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ALLEGED FRAUD: HOW SUPREME COURT JUDGMENT DEMOLISHED/DISMISSED WIKE’S PROBE PANEL INDICTMENT OF AMAECHI. ……Says Wike’s Panel Has No Legal Force, Report Not Enforceable

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AMAECHI CONGRATULATES TINUBU

ALLEGED FRAUD: HOW SUPREME COURT JUDGMENT DEMOLISHED/DISMISSED WIKE’S PROBE PANEL INDICTMENT OF AMAECHI.
……Says Wike’s Panel Has No Legal Force, Report Not Enforceable.

 

 

 

The Supreme Court of Nigeria has demolished and dismissed the Governor of Rivers State, Nyesom Wike ‘s probe panel white paper report that indicted his predecessor Rt. Hon. Chibuike Rotimi Amaechi of alleged fraud in several government financial transactions while he(Amaechi) was governor. The apex court judgment ends the contention and controversy over Amaechi’s alleged criminal indictment by Wike’s probe commission, in favour of Amaechi, the leading Presidential aspirant of the All Progressives Congress(APC)

 

 

 

 

 

 

 

The apex court in its ruling on the matter described Wike’s Judicial Commission of Inquiry’s work as a mere report that is “not enforceable” in law, with absolutely “no legal force.” The Supreme Court went further to rule that Wike’s Commission clearly had “no judicial powers or power to adjudicate”; ruling categorically that the Commission’s probe is “not a civil or criminal trial” of Amaechi or anyone else, and that “its findings (whatever it is) is not a conviction(of Amaechi or anyone else) but a mere investigation.” The apex court also pronounced that Wike’s commission “is not a criminal investigation agency such as EFCC, ICPC and the Police”, which further diminishes and demolishes the value of the work of the probe panel.

All these details are contained in the detailed written 75-page judgment of the apex court in its ruling on the appeal filed by Amaechi against Wike and nine others on the Wike’s Judicial Commission of Inquiry’s probe. The detailed written judgment of the 7-man Supreme Court panel dated May, 27, 2022 was delivered and signed by Justice Emmanuel Akomaye Agim, in the appeal marked SC/911/2017. Other Justices in the panel are Olukayode Ariwoola, Amina Adamu Augie, Uwani Musa Abba Aji, Mohammed Garba Lawal, Abdu Aboki and Adamu Jauro.

In the written judgment, the Supreme ruled that, “a Commission of inquiry is a fact finding or information seeking body. It is not an adjudicatory body and so does not try or determine disputes as to any rights or obligations of liabilities. The purpose of the(Commission’s) investigation is to find out the facts or gather facts on the subject matter of inquiry. In doing so, it is not trying any person for the commission of any misconduct or crime. It does not engage in the trial of any person for anything. It merely gathers facts on the subject of the inquiry.”

“Even if it (the commission) makes findings of facts that are adverse to a person(Amaechi), such adverse findings do not amount to a conviction for an offence or determination of his right and obligation. They remain mere finding of facts on the basis of which it would make recommendations to the appointing authority who may accept or reject them. If it rejects them, the matter ends there. If it accepts them and decides to take necessary action on the accepted recommendation, the white paper accepting the recommendation can be challenged in court.”

However, the apex court also rule that, “the accepted recommendations (of the Commission) are not enforceable like a court decision. So a Commission of Inquiry is not a court. It is not a criminal investigation agency such as EFCC, ICPC and Police.”

“The designation of the commission of inquiry set up as a Judicial Commission of Inquiry and the fact it was headed by a serving or retired Judicial Officer cannot invest it with judicial powers or character and did not change its nature as a fact finding or information seeking body with no power to adjudicate, or in any manner determine any rights or obligations or try any person for the commission of a crime. It is not a civil or criminal trial. The purely fact finding function of a commission of inquiry is what defines its nature and character as an administrative investigation and a non judicial body.”

“It is also our very view and we hold that the 3rd respondent(the Judicial Commission of Inquiry) is a fact finding and an investigative body. Generally, a body exercising powers which are merely investigative in character and which do not have any legal force… The description of such body as a judicial commission of inquiry does not change its character from being a fact finding body.”

With this judgment, the Supreme Court has clearly vindicated Amaechi and cleared him of all purported or alleged indictment by the Governor Wike’s Commission.

From the onset, it was obvious to any discerning mind that the Commission was set up to embarrass, denigrate and humiliate Amaechi. The apex court judgment further buttressed this stance. A Commission purportedly set up to investigate past financial transactions was actually a Commission to personally witch-hunt Amaechi.

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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