the film director, Olaoluwa Owoduni, indigene a graduate of Business Administration who described his experience as joyful. He plans to make good use of the knowledge he has gathered to climb to the next level.

 

 

The Producer, Toba Obafemi informed that the major cast were 14 but all the 25 students of the class including crew members were given roles.

Peter Chukwuemeka DG, the Executive producer who in his personal capacity has produced a flick is also grateful for the Lagos state for the opportunity and vowed to continue in production, directing and acting.

 

 

Though she agreed that her role was challenging and even got to a point of frustration, the lead actress, Nimot Hassan, weathered the storm and currently preparing for greater challenges in acting.
From this smile, one can observe that loverboy lead actor, Olayinka Rotinwa gave a good account of himself on screen.

Assistant director, Oluwaseyi Jimoh said that that it was not his first time in directing but he is happy to be part of the project.

 

 

Dickson Omolara Florence, who played the role of the bride’s mother debunked her role as not her actual person off screen as she said that she is a gentle and kind woman.

Adding his voice to the many thanks showered on the Lagos state government as well as giving an overview of the project, Dean of the faculty, veteran actor, Keppy Ekpeyong –Bassey said: “What we do is to recruit interested participants in about Nine (9) departments of filmmaking. We have the mandate to capacity build the three local government areas; Alimosho, Badagry and Epe. And we have been doing this six (6) months at a stretch, we have done it for some time, we have recruited some of the best brains as facilitators in the industry and the good part of it is that they are not just from the academia, we are having working practitioners also sharing experiences. We bring in people like Jide kosoko, probably Saidi Balogun, to share their experiences and encourage the participants at all levels.

 

 

Today, the students in Epe have produced their first short film. They put a premiere together and that is what they are screening. They are now more motivated now than ever because they have seen themselves for the first time on the big screen. They are hearing the applause from their classmates, parents, friends who they invited and they are realising that they can do it. The important thing is not size of building capacity, it is the fact that it is translative and already they are producing films.

And the next level after this first short film which is like a class project, it is like that in each of the local governments where we are building capacity. We break the students into four companies randomly, everybody is mixed up with all participants and they are challenged to produce films. So, we have repertoire of short films which they have produced and all the things that would be uploaded shortly and you would see what these people have done in a short time is unbelievable. What that means is not that they are the best at teaching, it is the fact that they are hungry. The participants are rather enthusiastic and they also demonstrate a lot of passion and they are translating it. We are really excited about the Lagos state government. This is about the only government that is investing heavily in entertainment. Averagely we have 250 students in each of our local government. In this present exercise, we have built capacity in over 750 people. During the exercise because of the long duration, we give them a meal a day and we found out that some of them are not really as healthy as they look, so there is a medical team that comes in and check their sugar levels, heart beats and subsequently advise them on what to do.

 

 

The scope our curriculum goes beyond the focal areas , so we included project management , mental health issues, personal hygiene, branding – those key areas to give them a more rounded feel about real life and help them key into that and take off. For instance, we started from Alimosho and since then, they have been producing their own films and sending us what they have done. We broke them into companies so that we can keep supervising what they do.

Lagos state has also volunteered to give them loans and grants, all they have to do is, come together of the companies which we have created for them and pitch, then they will consider their pitch and give them grants or loans. It doesn’t just stop now, it is a continuous exercise for them. This is a success story for me. I am waiting to see more. This vision of AFA is a Peace Anyaiam Osigwe initiative; the rest of us are just executing on her behalf.”

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Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound

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Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound 

By : Alhaji Arems (Baba Fuji)

 

 

In an industry where virality often overshadows steady growth, Nigerian artist Shanko Rasheed is taking a different route — one defined by gradual expansion, cultural fusion, and strategic international movement. From early releases to touring activity across North America, his trajectory reflects a new class of Nigerian artists who are less visible in headlines but increasingly active on the global stage.

 

 

 

 

A Sound Rooted in Tradition, Shaped by Modern Influence :

 

 

At the core of Shanko Rasheed’s artistry is a blend that feels both familiar and forward-looking: Afro-fusion layered with Fuji influences.

 

Fuji, a genre deeply rooted in Yoruba musical tradition, is known for its percussive intensity, vocal cadence, and spiritual undertones. By merging this with Afro-fusion — a broader, globally digestible sound palette — Shanko positions himself in a lane that bridges:

• Street authenticity

• Cultural heritage

• Contemporary accessibility

 

 

 

 

This hybrid approach aligns with a wider movement in Nigerian music, where artists are increasingly revisiting indigenous sounds and recontextualizing them for modern audiences. However, unlike more mainstream acts who polish these elements for pop appeal, Shanko Rasheed appears to lean into the rawness of Fuji-inspired delivery, giving his music a distinct edge.

 

 

 

 

Building Beyond Borders : Touring The United States And Canada

 

 

One of the clearest indicators of Shanko Rasheed’s growth is his international touring footprint.

 

In the past year, he has:

• Performed across parts of the United States, expanding his reach beyond Nigeria

• Secured upcoming tour dates in Canada for the summer, signaling continued demand within diaspora communities

 

For an artist still in the early stages of mainstream recognition, this level of cross-border activity is significant. It suggests:

• An existing audience base outside Nigeria

• Strategic connections or grassroots promoters within diaspora circuits

• A willingness to invest in physical presence rather than relying solely on digital growth

 

 

 

 

The Nigerian diaspora has long served as a testing ground for emerging talent, and artists who successfully tap into that ecosystem often build loyal, high-engagement audiences before breaking into wider markets.

 

 

 

 

Lifestyle Signals And Artist Positioning :

 

 

Beyond music and touring, Shanko Rasheed’s recent acquisition of a Mercedes-Benz adds another layer to his public image. While such milestones are common in the music industry, they often serve a dual purpose:

 

 

• A personal achievement marker

• A branding signal reinforcing upward mobility and success

 

 

 

 

In the context of an emerging artist, it also reflects a narrative of progression — from early-stage hustle to visible rewards. When communicated effectively, these moments can strengthen audience perception and credibility, particularly within genres that value both authenticity and aspiration.

 

 

 

 

The Visibility Gap : Present, Yet Underdocumented

 

 

Despite these developments, Shanko Rasheed remains underrepresented in mainstream media and digital indexing. There is limited:

 

 

• Press coverage

• Editorial playlist visibility

• Structured artist profiling

 

This creates a noticeable gap between activity and awareness. In practical terms, he exists in a space where:

 

The work is happening, but the story hasn’t been fully told.

 

For many artists at this level, this gap can slow momentum. However, it also presents an opportunity to shape a narrative deliberately, rather than reacting to one formed by external media.

 

 

 

 

A Strategic Moment For Definition :

 

 

Shanko Rasheed’s current phase can best be described as pre-definition — a period where the foundation is in place, but the identity is still being formalized in the public eye.

 

 

 

 

He has:

• A developing catalog on streaming platforms

• An active social media presence

• International performance experience

• A culturally rooted sound with crossover potential

 

 

 

 

What remains is the alignment of these elements into a cohesive narrative that audiences — and industry stakeholders — can easily understand and engage with.

 

In a Nigerian music landscape often dominated by rapid breakout cycles, Shanko Rasheed’s path highlights an alternative model:

 

 

• Build steadily

• Expand geographically

• Refine sound identity

• Let audience growth follow organically

 

His fusion of Afro-fusion and Fuji also contributes to a broader cultural conversation about the preservation and evolution of indigenous sounds. As global listeners become more receptive to genre-blending and cultural specificity, artists operating in this space are well-positioned to benefit.

 

 

 

 

Shanko Rasheed may not yet be a household name, but his movements suggest an artist laying deliberate groundwork for long-term relevance. With international tours, a distinct sonic direction, and visible personal milestones, he is steadily transitioning from obscurity to recognition.

 

 

 

 

Beyond his professional strides, Shanko Rasheed has also faced personal tragedy. The Fuji singer reportedly lost his first son, Jamaldeen Atanda, on February 27, 2026. While details surrounding the loss remain private, the moment marks a deeply personal chapter in his life, unfolding alongside a period of growing international visibility.

 

 

 

 

The next phase of his career will likely depend not just on the music itself, but on how effectively his story is documented, distributed, and amplified. If aligned properly, his blend of Afro-fusion and Fuji — combined with his growing global footprint — could position him as one of the more compelling emerging voices in Nigeria’s evolving music scene.

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother

-Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’

 

 

A young man doing well in life is often defined by a disciplined, and purpose-driven approach to his personal and professional growth. 34-year-old Lagos State born social media influencer, Olalekan Akeem Akintola, disclosed in this interview that he has cultivated the habits and mindsets of a young man determined for long-term success before he attained age 21. He said he continually updated his knowledge and skills to keep up with changing demands and trends even before he left Nigeria for Europe in search of greener pastures at age 29. Other than his talent alone, Akeem noted that his becoming successful abroad was not all by luck, but mostly by being kind and respectful. He also revealed the secret behind his popular social media nickname, ‘oko awon single mothers’. And more…

 

 

 

 

 

What do you love about yourself?

 

What I love about myself is that I am a very determined person. When I am determined to do something I don’t look back. I just go into it not minding what the result would be and I don’t care about what anybody would say.

 

 

 

Tell us about your marital life.

 

I was married. But I’m a single father now (general laughter).

 

 

 

 

 

What year did you travel abroad and how did you manage to succeed abroad?

 

I traveled out of Nigeria in 2021. I’m currently in Europe, Germany, South Cyprus to be precise. I worked in the kitchen. To be honest, my experience abroad wasn’t an easy one. Thank God, today I have my citizenship documents and I’m living fine. It wasn’t easy getting to this level. I give God the glory.

 

 

 

Who are the most special people in your life?

 

The most special person in my life is my mum. Then my kids and my mum’s families, especially Sister Iyabo and Sister Nofisat. My mum’s families are so special in my life because they have been very supportive of my life.

 

 

 

Tell us about your experience helping a sick lady, Keji, whose matter has gone viral on social media.

 

This lady, Keji, came into my Instagram inbox and told me that she was sick and needed help. Ordinarily, I do use my platform to help people, especially those who are sick. There was a time I ignored her and didn’t attend to her complaints. But when she showed me the evidence and pleaded that I should help her, I had to support her. I am the person that sent her to see Agbala Gabriel pastor. But I didn’t know that he was going to mess up.

 

 

 

What type of people do you love to be around you?

 

I love to be around people who are friendly, ready to help and very supportive. I do not like people with negative vibes.

 

I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’  

 

You’re a young guy, why do people call you ‘oko awon single mothers’?

 

There was a time I used to abuse single mothers; what they were doing, why did they leave their marriages and so on. I saw it as an abnormality. But I came to realize that my mum is also a single mother and I said why should I be insulting single mothers when I was also raised by a single mother. So, I had to start making videos about single mothers, praising them and talking about their challenges and qualities. Since that time, single mothers started calling me ‘oko awa single mothers’ (husband of us single mothers).

 

 

 

Do you make so much money through social media posts or you have a job that gives you the biggest?

 

Yes, I make money on social media. I also work in the kitchen as a chef. I’m into kitchen stuff here abroad and it pays me well. Also, I run adverts for people on my platform and I make a lot of money from it.

 

 

 

You are very popular among society women; how did you make it happen?

 

All I can say is thank God. I don’t know how it happened. I just found myself with millions of fans and followers. People really love me, especially older society women who fondly call me ‘oko wa’ (our husband).

 

 

 

What is your success tip for young people like you?

 

My advice for young people like me is that whatever they’re doing they should keep doing it. They should be consistent. Keep doing it, don’t relent and don’t look back. When I started out on social media, I was bullied, cursed. I never envisaged where I am today. I never expected that people would be talking about me sometime in the future. But here I am. I never saw this coming. I really thank God for everything. So, let us just keep doing whatever we are doing. There’s light at the end of the tunnel.

 

 

 

Are you fully in the entertainment industry or on part time?

 

I work and I’m fully back in the entertainment industry.

 

 

 

 

 

You look so young despite your age, what’s the secret?

 

The secret is that I maintain physical fitness, I do regular workouts. I know that a strong body supports a strong mind.

 

 

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Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

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*Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

Abuja, Nigeria – The Actors Guild of Nigeria (AGN) announces the appointment of Amb. Princess Chelsea R.C. Nwodo as the new Chief of Staff to National President, ALHAJI SANUSI ABUBAKAR YAKUBU. This strategic move underscores the Guild’s commitment to excellence and its dedication to fostering a more efficient and effective leadership structure.

 

Amb. Nwodo brings a wealth of experience and expertise to her new role, having served as a National Deputy Secretary (Emeritus) and demonstrating exceptional leadership skills and a deep understanding of the Guild’s vision and mission. A respected member of the Nigerian entertainment industry, she is also known for her dedication to promoting actor welfare and advancing the Guild’s interests.

*A Proven Track Record*

Amb. Nwodo’s appointment is a testament to her outstanding contributions to AGN and her commitment to serving the Nigerian film industry. Her philanthropic efforts and advocacy for social causes have made a positive impact on Nigerian communities, She’s also the CEO of CHELSEA NWODO’S FOUNDATION a foundation known for its unique cultural expression and alliance with many state government including Delta state government and so on.

*About the Actors Guild of Nigeria (AGN)*

The AGN is the governing body for professional actors in Nigeria’s Nollywood film industry, established in 1998 with over one million members across the six geopolitical zones of the federation. The Guild promotes actor’s welfare, protects their rights, and advances the Nigerian film industry.

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