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Anambra Born Model, Biana, Wins 1st Miss Arts Nigeria Beauty & Empowerment Reality Show

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Anambra Born Model, Biana, Wins 1st Miss Arts Nigeria Beauty & Empowerment Reality Show

Anambra Born Model, Biana, Wins 1st Miss Arts Nigeria Beauty & Empowerment Reality Show

Princess Rosula Mku-Atu Honoured as Miss Arts Nigeria 2022 Woman of the Year Award

By Olorunfemi Adejuyigbe

 

Anambra Born Model, Biana, Wins 1st Miss Arts Nigeria Beauty & Empowerment Reality Show

 

 

The 1st Miss Arts Nigeria Beauty and Empowerment Reality Show 2022 has ended with an Anambra indigene, Biana Adaeze Oranu, crowned as the winner.

Queen Biana Oranu also known as Angel is a 20 year old native of Abate, Idemiri North LGA in Anambra State, who resides in Lagos. She’s a model under the management of FIC Models.

 

 

 

 

 

 

 

Angel is a reserved lady who during her stay in camp during the reality show was giving her best to every activity, she earned the interest of the judges and the crowd at the grand finale, hence, got her cumulative score rise above other contenders on the show inspite of recording low marks through voting.

The show which is aptly called MANBERS ’22 is an empowerment and beauty reality show aimed at empowering the Nigeria girl-child through the beauty of arts and skills acquisition. It is by all means an avenue for the Nigerian girl to showcase and put to good use her creative talents as a tool for promoting national unity through promotion of the nation’s vast cultural heritage.

 

 

 

 

 

 

MANBERS is a brainchild of Oshodi Arts & Culture Gallery Foundation, a foundation owned by Oshodi Arts Gallery, reputed as the largest Arts collection centre in Nigeria.

30 finalists were camped for 14 days in Lagos to embark on a journey of skills acquisition, promotion of the Nigerian cultural diversity and building unity and cordial inhabitation.

 

 

 

 

 

 

During the camping, the 30 finalists had myriad activities as they worked together in groups named after legendary amazons in Nigeria history, Ladi Kwali, Margaret Ekpo, Queen Moremi, Queen Amina, Queen Nana Asma’u, and Flora Nwapa.

Every group is saddled with different tasks to measure and inculcate the spirit of teamwork and cooperation.

 

 

 

 

 

 

 

 

Also, to achieve the objective of the show which is to make the Nigerian girl-child independent, the contestants were taken through 6 skills, Make Up, photography, Batik, painting, catering, and social media marketing.

The ladies had a lot of fun in camp while they played games such as puzzles, local games, dancing competitions, and dramatic performances. They also had a feel of Lagos as they paid a courtesy visitation to the CEO of AKModel Groups and cheered themselves at Dan & Den Club, Beachside, Elegushi.

 

 

 

 

 

 

 

It was a colourful and tense moment during the grand finale ceremony as the 30 finalists, representing different States in Nigeria, cheered their fans and the judges with their beauty and cultural outfits. The finalists took everyone back to their source with lots of thrilling dance performances and songs.

The event became tense as it was time for the 8 carefully selected experienced professionals from different fields to judge, decide the fate of the 30 finalists and pick the 8 title holders. The 30 finalists are Abidemi Adegbasa (Miss Arts Imo), Biana Oranu (Miss Arts Anambra), Elizabeth Adekunle (Miss Arts Abuja), Joy Yakubu (Miss Arts Kogi), Ayomiposi Balogun (Miss Arts Nasarawa), Christianah Adenuoye (Miss Arts Benue), Oyinkansola Olatoye (Miss Arts Ogun), Boluwatife Bayode (Miss Arts Niger), Jennifer Otor (Miss Arts Delta), Oreofe Oguntola (Miss Arts Oyo).

 

 

 

 

 

 

 

Others include; Fathia Tijani (Miss Arts Ebonyi), Damilola Oloruntoba (Miss Arts Bauchi), Kolade Oshadare (Miss Arts Ondo), Nancy Idara (Miss Arts Akwa Ibom), Oluwakemisola Adesoba (Miss Arts Ekiti), Damilola Balogun (Miss Arts Sokoto), Mary Bamilosin (Miss Arts Kebbi), Bukola Agboola (Miss Arts Plateau), Faith George (Miss Arts Katsina), Ayomide Omotunde (Miss Arts Taraba), Clear Nwonye (Miss Arts Enugu), Oyindamola Bakare (Miss Arts Kaduna), Victoria Atitebi (Miss Arts Adamawa), Omotolani Adelakun (Miss Arts Eko), Pearl Praise Samuel (Miss Arts Edo), Faith Ozehudu (Miss Arts Abia), Oreoluwa Bamidele (Miss Arts Kwara), Pearl Ikhioya (Miss Arts Rivers), Regina Abisha (Miss Arts Cross River), and Comfort Akerele (Miss Arts Osun).

The top 8 contestants of the show were decorated, Oreoluwa Bamidele as Miss Arts Etiquette, Abidemi Adegbasa as Miss Arts Natural, Oyinkansola Olatoye as Miss Arts Tourism, Oreofe Oguntola as Miss Arts Culture, Ayomiposi Balogun as Miss Arts Unity, Omotolani Adelakun as Miss Arts 2nd Runner-up, Elizabeth Adekunle as Miss Arts 1st Runner-up, and Biana Oranu was crowned Miss Arts Nigeria 2022.

 

 

 

 

 

 

 

 

 

The top eight were selected among the 30 finalists of the show based on the cumulative score of their camp ratings, voting, and judges’ decisions on the Grand-finale.

The winner of the maiden edition, Biana Adaeze Oranu, who represented her State of Origin at the show, Anambra, was presented with a brand new car, a year’s salary of N1 million, 200k wardrobe allowance, an all-expense-paid trip to some tourist sites in Nigeria courtesy of the sponsor Oshodi Arts Gallery, a plot of land at Lekki corridor courtesy of AKModel Groups, and an all-expense-paid trip to Malaysia courtesy of Erelu Funmi Rotiba.

 

 

 

 

 

 

 

 

 

While the runners-up go home with a cash prize of N750,000 and N250,000 respectively plus a plot of land each at the Lekki corridor courtesy of AKModel Groups, visitation to tourist destinations in Nigeria. Other title holders of the show will be receiving N20,000 each in recognition of their creativity and talents.

Also honoured alongside the beauty queens is the Astute, industrious philanthropist, Princess Rosula Osula Mku-Atu, who was honoured as the Miss Arts Nigeria Beauty and Empowerment Reality Show 2022 Woman of the Year.

 

 

 

 

 

 

 

 

The head of the production company, Fanafillit Integrated Concepts, Olubode Mac Oserinde congratulated the winners and the finalists of the Miss Arts Nigeria Beauty and Empowerment Reality Show 2022 and advised the beautiful ladies to be catalysts of developmental change.

He also appreciated the brand supports of the show, Lagos State Signage and Advertisement Authority, Seven-Up Bottling Company, Primero Transport Services Ltd., Waptv, Shorjay Makeovers, Sangloos Media, HipTv, La Beauty Collections, Steve Ray, Beeth Concepts, Coach JonnyB, Olayinka Adire Allabela, Olumide Faturoti, Epee Tech Solutions, AKModel Group and a host of others for their relentless efforts and support with the search for the Miss Arts Nigeria 2022.

Entertainment

Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound

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Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound 

By : Alhaji Arems (Baba Fuji)

 

 

In an industry where virality often overshadows steady growth, Nigerian artist Shanko Rasheed is taking a different route — one defined by gradual expansion, cultural fusion, and strategic international movement. From early releases to touring activity across North America, his trajectory reflects a new class of Nigerian artists who are less visible in headlines but increasingly active on the global stage.

 

 

 

 

A Sound Rooted in Tradition, Shaped by Modern Influence :

 

 

At the core of Shanko Rasheed’s artistry is a blend that feels both familiar and forward-looking: Afro-fusion layered with Fuji influences.

 

Fuji, a genre deeply rooted in Yoruba musical tradition, is known for its percussive intensity, vocal cadence, and spiritual undertones. By merging this with Afro-fusion — a broader, globally digestible sound palette — Shanko positions himself in a lane that bridges:

• Street authenticity

• Cultural heritage

• Contemporary accessibility

 

 

 

 

This hybrid approach aligns with a wider movement in Nigerian music, where artists are increasingly revisiting indigenous sounds and recontextualizing them for modern audiences. However, unlike more mainstream acts who polish these elements for pop appeal, Shanko Rasheed appears to lean into the rawness of Fuji-inspired delivery, giving his music a distinct edge.

 

 

 

 

Building Beyond Borders : Touring The United States And Canada

 

 

One of the clearest indicators of Shanko Rasheed’s growth is his international touring footprint.

 

In the past year, he has:

• Performed across parts of the United States, expanding his reach beyond Nigeria

• Secured upcoming tour dates in Canada for the summer, signaling continued demand within diaspora communities

 

For an artist still in the early stages of mainstream recognition, this level of cross-border activity is significant. It suggests:

• An existing audience base outside Nigeria

• Strategic connections or grassroots promoters within diaspora circuits

• A willingness to invest in physical presence rather than relying solely on digital growth

 

 

 

 

The Nigerian diaspora has long served as a testing ground for emerging talent, and artists who successfully tap into that ecosystem often build loyal, high-engagement audiences before breaking into wider markets.

 

 

 

 

Lifestyle Signals And Artist Positioning :

 

 

Beyond music and touring, Shanko Rasheed’s recent acquisition of a Mercedes-Benz adds another layer to his public image. While such milestones are common in the music industry, they often serve a dual purpose:

 

 

• A personal achievement marker

• A branding signal reinforcing upward mobility and success

 

 

 

 

In the context of an emerging artist, it also reflects a narrative of progression — from early-stage hustle to visible rewards. When communicated effectively, these moments can strengthen audience perception and credibility, particularly within genres that value both authenticity and aspiration.

 

 

 

 

The Visibility Gap : Present, Yet Underdocumented

 

 

Despite these developments, Shanko Rasheed remains underrepresented in mainstream media and digital indexing. There is limited:

 

 

• Press coverage

• Editorial playlist visibility

• Structured artist profiling

 

This creates a noticeable gap between activity and awareness. In practical terms, he exists in a space where:

 

The work is happening, but the story hasn’t been fully told.

 

For many artists at this level, this gap can slow momentum. However, it also presents an opportunity to shape a narrative deliberately, rather than reacting to one formed by external media.

 

 

 

 

A Strategic Moment For Definition :

 

 

Shanko Rasheed’s current phase can best be described as pre-definition — a period where the foundation is in place, but the identity is still being formalized in the public eye.

 

 

 

 

He has:

• A developing catalog on streaming platforms

• An active social media presence

• International performance experience

• A culturally rooted sound with crossover potential

 

 

 

 

What remains is the alignment of these elements into a cohesive narrative that audiences — and industry stakeholders — can easily understand and engage with.

 

In a Nigerian music landscape often dominated by rapid breakout cycles, Shanko Rasheed’s path highlights an alternative model:

 

 

• Build steadily

• Expand geographically

• Refine sound identity

• Let audience growth follow organically

 

His fusion of Afro-fusion and Fuji also contributes to a broader cultural conversation about the preservation and evolution of indigenous sounds. As global listeners become more receptive to genre-blending and cultural specificity, artists operating in this space are well-positioned to benefit.

 

 

 

 

Shanko Rasheed may not yet be a household name, but his movements suggest an artist laying deliberate groundwork for long-term relevance. With international tours, a distinct sonic direction, and visible personal milestones, he is steadily transitioning from obscurity to recognition.

 

 

 

 

Beyond his professional strides, Shanko Rasheed has also faced personal tragedy. The Fuji singer reportedly lost his first son, Jamaldeen Atanda, on February 27, 2026. While details surrounding the loss remain private, the moment marks a deeply personal chapter in his life, unfolding alongside a period of growing international visibility.

 

 

 

 

The next phase of his career will likely depend not just on the music itself, but on how effectively his story is documented, distributed, and amplified. If aligned properly, his blend of Afro-fusion and Fuji — combined with his growing global footprint — could position him as one of the more compelling emerging voices in Nigeria’s evolving music scene.

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother

-Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’

 

 

A young man doing well in life is often defined by a disciplined, and purpose-driven approach to his personal and professional growth. 34-year-old Lagos State born social media influencer, Olalekan Akeem Akintola, disclosed in this interview that he has cultivated the habits and mindsets of a young man determined for long-term success before he attained age 21. He said he continually updated his knowledge and skills to keep up with changing demands and trends even before he left Nigeria for Europe in search of greener pastures at age 29. Other than his talent alone, Akeem noted that his becoming successful abroad was not all by luck, but mostly by being kind and respectful. He also revealed the secret behind his popular social media nickname, ‘oko awon single mothers’. And more…

 

 

 

 

 

What do you love about yourself?

 

What I love about myself is that I am a very determined person. When I am determined to do something I don’t look back. I just go into it not minding what the result would be and I don’t care about what anybody would say.

 

 

 

Tell us about your marital life.

 

I was married. But I’m a single father now (general laughter).

 

 

 

 

 

What year did you travel abroad and how did you manage to succeed abroad?

 

I traveled out of Nigeria in 2021. I’m currently in Europe, Germany, South Cyprus to be precise. I worked in the kitchen. To be honest, my experience abroad wasn’t an easy one. Thank God, today I have my citizenship documents and I’m living fine. It wasn’t easy getting to this level. I give God the glory.

 

 

 

Who are the most special people in your life?

 

The most special person in my life is my mum. Then my kids and my mum’s families, especially Sister Iyabo and Sister Nofisat. My mum’s families are so special in my life because they have been very supportive of my life.

 

 

 

Tell us about your experience helping a sick lady, Keji, whose matter has gone viral on social media.

 

This lady, Keji, came into my Instagram inbox and told me that she was sick and needed help. Ordinarily, I do use my platform to help people, especially those who are sick. There was a time I ignored her and didn’t attend to her complaints. But when she showed me the evidence and pleaded that I should help her, I had to support her. I am the person that sent her to see Agbala Gabriel pastor. But I didn’t know that he was going to mess up.

 

 

 

What type of people do you love to be around you?

 

I love to be around people who are friendly, ready to help and very supportive. I do not like people with negative vibes.

 

I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’  

 

You’re a young guy, why do people call you ‘oko awon single mothers’?

 

There was a time I used to abuse single mothers; what they were doing, why did they leave their marriages and so on. I saw it as an abnormality. But I came to realize that my mum is also a single mother and I said why should I be insulting single mothers when I was also raised by a single mother. So, I had to start making videos about single mothers, praising them and talking about their challenges and qualities. Since that time, single mothers started calling me ‘oko awa single mothers’ (husband of us single mothers).

 

 

 

Do you make so much money through social media posts or you have a job that gives you the biggest?

 

Yes, I make money on social media. I also work in the kitchen as a chef. I’m into kitchen stuff here abroad and it pays me well. Also, I run adverts for people on my platform and I make a lot of money from it.

 

 

 

You are very popular among society women; how did you make it happen?

 

All I can say is thank God. I don’t know how it happened. I just found myself with millions of fans and followers. People really love me, especially older society women who fondly call me ‘oko wa’ (our husband).

 

 

 

What is your success tip for young people like you?

 

My advice for young people like me is that whatever they’re doing they should keep doing it. They should be consistent. Keep doing it, don’t relent and don’t look back. When I started out on social media, I was bullied, cursed. I never envisaged where I am today. I never expected that people would be talking about me sometime in the future. But here I am. I never saw this coming. I really thank God for everything. So, let us just keep doing whatever we are doing. There’s light at the end of the tunnel.

 

 

 

Are you fully in the entertainment industry or on part time?

 

I work and I’m fully back in the entertainment industry.

 

 

 

 

 

You look so young despite your age, what’s the secret?

 

The secret is that I maintain physical fitness, I do regular workouts. I know that a strong body supports a strong mind.

 

 

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Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

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*Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

Abuja, Nigeria – The Actors Guild of Nigeria (AGN) announces the appointment of Amb. Princess Chelsea R.C. Nwodo as the new Chief of Staff to National President, ALHAJI SANUSI ABUBAKAR YAKUBU. This strategic move underscores the Guild’s commitment to excellence and its dedication to fostering a more efficient and effective leadership structure.

 

Amb. Nwodo brings a wealth of experience and expertise to her new role, having served as a National Deputy Secretary (Emeritus) and demonstrating exceptional leadership skills and a deep understanding of the Guild’s vision and mission. A respected member of the Nigerian entertainment industry, she is also known for her dedication to promoting actor welfare and advancing the Guild’s interests.

*A Proven Track Record*

Amb. Nwodo’s appointment is a testament to her outstanding contributions to AGN and her commitment to serving the Nigerian film industry. Her philanthropic efforts and advocacy for social causes have made a positive impact on Nigerian communities, She’s also the CEO of CHELSEA NWODO’S FOUNDATION a foundation known for its unique cultural expression and alliance with many state government including Delta state government and so on.

*About the Actors Guild of Nigeria (AGN)*

The AGN is the governing body for professional actors in Nigeria’s Nollywood film industry, established in 1998 with over one million members across the six geopolitical zones of the federation. The Guild promotes actor’s welfare, protects their rights, and advances the Nigerian film industry.

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